Category Archives: The June Swoon

The Great Flood (2025)

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June 28

Movie 28

We are down to three final days of June for the June Swoon, with today’s entry being a Korean sci-fi/disaster film called The Great Flood.

According to IMDB, “A great flood has hit planet Earth. People, including An Na and Hee Jo struggle to survive in their apartment building, which is sinking into the water. An Na is an AI development researcher and Hee Jo belongs to a human resource security team, who is trying to save An Na from the disaster. But why is Hee Jo trying to save An Na and who is behind it?“

There are some solid moments in The Great Flood. However, the film takes way too many sudden shifts to be effective. Every time the sci-fi elements work their way into the story, it weakens what had come before it. They dropped the sci-fi story in the middle of this disaster film about a flood and it pulled me out of what was happening.

These different genres did not play well together in this movie. An Na (Kim Da-Mi) does a good job of showing the panic of the situation and her desperation in trying to recover her son, Ja-In (Kwon Eun-sung). The kid was both decent in his role and extremely annoying, depending on what the plot needed him t be.

The film looked great and some of the flooding scenes were really strong. However, the sci-fi scenes just messed with the story and the imagery of the sci-fi stuff did not work for me.

I got to the point where the characters lost me and I did not feel compelled to root for them any longer. The film felt way longer than the run time would indicate and had me wondering how much longer it was going.

Still, it was not the worst movie of the June Swoon 5, and if you get past the story aspects of the sci-fi, the disaster movie scenes were solid. It’s a mishmash of a film that could have been better than it was.

Urchin (2025)

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June 27

Movie 27

The June Swoon 5 takes a serious turn into the world of independent film with a British movie called Urchin, written and directed by Harris Dickinson.

According to IMDB, “A young addict living on the streets of London is given a shot at redemption, but his road to recovery soon curdles into a strange odyssey from which he may never escape.”

When I called this an independent film, this is what I would consider a clear definition of that term. This movie is not about a plot. It follows the main character of Mike in scenes from his life as he moves through it. It is absolutely a character study about Mike, this homeless addict who has to do things to survive. Those things lead to him facing consequences. Every scene is basically scenes of his life and the story is basically Mike’s life.

Frank Dillane played Mike and he does a tremendous job in his role. You feel for him even as he is making poor choices.

Another trait of an independent movie is that the ending is a weird, artsy end. Urchin has that and I am not sure how I feel about it. It doesn’t fit with the rest of the movie so it felt like it came out of nowhere and it leaves the film up for serious interpretation.

I thought this was an intriguing movie, but I am not sure how I felt about the ending. Great performances and a tone of sadness surrounds the movie. It is very emoptional.

Chainsaw Man – The Movie: Reze Arc

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June 26

Movie 26

I was able to pick up Chainsaw Man – The Movie: Reze Arc on Amazon yesterday during Prime Days, I had to do a quick Wikipedia search which told me that this was a sequel to Tatsuki Fujimoto’s Chainsaw Man, a season of manga from Japan.

According to IMDB, “Denji became ‘Chainsaw Man’, a boy with a devil’s heart, and is now part of Special Division 4’s devil hunters. After a date with Makima, the woman of his dreams, Denji takes shelter from the rain. There he meets Reze, a girl who works in a café.”

I will say that I was confused by this for a good chunk of the runtime. It makes sense since I never watched the manga series Chainsaw Man that preceded this. I am sure that if I had watched that series, I would be considerably more up to date with what was going on in this movie.

However, despite the fact that a lot of the details were confusing, I enjoyed this animated film. There were a bunch of positives. I did love the character of Denji as himself. He was very relatable and I liked spending time in the movie with him. The character designs on all of these manga characters were savage and very eye-popping. The animation was beautiful, as one would expect in this format.

The violence was brutal, bloody and barbaric. The last twenty minutes of the film was as violent as any film from last year.

But the violence was not the reason this film stood out. It was the relationship between Denji and Reze, which took several turns during the film, but it absolutely shined through the story.

I watched the English dubbing with a series of voice actors who did a solid job. Some of the main voice actors included Ryan Colt Levy, Alexis Tipton, Suzie Yeung, Derick Snow, Sarah Wiedenheft, and Josh Bangle.

I have a feeling that a fan of the show would have been even more enthusiastic over this movie. I thought it was pretty good as is.

