Enola Holmes 3

The Enola Holmes franchise on Netflix has had two really solid, enjoyable movies and now Enola Holmes 3 joined the trilogy in a very effective way.

I hadn’t heard about Enola Holmes 3 coming until some time in mid-June of this year. I had no idea they were doing another one, but I think they presented another winner. Millie Bobby Brown has grown into this role, and she does an admirable job in the role. Her breaking of the fourth wall moments, as she acted as a narrator, worked very well. I realized in the middle of the movie that I had not thought of her as Eleven (from Stranger Things) once. That shows how effective Millie Bobby Brown has been as Sherlock Holmes’ sister.

Sherlock Holmes is kidnapped, disrupting the wedding of Enola Holmes and Lord Tewkesbury. Enola is on the case, investigating the mystery.

Several returning actors reclaimed their roles from previous films of the franchise including Henry Cavill as Sherlock, Helena Bonham Carter as Eudoria Holmes, Louis Partridge as Tewkesbury, Himesh Patel as Dr. Watson, and Susan Wokoma as Edith.

This movie succeeds on the back of Millie Bobby Brown and her relationship with the characters around her. She is very charming as Enola and she and Partridge have great chemistry.

I was not as impressed with the mystery with previous Enola films. I can’t speak about the plot without spoiling so I won’t go into it further.

I found this to be an entertaining addition to the franchise and I thought it was an easy watch. This is a great Netflix film that is worth the time.

4 stars

Minions & Monsters

I have hated the previous two Minions movies and I have not been a big fan of any of the Despicable Me franchise either, so I was not excited when they announced a new Minions movie.

However, I had heard some positive word of mouth, especially from online film critic Dan Murrell, a well-know hater of Minion content, and I had some hope.

After seeing Minions & Monsters, I can say without hesitation that this is my favorite Minions movie I have ever seen.

According to IMDB, Minions & Monsters “Follows the Minions in 1920s Hollywood as they search for frightening creatures for their monster movie, partner with a green creature, and must save the planet after unleashing monsters.

The Minions wind up in Hollywood and that was really fun. The movie had a ton of references and allusions to some of the greatest movies of all time, from Jaws to Casablanca.

There are some real characters in the movie and an actual storyline. They are not incredibly deep, but they are here. There are some big time voice performances too including Trey Parker, Allison Janney, Christoph Waltz, Jeff Bridges, Jesse Eisenberg, Zoey Deutch, Phil LaMarr and Bobby Moynihan.

The animation is wonderful and full of amazing color. The times they switched from the typical animation style into a different one were very effective.

This movie does a great job of appealing to the children in the audience while still giving some jokes and items for the adults, which, again, is not something that is typical in a Minions movie.

This was such a nice surprise. This had a feeling of the Looney Tunes to me. For a movie that I had no desire to see at one point in the year, to a film that was entertaining, it sure tells you that if you keep your mind open, anything could happen. Even a fun and enjoyable minions movie.

3.9 stars

Supergirl

I went to the next DCU movie today, which was Supergirl. I had heard so many negative things about this movie… well, not necessarily negative, but more like middling. People were calling it forgettable and meh, so I went into the film with low expectations, but an open mind.

I tell you what… I really enjoyed this movie. Based on the classic Supergirl story “Woman of Tomorrow,” Supergirl gave us a Supergirl that we had not seen before on the big screen. I will admit that I was not a huge fan of the “Woman of Tomorrow” comic book storyline, which I know places me in the minority.

We get a Kara who is flying to red sun planets so she did not have her powers, meaning that she could get drunk. On the planet, she encountered young Ruthye (Eve Ridley) who is in search of revenge against Krem (Matthias Schoenaerts), a brutal killer who had killed her family. Krem then shot and poisoned Krypto, inspiring Kara to try and save her dog.

Even those critics who did not like the film had positives to say about Milly Alcock as Kara/Supergirl. She is truly a revelation as the character. I think her performance was outstanding and I have a lot of positive thoughts about Alcock moving forward in the DCU.

