Author Archives: Doc

Daily Countdown: Weird Al Songs #41

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#41

My Balogna

Title: “My Bologna”

Album: “Weird Al” Yankovic

Released: 1979

Parody: “My Sharona” by the Knack

Written: Berton Averre / Douglas Lars Fieger/Al Yankovic

Genre: Rock/Comedy

Topic: Bologna- satiring Oscar Meyer Bolognia of the 1970s fame.

Fact: Weird Al recorded this song in a bathroom at California Polytechnic State University. This became popular with the play on Dr. Demento’s show. The Knack helped get Weird Al his first record contract thanks to this song.

Lyrics

Ooh, my little hungry one, hungry one
Open up a package of my bologna
Ooh, I think the toast is done, the toast is done
Top it with a little of my bologna

Never gonna stop, eat it up
Such a tasty snack I always eat too much, then throw up
But I’ll soon be back for my, my, my, yi, yi, woo
M-m-m-my bologna

Spreadin’ on the mustard now, show me how
Spread it on a litle of this bologna
Hopin’ that we don’t run out, don’t run out
If we do I’m sure that I’ll miss bologna

Never gonna stop, eat it up
Such a tasty snack I always eat too much, then throw up
But I’ll soon be back for my, my, my, yi, yi, woo
M-m-m-my bologna
M-m-m-my bologna

Goin’ to the market now, market now
I’m the city’s biggest bologna buyer
Walkin’ down the shopping isles, shopping isles
Filling up my basket with Oscar Meyer

Never gonna stop, eat it up
Such a tasty snack I always eat too much, then throw up
But I’ll soon be back for my, my, my, yi, yi, woo
M-m-m-m-m-m-m-my, my, my, yi, yi, woo
M-m-m-my bologna
M-m-m-my bologna
M-m-m-my bologna
M-m-m-my bologna

Source: LyricFind

EYG Comic Cavalcade #203

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May 18

Another week, another Monday.

I think part of the fact that I have been having trouble getting this out on the weekend is that I have so many books each week. I remember the days when I only picked up Marvel Comics. Now, I get all kinds of companies across the comic landscape.

The huge variety is awesome, but does take some time to read. School has just a couple of weeks total before I am out on summer vacation, so the timing of the EYG Comic Cavalcade should switch up soon.

Comic of the Week

The Olympus Saga: Megalith #1

I had several potential choices this week for Comic of the Week, but I decided to go with this new Bad Idea book called The Olympus Saga: Megalith #1.

It was a cool idea. A giant megalith appeared in the middle of the city, causing destruction and danger and a group of first responders and military people try to figure out what is going on before everything is lost. I did not see the ending of this issue coming. I was thinking that this felt very cinematic, which was a way I used to describe Survive (a book last year that I loved). This is a great start and one of my favorite reads of the week.

Books this week:

Amazing Spider-Man/Venom- Death Spiral: Body Count #1. Written by Charles Soule with art by Kev Walker. Cover art was done by CAFU I(Silver Medalist). This is the wrap up of the Death Spiral storyline as we get the origin of Torment. We also get what seemed to be a brand new Torment… eventually, at least.

The Spectacular Spider-Man: Brand New Day #1. “Key to the Kingdom” Written by Dan Slott with art by Marcus Tu. Marcos Martin & Muntsa Vicente did the Tell-Tale Pages art. Cover art was done by Phil Jimenez & Alex Sinclair. I also picked up the variable cover F by Patrick Gleason. We are back in the Brand New Day timeline for a new story with Spidey and Mister Negative.

Black Cat #10. “Big If True” Written by G. Willow WIlson with art by Gleb Melnikov. Cover art was done by Gleb Melnikov & Edgar Delgado. I also picked up the B cover by Peach Momoko (Gold Medalist). Black Cat and Jonah Jameson meet up in the Negative Zone. Yeah, that sounds weird, I know.

Showdown #1. “The Two Killers of Michael Sullivan.” Written by Dave Wielgosz and illustrated by Tadd Galusha. Cover art by Steve Lieber & Dillon Snook. Trish has returned to her hometown with a mission. She blamed Harvey for the death of her brother. So when she returned from college, she had planned on killing him. However, some things are in the way. This was an interesting new book by Ignition Press.

D’Orc #4. “Trust Your Gut” Written, drawn and cover art by Brett Bean. D’Orc continues to be a lot of fun every issue. In this one, we see D’Orc and his friends take on a three headed dog. I find this book to be extremely enjoyable and funny.

Wolverine #20. “The Savage Champions” Written by Saladin Ahmed and art by Martin Coccolo. Cover art was done by Dan Panosian. Wolverine wrapped up the Adamantine storyline with his massive battle with the creature. Wolverine still has not had his claws back yet on his one hand. I wonder if they are leading to this being his new status quo for the current Marvel Universe.

Something is Killing the Children #47. “All Her Monsters” Written by James Tynion IV and illustrated and cover art by Werther Dell’edera. We are back with Jessica and Cecilia Slaughter dealing with the after effects of the Valmont Mountain Lodge incident. It was nice to get this book back after a bit of a lay off.

Innards #1. “Chapter 1: As Below, So Within.” Written by Rob Guillory with art and cover art by Sam Lotfi. This new book by Ignition Press dealing with a future world, post-nuclear attack. They are looking to mine the only energy mineral remaining- Lucifium, and you can only reach it by teleportation. This was a fun new book. Ignition Press has been doing quality work lately too.

Barbara Gordon: Breakout #1. “What Am I Doing Here?” Written by Mariko Tamaki and art by Amancay Nahuelpan. Cover art was done by Karl Kerschl. I have been looking forward to this new book as Barbara Gordon is on her was to the Big House. This was a great first issue and I considered it as the Comic of the Week.

Geiger #23. Creators are Geoff Johns & Gary Frank. This was a heartbreaker of an issue as Geiger finds his family for just a few moments, only to get pulled away from them. It was so sad. It looks as if Geiger is finding himself in World War II with Junkyard Joe.

Conan & Dragonero #1. “The Shadow of the Dragon” Written by Stefano Vietti & Luca Enoch with art by Lorenzo Nuti. Cover art was done by Roberto De La Torre. This new series is fabulous. It looked like Conan is back to his time traveling ways. I really liked this book and seeing these two together.

Uncanny X-Men #28. “And It Shall Come to Pass.” Written by Gail Simone with art by Luciano Vecchio. Cover art was done by Luciano Vecchio & Edgar Delgado. The weird storyline continues with the fake New Mutants (?) and the reveal of the identity of Inmate X. I have loved Gail Simone’s run on this book and every month I look forward to it.

Captain America #11. “Doom’s Shadow” Part 6. Written by Chip Zdarsky with art by Valero Schiti. Cover art was done by Valerio Schiti & Romulo Fajardo Jr. I also picked up the Variant Cover C by Chip Zdarsky (Bronze Medalist). Red Hulk faces off with Cap on Latverian grounds and it sure does not seem to go well for Cap.

