Category Archives: Netflix

Bodkin S1 E1

Posted on by

Spoilers

“One True Mystery”

“People will listen to it?“

This was the question throughout the entire first episode of Bodkin, a series from Netflix featuring Will Forte as a podcaster and Siobhán Cullen as an investigative journalist whose editor insisted on her accompanying Forte on his podcast to get her out of the way.

IMDB says, “A group of podcasters set out to investigate the mysterious disappearance of three strangers in an idyllic Irish town. But when they start to pull the strings, they find a story much bigger and stranger than they could have imagined.”

Bodkin is a dark comedy/thriller dealing with the disappearance of some people in the small Irish town of Bodkin. By the end of the first episode, I was intrigued enough to continue with this.

I definitely liked the actors. Both Siobhán Cullen and Will Forte were great and Robyn Cara as Forte’s investigator on his podcast was good too. The Irish people of the town were very quirky and mysterious.

I did not find anything downright funny, but oddball worked as a descriptor. The curiosity of what exactly was going on when Cullen’s character Dove was struck by a car was definitely interesting.

With some open spots on the schedule for TV shows, I think the seven-episode series on Netflix will work nicely.

Baby Reindeer limited series E4-7

Posted on by

Spoilers

I had not intended on binging this whole series in one day. I had thought that this could be another several week watch. However, with the sick day, I had time available and this was just so amazing of a show that I couldn’t help myself.

Baby Reindeer is a seven-episode limited series on Netflix that has been creating quite a buzz lately, for good reason. It is based on a true story, written and starring Richard Gadd, who based this on a time in his own life.

Episode four bought the answers as to why Donny was such a victim for Martha. He had been abused by a writer, a writer whom Donny had idolized and who was sexually pervasive with him after getting him high on a variety of drugs. This vital piece of information, which was hinted at in the first three episodes, gives us the theme of the show, seeing how abuse can affect an individual and how trauma from the past can really derail a person’s life.

Martha was not shown as a villain. She was absolutely mentally ill, suffering from her own challenges, but to call her evil is not an accurate portrayal. Even at her worst, Martha was retaliating or responding to situations in her life that she was unable to deal with in any other manner. In her mind, she was in love with Donny and this was the way for her to express it.

Donny’s own self-hate caused everything around him to falter, including the potentially positive relationship with Teri. There really is an amazing amount of depth to these characters who go far beyond good vs. evil.

While the first three episodes of the series were highlighted by Jessica Gunning’s performance as Martha, these last four, in particular episode six, showed a remarkable performance from Richard Gadd. His monologue on stage at the comedy finale was just unbelievable and as raw as an open wound. I was completely captivated by the acting on display. This felt like a man breaking down in front of everyone.

I also was touched by the scene where Donny went back to his parents to tell them about the video of that monologue that had gone viral on social media, mainly because Martha had threatened to tell them about it. The reveal that his father had also been sexually abused as a child was one of the most powerful moments of the show. The hug between father and son was life-affirming.

The end was very poetic too as Donny wound up at a bar and, almost, in the same situation that Martha was in at the beginning of the show. One wonders if this characters of Donny would ever truly get past the obsession that he seemed to have for Martha. While this is based on a true story, there is enough fictional aspects to make one wonder.

This was a difficult and uncomfortable show to watch at many times, and yet it was worth every second. It is one of the best shows of 2024 so far.

Baby Reindeer limited series E1-3

Posted on by

I heard some discussion about this limited series on Netflix. Several of the online critics that I respect and like had positive things to say about this, so I decided since I have a sick day today from school, I may as well give it a try.

The first three episodes were just tremendous.

According to IMDB, “Based on a compelling true story, the hit 2019 Edinburgh Fringe one-man stage-play Baby Reindeer follows the writer and performer Richard Gadd’s warped relationship with his female stalker and the impact it has on him as he is ultimately forced to face a deep, dark buried trauma.”

Richard Gadd played Donny, a bartender who wants to become a stand up comedian. One night, a sad figure of a woman came into the pub and sat down on the stool. Donny took pity on the woman and offered her a drink. Little did he know where this would take him.

Jessica Gunning is astounding as the woman, Martha Scott, who begins to stalk Donny, ingratiating herself into his life in an obsessive manner. The brilliance of the performance is the fact that you can see the reason why Donny felt the empathy for her. There are flashes with Martha that is not just her mental illness, but her desperation to be something more to someone. Jessica Gunning truly gives a layered performance through the first three episodes.

