Category Archives: Doc’s Movie Reviews

Crash Site (2025)

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June 24

Movie 24

It is the last Wednesday of the June Swoon and I needed to pull out one more live action short. I searched through YouTube and I found a short called Crash Site that starred Steven Yeun and Sam Richardson. I like Steven Yeun a lot so I made this be my short for the June Swoon 5.

To summarize this, Crash Site sure seems as if this is “What if Close Encounters of the Third Kind came to us as SIMON, the game of electronic game of short-memory skill.

According to IMDB, “Two men discover the crash site of a mysterious object. As one of them begins investigating the strange find, his fascination soon turns into a dangerous obsession.“

The mysterious object is a weird black box that Steven Yeun takes home with him after they saw this crash. He then goes about trying to figure out what it was. It was literally like SIMON and made little beeps as he pressed buttons.

The story then started as someone arrived, pounding on his door and breaking in…just as SIMON was starting to work.

Then the film was done.

This felt like a short that was way too short. The story was missing rising action and a climax. All we got was an inciting incident.

There was so much more that what was here. I am amazed that you got a big star like Steven Yeun (and Sam Richardson, who was there for a minute) to do this.

I liked the short, but it was so incomplete that it was hardly worth watching.

Nouvelle Vague (2025)

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June 23

Movie 23

During the June Swoon, I have had the opportunity to watch several foreign films over the years. Today, I watched a French film from director Richard Linklater called Nouvelle Vague. Nouvelle Vague told the story of the filming of the French New Wave classic “Breathless” from director Jean-Luc Godard.

I had a little bit of trouble getting into the movie at first, which might have had to do with the French speaking going on, but it was not too far into the movie that I had become enthralled with the wild portrayal of the filming of the movie. Godard was anything but a typical director and his style and chocies were driving the people around him crazy.

Guillaume Marbeck played Godard with a flare and a carefreeness that was contagious. The performance of the lead actress of the movie, Jean Seberg, played by Zoey Deutch, was outstanding. She played both the joy of the creation of the film and the frustration of not understanding Godard’s vision beautifully and I thought she was a standout of the movie. She had chemistry with Aubry Dullin, the actor who played Jean-Paul Belmondo, the lead character of Breathless.

The film was shot in black and white and it helped to create the mood of the story. It was a lovely looking film that helped portray how unconventional Godard’s style.

The non-English speaking films are some times pushed back on my watchlist because of the subtitles, but i am glad that I watched Nouvelle Vague. It gave me an insight into a film classic and the different ways someone could create art.

The AI Doc or How I Became an Apocaloptimist

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I have been wanting to see this doc for awhile now, actually since it was in the theater, but I haven’t gotten around to it. The AI Doc or How I Became an Apocaloptimist documentary did not make me feel better about the concept of AI.

As a teacher, I hate AI. Many of my colleagues use AI such as ChatGPT to help them with lesson plans or ideas to help present material. I do not have issues with others doing that to make their lives easier. My biggest problem is how AI can be used by students to simply write a paper without any of their own writing skills.

So I immediately came into this movie with a negative mindset about AI. After watching this, my concerns were not removed.

The premise of the film, according to Wikipedia, was “old through the perspective of filmmaker Daniel Roher as he prepares to become a father, the film investigates the existential threats and potential promises of artificial intelligence. Roher conducts interviews with leading experts in the field to understand the world his child will inherit, balancing anxiety with ‘apocaloptimism‘.” (Focus Features).

Roher presented a series of talking heads to speak to the idea of AI and what it could mean to the future of the world. To his credit, Roher does provide a fairly comprehensive opinions on both sides of the subject, providing thoughts from the pro and anti AI experts. There are those who believe AI will lead to an new utopia or that could lead to an apocalyptic end of the planet.

He brought in the CEOs of some of the major AI companies (except Mark Zuckerberg, who refused, and Elon Musk, who agreed to come and then got too busy). These CEOs sounded reasonable in the doc, but one wonders what that means.

The doc was a difficult watch. I am not sure how to feel about the info that it was presenting, though I did like the way Roher framed this, with his concerns over the upcoming birth of his first child and the idea of bringing a child into this current world. I do think this is a valuable doc to watch to make sure you have, at least, a surface level knowledge of where the world is heading.

It did not help me figure what to do about those AI generated research papers, though.

3.6 stars

Eternity (2025)

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June 22

Movie 22

Today’s June Swoon 5 film is one that I am torn about. It was on Apple TV and it was entitled Eternity, starring Elizabeth Olson, Miles Teller and Callum Turner.