The Fury of Firestorm #2. “The Fury Part 2” Written by Jeff Lemire and art was done by Rafael De Latorre. Rafael De Latorre & Marcelo Maiolo did the cover art. I really enjoyed this issue too. The background story between Ronnie and Stein was welcomed and the mystery of what is happening with Firestorm is fascinating. This has been one of my favorite new DC books so far.

Hidden Springs #1. Written by Rob Williams and art and cover art by Nil Vendrell. A group of old people on a trip to the woods come across a crash from space… and a gigantic monster. This was a Monsterverse story crossed with LOST and the X-Files. I enjoyed this new Dark Horse book.

The Mortal Thor #10. “Come at the King” Written by Al Ewing with art by Pasqual Ferry. Cover art was done by Alex Ross. Sigurd Jarlson has had enough and he walked straight into the Roxxon building looking to put this to an end. He had to face the Grey Gargoyle… and took care of him. He walked right into the Minotaur. Great issue.

Transformers #32. Written by Robert Kirkman and art by Jason Howard. Cover art was done by David Nakayama. We go this issue back to Cybertron to watch the battle being led by our new Elita Prime. There are a bunch of new Decepticons involved in the war on Cybertron.

Absolute Batman #20. “The Straw Man” Written by Scott Snyder with art by Nick Dragotta. Cover art was done by Nick Dragotta and Frank Martin. I was able to pick up Variant Cover C by Fabrizio De Tommaso. We get the appearance by the Robins as they are preparing to take on Batman.

Department of Truth #37. Written by James Tynion IV with art by Ben Templesmith. Cover art was done by Martin Simmonds. Dinosaurs? True Believer Charity and her church believe that humans and dinosaurs existed at the same time, and they believe that dinosaurs may still exist. And look to Hunky to answer that question.

Iron Man #5. “Advanced Iron Man” Written by Joshua Williamson and art by Carmen Carnero with Jan Bazaldua. Cover art was done by Ryan Stegman & Frank Martin. Adam Ware killed the Fixer. Ware is with the AIM organization, right at the head.

Voyeur #5. Written by Leah Williams and illustrated by David Baldeón. Cover art was done by Victor Ibanez. Voyeur #5 was a lot of fun and a lot of nudity. I thought this was considerably better than it should have been. This was the final issue of this short series and I am sad to see it go. This issue also has one of the more fun covers of the week.

Bleeding Hearts #4. Written by Deniz Camp and art and cover art by Stipan Morian. Have you ever seen a zombie having a tea party? Not only at a tea party, but having a damn great time? It sure seems that Poke is struggling with his own mind and his own perspective on who or what he is. But hey, who wouldn’t love Rabbit? One of the more original zombie stories you are going to read.

Tyler Rake: An Extraction Story #2. Written by Ande Parks and illustrated by Ronan Cliquet. Cover art was done by Declan Shalvey. The second issue of this Tyler Rake series from Ignition Press is great. This has been a surprisingly solid book so far as we get some action from Tyler Rake.

Other Books This Week: The Thing on the Doorstep #4, Hello Darkness #21, Blood & Thunder #13, Absolute Martian Manhunter #11, Ghost Pepper #11, Archie’s Movie Mania #1, Arcadia #5, Malevolent #4, and Terrorbytes #6.

Quick Hits: Tigress Island #3 came out this week. Things are getting real serious for these girls. The relationship between Illyana and Colossus are on display through this new Magik and Colossus #4, the penultimate issue of this series. W0rldtr33 #20 continues to be one of the more in-depth stories dealing with technology you will find. Doctor Strange is able to return to earth from Asgard in Doctor Strange #6, but it is temporary. I love how Clea and Wanda, who are guest starring, do not remember Thor, but Stephen does since he was in Asgard at the time. Clea believes Stephen is lying about the “Norse myth” stuff. LOL. Space Ghost #11 is the penultimate issue of season two. Things have been tough for Space Ghost. War Wolf #5 sees Thomas Bruin in some real trouble, but, again, we are not sure what the truth about what happened actually was. Ultimate Endgame #4 saw the death of another of our favorites as Captain Britain chopped off the head of Captain America. Dead By Daylight #2 could use some more hillbilly. Archie x The Army of Darkness #4 sees Archie and Ash trying to stop the Deadites. Joe Palmer’s Destination Kill #1 was a new #1 from Oni Press. I was not a big fan of this issue. Finally, Just Brutal #3 sees a real tragic event at the end of the book. It took a turn and the book may have taken a different path.

Daily Countdown: Weird Al Songs #42

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#42

Jurassic Park

Title: “Jurassic Park”

Written: Al Yankovic / Jimmy Webb

Album: Alapalooza

Release: 1993

Parody: “MacArthur’s Park” by Richard Harris

Topic: Jurassic park, the movie from Steven Spielberg

Fact: Al reached out to both Michael Crichton and Steven Spielberg for permission to parody the Jurassic Park film.

Weird Al has done many movie parodies in songs over the years including Star Wars: The Phantom Menace, Spider-Man and Rocky. Jurassic park joined that list with this lead track from Alapalooza.

I remember when this album came out. I was at Wal-Mart, looking at CDs when I spotted this new Weird Al album. I had no idea it was coming out and it was such an awesome surprise.

Lyrics

I recall the time they found those fossilized mosquitoes
And before long, they were cloning DNA
Now I’m being chased by some irate velociraptors
Well, believe me this has been one lousy day

Jurassic Park is frightening in the dark
All the dinosaurs are running wild
Someone shut the fence off in the rain
I admit it’s kinda eerie
But this proves my chaos theory
And I don’t think I’ll be coming back again, oh no!

I cannot approve of this attraction
‘Cause getting disemboweled always makes me kinda mad
A huge tyrannosaurus ate our lawyer
Well, I suppose that proves they’re really not all bad

Jurassic Park is frightening in the dark
All the dinosaurs are running wild
Someone let T- Rex out of his pen
I’m afraid those things’ll harm me
‘Cause they sure don’t act like Barney
And they think that I’m their dinner, not their friend, oh no!

Jurassic Park is frightening in the dark
All the dinosaurs are running wild
What a crummy weekend this has been
Well, this sure ain’t no e-ticket
Think I’ll tell them where to stick it
‘Cause I’m never coming back this way again, oh no, oh no!

Source: Musixmatch

Agents of Shield S4 E13, E14, E15

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Spoilers

“BOOM”

“The Man Behind the Shield”

“Self Control”

In season four, Agents of Shield was divided into three separate story arcs. The first arc was the “ghost Rider” arc, which incorporated the first 8 episodes. The next 7, which included these final three episodes, were under the “LMD” arc.

