I really do not know much about Bob Marley. However, this looked to be an interesting story in a reasonably short documentary on Netflix, focusing on a major event in the middle 1970s in an unstable Jamaica.
The event I am referring to is the attempted assassination of Bob Marley, a singer whom had always been a dedicated fighter for peace.
Honestly, we do not know much about what happened still and the film speculated about the role of the CIA or about the local political leaders.
There were a lot of the people in the area talking about the situation. It was interesting, but the story did not grip me as much as I would have liked it to. It was fine and the political aspect was appealing, but maybe since I was not as much of a fan of Bob Marley, that was a reason why it did not grab me to the extent that it did.
This movie is Castaway meets LOST meets The Creature from the Black Lagoon.
And it is as awesome as that sounds.
When I was looking through Netflix’s film selection for Black History Month, I came across this sci-fi horror monster movie. It was the right length for my viewing tonight and it sounded interesting. Produced by Jason Blum, there was already a pedigree in horror films for Sweetheart. This was so great.
After her boat sank in a storm, Jennifer Remming (Kiersey Clemons) washed up on the shore of a mysterious island. She discovered her friend Brad (Benedict Samuel), who had also washed up on shore, but had bad injuries and he died soon after.
Jennifer buried him, but there was something monstrous that showed up that night. Some kind of creature appeared and took Brad’s body away. Watching one night, Jennifer saw the monster come from out of the water, eventually returning to a black hole in the water.
Soon after, Jennifer’s boyfriend Lucas Griffin (Emory Cohen) and friend Mia Reed (Hanna Mangan-Lawrence), who had also been on the boat, arrived on a raft. Lucas and Mia were happy to see Jennifer, but they were not too anxious to get back in the raft and leave, no matter how much Jennifer protested.
There are several interesting things going on in Sweetheart, including some intriguing implications about what Lucas and Mia may have done to survive on their raft. The monster is very mysterious and we do not know what it is or where it comes from, and I like that very much. They do not feel the need to go into details that do not further the story.
The third act is just great too. The final confrontation is absolutely worth the wait. Kiersey Clemons is a star and she dominated the screen. I loved this because Kiersey Clemons showed that Jennifer was smart and capable, which many times in films such as this, the characters are not. I never thought she was doing anything stupid and I loved how she was written here.
The film looked great. They use some wonderful techniques to shoot the film and the night sections of the movie are some of the best.
I was pleasantly pleased with Sweetheart and enjoyed the film tremendously.
An unbearably heavy and pain-filled documentary this early morning. It is Alain Resnais’ Night and Fog, the doc short from 1955 that looked at the concentration camps of the Holocaust, ten years later.
The imagery of the film is horrifying, shocking evidence of man’s inhumanity to man, specifically the Jewish people who were targeted by the Nazi Party for extermination.
Treated like animals, if not even worse than animals, the Jewish men and women spent years in an intolerable situation thrust upon them from some of the evilest monsters the world has ever seen.
The documentary, narrated in French, spoke of the daily horror and the inglorious end suffered by the prisoners of these camps. Written by Holocaust survivor Jean Cayrol, it was a struggle to finish for him. The combination of black and white war footage and color pictures of the present day (1955). These ungodly images were punctuated by the score written by Hanns Eisler.
Resnais was tentative about making this film until he found out that Cayrol would be involved.
It is an important film because it is a time that must never be forgotten, because the horrors found at places like Auschwitz or Majdanek must never be allowed to happen again.
I find this hard to classify because I do not want to minimize the documentary so I will be skipping that part of this review. This can be found on HBO Max and it should be a doc that everybody sees during their life.
The 400th movie in the DailyView was a film I had never heard of before and was on Peacock. I loved Robin Williams and the premise surprised me. Unfortunately, The Big White felt like a poor man’s Fargo.
Paul Barnell (Robin Williams) and his wife Margaret (Holly Hunter) had been having problems, especially with money. Paul’s brother Raymond (Woody Harrelson) had been missing for five years so Paul tried to cash in a life insurance policy on him.
Insurance investigator Ted Waters (Giovanni Ribisi) told Paul that they could not Raymond declared dead until he was missing for at least 7 years.
Paul, desperate to figure something out, discovered a dead body in the dumpster outside his work. Paul decided to take the body and make it seem as if it was his brother come back, only to die accidentally.
Ted never believed the coincidental result and a couple of thugs (Tim Blake Nelson and W. Earl Brown) who had put the man in the dumpster in the first place both were putting the pressure on Paul.