On the other side, Matthias Schoenaerts’s performance as Krem was a major drawback for this movie. I disliked the way he played this character. Krem had the chance to be such a frighteningly sinister character, but he was so weird in his dialogue and the way he delivered it. He was my least favorite part of Supergirl.

I thought that I would have problems with the character of Ruthye in the movie, because I did have a problem with that character in the comics. However, I thought this was a strong addition to the film. There were a couple of moments when I thought she was getting whiny, but they did not take away from the story or the character for me.

Two big cameos in the film: Superman and Lobo. I loved the use of David Corenswet’s Superman in the film. He felt perfectly used and helped center Kara in the tale. While I thought Jason Momoa was awesome as Lobo, I am not sure that the character of Lobo was really needed for the story. He felt a little crammed into the movie. Again, it is not that Jason Momoa was bad, because he wasn’t. I just feel that he did not play enough of a significance for the roll.

The other area that I had a problem with the music. Some of the needledrops did not fit well and were distracting to the film. There was a time in a bar on this other planet where the band started singing “Cheek to Cheek,” the earth song that was so out of place.

I was engaged and enthusiastic about Supergirl and Milly Alcock’s portrayal. I had heard so many bad things about Supergirl, but I truly thought this was exceptional. The humor worked. The film looked pretty good. The characters were great (with the exception of the villain). The film moved quickly and worked well.

4.3 stars

The AI Doc or How I Became an Apocaloptimist

I have been wanting to see this doc for awhile now, actually since it was in the theater, but I haven’t gotten around to it. The AI Doc or How I Became an Apocaloptimist documentary did not make me feel better about the concept of AI.

As a teacher, I hate AI. Many of my colleagues use AI such as ChatGPT to help them with lesson plans or ideas to help present material. I do not have issues with others doing that to make their lives easier. My biggest problem is how AI can be used by students to simply write a paper without any of their own writing skills.

So I immediately came into this movie with a negative mindset about AI. After watching this, my concerns were not removed.

The premise of the film, according to Wikipedia, was “old through the perspective of filmmaker Daniel Roher as he prepares to become a father, the film investigates the existential threats and potential promises of artificial intelligence. Roher conducts interviews with leading experts in the field to understand the world his child will inherit, balancing anxiety with ‘apocaloptimism‘.” (Focus Features).

Roher presented a series of talking heads to speak to the idea of AI and what it could mean to the future of the world. To his credit, Roher does provide a fairly comprehensive opinions on both sides of the subject, providing thoughts from the pro and anti AI experts. There are those who believe AI will lead to an new utopia or that could lead to an apocalyptic end of the planet.

He brought in the CEOs of some of the major AI companies (except Mark Zuckerberg, who refused, and Elon Musk, who agreed to come and then got too busy). These CEOs sounded reasonable in the doc, but one wonders what that means.

The doc was a difficult watch. I am not sure how to feel about the info that it was presenting, though I did like the way Roher framed this, with his concerns over the upcoming birth of his first child and the idea of bringing a child into this current world. I do think this is a valuable doc to watch to make sure you have, at least, a surface level knowledge of where the world is heading.

It did not help me figure what to do about those AI generated research papers, though.

3.6 stars

The Death of Robin Hood

Hugh Jackman played Old Man Robin Hood, much like when he was Old Man Logan in the movie Logan. Except this time, he is playing the big time asshole Robin Hood, who, despite the mythology behind Robin Hood, the man who “robbed from the rich and gave to the poor,” we learned that he was anything but that person.

The film certainly wanted to deconstruct the story behind Robin Hood, and this film does a good job of doing that very thing. There was no sign of Kevin Costner anywhere around.

The movie had some very violent and brutal scenes so we could accept Hugh Jackman as this horrendous character. Hugh Jackman does a fabulous job in this role. You could see the conflict at times when Old Man Robin Hood was thinking back upon the violence that he perpetrated.

However, The Death of Robin Hood turned out to be very slow throughout the whole film, and, dare I say, more boring than not. The whole essence of the film was down and dark, bordering on depressing, and there was little to cheer for.