This arc was not my most favorite of the Agents of Shield show. Still, it was quite an enjoyable three episodes to end off this storyline and it lead perfectly into the next arc “Agents of Hydra”, which sees the Agents of Shield living their lives in the Framework, an AI-type world where their minds are inside this fake world.

The final of this arc was extremely suspenseful, especially as Simmons discovered that Fitz had also been replaced with an LMD. Not only Fitz, but Coulson, Mace and Mack were already LMDs and in the Framework. Watching Simmons stab LMD Fitz was so rough. Iain De Caestecker was great in this scene.

The scenes with Daisy and Simmons was very tense as well. This highlighted the strength of Elizabeth Henstridge as a performer.

Quake continues to be such a kick ass character. She is so great that you have to keep putting her in jeopardy to try and give some stakes for her.

Ada is becoming a sinister enemy who is programmed to protect the Framework. She killed Radcliffe and put his mind into the Framework, believing she could protect both the Framework and Radcliffe that way. Perfect thoughts from an android.

The Framework story goes into full gear next episode.

Sunday Morning Sidewalk #69

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Spoilers

Hulk Hogan: Real American

“The Rise”

This week, I start the next Sunday Morning Sidewalk show on Netflix, the documentary featuring the professional wrestler Hulk Hogan.

Hulk Hogan: Real American started off with images from Hulk Hogan’s funeral. Imagine working on your documentary, with plenty of access to Hulk Hogan himself, and have the subject die. It certainly gives the documentary series a beginning and an end.

The first episode was about the rise of Hulk Hogan, from a kid growing up in Tampa, Florida to the arrival of the biggest star the industry of Pro Wrestling ever saw.

There were plenty of interviews during the doc from not only Terry Bollea (Hulk Hogan’s real name), but also people he met and dealt with during the time such as Jerry Lawler, Bret Hart, Jimmy Hart, Brian Blair, and even Jesse Ventura.

The thing is that there was not much negative mentioned. They did not hear the negatives that you usually hear from Hart or Ventura about Hogan. They talked about him being green in the ring, which he clearly was. They mentioned Verna Gagne, but had no video of his opinion of Hogan.

The only negative was the time Vince McMahon Sr. fired Hogan for going to shoot Rocky III. The rest of this episode was basically the typical story of a wrestler making his way through the Indies to make it big.

They did make some references to some controversies surrounding Hogan, so I am interested to see exactly how they deal with the second part of his life. The early days are easy to show him as a “superhero” as his persona, but later on, things got tougher. Will they just touch on this or will this be a major aspect of the doc? I have my suspicions.

This was an intriguing start, but I want to see more in depth from this doc over the next three weeks.

Daily Countdown: Weird Al Songs #43

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#43

Ode to a Superhero

Title: “Ode to a Superhero”

Album: Poodle Rock

Released: 2003

Parody: “Piano Man” by Billy Joel

Written: Billy Joel/Al Yankovic

Topic: Spider-Man movie

Genre: Classic Rock

Two in a row from Poodle Hat after not having a song for the whole run up until yesterday.

Lyrics

Peter Parker was pitiful
Couldn’t have been any shyer
Mary Jane still wouldn’t notice him
Even if his hair was on fire

But then one day he went to that science lab
That mutated spider came down
Oh, and now Peter crawls over everyone’s walls
And he’s swingin’ all over town

La li la, li de da
La la, li le la da dumb

Sling us a web, you’re the Spider-Man
Sling us a web tonight
‘Cause we’re all in the mood for a hero now
And there’s evil doers to fight

Now Harry the rich kid’s a friend of his
Who horns in on Mary Jane
But to his great surprise it seems she prefers guys
Who can kiss upside down in the rain

“With great power comes great responsibility”
That’s the catch phrase of old Uncle Ben
If you missed it, don’t worry, they’ll say the line
Again and again and again

Oh, la la la, di de da
La la, di di da da dom

Now Norman’s a billionare scientist
Who never had time for his son
But then something went screw and before you knew he
Was trying to kill everyone

And he’s ridin’ around on that glider thing
And he’s throwin’ that weird pumpkin bomb
Yes, he’s wearin’ that dumb Power Rangers mask
But he’s scarier without it on

Sling us a web, you’re the Spider-Man
Sling us a web tonight
‘Cause you’re brave and you’re strong and so limber now
But where’d you come up with those tights?

It’s a pretty sad day at the funeral
Norman Osborn has bitten the dust
And I heard Harry’s said he wants Spider-Man dead
Aw, but his buddy Pete he can trust

Oh, and M.J. is all hot for Peter now
Aw, but Peter, he just shuts her down
Mary Jane, don’t you cry, you can give it a try
Again when the sequal comes ’round

Oh, la la la, di de da
La la, di di da da dumb

Sling us a web, you’re the Spider-Man
Sling us a web tonight
‘Cause we all sure could use us a hero now
And we think that you’ll do all right

Source: LyricFind

Remarkably Bright Creatures

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It has been a good couple of weeks for talking animal movies.

Last week, I was absolutely taken with Sheep Detectives and this week, I was able to watch the Netflix film starring Sally Field and Louis Pullman called Remarkably Bright Creatures. This featured an octopus, voiced by Alfred Molina (who coincidentally played Doctor Octopus in Spider-Man 2 and No Way Home) as the narrator.

According to IMDB, “Through unlikely bonds formed during night shifts at a local aquarium, Tova, an elderly widow, learns of a life-changing discovery that may bring her joy and wonder once again.“

Sally Field really came to work in this movie. Her portrayal as Tova was just so sweet and touching, but more than just that. She had a real emotional arc for her character and a tragic backstory that was impactful as could be. I was really impressed with her work in this movie.

I did not recognize Louis Pullman at first, but about midway through the movie, I thought to myself… “Hey, that’s Sentry… Bob.” He, as well, was fabulous, giving a depth to a performance with a character that could have been one note, but turned out to be extremely developed.

I also loved seeing Kathy Baker back on my screen. Kathy Baker was one of the stars of Picket Fences, a show that I loved, and it was just a nice surprise seeing her in this.

Alfred Molina’s narration was kind of odd, but it did provide some important relevant details as the movie progressed. Plus, there were some emotionally powerful moments with Marcellus, the name of the octopus that Molina was voicing. It took a little bit of time for me to get used to the idea, but by the end of the movie, this was an important role.

I enjoyed this story. Even though it did feel a bit scattered early on, it came together beautifully. I did enjoy the presence of Colm Meaney as Ethan. His character may have felt kind of unnecessary, but the film took time to actually give him a personality.

This was a lovely film with some solid characters and some excellent performances. It is available for streaming on Netflix and it is a worthwhile time.

4.5 stars

Is God Is

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I saw a horror movie this morning that felt like it was not a typical horror movie. After that, I went to see Is God Is, which is a revenge flick that did not feel like a typical revenge flick. It was a good day for creative filmmaking.