While I think there are some good ideas in the film and some moments were decent, much of the movie is a mess. The whole “Tourette Syndrome” storyline with Margaret never worked, was played for comedy and was never resolved. Ted went off the rails big time in the movie and that did not feel right. The love interests were odd characters just for the sake of being odd.
Robin Williams is great as usual. Woody Harrelson was playing a character that he has played in many other movies.
The story is messy and convoluted. It has some moments, but I think it would be more effective if it had been edited down.
It was not a terrible movie I watched, but it could have been so much better.
In 2020, a series of films were released first on the BBC and then a week later on Amazon Prime. This series of films were all under the awning of Small Axe and they were all written and directed by Steve McQueen. It was a series that I wanted to watch at the time, but just did not fit them into my schedule. That oversight then is my benefit now as I can use these films in the DailyView during Black History Month.
The first film is the true story of the Mangrove restaurant in west London and the subsequent trial of the group known as the Mangrove 9, a group accused by the police at the time of organizing and starting a violent riot.
The Mangrove restaurant was targeted by the police at the time under suspicion of criminal behavior going on, despite the fact that there had been no evidence of anything taking place. Trinidadian immigrant Frank Crichlow (Shaun Parkes) opened the Mangrove in Noting Hill during the 1960s and the place immediately became a local spot for black people to meet.
The restaurant is watched by racist Constable Frank Pulley (Sam Spruell) and Pulley leads several assaults and raids on the establishment, tormenting Frank and his employees.
The neighborhood rallied behind the Mangrove and organized a protest against the unfair police actions. After the police instigated violence among the protesters, several arrests are made and the group is placed on trial.
Letitia Wright played Trinidadian Black Panther leader Altheia Jones-LeCointe, and she does a magnificent job. She brings a power to her performance that I did not expect. Other featured actors included Malachi Kirby, Nathaniel Martello-White, Richie Campbell, Alex Jennings, Samuel West, and Darren Braithwaite.
The courtroom scenes in this movie are extremely compelling, especially when Altheia and Darcus, who were defending themselves, cross examined some of the key witnesses of the case. The judge certainly seemed to be favoring the prosecution and created anxiety among the viewers with how unfair he seemed to be.
The film does a great job of showing how much agony the defendants were in from the searching for justice that did not appear to be coming.
A magical fantasy combined with a real life feel, Beasts of the Southern Wild was a powerful film of life, family and courage.
Six year old Hushpuppy (Quvenzhané Wallis) had a lot to face for someone so young. Her father Wink (Dwight Henry) was having serious health problems and their home in a bathtub in a southern delta at the end of the world was being threatened by natural disasters and an army of prehistoric creatures called auroch. When her father’s health deteriorates, Hushpuppy goes in search of her long lost mother.
The film is centered around an amazing performance from the young Quvenzhané Wallis, the youngest actresses currently to have been nominated for Best Lead Actress Oscar at the Academy Awards. There is a force of nature feel to the young girl and she dominates the screen with every moment she appears. She plays brilliantly off Dwight Henry, who gives a tremendous supporting performance, with a complex character unlike any that I’ve seen before.
The blend of the fantastic and the realism of the world is another impressive feat that this movie pulled off. To be such a mixture of the two film types and to be so successful at it is a true compliment to the film’s director, Benh Zeitlin.
Not only did Quvenzhané Wallis receive an Academy Award nomination, but the film itself was nominated as Best Picture at the Oscars. It was recognized as an original, beautiful story that you just do not see evryday.
All of this was coming from the POV of Hushpuppy, so everything depended on the imagination of the young girl. Everything that was going on around her was adapted into the world that was created in her mind. Without the presence and power of Hushpuppy, this does not work nearly as well.
This was a surprisingly powerful and emotional experience and should be a film that you check out.
The February section of the DailyView continues with the rom-com films with Forgetting Sarah Marshall, starring Jason Segel, Kristen Bell and Mila Kunis.
After a five year relationship, actress Sarah Marshall (Kristen Bell) dumps Peter (Jason Segel), composer and sad sack boyfriend. Peter spirals out of control and goes through a series of meaningless one night stands, but he could not get over his broken heart.
So when his step brother Brian (Bill Hader) convinced him to take a trip. Peter went to Hawaii and coincidentally wound up at the same hotel as Sarah and her new boyfriend, rock star Aldous Snow (Russell Brand).
Depressed Peter was helped out by one of the hotel employees Rachel (Mila Kunis), who provided him a room at the hotel. Peter and Rachel hit it off and started hanging out while he kept running into Sarah and Aldous.