According to IMDB, “In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.“

Elizabeth Olson played Joan, who spent 65 years married to Larry, played by Miles Teller. Larry died before Joan, as he choked on a pretzel. Joan died soon after from a terminal cancer. Joan was married once before to Luke, played by Callum Turner, who died during the Korean War.

When someone died, there is a waiting area where souls have to decide where their eternity is going to be spent. However, Luke had waited for Joan and now she had to make a decision between her first love and the man she spent her entrie life with.

There were several specific details that bothered me about this premise that stuck with me through the film. The entire idea of this afterlife bugged me. A soul has to pick an eternity and cannot change that choice. That means that you may never see family or friends unless they chose the same eternity. That was bothering me as the film moved on.

Another issue I have is the situation Joan is placed into by everyone around her. She had to choose between her two husbands and I think it is an unhappy premise of the story that was not something I liked.

All of these actors are great and they do excellent work, even though I am not a fan of the story. Da’Vine Joy Randolph played Anna, a soul who helps recently deceased souls with the transition. She was perhaps my favorite part of the film as she was wonderful once again.

The ending of the story, without any spoilers, was fair and helped to balance out my thoughts on the movie as a whole.

There were so many little details that bugged me about the film that it kept me from enjoying it fully. It was still a decent flick that I did not hate watching.

Downton Abbey: The Grand Finale (2025)

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June 21

Movie 21

I did not watch the TV show Downton Abbey, and I was never that interested in seeing the previous two movies. I ignored them each, and wound up watching them in June Swoons or other binges. Funny thing is that I then enjoyed the movie after watching it.

So when the Downton Abbey: The Grand Finale came out in 2025, it did not surprise me that I was not interested in seeing it, even though the previous movies were very enjoyable for me. I even think I can remember thinking that this finale would be a good film for the June Swoon.

Once again, the film was a fun and enjoyable time, even if I am not as familiar with these characters as someone who was a longtime viewer of the TV show.

According to IMDB, “When Mary finds herself in a public scandal and the family faces financial trouble, the household grapples with the threat of social disgrace. The Crawleys must embrace change with the next generation leading Downton Abbey into the future.”

The whole Mary scandal felt odd considering how many people in the world are divorced, but I understand there was a different time and perception at this.

My personal favorite character in the film was Noël Coward, played by Arty Froushan. Coward was a real life English playwright, composer, director, actor, and singer and Froushan played him wonderfully in a short role. I did not realize until after that Froushan played Buck on season two of Daredevil: Born Again, and he was awesome there too.

I am sure fans of the show would have been more emotionally connected than I was, but I did like most of this film. I am glad that I saw it in the June Swoon again.

The Death of Robin Hood

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Hugh Jackman played Old Man Robin Hood, much like when he was Old Man Logan in the movie Logan. Except this time, he is playing the big time asshole Robin Hood, who, despite the mythology behind Robin Hood, the man who “robbed from the rich and gave to the poor,” we learned that he was anything but that person.

The film certainly wanted to deconstruct the story behind Robin Hood, and this film does a good job of doing that very thing. There was no sign of Kevin Costner anywhere around.

The movie had some very violent and brutal scenes so we could accept Hugh Jackman as this horrendous character. Hugh Jackman does a fabulous job in this role. You could see the conflict at times when Old Man Robin Hood was thinking back upon the violence that he perpetrated.

However, The Death of Robin Hood turned out to be very slow throughout the whole film, and, dare I say, more boring than not. The whole essence of the film was down and dark, bordering on depressing, and there was little to cheer for.

Faith Delaney, who played little Margaret, was a nice highlight and the few scenes we got between her and Jackman were good. I think they were supposed to help lead toward Robin Hood’s redemption, but I do not think that is what they did. However, they were pretty solid together.

The ending was meant to be more emotional than what it turned out to be, and the whole (SPOILER) death scene (SPOILER… although it is in the title of the movie) was not an awesome moment.

Overall, The Death of Robin Hood was an interesting idea, but I do not think the execution of this movie matched the potential premise. Hugh Jackman was great as always (so was Bill Skarsgård as Little John/Edward), but that upside just did not manage to maintain throughout the film.

2.7 stars

Sovereign (2025)

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June 20

Movie 20

I’m not sure how to feel about this one.