The title made no sense to me at all. Is God Is? What was that? Honestly, I almost did not go to the film, because the title had me confused. However, once I noticed which film this actually was (I have seen trailers for this), I was excited to see it.

According to IMDB, “Two sisters embark on an epic quest for revenge; confronting a charged family history that will push them to extraordinary lengths.”

This was a story not just about two sisters, but specifically about twins. Kara Young played Racine and Mallori Johnson played Anaia, twins who had lifelong scars when their father had attempted to murder their mother by setting her on fire. I don’t know if the actor playing their father is known, so I am going to not mention him by name, but this actor created an amazingly horrific individual.

However, there was more than just the pursuit of their father going on and it made me question whether I should be pulling for Racine during this film. I loved the level of shades of grey in the script, which I feel gets overlooked in a lot of revenge movies.

I loved the way the film showed the “twin mind link” by putting what the twins were thinking, as if they had a telepathic connection between them. They just knew what the other was thinking, but it still ended up with a conflict between the sisters in the movie.

There is a great ensemble of black actors in this movie including Vivica A. Fox, Janelle Monáe, Mykelti Williamson, Erika Alexander, Xavier Mills, Josiah Cross, and Justen Ross.

The flashbacks to the horrible events of the past really worked to keep the motivation of the twins going as it seemed to start off as a road film before changing into a brutal revenge flick.

Kara Young and Mallori Johnson are outstanding together. You buy them as twins who are so tight that they know what the other is thinking, and, because of that, the third act hits even harder. I found the ending very satisfying.

4.2 stars

Obsession

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I looked for the classification for this movie on IMDB and Rotten Tomatoes, and the new movie called Obsession was listed as a horror movie. Certainly, this is a horror movie, but I thought this would be labeled as Horror/comedy and there was no mention of comedy. I found much of this film funny, and so I am surprised that it was not labeled as a Dark or Black Comedy.

Fact is I have never had a movie that I can recall that made me laugh so much only to make me ridiculously uncomfortable and uneasy.

According to IMDB, “After breaking the mysterious ‘One Wish Willow’ to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.“

Michael Johnston played Bear and Inde Navarrette played Nikki, our two main lead protagonists. Navarrette, in particular, really reached the zenith of performances as she seemingly embraced the absolute insanity of this character. She clearly did not hold back anything on this film. She was so unsettling which was remarkable.

Part of the film’s most unsettling elements is the sound design. Nikki’s screams were so unnerving and the music was done so amazingly that I could feel my suspense and anxiety hyping up throughout the movie. It was absolutely noticeable and purposeful, and it worked extremely well.

I was surprised how funny this movie was and how much I felt bad when I was laughing. The situation is a horrible one and it has so many tragic undertones, yet there are scenes played for laughs that underscore the pain and tragedy. I think this is a very difficult balance to maintain, and I think Obsession does it expertly well.

I do think there are some scenes that could be cut down to make the film a little shorter. However, I would not touch the third act of the film, which was just wonderfully put together.

There are some deep characters here doing things that make you see them in different manners. Our protagonist, Bear, does not seem to be a very good person, or at least, his choices seem to outline him as a selfish person.

I thought this was one of the best horror movies of 2026 so far and I look forward to seeing where the career of Inde Navarrette goes from here as this feels like a breakout performance for her.

4.4 stars

Daily Countdown: Weird Al Songs #44

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#44

A Complicated Song

Title: “A Complicated Song”

Written: Graham Edwards / Lauren Christy / Avril Ramona Lavigne / David Scott Alspach/Al Yankovic

Album: Poodle Hat

Release: 2003

Parody: “Complicated” by Avril Lavigne

Genre: Pop/Punk

Poodle Hat finally breaks through as the final Weird Al album represented in the Top 100 with A Complicated song, which breaks into three separate stories. Some of the stories are silly, but a lot of fun.

Lyrics

Uh huh… extra cheese
Uh huh, uh huh… save a piece for me

Pizza party at your house
I went just to check it out
19 extra larges
What a shame
No one came

Just us eatin’ all alone
You said, “Take the pizza home”
“No sense lettin’ all this go to waste”
So then I faced

Pizza all day
And every day
This cheese ’round the clock
Is gettin’ me blocked
And I sure don’t care
For irregularity

Tell me
Why’d you have to go and make me so constipated?
‘Cause right now I’d do anything to just get my bowels evacuated
In the bathroom… I sit and I wait and I strain
And I sweat and I clench and I feel the pain
Oh, should I take laxatives or have my colon irrigated?
No no no

I was feelin’ pretty down
‘Till my girlfriend came around
We’re just so alike in every way
I gotta say

In fact, I just thought I might
Pop the question there that night
I was kissing her so tenderly
But woe is me

Who would have guessed
Her family crest
I’d suddely spy
Tattooed on her thigh
And son-of-a-gun
It’s just like the one on me

Tell me
How was I supposed to know we were both related?
Believe me, if I knew she was my cousin we never would have dated
What to do now? Should I go ahead and propose
And get hitched and have kids with 11 toes
And move to Alabama where that kind of thing is tolerated?
No no no no no no no
No no no no no no no
No no no no no

I had so much on my mind
I thought maybe I’d unwind
Try out that new roller coaster ride
And the guide

Said not to stand
But that’s a demand
That I couldn’t meet
I got on my feet
And stood up instead
And knocked off my head, you see

Tell me
Why’d I have to go and get myself decapitated?
This really is a major inconvenience, oh man, I really hate it
Such a drag, now… can’t eat, I can’t breathe, I can’t snore
I can’t belch or yodel anymore
Can’t spit or blow my nose or even read Sports Illustrated

Oh no
Why’d I have to go and get myself all mutilated? (yeah, yeah)
I gotta tell ya, life without a head kinda makes me irritated
What a bummer
Can’t blink, I can’t cough, I can’t sneeeze
But my neck is enjoyin’ a pleasant breeze now
Haven’t been the same since my head and I were separated
No no no

Source: Musixmatch

Widow’s Bay S1 E4

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Spoilers

“Beach Reads”

At the end of the last episode, we got a distress call over the police radio that was hectic and sounded like all hell was breaking loose. It came out of nowhere, but it really put a button on last week’s wild episode.

This week, we learn what was going on.

The episode was a Patricia-centric episode, which flashbacked four days and showed her getting ready for a party. The show does a great job of creating suspense through the struggles of Patricia and her anxieties of the party. It also snuck in a surprise… a special book that seemingly was a self-help book, but instead turned out to be a witches’ spellbook.

The scene where Sheriff Bechir comes into the restaurant to find Patricia, and the audience, for the first time, sees Patricia in the true light… with a crown of antlers and rodents’ hair, mixing punch that included blood from dead animals.

I actually gasped when they revealed this sight, as I just did not expect it to be as shocking as it was. We discovered that the punch sent the party guests to the water, looking to drown themselves. It took Patricia burning the book to break the spell.