Faith Delaney, who played little Margaret, was a nice highlight and the few scenes we got between her and Jackman were good. I think they were supposed to help lead toward Robin Hood’s redemption, but I do not think that is what they did. However, they were pretty solid together.

The ending was meant to be more emotional than what it turned out to be, and the whole (SPOILER) death scene (SPOILER… although it is in the title of the movie) was not an awesome moment.

Overall, The Death of Robin Hood was an interesting idea, but I do not think the execution of this movie matched the potential premise. Hugh Jackman was great as always (so was Bill Skarsgård as Little John/Edward), but that upside just did not manage to maintain throughout the film.

2.7 stars

Toy Story 5

Toy Story has to be considered one of the greatest franchises in the history of cinema. Five movies and they all are critically beloved. I was excited to see Toy Story 5 today.

Toy Story 5 is Jessie’s story. One of the questions I had was how they were going to Woody back to the group considering how Toy Story 4 ended, and I think they had a great way to get him there.

The balance of Bonnie’s room is thrown out when she gets a tablet called Lilypad. Suddenly Bonnie becomes focused on the screen and not on her toys.

The tech vs. toys story is interesting in this film, and definitely a worthy idea that needs to be investigated. I’m not sure it did much with that premise.

I had heard how emotional Toy Story 5 was and that I would require tissues. I was looking forward to having a good cry. However, I did not cry. I had a decent response to the emotional moments in the film, and maybe had a gulp once or twice, but there were no tears or even any tears forming in my eyes to brush away.

Now, I do not want to sound like I hated this movie, because I did not. There were plenty of things to really enjoy in the movie including the animation, which is as wonderful as always, the new characters, especially Conan O’Brien’s Smarty-Pants character, and the overall writing and humor involved.

Woody is my favorite Toy Story character, but sadly, he feels unnecessary for this movie. He was absolutely crammed in because Toy Story has to have Woody in it. It is always fun to hear Tom Hanks’s voice work, but Woody was dispensable to this story.

Toy Story 5 is going to end up being my lowest Toy Story movie on a ranking scale, but it is still a really great film with a lot of things going for it. I can see this being scored lower because it is a Toy Story movie. This would be better than most animated films of the year. Still, I came out of it liking the film, but not being in love with it.

4.1 stars

Deep Water (2026)

I do love me some shark movies. Even the bad ones, which there are a lot, have their share of fun and wild moments. Deep Water, which is a return to form for Finnish film director Renny Harlin, has its share of moments and scares.

According to IMDB, “A group of international passengers en route from Los Angeles to Shanghai are forced to make an emergency landing in shark-infested waters. Now they must work together in hopes to overcome the frenzy of sharks drawn to the wreckage.”

There were a group of superficial characters that meant little to me, but there were some intriguing characters that I liked very much. Finally, there was at least one jerk who I wanted to become a shark-burger. Most of the characters were kind of dull, but I still found myself rooting for most of them.

I was shocked to see both Aaron Eckhart and Sir Ben Kingsley in this cast, as I felt as if this film was a B-level film at best. I still think that is the case, but it is always great to see Kingsley in anything.

There were enough interpersonal relationships between the characters to keep them from being more than juts chum for the sharks. Yes, the characters are not Martin Brody, Matt Hooper or Quint, but you can’t expect that type of writing in every shark movie.

I did think many of the shark attacks were silly at times, especially the one involving the helicopter, but their presence did create a sufficient amount of tension to keep the thin story afloat.

Harlin was unafraid to kill off characters in many different ways, and it did feel as if any of them were ripe for being eaten (or drowned). The stakes are absolutely off the charts.

Sure, there are basic story beats that you see over and again in shark movies, but they do work overall here and the plane crash that led before the sharks, was excellent.

I enjoyed this movie and the film hit me in the feels at the end, which is really should have. I think this is a solid shark movie and I am happy to have rented it on Fandango at Home.

3.75 stars

Martin: Life is Short

I have always been a fan of Martin Short, even more so since Only Murders in the Building. When the new documentary entitled Martin: Life is Short dropped on Netflix recently, I placed it on my queue so I could get around to watching it. I watched it this Sunday.