Sovereign was a film starring Nick Offerman and Jacob Tremblay that I found after an exhaustive search for a film this morning for the June Swoon 5. Nothing was tripping my trigger until I came across this movie on Hulu. I like both of the actors of this film (which also included Dennis Quaid) and it had a high Rotten Tomatoes score so I decided to put it on.

It was a film that I had a problem with becoming engaged with as the character played by Offerman, Jerry Kane, was such a brusque, unwavering individual with thoughts and opinions that were revolutionary or conspiratorial. It was clear that Jerry had been indoctrinating his son Joe (Tremblay) into his way of thinking, even though Joe did not always seem to be okay with the ideas.

Watching these two interact with the world and the eventual results of the choices was heartbreaking and very difficult to watch. The film certainly did not leave me with a positive feeling.

Both Nick Offerman and Jacob Tremblay played their roles brilliantly. There was a raw, visceral feel around the characters. Jerry stuck in his ways and lost in himself and Joe who could see a way out, but was tied to his father.

This film is based on a true crime drama and, as I said, I am split on it. I did not find the experience of watching Sovereign an enjoyable one, but the two main performances were so excellent that I am glad that I watched it. It did not leave me in a positive mindset, but there are a lot of strengths to the creation of the film including some wonder cinematography and direction that make the film special.

It is one of those movies that I am glad to have seen but never want to watch again.

Sarah’s Oil (2025)

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June 19

Movie 19

Today is Juneteenth and, in honor of the holiday, I watched a movie called Sarah’s Oil, which was a film that had been on my Amazon Prime watchlist for awhile now. It was on there for so long because it sounded as if it was not going to be a movie that I was not going to like.

However, it was such a great film. I was fully engaged and entertained by the story, the characters, and the relationship between Sarah and Bert. I was in on the show immediately, and the time of the film just flew by.

According to IMDB, “The remarkable true story of eleven year old Sarah Rector, an African American girl born in Oklahoma Indian Territory in the early 1900s, who believes there is oil beneath the barren land she’s allotted and whose faith is proven right.”

Naya Desir-Johnson does a tremendous job as the titular character. I loved how this character was well-spoken and intelligent and not serving any fools. She has great chemistry with Zachary Levi, who played Bert Smith, a Texas wildcatter and con man. This center relationship is important to the movie and, while it is a basic story, they fit very well together.

The prevalent racism of the time (Early 1900s in Oklahoma) is dealt with in this movie and, while it is not out front, the reach of it is felt throughout the story. It is under practically every scene, especially those with people in the town. It just felt as if that was the way it was.

The film was exciting and tense, even though it does feel kind of predictable. The biopic does a really great job of presenting this story in an entertaining way.

Naya Desir-Johnson would have made the list for the “I See Kid Actors” Award last December had I seen this. She doesn’t win the award, but she absolutely deserved to be recognized.

Toy Story 5

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Toy Story has to be considered one of the greatest franchises in the history of cinema. Five movies and they all are critically beloved. I was excited to see Toy Story 5 today.

Toy Story 5 is Jessie’s story. One of the questions I had was how they were going to Woody back to the group considering how Toy Story 4 ended, and I think they had a great way to get him there.

The balance of Bonnie’s room is thrown out when she gets a tablet called Lilypad. Suddenly Bonnie becomes focused on the screen and not on her toys.

The tech vs. toys story is interesting in this film, and definitely a worthy idea that needs to be investigated. I’m not sure it did much with that premise.

I had heard how emotional Toy Story 5 was and that I would require tissues. I was looking forward to having a good cry. However, I did not cry. I had a decent response to the emotional moments in the film, and maybe had a gulp once or twice, but there were no tears or even any tears forming in my eyes to brush away.

Now, I do not want to sound like I hated this movie, because I did not. There were plenty of things to really enjoy in the movie including the animation, which is as wonderful as always, the new characters, especially Conan O’Brien’s Smarty-Pants character, and the overall writing and humor involved.

Woody is my favorite Toy Story character, but sadly, he feels unnecessary for this movie. He was absolutely crammed in because Toy Story has to have Woody in it. It is always fun to hear Tom Hanks’s voice work, but Woody was dispensable to this story.

Toy Story 5 is going to end up being my lowest Toy Story movie on a ranking scale, but it is still a really great film with a lot of things going for it. I can see this being scored lower because it is a Toy Story movie. This would be better than most animated films of the year. Still, I came out of it liking the film, but not being in love with it.

4.1 stars

Descendent (2025)

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June 18

Movie 18

I found this movie while searching through Amazon Prime (technically it was on AMC +) for 2025 films that I missed. I had never heard of this movie, but the premise sounded intriguing so I put it on the June Swoon 5 playlist.