This was quite the departure from what this series had been building up with the Mayor and his own problems dealing with acceptance of supernatural truths on the island. We barely saw him at all this episode. And yet it worked completely well. On LOST, they would have episodes focused on different characters, and this was just like that.

Then, the episode ended with Mayor Tom, Patricia and Wyck finding the dead body of Reverend Bryce hanging on the door.

Widow’s Bay has been excellent with the cliffhanger/final scene shock so far. This one keeps me wondering what exactly is next among this wild show.

Daily Countdown: Weird Al Songs #45

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#45

Bedrock Anthem

Title: “Bedrock Anthem”

Album: Alapalooza

Release: 1993

Parody: “Under the Bridge” and “Give It Away” by Red Hot Chili Peppers

Written: Chad Smith / John Frusciante / Anthony Kiedis / Michael Balzary / Alfred Yankovic

Genre: Funk rock

This is another TV show that Al honors in song as this time it is the Flintstones. There are voice clips from the Flintstones on the song.

Lyrics

Sometimes, I feel like I need a vacation
Sometimes, I feel like I wanna go to the city of cavemen, the city of Bedrock
I’d be a Flintstone, now, I’ll tell you why

Oh
Oh
Oh!

Well, I’ve got, I’ve got a woman named, Wilma
Well, I’ve got, I’ve got a baby named Pebbles
Well, I’ve got, I’ve got a doggy named Dino
We do a little bowling and we drink a little vino

Well, I’ve got a little buddy, Barney Rubble
Got a neighbor by the name of Barney Rubble
He’s a midget but, he makes a lot of trouble
Doesn’t like to shave, he got caveman stubble

Me and Barney, loyal order water buffalo
Lodge brothers, loyal order water buffalo
There’s a handshake everybody gotta know
How come grand Poo-Bah always gotta run the whole show?

Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now
I get by on all my prehistoric know-how

Betty and Barney got a baby, named, Bamm-Bamm
Little Pebbles is his number one fan
He’s the strongest toddler in the whole land
Tear your arm off, if he’s shaking your hand

Got a car, gonna push it with my feet now
Gonna take my family out to eat now
Jumbo ribs at the drive-in can’t be beat now
Made from brontosaurus, baby, not a moo-cow

Wanna chill with a saber tooth tiger
Wear a loincloth, natural fiber
Be the first rolling stone subscriber
Got a pterodactyl for a windshield wiper

Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now
Don’t know what it means, but I say it anyhow

Wilma, I’m home! Start serving dinner
And don’t spare the-
Oh, no, no, no! Don’t Dino, don’t!
Now take it easy, boy!

Lucky me, workin’ down in the gravel pit
Movin’ rocks, on a big dinosaur I sit
Mr. Slate gets mad, and he throws a fit
Pull the birdie’s tail, everybody knows it’s time to quit

I realize I’m living in the Stone Age
No fax, no cellular phone-age
Pick my teeth with a dinosaur bone-age
Liftin’ heavy boulders every day for my wage

Barney Rubble, laughin’ like a hyena
Barney Rubble, what a little wiener!
Where’s Wilma? Anybody seen her?
Got a baby elephant vacuum cleaner

Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now
Yabba-dabba-yabba-dabba-dabba do now

Yabba-dabba-dabba do now
Yabba-dabba-dabba do now
Yabba-dabba-dabba do now
Yabba-dabba-dabba do now

Yabba-dabba-dabba do now
Yabba-dabba-dabba do now
(E-yabba-dabba-do)
Yabba-dabba-dabba do now
Yabba-dabba-dabba do now

Yabba-dabba-dabba do now
Yabba-dabba-dabba do now
(E-yabba-dabba-do)
Yabba-dabba-dabba do now
Yabba-dabba-dabba do now

Now, that’s alright
Oh, boy!

Source: Musixmatch

The Boys S5 E7

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Spoilers

“The Frenchman, the Female, and the Man Called Mother’s Milk”

Penultimate episode. Heart crushing end.

I really hoped that Frenchie and Kimiko would end up together at the end. I should have realized that when Frenchie told Kimiko he wanted to settle down and have the three kids she wanted, someone was doomed. Frenchie was the heart of this season and with him gone, I am not sure what levels the show will go to.

Frenchie sacrificing himself to Homelander to save Kimiko and Sage was so beautiful and so tragic. Kimiko’s screams crushed me. I never saw his demise coming. Once he closed Kimiko and Sage in that zinc place, I knew he was going to die.

Even still, when Frenchie actually died, I was so sad. I have never cried while watching the Boys… but this one got me.

There are a lot of things this episode that were incredible. Some examples:

  • The Deep backing away from helping someone who was drowning because he was afraid to go into the water. Samuel L. Jackson voiced a hammerhead shark.
  • Mother’s Milk gave a speech that was amazing.
  • Starlight and MM saved a focus group from being assassinated.
  • Ashley’s mental powers let her read the president’s mind- leading to Homelander killing him.
  • Butcher and Hughie have a great scene with a mind controller.
  • Homelander choked Soldier Boy out when Soldier Boy tried to leave him. I doubt he killed him, but Homelander wants him to stay.
  • Jeffrey Dean Morgan returned for a fabulous scene.
  • Jesus made a cameo.

But Frenchie is easily the most emotional and haunting moment of the show.

One more episode in the series.

2026 Eisner Awards Nominees

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Best Short Story

  • “Blood Harvest,” in Brain Damage, by Shintaro Kago, translated by Zack Davisson (Fantagraphics)
  • “The Curse Room,” in Brain Damage, by Shintaro Kago, translated by Zack Davisson (Fantagraphics)
  • “Football Is Not War,” by R. K. Russell and Wilfred Santiago, in Come Out and Play: The Queer Sports Project (Stacked Deck Press)
  • “Red Snapper in the Rea,” by Michael D. Kennedy, in Milk White Steed (Drawn & Quarterly)
  • “trAPPed” by Anand RK, Suparna Sharma, and Natalie Obiko Pearson (Bloomberg News)

Best One-Shot/Single Issue

  • Absolute Batman 2025 Annual #1, by Daniel Warren Johnson, James Harren, and Meredith McClaren (DC)
  • Absolute Martian Manhunter #1, by Deniz Camp and Javier Rodriguez (DC)
  • Assorted Crisis Events #4, by Deniz Camp and Eric Zawadski (Image)
  • Coin-Op no. 10: Wet Cement, by Peter and Maria Hoey (Coin-Op Books)
  • Ice Cream Man #43: “One Page Horror Stories,” by W. Maxwell Prince and others (Image)
  • Something Is Killing the Children: A Monster Walks into a Bar #1, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)

Best Continuing Series

  • Absolute Batman, by Scott Snyder, Nick Dragotta, and others (DC)
  • Absolute Wonder Woman, by Kelly Thompson, Hayden Sherman, and Mattia De Iulis (DC)
  • The Department of Truth, by James Tynion IV and Martin Simmonds (Image)
  • FML, by Kelly Sue DeConnick and David Lopez (Dark Horse)
  • The Power Fantasy, by Kieron Gillen and Caspar Wijngaard (Image)
  • Storm, by Murewa Ayodele, Lucas Werneck, and others (Marvel)