The first three episodes spend some time hinting that there is more behind Donny than what we see and perhaps some of his choices and behaviors will make sense after we find out what that is.

The feral response Martha had when she found Donny with Teri (Nava Mau) was brutal. Donny’s angry response chased her away, but I am not sure what the show will do next, and i love that.

Powerful limited series so far, based on a true story of Richard Gadd’s actual stalker.

American Nightmare

Posted on by

Spoilers

Unbelievable.

I have had this three episode true crime documentary on my list at Netflix for a few weeks now and I found a time to binge it tonight. What an unbelievable story. Shocking and outrageous in many ways.

Honestly, even the manner the show presented the story messed with the emotions and the comprehension of the audience. What actually happened? It laid out the story in a definite manner that was meant to have audience members draw their own conclusions… and then they flipped the script.

In 2015, Denise Huskins was the victim of a home invasion that led to her kidnapping. Her boyfriend Aaron Quinn reported the abduction the next day, claiming that he had been instructed that the kidnappers were watching him on a camera and that they would hurt Denise if he called the police.

The Vallejo Police investigated but the story of the kidnapping was so out there that they switched gears and began to believe that Aaron was responsible for Denise’s disappearance.

Then, she returned.

At this point, the police began thinking that this is a real-life case based on the Ben Affleck movie Gone Girl, and that this kidnapping was a hoax.

Except, it wasn’t.

This was amazingly compelling. The first episode focused on Aaron’s story and how the police were looking at the case. the POV of law enforcement was a major theme throughout all three episodes. I was shocked when Denise came strolling to her father’s house at the end of the first episode.

Episode two dealt with her story and the horrors that she went through. Again, her story was so wild that it was difficult to believe and it was much easier for the police to believe that a hoax was a much more likely scenario.

I really liked this doc because it had quite a bit of finality to it. A lot of these true crime docs that I have seen have an air of uncertainty to them, perhaps a mystery that is still unsolved. This may have had some unanswered questions (in particular, the kidnapper had told Denise that he had intended to kidnap Aaron’s ex instead of her), but there was a very definitive result which I truly appreciated.

It is a resounding accusation against police forces in the area that did not believe the stories of the women victims and instead, chose to relate it to a fictionalized movie. It also showed that there were police officers who took their jobs seriously and were dedicated to finding the truth, in particular Misty Carausu, a police officer with the Dublin Police Department in Dublin, California, who found the kidnapper, found goggles and a strand of long blonde hair that she eventually tied to Denise. It was the efforts of Misty Carausu that led to the arrest and conviction of the kidnapper/rapist, Matthew Muller.

This was an amazing documentary series, shocking and a powerful watch. I am very pleased that I decided to watch this compelling story.

Masters of the Universe: Revolution

Posted on by

Spoilers

The sequel to the Masters of the Universe: Revelations from filmmaker Kevin Smith dropped on Netflix this weekend with five-episodes that ran around a half hour each. This made the series a simple binge and satisfying story with some classic characters if the 1980s.

Another fun tidbit for the series was hearing the voice talents of Mark Hamill and William Shatner working together. Having Luke and Kirk together in any manner is a Geek dream.

The story basically continues from the Revelations series as the characters were dealing with fall-out of everything that happened there when Prince Adam’s father fell ill, so badly sick that he was not long for the world.

There were some solid emotional bits in the story and some good character arcs, especially for Evil-Lynn. Her eventual redemption was one of the most satisfying of the entire series. The show also went into the origin of Skeletor, tying him to Adam in an unexpected way.

There were a lot of voices on the internet that spewed out venom and hatred over the Revelations series when it first came out on Netflix. It got so bad that it was pretty clear that Kevin Smith had been discouraged over it. You could hear the change come over him during his podcast Fatman Beyond. 

However, it seemed as if this time there are many more voices of positivity with this series. I hope Kevin takes in the well-deserved love and it makes him feel better. I really enjoyed Revelations, perhaps more so than Revolution. 

This series feels much more like a love letter to the original series than the previous one had. Revelations felt like he took the characters from the series and made them into deeper characters and put them on some arcs that may not have been popular, but were very interesting and thrilling. Here, it felt as if it were more about the story with the characters taking a bit of a back seat. With the fewer number of episodes, I think that was a wise choice.

The music/score of the animated show was sensational. Some of the music swelled with energy and passion, creating the perfect tone for most of the scenes. 

The animation was very good too. There are some truly beautiful shots of the action and the imagery of the surroundings.