Descendent (which is a poor title in my opinion) was written and directed by Peter Cileila, starring Ross Marquand (Aaron from the Walking Dead, as well as a voice actor for the MCU) and Sarah Bolger.

According to IMDB, “A troubled LA school guard, haunted by family tragedy, experiences strange visions after a mysterious light appears in the sky. As his wife’s due date approaches, he races to face his demons before his growing obsession consumes him.“

I must warn you that this movie, though listed as sci-fi thriller, is really more of a character study and it does drag at times because of that. If you read that summary and thought the “mysterious lights” was going to accompany a lot of sci-fi moments, you would be incorrect. There are several sci-fi scenes, but it is not the core of the story.

That core is the psychological problems being dealt with by Sean (Ross Marquand) as his wife Andrea (Sarah Bolger) was having a baby. For me, these characters, especially Sean, were very intriguing and felt as if I wanted to know about them. Seeing how the sci-fi elements fit in the story was an extra treat.

Ross Marquand did a great job with the multiple issues facing Sean. He was confused and lost one moment and angry and off-balance the next. You wondered exactly what he might do during the whole film because of the traumas of his past.

I am not sure how I feel about the ending. The final shot made me wonder what was happening and disappointed that I would not find out.

This is a good film that makes a solid watch if you need something to do. I’m not sure it is worth searching out to see, but if you have AMC+ or can access it on Prime, it is worth it.

Hallow Road (2025)

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June 17

Day 17

This morning, I watched a psychological thriller/horror film called Hallow Road, and it disturbed me. It was tense and taught, but I am not sure how I feel about the ending.

According to IMDB, “Two parents enter a race against time when they receive a distressing late-night phone call from their daughter after she caused a tragic car accident.”

The film featured two outstanding performances at the center of the story from Rosamund Pike and Matthew Rhys. When I saw Matthew Rhys attached to this film, I was excited as I am truly enjoying his work on Apple TV’s Widow’s Bay. I did not realize that Rosamund Pike was involved until the movie was underway.

Both Rhys and Pike were amazing as panicked parents responding to their daughter’s desperate phone call in the middle of the night. They each showed the entire gamut of emotions as the situation grew worse. Most of the movie took place with the parents inside their car, speaking to their daughter on the phone. The helplessness they felt came through with every new revelation and every unexpected twist.

When it became clear that this movie was taking a shift from compelling family drama into something more mysterious, I was not sure how to feel. While, the unnatural story beats worked as a surprise, I am not sure that it was the route I wanted to see the movie take. It was a sudden shift that, while teased, felt like it came out of nowhere.

However, the film was full of suspense the entire time and the result at the end was powerful. I wonder how powerful it could been if it did not have the twist of story.

The fantastic acting of Pike and Rhys carries this movie and they alone are reasons to see it. I found this on Hulu after a friend’s review from earlier this year.

Deep Water (2026)

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I do love me some shark movies. Even the bad ones, which there are a lot, have their share of fun and wild moments. Deep Water, which is a return to form for Finnish film director Renny Harlin, has its share of moments and scares.

According to IMDB, “A group of international passengers en route from Los Angeles to Shanghai are forced to make an emergency landing in shark-infested waters. Now they must work together in hopes to overcome the frenzy of sharks drawn to the wreckage.”

There were a group of superficial characters that meant little to me, but there were some intriguing characters that I liked very much. Finally, there was at least one jerk who I wanted to become a shark-burger. Most of the characters were kind of dull, but I still found myself rooting for most of them.

I was shocked to see both Aaron Eckhart and Sir Ben Kingsley in this cast, as I felt as if this film was a B-level film at best. I still think that is the case, but it is always great to see Kingsley in anything.

There were enough interpersonal relationships between the characters to keep them from being more than juts chum for the sharks. Yes, the characters are not Martin Brody, Matt Hooper or Quint, but you can’t expect that type of writing in every shark movie.

I did think many of the shark attacks were silly at times, especially the one involving the helicopter, but their presence did create a sufficient amount of tension to keep the thin story afloat.

Harlin was unafraid to kill off characters in many different ways, and it did feel as if any of them were ripe for being eaten (or drowned). The stakes are absolutely off the charts.

Sure, there are basic story beats that you see over and again in shark movies, but they do work overall here and the plane crash that led before the sharks, was excellent.