Crash Site (2025)

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June 24

Movie 24

It is the last Wednesday of the June Swoon and I needed to pull out one more live action short. I searched through YouTube and I found a short called Crash Site that starred Steven Yeun and Sam Richardson. I like Steven Yeun a lot so I made this be my short for the June Swoon 5.

To summarize this, Crash Site sure seems as if this is “What if Close Encounters of the Third Kind came to us as SIMON, the game of electronic game of short-memory skill.

According to IMDB, “Two men discover the crash site of a mysterious object. As one of them begins investigating the strange find, his fascination soon turns into a dangerous obsession.“

The mysterious object is a weird black box that Steven Yeun takes home with him after they saw this crash. He then goes about trying to figure out what it was. It was literally like SIMON and made little beeps as he pressed buttons.

The story then started as someone arrived, pounding on his door and breaking in…just as SIMON was starting to work.

Then the film was done.

This felt like a short that was way too short. The story was missing rising action and a climax. All we got was an inciting incident.

There was so much more that what was here. I am amazed that you got a big star like Steven Yeun (and Sam Richardson, who was there for a minute) to do this.

I liked the short, but it was so incomplete that it was hardly worth watching.

Nouvelle Vague (2025)

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June 23

Movie 23

During the June Swoon, I have had the opportunity to watch several foreign films over the years. Today, I watched a French film from director Richard Linklater called Nouvelle Vague. Nouvelle Vague told the story of the filming of the French New Wave classic “Breathless” from director Jean-Luc Godard.

I had a little bit of trouble getting into the movie at first, which might have had to do with the French speaking going on, but it was not too far into the movie that I had become enthralled with the wild portrayal of the filming of the movie. Godard was anything but a typical director and his style and chocies were driving the people around him crazy.

Guillaume Marbeck played Godard with a flare and a carefreeness that was contagious. The performance of the lead actress of the movie, Jean Seberg, played by Zoey Deutch, was outstanding. She played both the joy of the creation of the film and the frustration of not understanding Godard’s vision beautifully and I thought she was a standout of the movie. She had chemistry with Aubry Dullin, the actor who played Jean-Paul Belmondo, the lead character of Breathless.

The film was shot in black and white and it helped to create the mood of the story. It was a lovely looking film that helped portray how unconventional Godard’s style.

The non-English speaking films are some times pushed back on my watchlist because of the subtitles, but i am glad that I watched Nouvelle Vague. It gave me an insight into a film classic and the different ways someone could create art.

Eternity (2025)

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June 22

Movie 22

Today’s June Swoon 5 film is one that I am torn about. It was on Apple TV and it was entitled Eternity, starring Elizabeth Olson, Miles Teller and Callum Turner.

According to IMDB, “In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.“

Elizabeth Olson played Joan, who spent 65 years married to Larry, played by Miles Teller. Larry died before Joan, as he choked on a pretzel. Joan died soon after from a terminal cancer. Joan was married once before to Luke, played by Callum Turner, who died during the Korean War.

When someone died, there is a waiting area where souls have to decide where their eternity is going to be spent. However, Luke had waited for Joan and now she had to make a decision between her first love and the man she spent her entrie life with.

There were several specific details that bothered me about this premise that stuck with me through the film. The entire idea of this afterlife bugged me. A soul has to pick an eternity and cannot change that choice. That means that you may never see family or friends unless they chose the same eternity. That was bothering me as the film moved on.

Another issue I have is the situation Joan is placed into by everyone around her. She had to choose between her two husbands and I think it is an unhappy premise of the story that was not something I liked.

All of these actors are great and they do excellent work, even though I am not a fan of the story. Da’Vine Joy Randolph played Anna, a soul who helps recently deceased souls with the transition. She was perhaps my favorite part of the film as she was wonderful once again.

The ending of the story, without any spoilers, was fair and helped to balance out my thoughts on the movie as a whole.

There were so many little details that bugged me about the film that it kept me from enjoying it fully. It was still a decent flick that I did not hate watching.

Downton Abbey: The Grand Finale (2025)

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June 21

Movie 21

I did not watch the TV show Downton Abbey, and I was never that interested in seeing the previous two movies. I ignored them each, and wound up watching them in June Swoons or other binges. Funny thing is that I then enjoyed the movie after watching it.