The biggest drawback for me is another thing that connects it to the original series. I did not watch the He-Man show back in the 80’s and the weird, quippy dialogue/patter was cringey at times. When Lynn started to sing the K-I-S-S-I-N-G song, I could almost hear my eyes rolling into the back of my head. I understand that is the tone of the series and that it did have a place, but it was fairly annoying at times.

Otherwise, I think this was a satisfactory entry into the Master of the Universe mythos and longtime fans should find a lot here to praise instead of taking to the internet to rip down. 

Blue Eye Samurai S1 E5, E6, E7, E8

Posted on by

Spoilers

“The Tale of the Ronin and the Bride”

“All Evil Dreams and Angry Words”

“Nothing Broken”

“The Great Fire of 1657”

I finished season one of Blue Eye Samurai today with the final four episodes. This is such a great show, with amazing animation, perfectly executed fight choreography, and some of the best character work around. It is absolutely a high bar for the next season to reach.

Specifically, episode five was an amazing format, with the story being told with a narrated puppet theater. It was one of the most imaginative style choices that seemed to fit perfectly with the tone and style of the show.

Everything led to a huge confrontation between Mizu and Fowler as the city burnt down around them. I am not sure if I loved the way the cliffhanger unfurled, but I am willing to let season two play out to see what happens. I think I would have preferred for Mizu to have killed Fowler instead of trying to use him.

Plus, with Mizu and Fowler on a boat to London, does that mean that our cast of supporting characters Ringo, Taigen, and Akemi are going to be sidelined in season two?

It was a sad end for George Takei’s character Seki, shot to death retreating from the fire. His was a character that showed his true allegiances through the year… and it was to Akemi.

This was such a joy to watch and I am very glad that I took the suggestion from a couple of the YouTube content makers, saying that this was one of the best shows of 2023. It certainly was epic.

Blue Eye Samurai S1 E4

Posted on by

Spoilers

“Peculiarities”

More excellent work in episode four.

Mizu comes face to face with Akemi in the brothel. She tried to poison her, but Mizu recognized her and captured her.

Mizu made a deal with the brothel head Madame Kaji for the information of Fowler. It led to a terrible scene with Kaji’s her protégé, Kinuyo.

The episode ended with Boss Hamata showing up with a massive army, ready to tear down Kaji’s brothel.

The show continues to be awesome. It is beautifully designed and animated. Mizu is a kick ass character that becomes deeper each show.

Blue Eye Samurai S1 E3

Posted on by

Spoilers

“A Fixed Number of Paths”

Boy, when Ringo said he was useful, he was damn sure not lying.

Ringo was the MVP of this episode for sure. He not only protected Mizu, treated her wounds, but also saved both Mizu and Taigen from an arrow attack from Heiji’s men.

This was a great episode. As Mizu and Taigen (sorta) working together, Mizu accepted an invitation for tea with Heiji Shindo. Taigen was sure it was a trap, and he wasn’t completely wrong.

The voice cast of this series is sensational. Maya Erskine does the voice of Mizu, but we also have Randall Park, George Takei, Kenneth Branagh, Brenda Song, Masi Oka, Darren Barnet, and Eric Bauza.

Akemi is also out and doing what she can to find Taigen. Seki has some ideas about what she should be doing, but she does not necessarily like the plan he has set up. She takes things into her own hands.

This has been amazing so far. The choreography of the animation in the fight sequences are excellent. I love the animation. And the characterization of these characters are wonderful. I am enjoying this series so much.

Blue Eye Samurai S1 E2

Posted on by

Spoilers

“A Unexpected Element”

Second episode was another banger. There is so much action and excitement in each of these first two episodes that I can believe how great this show has been perceived by the public.

Mizu was heading to a town to find a boat so she could pursue Shindo to his island fortress. Ringo had followed her there and, despite her attempts to shoo him away, he continued to follow her, making himself useful.

Taigen heads after Mizu in an attempt to reclaim his honor. He would find her at the end of the episode.

Prior to that, Mizu was confronted by The Four Fangs. She killed three of them, with the one survivor being a man named Chiaki who had come for a sword from Master Eiji. He was an assassin and Mizu had made a sword for him that was broken.

Back in the present, Mizu is able to kill Chiaki, but it nearly ended her. When Taigen approached Mizu, she told him to come on, but passed out. He moved forward, the show implying that he was going deal a killing blow.

Again, animation is gorgeous and the fight choreography is laid out wonderfully, especially with the fight on the cliff with the Four Fangs. That fight was remarkably clever and designed well.

This has been a great start to this season .