I enjoyed this movie and the film hit me in the feels at the end, which is really should have. I think this is a solid shark movie and I am happy to have rented it on Fandango at Home.

3.75 stars

Ash (2025)

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June 16

Day 16

Today kicks off the second half of this year’s June Swoon 5 with a sci-fi/horror film on Hulu called Ash. Directed and scored by Flying Lotus, a DJ, rapper, filmmaker and record producer, Ash feels like a mixed bag.

According to IMDB, “A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.“

The good parts of Ash included the lead performance from Eiza González as Riya, the woman who wakes up and is confused by the gore and death around her. González did a very strong job of expressing her confusion and fear of the situation that she found herself in.

Another positive is the look and the sound of the film. The score made the film standout from some of the other entries in the subgenre of space monster/horror. The score kept the audience on their toes and uneasy as the mysteries unfurled around Riya. The film’s special effects and imagery was also top notch as everything, especially the body horror aspects of the film, looked specifically frightening or horrendous.

The biggest problem is that this movie, story wise, does not even try to attempt something different than what we have seen before. There are scenes that feel as if they were taken directly out of Alien or The Thing or Event Horizon or Cloverfield: Paradox or many other space monster films.

The film leaned hard on cliches throughout the entire movie. Riya had amnesia at the beginning after awakening to find everyone dead. I mean… was there ever any question about what had happened here? Aaron Paul’s character Brion was very cliche as well. The only thing not cliche about him was that he spelled his name with an “o” instead of an “a.”

The film was only 1 hour and 35 minutes long, but it felt much longer than that. It dragged through the first two thirds of the movie before a fairly spry final act helped pick up the action. I am not opposed to slow burns, but there needed to be something more entertaining during that slow burn to engage my mind. This did not have it.

The film looked great, sounded great and had a decent lead performance, but there is just not enough of anything else to make this anything but a forgettable flick.

Mr. Nobody Against Putin (2025)

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June 15

Day 15

Today’s June Swoon 5 film is another Oscar winner that I had not seen prior to today. It won the Academy Award for the Best Documentary Feature in 2026 and it was entitled Mr. Nobody Against Putin.

My initial thoughts were that this was about the war in Ukraine, and, while the Ukraine War was a major theme of the film, the center of the doc was different.

Pavel Talankin was the main character of the doc, and he was a teacher/teacher organizer/school videographer at a school in the Russian city of Karabash, a town known as the most toxic and poisonous town in Russia. Pavel began filming in earnest after the Russian invasion of Ukraine in 2022, when the Russian government required schools to have regular “patriotic displays” and use state-written curriculum.

Pavel was always one for openness and freedom, proving what he called a safe space for the students to express themselves. These governmental requirements became such an opposition to what he believed that he went as far as to resign. However, when he was contacted by  director David Borenstein about a response Pavel had made to an Instagram post, Pavel rescinded his resignation to compile more film for a documentary on how the war was affecting the school he worked at.

There were some amazing moments in the doc, none more shocking than when, prior to a Russian flag ceremony at the school, Pavel played the “Star-Spangled Banner” as performed by Lady Ga Ga. I was shocked that he was allowed to get away with that and that did not get him arrested or removed from the school.

The doc featured several other intriguing characters such as “Pavel Abdulmanov, a pro-Putin history teacher; a student named Masha, whose brother fights and later dies in the war; and former students who are drafted into the army“-(Wikipedia)

I was completely fascinated by this powerful, first person film and the perspective it brought to the situation that the school found itself in. As a teacher myself, I could not comprehend how I would react to the same situation and I pray that I never have to find out. Mr. Nobody Against Putin is a tremendous work with some extreme emotional moments.

Martin: Life is Short

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I have always been a fan of Martin Short, even more so since Only Murders in the Building. When the new documentary entitled Martin: Life is Short dropped on Netflix recently, I placed it on my queue so I could get around to watching it. I watched it this Sunday.

This gives the life story of Martin Short, from his childhood, including some terrible tragedies, to his remarkable career, from the flops and major successes.

There were a lot of great interviews from Short’s friends and family including his brothers Michael, Brian, his sister Nora, and Tom Hanks, Steve Martin, Catherine O’Hara, Eugene Levy, John Mulaney, Andrea Martin, Paul Shaffer, Steven Spielberg, and Rita Wilson.

The story spends a lot of time on the relationship between Martin and his wife Nancy. They are shown as the perfect couple, one that others wished they had relationships like.

I loved watching this documentary and it went by quite quickly.

4 stars