Best Limited Series

  • Absolute Martian Manhunter, by Deniz Camp and Javier Rodriguez (DC)
  • Beneath The Trees Where Nobody Sees: Rite of Spring, by Patrick Horvath (IDW)
  • Bronze Faces, by Shobo, Shof, and Alexanre Tefenkgi (BOOM! Studios)
  • Crownsville, by Rodney Barnes and Elia Bonetti (Oni Press)
  • Everything Dead and Dying, by Tate Brombal and Jacob Phillips (Image)
  • Out of Alcatraz, by Christopher Cantwell & Tyler Crook (Oni Press)

Best New Series

  • Assorted Crisis Events, by Deniz Camp and Eric Zawadski (Image)
  • Batman Vol. 4, by Matt Fraction and Jorge Jiménez (DC)
  • Black Cat, by G. Willow Wilson and Gleb Melnikov (Marvel)
  • Exquisite Corpses, by James Tynion IV, Pornsak Pichetshote, Michael Walsh, and others (Image)
  • Ghost Pepper, by Ludo Lullabi (Image)
  • Temporal, by Stephanie Williams and Asiah Fulmore (Mad Cave)

Best Publication for Early Readers

  • All the Hulk Feels, by Dan Santat (Abrams Fanfare/Marvel)
  • The Faraway Forest: Wally’s Route, by Debbie Fong (Chronicle Books)
  • The Fire-Breathing Duckling, by Frank Cammuso (TOON Books)
  • Night Light, by Michael Emberley (Holiday House)
  • Steve, A Rare Egg, by Kelly Collier (Kids Can Press)

Best Publication for Kids

  • The Cartoonists Club, by Raina Telgemeier and Scott McCloud (Scholastic Graphix)
  • Chickenpox, by Remy Lai (Henry Holt Books for Young Readers)
  • Creature Clinic, by Gavin Aung Than (First Second)
  • Night Chef: An Epic Tale of Friendship with a Side of Deliciousness! By Mika Song (Random House Graphic)
  • Oasis, by Guojing (Godwin Books/Henry Holt Books for Young Readers)
  • A Song for You and I, by K. O’Neill (Random House Graphic)

Best Publication for Teens

  • Angelica and the Bear Prince, by Trung Le Nguyen (Random House Graphic)
  • Clementine: Book Three, by Tillie Walden (Image Skybound)
  • Everyone Sux But You, by K. Wroten (Henry Holt Books for Young Readers)
  • Hello Sunshine, by Keezy Young (Little, Brown Ink)
  • This Place Kills Me, by Mariko Tamaki and Nicole Goux (Abrams Fanfare)
  • Trumpets of Death, by Simon Bournel-Bosson, translated by Edward Gauvin (Graphic Universe/Lerner)

Best Humor Publication

  • And to Think We Started as a Book Club, by Tom Toro (Andrews McMeel Universal)
  • Ew, It’s Beautiful: A False Knees Comics Collection, by Joshua Barkman (Andrews McMeel Universal)
  • The Great British Bump-Off: Kill or Be Quilt, by John Allison and Max Sarin (Dark Horse)
  • Jeff the Land Shark, by Kelly Thompson and Tokitokoro (Marvel)
  • Physics for Cats, by Tom Gauld (Drawn & Quarterly)
  • Spent: A Comic Novel, by Alison Bechdel (Mariner Books)

Best Anthology

  • Come Out and Play: The Queer Sports Project, edited by Meghan Kemp-Gee and Megan Praz (Stacked Deck Press)
  • DC Pride 2025, edited by Andrea Shea and Jillian Grant (DC)
  • Noir Is the New Black Season 2 (FairSquare Graphics)
  • Stardust the Super Wizard Anthology, edited by Van Jensen (Blue Creek Creative)
  • 2000AD 2026 Annual Featuring Judge Dredd, edited by Oliver Pickles (Rebellion)

Best Reality-Based Work

  • Black Arms to Hold You Up: A History of Black Resistance, by Ben Passmore (Pantheon)
  • Do Admit: The Mitford Sisters and Me, by Mimi Pond (Drawn & Quarterly)
  • Fela: Music Is the Weapon, by Jibola Fagbamiye and Conor McCreery (Amistad)
  • Globetrotters: Nellie Bly and Elizabeth Bisland’s World Tour, by Julian Voloj and Julie Rocheleau (Abrams ComicArts)
  • Muybridge, by Guy Delisle, translated by Helge Daschert and Rob Aspinal (Drawn & Quarterly)
  • Surrounded: America’s First School for Black Girls, 1832, by Wilfrid Lupano and Stéphane Fert (ABLAZE)

Best Graphic Memoir

  • The Ephemerata: Shaping the Exquisite Nature of Grief, by Carol Tyler (Fantagraphics)
  • My Life in 24 Frames Per Second, by Rintaro (Kana Manga US)
  • It Rhymes with Takei, by George Takei, Harmony Becker, Steven Scott, and Justin Eisinger (Top Shelf)
  • Precious Rubbish, by Kayla E. (Fantagraphics)
  • Raised by Ghosts, by Briana Loewinsohn (Fantagraphics)
  • Talking to My Father’s Ghost: An Almost True Story, by Alex Krokus (Chronicle)

Best Graphic Album–New

  • Cannon, by Lee Lai (Drawn & Quarterly)
  • Drome, by Jesse Lonergan (23rd St. Books)
  • The Fable of Erkling Woods, by Juni Ba (Goats Flying Press)
  • A Garden of Spheres, by Linnea Sterte (Peow2)
  • More Weight: A Salem Story, by Ben Wickey (Top Shelf)
  • Shadows of the Sea, by Cathy Malkasian (Fantagraphics)

Best Graphic Album–Reprint

  • Beneath the Trees Where Nobody Sees: Storybook Edition, by Patrick Horvath (IDW)
  • Ginseng Roots: A Memoir, by Craig Thompson (Pantheon)
  • Goes Like This, by Jordan Crane (Fantagraphics)
  • Superman’s Pal, Jimmy Olsen: The Deluxe Edition, by Matt Fraction and Steve Lieber (DC)
  • Tongues, by Anders Nilsen (Pantheon)