This gives the life story of Martin Short, from his childhood, including some terrible tragedies, to his remarkable career, from the flops and major successes.

There were a lot of great interviews from Short’s friends and family including his brothers Michael, Brian, his sister Nora, and Tom Hanks, Steve Martin, Catherine O’Hara, Eugene Levy, John Mulaney, Andrea Martin, Paul Shaffer, Steven Spielberg, and Rita Wilson.

The story spends a lot of time on the relationship between Martin and his wife Nancy. They are shown as the perfect couple, one that others wished they had relationships like.

I loved watching this documentary and it went by quite quickly.

4 stars

Power Ballad

Director John Carney, who has had musical-based movies in the past with Once and Sing Street, is back in Ireland with another film about music.

Power Ballad starred Paul Rudd and Nick Jonas and they both do a top notch job as their characters in this film, and Paul Rudd did way more singing than I ever thought he would.

According to IMDB, “Rick, a washed-up wedding singer, and Danny, a fading boy band star, bond over music and a late-night jam session. When Danny turns Rick’s song into a hit, Rick sets out to reclaim the recognition he believes he deserves.”

The music of the film was fabulous. Paul Rudd did a great job performing all of these songs and Nick Jonas was excellent too. I liked the scene where Rick and Danny spends time together, drinking and jamming, and writing some songs. It was like a background of how songs are written.

The film was funny and entertaining. Rick’s arc was wonderful and you could feel his loss and his anger over the slight by Danny. The ending was very satisfying.

I wanted to go out of the way to see Power Ballad, as it was not going to fit well in my viewing schedule. I am thankful that I was able to make it work because I enjoyed this a lot. It may not be as brilliant as Sing Street, but there are plenty of positives to make it worth my time, especially Paul Rudd who is awesome as ever.

4 stars

Disclosure Day

Steven Spielberg is back in the director’s chair for the new film, Disclosure Day, which brings Spielberg back to a topic that he seems to love… aliens.

Some of Spielberg’s greatest movies of all time have aliens at the center, from Close Encounters of the Third Kind to E.T.: The Extra-Terrestrial to War of the Worlds. Now he is back with Disclosure Day, a film starring Emily Blunt and Josh O’Connor.

This sci-fi film had just about everything that I would have wanted in it. Josh O’Connor played a man named Daniel Kellner, who had been working for the people trying to keep the existence of aliens hidden, but he had a change of heart, stealing away data proving the truth behind aliens and the government’s knowledge and involvement. Daniel was on the run, hoping to be able to show the data to the public.

Meanwhile, Emily Blunt, who played Margaret Fairchild, a weather girl in Kansas City, suddenly begins t show abilities that she had never had before. Speaking languages she did not know and knowing information about people she had never met before. When she started speaking in a strange language on live TV, things got weird for her.

Emily Blunt is absolutely on fire in this film. Her performance might just be arguably the greatest performance of her career, despite having plenty of banger performances to choose from. Emily Blunt takes the story to another level every second that she is on screen and she elevated the whole script. I truly believe that she should be nominated for Best Actress at the Academy Awards next year from this work.

The rest of the cast is great, albeit looking a little less in comparison to Blunt. Josh O’Connor has been doing amazing work recently, including his great performance in the last Knives Out film. We also have Colman Domingo, Wyatt Russell, Elizabeth Marvel, Eve Hewson, and Jeremy Shamos.

Then there was the film’s main antagonist, Colin Firth. Firth played Noah, who was the agent with the top secret government agency trying to keep things under wrap, and he pursued Margaret and Daniel across the midwest.

I would not define this movie as an action movie, but they had some really good action, which included a scene with a train that was as good of an action sequence as you are going to see in any movie.

This film saw Spielberg beg the legendary John Williams, 94 years old, to come out of retirement to score Disclosure Day. Williams provided yet another amazing score for Spielberg, capping off an unbelievable career.