This was a lot of fun. I loved the film, from the beginning right through to the intriguing ending. How can you not love Dracula The Musical (with puppets)! Jason Segel went all out (and all off) to make the movie funny. He had great chemistry with Mila Kunis.
Russell Brand was perfectly cast as Aldous Snow and he was cool in the role. There were some great cast members here too including Paul Rudd, Jonah Hill, Liz Cackowski, Jack McBrayer, Taylor Wily, Steve Landesberg, Da’Vone McDonald, Maria Thayer, William Baldwin, Jason Bateman, Billy Bush, and Kala Alexander.
Many times I do not like this kind of raunchy comedies, but I found Forgetting Sarah Marshall to be a smartly written, intelligent and fun film that used the humor in an excellent manner.
Woody Allen has been a controversial figure for many years. The accusations that have followed him have turned off many people. It can be a struggle to support an artist like him who has been accused of such terrible things. People like Michael Jackson, Mel Gibson and Woody Allen have created such amazing work over the years, but can someone enjoy the work knowing how potentially horrible they are?
Annie Hall is a great example, because this movie is fantastic, but the whole time I was watching it, I kept thinking about Woody Allen.
Putting that aside, Annie Hall is great. I loved how Woody Allen started off just speaking to the audience, breaking the fourth wall, which he does several times throughout the movie.
Allen played comedian Alvy Singer who was reflecting upon his failed relationship with Annie Hall (Diane Keaton). The story bounced around giving us moments throughout the history of the relationship and of Alvy’s life, filled with neuroses and paranoia. Annie Hall is the great love of his life, but I am not sure that he ever truly realized that.
Woody Allen was all over this movie and he brought his best work. Annie Hall is considered one of the greatest movies made by many cinephiles. It is definitely funny and Allen’s constant neurotic behavior as well as his one liners keep the film a good time.
Diane Keaton is excellent as the title character, and she does win an Academy Award for Best Actress. Annie has a real arc of a story across the movie, making more change than probably any character. I guess as the character who the film is named after, that makes some sense.
The rest of the cast is filled with some fascinating cameos as well as some solid actors. The cast included Tony Roberts as Alvy’s best friend Rob, Carol Kane, Paul Simon, Shelley Duvall, Christopher Walken, Collen Dewhurst, Jeff Goldblum, Janet Margolin, Truman Capote, John Glover, Sigourney Weaver and Beverly D’Angelo.
At some point, you have to be able to separate the artist from the art, because if you can’t, you miss out on some awesome stuff. That is the way it would have been with Annie Hall if I could not do that separation. And I enjoyed the film tremendously.
Today we are blending together the rom-coms with Black History Month and we get The Photograph, a 2020 film that I missed in the theaters because of the pandemic.
The Photograph told two intermixed stories from two different time frames. Famous photographer Christina Eames died unexpectedly, leaving her estranged daughter Mae (Issa Rae) filled with questions. When Mae discovered a photograph, it lead to an investigation into her mother’s past life and her love, Isaac (Y’lan Noel). As she was looking into the mystery, she entered a relationship with a journalist, Michael Block (LaKeith Stanfield).
LaKeith Stanfield and Issa Rae were wonderful in this film, showing an undeniable amount of chemistry between them. Both are exceptionally strong, up and coming actors that have huge futures ahead of them. This showed that they are capable of tapping into the romantic side of their repertoire. Because of them, the present day story was much more compelling that the story of the past, which felt fairly typical.
Some of the film was set in New Orleans and that backdrop added to the flare of The Photograph.
There are a strong cast of black actors in this ensemble including Courtney B. Vance, Kelvin Harrison Jr., Teyonah Parris, Milton “Lil Rel” Howery Jr., Rob Morgan (Turk from Daredevil), Chanté Adams, and Jasmine Cephas Jones. The cast also included Chelsea Peretti.
The Photograph was fine. The performances of the main two stars carried it through a fairly predictable story.
As the calendar turned to February, one of the semi-focuses for the DailyView will be some rom-coms (as well as some films for Black History Month). Rom-coms will be the main films until Valentine’s Day. So for the first of February, I watched one of the most well known rom-coms of the last 20 years, the adaptation of the Nicholas Sparks novel, The Notebook.
In a nursing home, Duke (James Garner) read a story to a woman (Gena Rowlands) who was suffering from dementia and had no memory. In the story, Duke read about a young girl named Allie (Rachel McAdams) from a wealthy family who met a local worker Noah (Ryan Gosling) and they fell in love. Noah was not whom Allie’s parents wanted their daughter to fall for, and their disproval led to the young lovers to split.