Best Adaptation from Another Medium

  • Alanna: The First Adventure (Song of the Lioness, Book 1), by Tamora Pierce, adapted by Vita Ayala and Sama Beck (Abrams Fanfare)
  • The Compleat Angler: A Graphic Adaptation, by Izaak Walton, adapted by Gareth Brookes (SelfMadeHero)
  • Dead Man Walking: Graphic Edition, by Sister Helen Prejean, adapted by Rose Vines and Catherine Anyango Grünewald (Random House)
  • Ghost Boys: The Graphic Novel, by Jewell Parker Rhodes and Setor Fiadzigbey (Little, Brown Ink)
  • Lord of the Flies: The Graphic Novel, by William Golding, adapted by Aimée De Jongh (Penguin Classics)
  • A Wizard of Earthsea: A Graphic Novel, by Ursula K. Le Guin, adapted by Fred Fordham (Clarion Books)

Best U.S. Edition of International Material

  • Buff Soul, by Moa Romanova, translated by Melissa Bowers (Fantagraphics)
  • Cornelius: The Merry Life of a Wretched Dog, by Marc Torices, translated by Andrea Rosenberg (Drawn & Quarterly)
  • In the End We All Die, by Tobias Aeschbacher, translated by Andrew Shields (Helvetiq)
  • Nocturnos, by Laura Perez, translated by Andrea Rosenberg (Fantagraphics)
  • Raging Clouds, by Yudori (Fantagraphics)
  • Smoke Gets in Your Eyes, by Anaïs Flogny, translated by Dan Christensen (Abrams ComicArts)

Best U.S. Edition of International Material–Asia

  • Hirayasumi, vols. 4–7, by Keigo Shinzo, translated by Jan Mitsulo Cash (VIZ Media)
  • Land, vol. 1, by Kazumi Yamashita, translated by Kevin Gifford (Yen Press)
  • Purgatory Funeral Cakes, by Sanho, translated by Danny Lim (Dark Horse)
  • Tokyo Alien Bros., vols. 1–3, by Keigo Shinzo, translated by Casey Loe (VIZ Media)
  • Yan, vols. 1–2, by Chang Sheng, translated by Vanessa Liu (Titan Manga)

Best Archival Collection/Project—Strips

  • Arthur Ferrier’s Pin-Up Parade Box Set, edited by Rian Hughes (Korero Press)
  • Barnaby, vol. 5: 1950–1952, by Crockett Johnson, edited by Eric Reynolds and Philip Nel (Fantagraphics)
  • The George Herriman Library: Krazy & Ignatz 1928–1930, edited by J. Michael Catron and Bill Blackbeard (Fantagraphics)
  • Rea Irvin’s The Smythes, edited by R. Kikuo Johnson and Dash Shaw (NYRC)
  • Terminal Exposure: Comics, Sculpture, and Risky Behavior, by Michael McMillan, edited by Lucas Adams (NYRC)

Best Archival Collection/Project—Comic Books

  • AKIRA Volumes 1–5 Hardcover Collection, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha USA Publishing)
  • The Atlas Comics Library No. 7: Girl Comics, edited by Dr. Michael J. Vassallo (Fantagraphics)
  • Comics of the Movement #1, by Courtland Cox, Jennifer Lawson, Alfred Hassler, and Benton Resnik (Good Trouble Comics)
  • Hothead Paisan, by Diane DiMassa, organized by Anika Banister (NYRC)
  • Scream! The Specials 1985–2024, edited by Chiara Mestieri (Rebellion)
  • Weird Science Vol. 1 XXL, edited by Grant Geissman (TASCHEN)

Best Academic/Scholarly Work

  • Comic Art in Korea, by John A. Lent (University Press of Mississippi)
  • Comics of the Anthropocene: Graphic Narrative at the End of Nature, by José Alaniz (University Press of Mississippi)
  • Graphic Narratives of Resistance, by Jennifer Boum Make and Charly Verstraet (Edinburgh University Press)
  • Latinx Comics Studies: Critical and Creative Crossings, edited by Fernanda Díaz-Basteris and Maite Urcaregui (Rutgers University Press)
  • Manga’s First Century: How Creators and Fans Made Japanese Comics, 1905–1989, by Andrea Horbinski (University of California Press)

Best Comics-Related Periodical/Journalism

  • CANON, by Colin Blanchette and Alex Eklund
  • Comic Book Creator, edited by Jon B. Cooke (TwoMorrows)
  • Dummy, edited by John Kelly (The Dummy Corporation)
  • Shelfdust, edited by Steve Morris, http://www.shelfdust.com
  • SKTCHD, by David Harper, http://www.sktchd.com
  • SOLRAD: The Online Literary Magazine for Comics, edited by Daniel Elkin, http://www.solrad.co (Fieldmouse Press)

Best Comics-Related Book

  • Crumb: A Cartoonist’s Life, by Dan Nadel (Scribner)
  • Facing Feelings: Inside the World of Raina Telgemeier, by Raina Telgemeier (Scholastic)
  • How Comics Are Made, by Glenn Fleishman (Andrews McMeel)
  • Making Nonfiction Comics: A Guide to Graphic Narrative, by Eleri Harris and Shay Mirk (Abrams ComicArts)
  • Only What’s Necessary: Charles M. Schultz and the Art of Peanuts, by Chip Kidd (Abrams ComicArts)
  • Ooops…I Just Catharted!: Fifty Years of Cathartic Comics, by Rupert Kinnard, edited by William O. Tyler (Stacked Deck Press)

Best Publication Design

  • The Art of Manga, designed by Tessa Lee (Fine Arts Museum of San Francisco/VIZ Media)
  • The Essential Peanuts, designed by Shawn Dahl with Chip Kidd (Abrams ComicArts)
  • Fruits Basket: The Complete Box Set (Collector’s Edition #13), designed by Wendy Chan (Yen Press)
  • Red Light Properties: Unfinished Business, designed by Dan Goldman (Kinjin Storylab)
  • The Marvel Art of Michael Allred Slipcase Edition, designed by Kurtis Findlay (Clover Press)
  • Weird Science Vol. 1 XXL, designed by Anna-Tina Kessler (TASCHEN)

Best Webcomic

  • The Accidental Undergrad by Christian Giroux (Fieldmouse Press)
  • Keeping Time by Kody Okamoto (keepingtimecomic.com)
  • The Legend of Parvaterra by Raúl Arnáiz (WEBTOON)
  • Sable: A Ghost Story, by Ethan M. Aldridge (sablecomic.com)
  • Superfish, by Peglo (WEBTOON)
  • Terran Omega: The Ghosts of War, by PJ Holden (pauljholden.com)
  • Tiger, Tiger by Petra Erika Nordlund (tigertigercomic.com)

Best Digital Comic

  • DeadAss, by hakei (VIZ Media)
  • In the Real Dark Night, by Jimmy Gownley (G-Ville Comics)
  • The Lycan, by Mike Carey, Thomas Jane, David James Kelly, and Diego Yapur (Comixology Originals)
  • Overwatch 2: Against the Tide, by Brandon Chen and Velinxi (Blizzard Entertainment)
  • Practical Defense Against Piracy, by Tony Cliff (delilahdirk.com)
  • The World of Lublu, by Charbak Dipta (The Charbax Store)