The movie might be a touch too long, but I do like how it took its time to develop the story and not just throw out everything about what was happening. The central mystery is handled well and kept me hooked from the beginning. The ending of the film has had some detractors, but I think it worked well. If anything, I wanted a little more before the screen went to black. I found the ending of the film to be quite an emotional moment.

Steven Spielberg is one of the greatest directors of all time, and a member of the EYG Hall of Fame. His latest film recaptured some of the magic from his earlier filmography, especially feeling connected to films like Close Encounters. I saw this in IMAX and I found that to be a great viewing experience. I would recommend seeing this on a big screen while it is in the theater.

4.6 stars

The Pout-Pout Fish

The animated film The Pout-Pout Fish dropped on Amazon Prime recently. It was one of the films I did not see in the theaters, so I streamed it on Prime.

I’ll get this out of the way. The animation was excellent. It looked great, and the designs of the fish were clever and fun.

That was about all I liked about this one.

According to IMDB, “Living on a rundown shipwreck, Mr. Fish one day discovers a hyperactive young sea dragon Pip – who had mistaken his home for a junkyard – pilfering his belongings. The heated argument that ensues leaves both their houses in ruin. But there is hope. Embarking on a seemingly impossible quest in search of the mythical “Shimmer” to grant them a wish, there’s only one problem: someone else is on the hunt.

I am afraid that this movie just never hit with me. I had a lot of trouble with some of the physics of the story. It seemed like they forgot at times that there was water around everyone. Things seemed to fall like they would without water and it bugged me.

Then, the character of Pip was just about as annoying as I have ever heard in animation. I was done with this character very early as well.

The film was very predictable and overall bland. Nick Offerman, who I have always enjoyed, just did not seem to fit the voice of the character of Mr. Fish.

I thought the trio of pink dolphins (voiced by Amy Sedaris) were the best part of the film, because you do not usually see dolphins as antagonists.

This one was a disappointment. I did not enjoy watching it and it felt like it took forever, even though it wasn’t that long time wise. I thought the ending was okay, but by that point, I was checked out.

2.2 stars

Monkey’s Magic Merry Go Round

I was on Amazon Prime and I saw a film that grabbed my attention immediately. It was a rental called Monkey’s Magic Merry Go Round, a horror movie with an intriguing hook.

According to IMDB, “A children’s TV show host, ensnared in a case of amnesia, must confront his missing memories as his puppet co-stars turn on him.”

This is really creepy and there is a solid performance at the center of it by Michael Gilio. The Mr. Rogers Neighborhood feel is obvious and it is subtle at first with the slow burn on the mystery of Mr. Jensen and what had happened to him.

When I first saw this, I immediately thought about Bray Wyatt and the Firefly Funhouse from the WWE. I could absolutely see Bray Wyatt doing something like this. The movie listed something about “Freak” which immediately made me think of The Fiend. I have a hard time believing that the Firefly Funhouse wasn’t an inspiration for this movie.

This developed into a creepy, downright frightening film with the puppets and Mr. Jensen. The flashbacks were so effective and were doled out slowly, creating a great pace for the movie.

The character of “Kneel” had me yelling out loud.

Aiden Leary made his feature length film directorial debut with this movie and he does an admirable job with some of the creepy shots and lighting of the show. He provided a movie that played with people’s anxiety and gives us a top notch psychological horror/thriller.

It has been a solid year for horror movies so far and this one adds right to the list of strong newcomers. It is currently available for rental on Prime or for free on Screambox.

4.3 stars

Masters of the Universe

“By the power of Grayskull…I have the Power!”

The new version of He-Man and the Masters of the Universe came out this weekend, an IP that has been redone several times, both in live action and animation.

According to IMDB, “A young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword and return home to protect his kingdom.

I was never a big fan of He-Man, although I did not dislike the IP. I watched the Kevin Smith animated versions on Netflix.

This movie was not my favorite. I had several problems with the film which I will go into later. However, it was not a total loss as there were some things I liked.

First off, I thought Nicholas Galitzine did a great job as Prince Adam. I may not necessarily like how they had him playing the role, but I do think he did a great job in the role. He had a Chris Hemsworth vibe to him.

