Tag Archives: movies

Monarch: Legacy of Monsters S2 E9

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Spoilers

“Ends of the Earth”

So it seemed that Kentaro has caught the stupidity gene from his sister Cate. Maybe it is genetic after all.

Kentaro has come up with a hairbrained idea that they can go back in time and save their father, and that is why he is doing everything that he has done with Isabel. Honestly, these two deserve each other. I used to not mind Kentaro that much and I was hating Cate, but now the roles have switched completely.

I’m not 100% sure what the motives of Isabel are. Why are they manipulating poor Titan X who just wants to take care of her egg baby? Is she planning on using her to open a rift to use as her personal time machine? That plan feels as if there are a few holes in it. Like gigantic, titan filled holes.

Lee and Keiko have come back together and found the rift on Skull Island where Billy had been sending messages to for years before his death. It kind of reminded me of LOST when messages were being sent in the tubes that wound up in one of the hatches. However, Billy was using the rifts to send a message to Keiko, making Billy’s remaining years really sad and maybe even a little pathetic. Romantic too , I guess.

We got both Godzilla and Kong cameos. Godzilla wrangled Titan X to Skull Island and was happy. Kong- not so much. Kong does not like people around his island. It sure seems that Kong is going to bring the hurt to the invaders in the finale next week.

The penultimate episode of this show brought some good action and some tense moments. It went back into the past once again with flashbacks which are always welcome. This show has consistently been more entertaining in the past than it has been in the present. It seemed that Kurt Russell’s Lee has come to his senses after a couple of episodes of lunacy. I guess it is understandable that you go a little cuckoo when you have spent time talking to past self.

I hope the finale next week brings it hard, because the second season has been up and down for me and I would love to end on a strong note.

Over Your Dead Body

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Jason Segal and Samara Weaving co-star in this dark comedy about a couple whose relationship has been pushed to the point where both of them plot to murder the other.

Taking cues from films like War of the Roses, Over Your Dead Body takes the violence a step farther and gives us a film that has meta vibes to it as well.

Jason Segal is Dan, who is a less than successful director reduced to doing commercials while longing for the days of helming his one feature length film. Samara Weaving is Lisa, the pretentious actress who is involved with the theater and seemingly critical of her husband’s work.

The car ride to the cabin that they were heading to for the weekend showed well how these two had drifted away from each other and how they held a lot of inner (and outer) antagonism toward the other.

There are some scene of real humor in the film, many of which came in the form of violence and gore. I have to say there is a vomit joke, which you know I hate, but that was the only moment that I was not fond of during the film’s run time.

The film also featured actors Timothy Olyphant, Jake Curran, “Natalie” from Yellowjackets-Juliette Lewis (I tried to place this actress through the whole film, and I never was able to figure out where I knew her from until I got to IMDB), Paul Guilfoyle, Keith Jardine and Danusia Samal.

Jason Segal has been exceptional over the last few years on Apple TV +’s Shrinking, and this gave him a chance to do something different, while still keeping those traits of why we love him as an actor.

While there is nothing new and exciting about the story, the performances are great and the movie does not fail to elicit laughter. There are several tense and awkward scenes that really work in the context of the film and director Jorma Taccone brought the best out of the actors.

This is a very fun film of martial disharmony.

3.75 stars

Michael

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Critical reviews for Michael were surprisingly low this past week, bringing out all kinds of comments from the online community. It was as low as 28% on Rotten Tomatoes. Last time I looked, it was around 38% and I found that difficult to believe.

So, with expectations tempered, I went to Michael this morning in Cinemark XD, and I came out of the film having had a good time. I understand the reason why some critics did not enjoy this one though.

This is the story of Michael Jackson and his rise to fame, through the making of Thriller. Michael (Jaafar Jackson) had issues with his abusive father Joe (Colman Domingo) as he was singing with his brothers in the Jackson 5 and attempting to go solo.

Jaafar Jackson is excellent as Michael Jackson. Jaafar Jackson is a cousin of Michael Jackson in real life and you can see the family resemblance. He carries himself very well and his performance does show off the talent and beginning of the eccentricities of the character of Michael. I was also impressed with the performance of Colman Domingo as Joe Jackson. I hated that character throughout the entire film.

The music is sensational. I do not think that anyone can say anything negative about the music. I suppose if someone hated Michael Jackson’s music, this would not be a film for them, but, if they hate Michael Jackson’s music, why would they go to a two hour + movie of Michael Jackson.

The reason, I am guessing, that most critics were not fond of this film was because of the story. It was not much of a story being told. Some of the real problematic moments of the movie were touch on at times (there was a scene with Joe and young Michael in a discipline situation that was hard to watch), but they do not go into a great deal of depth. Michael was portrayed as about the greatest guy possible, and, if you are looking for the controversy, you will be disappointed.

The story is basic music biopic 101 and it does not go into much more than that. However, the music is so great throughout the film and the performances are right on target that this film becomes one that is entertaining despite the flaws that it might have in the writing. There were literally a few moments of music that had me near tears from the nostalgia of it (particularly the Motown 25 performance).