Blue Eye Samurai S1 E1

Posted on by

Spoilers

“Hammerscale”

I decided last night to give the first episode of Blue Eye Samurai a chance on Netflix. I have heard a lot of positive word of mouth about this series and, after watching the first episode, I have to agree. This is a spectacular animated series.

Beautifully animated. Dramatically presented. Its share of animated violence and blood. Blue Eye Samurai is a classic revenge tale engulfing our main protagonist, who has a major secret to hide.

Not only is the samurai tainted by blue eyes, Blue Eye Samurai (aka Mizu) is in truth a woman masquerading as a man.

We see a good chunk of her back story, where she learned to fight and how she constructed her sword. Plus, there was a major series of sword fights, beautifully animated and constructed.

This is an adult animation as there are blood splatters, language and plenty of nudity and sexual encounters.

There are eight episodes of this show on Netflix and I cannot wait to continue seeing this show. I have heard that Netflix has approved a second season, so I am happy that I am jumping on Blue Eye Samurai when I am.

Bodies E7 & E8

Posted on by

Spoilers

E7: “Catch Me If You Can”

E8: “Know You are Loved”

I have been hoping to finish this limited series on Netflix for awhile now, but it always seemed as if something got in the way. Well, it is Thanksgiving and I have the day basically open and so I finally got the chance to watch the remaining two episodes of this thrilling limited series.

Time travel is always mind-bending.

In episode seven, things really go wrong, for everyone except Harker/Mannix. Things for him go exactly as they are meant to go… the same as they have gone since the loop began.

However, in 2053, Iris Maplewood makes a decision. She saves Defoe in her timeline and they hatch an attempt to go back to 1890 and prevent Elias Mannix from his plot.

Unfortunately, she does go back in time, but does not realize that the technology that helps her walk does not exist in 1890 and that leaves her as a cripple.

So much is going down in this episode that I continued to wonder exactly what was going to happen to stop this time loop from continuing. Who knew that it would be Alfred Hillinghead?

Hillinghead had confessed to the murder to save his lover and, as we saw in ep. 7, he is strangled to death from Mannix’s orders. Mannix, as Julian Harper, goes to Hillinghead’s daughter, Polly, and ends up marrying her. She gave birth to a son that began the lineage that would lead to Mannix’s own birth and all the tragedy that occurs.

In episode 8, Maplewood was able to get to Hillinghead, when they were both in holding cells, and she let him know about everything. This time, when Hillinghead is visited by Mannix before being strangled, Hillinghead went on to insert doubts and uncertainty for Mannix.

Things went along, basically, but the marriage to Polly winds up being compromised and they are anything but happy. On his deathbed, Mannix records one more record telling his future self that everything was a lie. Before Charles Whiteman kills him, Mannix gives him the record and begs him to put it in a safe place and get it into the hands of Shahara Hasan.

Whiteman take the record with him and hides it at the police bar. Shahara, from 2053, goes back in time and finds the record, playing it in 2023 for Elias before he detonates the bomb.

Elias chooses not to explode the bomb and the future is changes, the loop is broken, and Elias and future Shahara disappear, having technically never existed.

This was a compelling 8-episode series that was well-written and very smart. It required the attention of the viewer and I like that kind of show.

we went back to the past to see that the lives of Whiteman and Hillinghead were better, and the people that had died in the time were back. There was a strange ending to the show. 2023 Shahara was in a cab talking about life in general, and the camera revealed that the cabbie was Maplewood and that she used Shahara’s name.

I am not sure how that happened or what that meant, but it put an odd button on this sci-fi series that was really well done.

Bodies Episode 6

Posted on by

Spoilers

“The World is Yours”

Whoa. An amazing episode of this show, as several of the pieces start to fall into place in what exactly had happened. We saw some amazing things happen over the course of this episode and I’m not sure where this now goes, until it goes right back to the beginning.

I was unaware that this series was based off a graphic novel of the same name by British writer Si Spencer. My friend Todd had heard of it and while we were discussing the series, the graphic novel came up.

No doubt that this series is science fiction goodness with a big dose of time travel. This episode feels like the low point in the middle of act two, but it is just unclear where the show goes from here over the final two episodes of the limited series.

Everything that was said to happen does happen this episode. The massive bomb takes out London by Elias’s hand. We see where the body came from and how 2053 Gabriel Defoe winds up a dead body with a bullet wound in his eye but no bullet in his skull. And shot by Iris Maplewood. Wouldn’t have seen that coming. Whiteman finds his revenge/justice and that leads him to the end of a noose. Alfred Hillinghead arrested for murder in front of his wife and daughter after telling his male lover to escape.