Jared Leto, whose had some questionable roles, was an outstanding Skeletor. Again, there are some of the writing that did not work well, but Leto stood out among the cast.

There was some good action, especially in the later stages of the film. I enjoyed the finale of the third act, action-wise.

There were a lot of issues though. The biggest one is the tone. This is meant to be too humorous, kind of in the veins of a Thor: Love and Thunder. There were several times when there was a good scene, some times even an emotional scene, but it did not get a chance to settle in because there was a joke coming after.

And for a film that wanted the humor to be so front and center, the film was not very funny. I am not sure I laughed at all, certainly not more than a giggle here and there, and I found myself rolling my eyes more than anything else. I’m not opposed to a healthy dose of humor in my action movies, but the humor needs to be doled out in proper doses and in the correct moments. This film did not do that.

The earth section of this film could have easily been removed, because it did nothing and it was just a way to extend the run time. I really did not like the roommate character in this, and I wonder why people did not have this guy committed with his talk about swords and other planets. And there was a monster that showed up on earth and knocked away by an Amazon truck. This is an Amazon film. Brought me memories of War of the Worlds. Amazon is clearly the biggest heroes in all movies.

And, boy was there an obvious Coca-Cola product placement too. I laughed audibly at this.

There are a ton of secondary characters that were just here to stand in the background and not have any sort of story to them. Alison Brie as Evil-Lyn was a total waste, as was Morena Baccarin as the Sorceress.

It is not the worst movie to watch, but I did find myself bored in a good chunk of the film and very noticeably, not laughing. The last third of the film was better and one would wish it was the style the whole film would have taken.

2.5 stars

Hokum

Ahhhhhhhhh

This was one of the creepiest movies of the year. I legitimately had chills as the movie progressed.

I missed this one in the theater because of schedule so when it popped up on Fandango at Home today for rental, I was ready to watch it. Then, I was scared throughout it.

Typically, I am not scared by movies, but there was no denying that this one hit just right for me.

According to IMDB, “A horror writer visits an Irish inn to scatter his parents’ ashes, unaware the property is said to be haunted by a witch.”

Adam Scott starred as writer Ohm Bauman, a bad-tempered man who came to the area to spread the ashes of his recently deceased parents. He was really an unlikable character at the beginning of this movie, but you get past that very quick after a shocking event at the hotel.

This film falls into the sub-genre of haunted house films, and it does it in a magnificent way. The jump scares were kept at a minimum and when they happen, they are so well executed that it fit into the story.

Everything looked great, the music really worked well, and I was engaged in this film. I was rooting for Bauman to get out of the hotel and the story did not disappoint me.

I was so happy that I got to see this one.

4.5 stars

Pressure

When I saw the trailer for this movie, it felt like a silly idea. How the meteorologists helped save D-Day? Apparently it was a true story, but it really seemed ridiculous. However, this movie rocked.

According to IMDB, “In the tense 72 hours before D-Day, General Dwight D. Eisenhower and Captain James Stagg face an impossible choice–launch the most dangerous seaborne invasion in history or risk losing the war altogether.

This movie was fascinating and full of intensity. I was very impressed with both Andrew Scott and Brendan Fraser. Fraser was Dwight D. Eisenhower and Scott was James Stagg, the meteorologist. The tension between the characters is absolutely sharp and fills the screen. Scott has some great performances with the stuff that he got to play was amazing.

I had no idea that weather could be as exciting as it was. The differing ideas behind the way to predict the weather from Stagg and Col. Krick (played by Chris Messina) was interesting. It showed how two different meteorologists can look at the same thing and come up with different points of view.

There was not much war scenes in this war movie, as it was more in the vein of Darkest Hour, but the scenes that they did include was very tough to watch.

Another actor who I thought did great job was Kerry Condon, who played Eisenhower’s associate Kay Summersby. She was one of the most empathic characters I have seen in a long time in a movie like this. She felt like she was holding everything together.

I never thought I was going to like this movie, and it turned out to be sensational. It goes to show that you should not make up your mind on a trailer before you actually see the product.

4.4 stars