So when the Downton Abbey: The Grand Finale came out in 2025, it did not surprise me that I was not interested in seeing it, even though the previous movies were very enjoyable for me. I even think I can remember thinking that this finale would be a good film for the June Swoon.

Once again, the film was a fun and enjoyable time, even if I am not as familiar with these characters as someone who was a longtime viewer of the TV show.

According to IMDB, “When Mary finds herself in a public scandal and the family faces financial trouble, the household grapples with the threat of social disgrace. The Crawleys must embrace change with the next generation leading Downton Abbey into the future.”

The whole Mary scandal felt odd considering how many people in the world are divorced, but I understand there was a different time and perception at this.

My personal favorite character in the film was Noël Coward, played by Arty Froushan. Coward was a real life English playwright, composer, director, actor, and singer and Froushan played him wonderfully in a short role. I did not realize until after that Froushan played Buck on season two of Daredevil: Born Again, and he was awesome there too.

I am sure fans of the show would have been more emotionally connected than I was, but I did like most of this film. I am glad that I saw it in the June Swoon again.

Sovereign (2025)

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June 20

Movie 20

I’m not sure how to feel about this one.

Sovereign was a film starring Nick Offerman and Jacob Tremblay that I found after an exhaustive search for a film this morning for the June Swoon 5. Nothing was tripping my trigger until I came across this movie on Hulu. I like both of the actors of this film (which also included Dennis Quaid) and it had a high Rotten Tomatoes score so I decided to put it on.

It was a film that I had a problem with becoming engaged with as the character played by Offerman, Jerry Kane, was such a brusque, unwavering individual with thoughts and opinions that were revolutionary or conspiratorial. It was clear that Jerry had been indoctrinating his son Joe (Tremblay) into his way of thinking, even though Joe did not always seem to be okay with the ideas.

Watching these two interact with the world and the eventual results of the choices was heartbreaking and very difficult to watch. The film certainly did not leave me with a positive feeling.

Both Nick Offerman and Jacob Tremblay played their roles brilliantly. There was a raw, visceral feel around the characters. Jerry stuck in his ways and lost in himself and Joe who could see a way out, but was tied to his father.

This film is based on a true crime drama and, as I said, I am split on it. I did not find the experience of watching Sovereign an enjoyable one, but the two main performances were so excellent that I am glad that I watched it. It did not leave me in a positive mindset, but there are a lot of strengths to the creation of the film including some wonder cinematography and direction that make the film special.

It is one of those movies that I am glad to have seen but never want to watch again.

Sarah’s Oil (2025)

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June 19

Movie 19

Today is Juneteenth and, in honor of the holiday, I watched a movie called Sarah’s Oil, which was a film that had been on my Amazon Prime watchlist for awhile now. It was on there for so long because it sounded as if it was not going to be a movie that I was not going to like.

However, it was such a great film. I was fully engaged and entertained by the story, the characters, and the relationship between Sarah and Bert. I was in on the show immediately, and the time of the film just flew by.

According to IMDB, “The remarkable true story of eleven year old Sarah Rector, an African American girl born in Oklahoma Indian Territory in the early 1900s, who believes there is oil beneath the barren land she’s allotted and whose faith is proven right.”

Naya Desir-Johnson does a tremendous job as the titular character. I loved how this character was well-spoken and intelligent and not serving any fools. She has great chemistry with Zachary Levi, who played Bert Smith, a Texas wildcatter and con man. This center relationship is important to the movie and, while it is a basic story, they fit very well together.

The prevalent racism of the time (Early 1900s in Oklahoma) is dealt with in this movie and, while it is not out front, the reach of it is felt throughout the story. It is under practically every scene, especially those with people in the town. It just felt as if that was the way it was.

The film was exciting and tense, even though it does feel kind of predictable. The biopic does a really great job of presenting this story in an entertaining way.

Naya Desir-Johnson would have made the list for the “I See Kid Actors” Award last December had I seen this. She doesn’t win the award, but she absolutely deserved to be recognized.

Descendent (2025)

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June 18

Movie 18

I found this movie while searching through Amazon Prime (technically it was on AMC +) for 2025 films that I missed. I had never heard of this movie, but the premise sounded intriguing so I put it on the June Swoon 5 playlist.

Descendent (which is a poor title in my opinion) was written and directed by Peter Cileila, starring Ross Marquand (Aaron from the Walking Dead, as well as a voice actor for the MCU) and Sarah Bolger.