Noah enlisted in the army and went to war while Allie waited and hoped to see him again. After years, Allie met a new man (James Marsden) and she fell for him. He proposed to her and she accepted.
Noah had returned from the war and, with the financial help from his father (Sam Shepard), bought his dream home, rebuilding it from scratch. When Allie saw a photo of Noah and his newly constructed home in the newspaper, she felt drawn to see him in order to wrap up the past. However, their love would not be denied.
I was torn by this movie. I thought the acting was superb from the cast, especially from James Garner and Gena Rowland, whose identities were anything but secretive. I found Ryan Gosling and Rachel McAdams to be exceptional as well, early on in their careers.
However, there was a ton of sentimentality in The Notebook that it felt overpowering at times, and not in a good way. I also had trouble with some of the character choices made, especially from Allie. She treated James Marsden’s character just horrendously, playing him along and treating him with a lot of disrespect that he did not deserve. I felt terribly for Marsden, and this made me feel as if rooting for Allie and Noah was a bad thing.
Then, there was an amazing scene with Garner and Rowlands in the third act that was heart-wrenching, but it was tainted by what had happened before. The “mystery” of who they were really ruined the story structure of the relationship with Noah and Allie.
There are a bunch of clichés throughout the movie and it felt somewhat manipulative because of it. I don’t think there is any doubt that Garner and Rowlands and their story was way more compelling than the story of Noah and Allie, which ends up being kind of ironic.
As I said, I am torn by The Notebook. Despite its flaws, there are some solid scenes and some great acting. I just wish that I liked the leads more.
Tonight, I returned to the Basil Rathbone-Nigel Bruce series of Sherlock Holmes movies for Sherlock Holmes Faces Death.
As always, Rathbone and Bruce are excellent together as Holmes and Watson. This film was loosely based on the Sir Arthur Conan Doyle story, “The Adventure of the Musgrave Ritual” from 1893.
The film is a mystery film where Sherlock Holmes is trying to solve the murders that are occurring at the Musgrave Manor, a home being used as a hospital for a number of servicemen who are suffering from events of the war. Dr. Watson was working at the manor, and called in his friend Mr. Holmes after his colleague Dr. Saxton (Arthur Margetson) was attacked and stabbed in the neck, though he survived the attempt.
This was not my favorite of the Rathbone/Bruce series of films. This one felt pretty forced and the conclusion was forgone. I saw that one coming from the beginning. The mystery was anything but mysterious. Holmes’ tricks were also very obvious.
This film abandoned the idea that Holmes was a bit of a spy hunter in the war protecting England. It is a new (or old) way to look at Holmes in this series. While I did not love this, it was a nice step to have Holmes back to his old ways.
Joel and Ethan Coen do this kind of film really well.
Burn After Reading falls right in with Fargo and Raising Arizona as black comedic crime films with complicated and intricate plots and somewhat cartoonish characters.
According to IMDB: “Osbourne Cox (John Malkovich), a Balkan expert, resigned from the CIA because of a drinking problem, so he begins a memoir. His wife (Tilda Swinton) wants a divorce and expects her lover, Harry (George Clooney), a philandering State Department marshal, to leave his wife. A CD-ROM falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda (Frances McDormand), who wants money for cosmetic surgery, and Chad (Brad Pitt), an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne’s secrets. Meanwhile, Linda’s boss (Richard Jenkins) likes her, and Harry’s wife leaves for a book tour. All roads lead to Osbourne’s house.”
This was a riot. I laughed multiple times and found these characters to be so over-the-top that they were so enjoyable. Are they too cartoonish? Maybe, but that did not bother me even a little bit. None of it took me out of the film.
The CIA supervisor, played by J.K. Simmons, was absolutely hilarious. His deadpan reactions to the ridiculousness of the story being told to him by David Rasche. The difference in POV between Simmons, who couldn’t give a bigger crap about what was happening and downplaying everything, and the chaotic thoughts of everyone else involved.
George Clooney is off the charts with his paranoid U.S. Marshal character. He was a real womanizer, bouncing around to several women as his wife was on tour with her book. Clooney threw himself into this role and he was fantastic.
Clooney was involved in the best moment in the movie with Brad Pitt that lead me to scream out in shock. It was so great and I couldn’t stop laughing at his behavior. In fact, that moment is when this movie really came alive and became more than just another clever black comedy.
This was a great film that I had a lot of fun with.