Lots of action and intensity in this and it sure seemed that Elias, or Mannix/Harker/Elias seems to have won, starting the loop once again.

Two more episodes of Bodies on Netflix, which I should get done over the weekend. This has been a top notch adventure so far.

Bodies E4 & E5

Posted on by

Spoilers

“Right Up the Wazoo”

“We Are One Another’s Ghost”

The fourth and fifth episodes of the new Netflix limited series, Bodies, are fantastic. This show has been doing a spectacular job of laying out this complex story through four timelines and multiple characters. I have found the plotting of this series to be tremendous work.

There are some heartbreaking surprises in these two episode, things that I did not see coming.

The timelines begin to bleed across as fingerprints from 1890 are matched in 2023. An older Shahara turns up in 2053 while investigating in 2023. We get an explanation on the importance of Elias and who he is connected to.

The death of Ester was tough to stomach and you could feel the pain that Charles was going through. Maybe the show should have given us a few more scenes with the two of them together to make their connection feel a little more realistic, but, in the end, I did feel for the loss of the girl and understood the suffering of Charles. I was so rooting for him to get his justice, but I had that sinking feeling that it wasn’t going to happen.

The time travel aspect of the show has started to come into focus and we are starting to see out antagonist in a clearer light. The conspiracy seems to be blankets over a lot of people over several timelines.

My guess is that the eventual wildcard involved here is Iris Maplewood from 2053. She seems to be with Mannix at this point, but one has to feel as if she is going to make the difference in the story.

Three more episodes to go. Things are going to be explosive soon.

Bodies E1-E3

Posted on by

Spoilers

I started a new limited series on Netflix that had been on my queue for a few weeks now. I wanted to wait until a couple of the shows that I am currently watching were coming to an end. Loki is now done. Goosebumps has one more episode next Friday. Gen V is over. It felt like the right time to start something new.

There are eight episodes of this British limited series. It is called Bodies. I had seen the premise of the series on Netflix and it sounded remarkable.

The premise on Netflix said, “Four detectives. Four timelines. One body. To save Britain’s future, they’ll need to solve the murder that altered the course of history first.”

1890. 1941. 2023 and then eventually 2053. Four timeframes that all wound up with the same apparent murder victim, his eye shot out, stripped naked.

In the 2053 year, we learn that something terribly tragic was going to happen in 2023 that we did not yet know. It sounds like whatever it was is a huge destructive event.

These characters in the different timeframes are all fascinating and complex.

I have found this to be so great so far and I am fully engaged with this show so far.

The Fall of the House of Usher E3-8

Posted on by

Spoilers

I had no intention of finishing this series today. I wanted to spread it out over the next several weeks. However, with the schedule packed with TV shows, movies and comics, and since I was really engaged in it, I just kept watching another episode as I would finish the previous one.

The titles of the series included;

Ep. 3: “The Murders in the Rue Morgue”

Ep. 4: “The Black Cat”

Ep. 5: “The Tell-Tale Heart”

Ep. 6: “Goldbug”

Ep. 7: “The Pit and the Pendulum”

Ep. 8: “The Raven”

Because of these titles, I knew which of the Usher kids were doomed that episode. They were all neat adaptations of the short stories written by Edgar Allan Poe, into a new story, a new format.

There were plenty of other stories/poem incorporated into the series as we met Annabel Lee, The Cask of Amontillado was highlighted, Rufus Griswold (who wrote Poe’s scandalous obituary), The Belles (poem), among others.

Some of the allusions to Poe’s work was subtle, some was anything but. Several lines of Poe’s poetry is recited in the episodes, especially lines from Annabel Lee.

Each of the Usher kids’ deaths are fun and earned. They all take form similar to Poe’s works. It’s cool knowing some of these reference. For example, as Roderick sat in the basement staring at the brick wall, I wondered whom was bricked up in the wall. Of course that was coming. As a writer, Poe buried people in walls several times in his career.

To be honest, the finale did feel a little preachy at times. Some of the monologues delivered in the episode spoke of a lot of the political controversies of the day and it did feel somewhat out of place. The message was there without needing to bludgeon the audience over the head with it. I did find that to be a bit unnecessary.

Though, I admit that I laughed with the line about Trump when the mysterious Verna said,  “Like I said to one of my clients, when I’m done, you can stand in the middle of Fifth Avenue and shoot somebody, and it won’t cost you a thing.”

The Fall of the House of Usher was great. I love Edgar Allan Poe and this had him all over the place. Greta acting. Cool kills.