According to IMDB, “A troubled LA school guard, haunted by family tragedy, experiences strange visions after a mysterious light appears in the sky. As his wife’s due date approaches, he races to face his demons before his growing obsession consumes him.“

I must warn you that this movie, though listed as sci-fi thriller, is really more of a character study and it does drag at times because of that. If you read that summary and thought the “mysterious lights” was going to accompany a lot of sci-fi moments, you would be incorrect. There are several sci-fi scenes, but it is not the core of the story.

That core is the psychological problems being dealt with by Sean (Ross Marquand) as his wife Andrea (Sarah Bolger) was having a baby. For me, these characters, especially Sean, were very intriguing and felt as if I wanted to know about them. Seeing how the sci-fi elements fit in the story was an extra treat.

Ross Marquand did a great job with the multiple issues facing Sean. He was confused and lost one moment and angry and off-balance the next. You wondered exactly what he might do during the whole film because of the traumas of his past.

I am not sure how I feel about the ending. The final shot made me wonder what was happening and disappointed that I would not find out.

This is a good film that makes a solid watch if you need something to do. I’m not sure it is worth searching out to see, but if you have AMC+ or can access it on Prime, it is worth it.

Hallow Road (2025)

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June 17

Day 17

This morning, I watched a psychological thriller/horror film called Hallow Road, and it disturbed me. It was tense and taught, but I am not sure how I feel about the ending.

According to IMDB, “Two parents enter a race against time when they receive a distressing late-night phone call from their daughter after she caused a tragic car accident.”

The film featured two outstanding performances at the center of the story from Rosamund Pike and Matthew Rhys. When I saw Matthew Rhys attached to this film, I was excited as I am truly enjoying his work on Apple TV’s Widow’s Bay. I did not realize that Rosamund Pike was involved until the movie was underway.

Both Rhys and Pike were amazing as panicked parents responding to their daughter’s desperate phone call in the middle of the night. They each showed the entire gamut of emotions as the situation grew worse. Most of the movie took place with the parents inside their car, speaking to their daughter on the phone. The helplessness they felt came through with every new revelation and every unexpected twist.

When it became clear that this movie was taking a shift from compelling family drama into something more mysterious, I was not sure how to feel. While, the unnatural story beats worked as a surprise, I am not sure that it was the route I wanted to see the movie take. It was a sudden shift that, while teased, felt like it came out of nowhere.

However, the film was full of suspense the entire time and the result at the end was powerful. I wonder how powerful it could been if it did not have the twist of story.

The fantastic acting of Pike and Rhys carries this movie and they alone are reasons to see it. I found this on Hulu after a friend’s review from earlier this year.

Ash (2025)

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June 16

Day 16

Today kicks off the second half of this year’s June Swoon 5 with a sci-fi/horror film on Hulu called Ash. Directed and scored by Flying Lotus, a DJ, rapper, filmmaker and record producer, Ash feels like a mixed bag.

According to IMDB, “A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.“

The good parts of Ash included the lead performance from Eiza González as Riya, the woman who wakes up and is confused by the gore and death around her. González did a very strong job of expressing her confusion and fear of the situation that she found herself in.

Another positive is the look and the sound of the film. The score made the film standout from some of the other entries in the subgenre of space monster/horror. The score kept the audience on their toes and uneasy as the mysteries unfurled around Riya. The film’s special effects and imagery was also top notch as everything, especially the body horror aspects of the film, looked specifically frightening or horrendous.

The biggest problem is that this movie, story wise, does not even try to attempt something different than what we have seen before. There are scenes that feel as if they were taken directly out of Alien or The Thing or Event Horizon or Cloverfield: Paradox or many other space monster films.

The film leaned hard on cliches throughout the entire movie. Riya had amnesia at the beginning after awakening to find everyone dead. I mean… was there ever any question about what had happened here? Aaron Paul’s character Brion was very cliche as well. The only thing not cliche about him was that he spelled his name with an “o” instead of an “a.”

The film was only 1 hour and 35 minutes long, but it felt much longer than that. It dragged through the first two thirds of the movie before a fairly spry final act helped pick up the action. I am not opposed to slow burns, but there needed to be something more entertaining during that slow burn to engage my mind. This did not have it.

The film looked great, sounded great and had a decent lead performance, but there is just not enough of anything else to make this anything but a forgettable flick.