DreamWorks has had some great animated films over the years, from Shrek to How to Train Your Dragon, but the company has never reached the levels of Pixar or Disney. Still, they have had their successes. 2004’s Shark Tale is passable, but not one that will stick with you.
According to IMDB: “The sea underworld is shaken up when the son of shark mob boss Don Lino (Robert De Niro) is found dead, and a young fish named Oscar (Will Smith) is found at the scene. Being a bottom feeder, Oscar takes advantage of the situation and makes himself look like he killed the finned mobster. Oscar soon comes to realize that his claim may have serious consequences.”
Will Smith and Robert DeNiro stand out among the voices, but, honestly, Smith feels as if he is trying too hard. Jack Black voices Lenny and does not stand out at all. The animation is solid and looks good. Bright colors are interesting and stand out on the screen.
The story is simple and the characters are average at best. There are some clever jokes scattered throughout the film, but not enough to be sustainable.
There are a ton of pop culture references, way too many. Most of them stand out as not working. With all the quotes, are we to understand that these fish watch movies and TV from the surface? The music is okay, but I can not recall anything from the film.
Shark Tale is just an average, unremarkable animated feature that you can pass time with, but won’t fill you up.
I have watched several Charlie Chaplin films during the DailyView, but they have all been shorts, half hour or less. Today, I watched a longer film from his career for the first time, called The Circus. It was wonderful.
The Little Tramp found himself working for a circus after being chased by the police for a misunderstanding about a pickpocket crime. While he came running through while being pursued by the police, the crowd loved him and laughed at his antics. So much so that the ringmaster (Al Ernest Garcia) hired him to be a clown. However, it turned out that Charlie was not funny when he was trying to be.
The Ringmaster’s step-daughter Merna (Merna Kennedy) befriended Charlie, and he gave her some food. She was treated very poorly by the Ringmaster and appreciated the help.
The arrival of a tight rope walker named Rex (Harry Crocker) complicated the situation for the Tramp, who began practicing walking the tight rope himself.
The one thing that I noticed different in this movie in comparison to the shorts is that this felt like more of a developed story than they were. The shorts were more of a series of slapstick at time. Extremely funny, yes, but not much by way of storytelling. The Circus had a plot and a full story. I felt I knew the characters more than I did in the shorts and the pay off of the film was very satisfying. I found The Circus to be quite charming as well as extremely funny.
Charlie Chaplin was a remarkable talent. He wrote, directed, scored and produced the film as well as starred in in. The Academy gave him a special Oscar for the effort. Why they did that, I am unsure.
This was a more pleasurable film than the other ones that I have watched today.
I do not think I have had such a haunting experience watching a movie in… well, I am not sure when or if I have had quite an experience like that.
Requiem for a Dream was a masterful movie… and I never want to see it again.
The film was focused on the drug addictions/abuses of four main characters, Sarah Goldfarb (Ellen Burstyn), her son Harry (Jared Leto), his girlfriend Marion (Jennifer Connolly) and Harry’s friend Tyrone (Marlon Wayans). Each of the four of them had a different direction to take with their drug abuse, but it was portrayed in a much similar fashion. You could tell how the film, which was shot in a dream-like state in many of the scenes, was building to make this something that would stay with you.
The performance of Ellen Burstyn, in particular, was absolutely crushing; it wrecked me. She deserved every last bit of recognition that she received for this performance because it was utterly crazy.
The music was also designed to destroy you too, as every minute of the film progressed, the score was ripping into your brain, putting you on edge.
Then there is the third act. I literally watched this with my mouth open, not believing what I was seeing, and wrapping my arms around myself in an unsuccessful attempt to contain the feels. I have never seen anything like the montage at the end of this movie and it ripped my heart out of my chest (not literally, this time). Holy Hell, this was unbelievable. The closest I can come to comparing the feeling was as I watched Schindler’s List for the first time. I desperately wanted to shut Requiem for a Dream off and retreat within myself during this scene, but I persevered and watched it through to its depressing and heart-wrenching conclusion.
Darren Aronofsky directed the heck out of this. I have not been a huge fan of Aronofsky over the years, with The Wrestler being the one film that I loved from his oeuvre. Aronofsky has been known for his surrealism in his movies and how he uses psychological aspects of character to deconstruct the archetypes of characters. The imagery of this film was outstanding and added to the overall tone that Aronofsky was building towards.
Requiem for a Dream was a trip of a film. As I said, I never want to watch this again, but I think that I am glad that I watched it. It left a pit in my stomach after viewing which is currently, as of this writing, is still there and when a film can affect you like this, it has to be a good thing, right?
EYG- Embrace Your Geekness 