Spoilers

“Funeral for a Door Nail”

“Camille”

These last two episodes wrapped up season two of Moonlighting. E18 was a typical Moonlighting episode with the twists and funny chase scene. E19 featured Whoopi Goldberg, Judd Nelson and a lot of “Devil With the Blue Dress.”

Both of these episodes included a technique that was used quite a bit during the entire series, and especially in these two: Breaking the Fourth Wall.

Moonlighting became very famous for breaking the fourth wall. It is a technique where the actors speak directly to the camera or act as if they know they are in a TV show. The show had been weaving a few of these nuggets throughout the first couple of seasons.

The thing is, these final two episodes really dove into the concept. During “Funeral for a Door Nail,” there were multiple fourth wall breaks written into the dialogue, including a clever shake of the camera when David asked the audience a question.

Then “Camille” took it to an even greater extreme when they had their chase scene through the backlot of the film company and a weird conclusion that saw everybody putting the props away because it was the final episode of the season and it was time for the summer. They did not even bother to end the storyline with Whoopi Goldberg and Judd Nelson.

While I do love the Breaking of the Fourth Wall, I do think that the writers of the show did take it too far a few times. Every time it happened in “Funeral for a Door Nail,” I laughed and enjoyed it, it felt as if they were overdoing the technique. And the end of “Camille” was just way too much, turning the episode into a strange slapstick adventure with everything including Billy Barty.

The use of the fourth wall break became something that the series became over reliant on. I remember loving every time it would happen when I watched the show on ABC, but now, on my rewatch, it does feel as if it has been over used. Less is more, in this case. The real reason Moonlighting was as successful as it became was because of David and Maddie and their relationship, or lack there of. The will-they-won’t-they struggle of these two is what kept bringing the fans back, but it did seem that the writers continued to expand on some of the things that were novel to the show, but secondary. And I believe season three (although it also contains the best episode of Moonlighting ever with “Atomic Shakespeare”) continues down the path of mistakes in choices. I wonder how much the noted feud between Bruce Willis and Cybill Shepherd had to do with it.