Best Writer

  • Deniz Camp, Absolute Martian Manhunter (DC); Assorted Crisis Events (Image); The Ultimates (Marvel)
  • Scott Snyder, Absolute Batman, Batman/Deadpool (DC); By a Thread: Book 2 (Comixology Originals), You Won’t Feel a Thing (DSTLRY)
  • Mariko Tamaki, This Place Kills Me (Abrams Fanfare)
  • Kelly Thompson, Absolute Wonder Woman, Birds of Prey (DC); Jeff the Land Shark (Marvel)
  • James Tynion IV, Something Is Killing the Children, Wynd: The Power of the Blood (BOOM! Studios); Let This One Be a Devil, Red Book (Dark Horse); The City Beneath Her Feet (DSTLRY); The Department of Truth, Exquisite Corpses, W0RLDTR33 (Image); Universal Monsters: The Invisible Man (Image Skybound)
  • Stephanie Williams, Street Sharks (IDW); Roots of Madness (Ignition Press); Temporal (Mad Cave)

Best Writer/Artist

  • Juni Ba, The Boy Wonder (DC); The Fable of Erkling Woods (Goats Flying Press); Monkey Meat Summer Batch (Image)
  • Jamal Campbell, Zatanna (DC)
  • Jesse Lonergan, Drome (23rd St. Books)
  • Chang Sheng, Yan, vols. 1–2 (Titan Manga)
  • Linnea Sterte, A Garden of Spheres (Peow2)
  • Kazumi Yamashita, Land, vol. 1 (Yen Press)

Best Penciller/Inker

  • Elsa Charetier, The City Beneath Her Feet (DSTLRY)
  • Sean Phillips, Giant Size Criminal #1, The Knives: A Criminal Book (Image)
  • Javier Rodriguez, Absolute Martian Manhunter (DC)
  • Chris Samnee, Batman and Robin: Year One (DC)
  • Hayden Sherman, Absolute Wonder Woman, Batman: Dark Patterns (DC)
  • Eric Zawadzki, Assorted Crisis Events (Image)

Best Painter/Multimedia Artist

  • Teddy Kristiansen, Black Hammer: Spiral City (Dark Horse)
  • Cathy Malkasian, Shadows of the Sea (Fantagraphics)
  • Qu, Slices of Life: A Comic Montage (Bulgilhan Press)
  • Martin Simmonds, The Department of Truth (Image)
  • Mika Song, Night Chef: An Epic Tale of Friendship with a Side of Deliciousness! (Random House Graphic)
  • Linnea Sterte, A Garden of Spheres (Peow)

Best Cover Artist

  • Juni Ba, The Boy Wonder (DC); The Fable of Erkling Woods (Goats Flying Press); TMNT Nightwatcher, TMNT Godzilla (IDW); Monkey Meat Summer Batch (Image)
  • Nick Dragotta, Absolute Batman, Absolute Batman 2025 Annual, Batman #1, Batman/Deadpool (DC)
  • Francesco Francavilla, Cyberpunk 2077, Star Wars: Tales from the Nightlands (Dark Horse); Absolute Batman, Absolute Martian Manhunter, Batman: Full Moon, Nightwing variants (DC); Green Hornet/Miss Fury (Dynamite); Star Trek: The Last Starship, Twilight Zone (IDW); Dick Tracy (Mad Cave)
  • Mateus Manhanini, Absolute Superman, Absolute Wonder Woman, Mr. Terrific: Year One variants (DC); Doctor Strange, Ironheart: Bad Chemistry, Miles Morales: Spider-Man, Phases of the Moon Knight, Star Wars: The High Republic, Storm, The Ultimates (Marvel)
  • Javier Rodriguez, Absolute Martian Manhunter, Batman & Robin: Year One #7, The New Gods #8 (DC)
  • Hayden Sherman, Absolute Wonder Woman, Batman: Dark Patterns #3-12 (DC)

Best Coloring

  • Jordie Bellaire, Absolute Wonder Woman, The Nice House by the Sea (DC); The Exorcism at 1600 Penn (IDW); Assorted Crisis Events, The Department of Truth, Exquisite Corpses, W0RLDTR33 (Image); GI Joe (Image/Skybound); EC Catacomb of Torment, EC Epitaphs from the Abyss (Oni Press)
  • Ninakupenda Gaillard, Chickenpox (Henry Holt Books for Young Readers)
  • Jesse Lonergan, Drome (23rd St. Books)
  • Matheus Lopes, Batman and Robin Year One (DC); The Seasons (Image)
  • Javier Rodriguez, Absolute Martian Manhunter (DC)
  • José Villarrubia, This Ink Runs Cold (Alan Spiegel Fine Arts); Ghostbox (Comixology Originals); Dracula Book 2: The Brides, The Witcher: The Bear and the Butterfly (Dark Horse); It Rhymes with Takei (Top Shelf)

Best Lettering

  • Janice Chiang, Acro and the Cat, All Upon a Time, Beyond the Aural Vault, Republica, Solarblader (Sandstorm); John Carpenter’s Blood of the Taken: Next of Kin, Pause, Tales of Science Fiction (Storm King)
  • Clayton Cowles, Absolute Batman, Batman, Batman & Robin: Year One, Birds of Prey, Black Canary: Best of the Best, Trinity: Daughter of Wonder Woman, Wonder Woman, (DC); Daredevil: Cold Day in Hell #1-3 (Marvel)
  • Hassan Otsmane-Elhaou, Ill Vacation, Stillman (Comixology Originals); Absolute Martian Manhunter, Challengers of the Unknown, DC K.O., The Flash, Green Arrow, Poison Ivy (DC); Beneath the Trees Where Nobody Sees, The Exorcism at 1600 Penn, Starship Godzilla, (IDW); Author Immortal (Image); Our-Soot-Stained Heart (Mad Cave)
  • Nate Piekos, American Caper #1, Archie Vs. Minor Threats, Black Hammer: Spiral City, The Brood, Minor Threats: The Last Devil Left Alive, Stranger Things and Dungeons & Dragons, The Umbrella Academy Plan B, Welcome to Twilight (Dark Horse); I Hate Fairyland (Image)
  • Ben Wickey, More Weight: A Salem Story (Top Shelf)

The Eisner Awards Hall of Fame judges have chosen 16 nominees from whom voters will select 4 to be inducted into the Hall of Fame this summer. These 4 will be joining the 19 individuals that the judges have already chosen for the Hall of Fame. The 16 nominees are Kate Carew, Colleen Doran, George Evans, Crockett Johnson, Peter Kuper, George McManus, Kevin Nowlan, Mimi Pond, Posy Simmonds, Jeff Smith, Paul Smith, Leonard Starr, Akira Toriyama, Mark Waid, Chris Ware, and S. Clay Wilson. 

https://bleedingcool.com/comics/eisner-awards-2026-nominees-announced-dc-comics-deniz-camp-lead/#google_vignette