Mr. Nobody Against Putin (2025)

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June 15

Day 15

Today’s June Swoon 5 film is another Oscar winner that I had not seen prior to today. It won the Academy Award for the Best Documentary Feature in 2026 and it was entitled Mr. Nobody Against Putin.

My initial thoughts were that this was about the war in Ukraine, and, while the Ukraine War was a major theme of the film, the center of the doc was different.

Pavel Talankin was the main character of the doc, and he was a teacher/teacher organizer/school videographer at a school in the Russian city of Karabash, a town known as the most toxic and poisonous town in Russia. Pavel began filming in earnest after the Russian invasion of Ukraine in 2022, when the Russian government required schools to have regular “patriotic displays” and use state-written curriculum.

Pavel was always one for openness and freedom, proving what he called a safe space for the students to express themselves. These governmental requirements became such an opposition to what he believed that he went as far as to resign. However, when he was contacted by  director David Borenstein about a response Pavel had made to an Instagram post, Pavel rescinded his resignation to compile more film for a documentary on how the war was affecting the school he worked at.

There were some amazing moments in the doc, none more shocking than when, prior to a Russian flag ceremony at the school, Pavel played the “Star-Spangled Banner” as performed by Lady Ga Ga. I was shocked that he was allowed to get away with that and that did not get him arrested or removed from the school.

The doc featured several other intriguing characters such as “Pavel Abdulmanov, a pro-Putin history teacher; a student named Masha, whose brother fights and later dies in the war; and former students who are drafted into the army“-(Wikipedia)

I was completely fascinated by this powerful, first person film and the perspective it brought to the situation that the school found itself in. As a teacher myself, I could not comprehend how I would react to the same situation and I pray that I never have to find out. Mr. Nobody Against Putin is a tremendous work with some extreme emotional moments.

Eden (2025)

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June 14

Day 14

Today’s June Swoon 5 film was on Netflix and it was directed by Ron Howard. It was entitled Eden and it is based on a true story.

According to IMDB, “Based on a factual account of a group of outsiders who settle on a remote island only to discover their greatest threat isn’t the brutal climate or deadly wildlife, but each other.”

The cast was remarkably strong and their performances were all exceptional. The cast included Jude Law, Daniel Brühl, Sydney Sweeney, Ana de Armas, and Vanessa Kirby.

These actors brought what they could to the film, despite that their characters were not written with much depth and were basically surface level.

There were some solid scenes and watching these characters back stab each other was a fun watch.

Ana de Armas was tremendously intriguing as the Baroness. She was very manipulative and used her sexuality in some very creative manners.

Eden was a mixed bag. Great actors with solid performances, but the story and characters were lacking at times. It was not a terrible watch, but it could have been so much more than what we got.

Arco (2025)

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June 13

Day 13

Last year when the Academy Award nominations came out, there was one film among the Best Animated Feature category that I had never heard of before. It was a French film called Arco. I placed it on the list for the June Swoon 5 immediately.

I found it streaming on Hulu and watched it this morning with the English dubbed version. I typically am not a fan of the dubbed version, preferring the original voices. However, since it was an animated film, I decided it would not be as jarring as a live action dubbed film would be. Plus, the voice cast seemed very impressive with Will Farrell, Juliano Krue Valdi (who played young Michael Jackson in the biopic film, Michael), Mark Ruffalo, Natalie Portman, Andy Samberg, Flea, and America Ferrera.

According to IMDB, “In 2075, a girl witnesses a mysterious boy in a rainbow suit fall from the sky. He comes from an idyllic far future where time travel is possible. She shelters him and will do whatever it takes to help him return to his time.”

The voice of Iris, the young girl who discovered Arco, was done by Romy Fay, a talented voice actor and singer-songwriter.

The film has several underlying themes in the story that kind of take a back seat to the lost in time aspect for Arco and iris. Some of the characters do not have the depth that they required, but they do seem to work together to form a tapestry of color and creativity. The imagery of the rainbows are lovely and the friendship between Arco and Iris is sweet, even if the backdrop of the world is horrific.

The oddball trio, led by the voice of Will Farrell, feels like something right out of anime. In fact, this reminded me of a Studio Ghibli film, only considerably shorter.

Arco was an enjoyable enough film that had a good message with some amazing visuals. I can see why it received an Oscar nomination.