I should also shoutout what a great job Juliano Valdi did as the young Michael. The first part of the film featured Michael in the Jackson 5 and Valdi had some real solid work in the film. The aforementioned discipline scene was for Valdi and he nailed that brilliantly.

Michael Jackson fans will love this movie and it definitely implies that this is a first film featuring the King of Pop. If you are looking for a deeper story, you may feel slighted.

3.8 stars

Normal

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This was a movie that I had no idea about until just this past week. I had never seen a trailer. I went into the film as blind as I could. I thought this was sensational… a deft mixture of Fargo with Hell or High Water.

Bob Odenkirk co-wrote, produced and starred in Normal, as a interim sheriff taking over for a sheriff in the little town of Normal, Minnesota who recently died. It does not take long to realize that there is something really weird going in with the town.

This is a dark comedy and it was very effective. I was laughing out loud multiple times during the film, especially with some of the clever violence that is included with the film. I was engaged from the start with the mystery of what was going on in the town. There were moments throughout the beginning of the film that was just subtle enough to make you wonder if you were thinking too deeply. Maybe you were seeing things that were not actually there. No that was not the case.

Odenkirk, as we have seen in the Nobody franchise, works extremely well as an action hero. His laid back performance was quite the juxtaposition with the situation that his character, Ulysses, finds himself in. He is an easy to cheer for protagonist and extremely likable.

As I said, this movie is surprisingly violent and much of the violence is designed as the funny parts of the film. There were some clever scenes that a lot of horror movies would be jealous of.

At 90 minutes, Normal has the perfect length. It does not push things too far and has just enough time to dive into the story of the film and of this little Minnesota town.

There were fun scenes with Henry Winkler, Ryan Allen, Lena Headey, Reena Jolly, Brendan Fletcher, Jess McLeod, and Bill MacLellan.

Without knowing anything about this film, I enjoyed this one a great deal. I would venture to say that I liked this more than the Nobody franchise films from Odenkirk’s oeuvre.

4.5 stars

Outcome

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The newest Keanu Reeves movie debuted this weekend on Apple TV + instead of in theaters. Is there a reason for that?

According to IMDB, “Follows Hollywood star Reef as he is forced to confront his problems and atone for his past after being threatened by a bizarre video footage from his past.“

This was listed as a comedy on Apple TV, but there was not a lot of laughter in the film. Keanu Reeves’s character was sad and depressing for much of the run time. He was playing a huge Hollywood star who had dropped out of the limelight for the past five years. Some of the details of his past are hinted at but never really gone into deep detail about, but he is on an apology tour, claiming to be sober.

Matt Bomer and Cameron Diaz play his best friends who have supported him from the beginning, but who are feeling taken advantage of by their friend.

There is a strong cast besides Reeves, Diaz and Bomer. Others appearing in the film include Susan Lucci, Jonah Hill (who also directed the film), Martin Scorsese, David Spade, Van Jones, Laverne Cox, Roy Wood, Jr, Drew Barrymore, Welker White, and Asante Jones.

I am not sure much about the story, and I could’ve used more humor in the dark comedy. Jonah Hill was over the top again, although there were some moments among the ridiculousness where we see some real character in his role. My favorite scenes involved Martin Scorsese, surprisingly.

Much like the other movie I watched today (Thrash), this is not the worst thing on TV, but I did find it a little boring. It is a fine film to play if you have nothing else to do. It is not going to be a great viewing though.

2.6 stars

Thrash

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I swear I saw this movie, but it was with killer alligators instead of a pack of sharks.

That movie was called Crawl, and, to be fair, was much better than the new film called Thrash, which debuted on Netflix this weekend.

We will never be done with shark movies. There is something about sharks that make them horrifying, and the perfect killing machines, specifically on film.

There are fewer shark movies that are awesome than those that are garbage, but every once in awhile, there are some good ones made. Which category does Thrash fall into?

According to IMDB, “When a Category 5 hurricane decimates a coastal town, the storm surge brings devastation, chaos and something far more frightening: hungry sharks.“

Thrash has some decent moments, but there are some really dumb scenes that stretch plausibility to a level that just pulls you out of the film.

Phoebe Dynevor played Lisa, who gets stuck in her car as the flood came in. Lisa was pregnant. Whitney Peak played Dakota, a young lady who saved Lisa from her car. These two characters were placed in some ridiculous places in an attempt to survive. However, these two were more believable than the other main story.

Three kids, who were in a unloving foster home situation with a horrible couple, have to survive when the bull sharks make it into their house. The kids are played by Stacy Clausen, Alyla Brown and Dante Ubaldi. They were fine, but some of the situations that they were placed in were out there.

There were some questions I had about time as the darkness came and went very quickly.

Having said that, Thrash was not the worst shark movie that I have seen. I would consider it somewhere in the mid area of shark movies. Certainly it is no Jaws, but it is much better than stuff like 47 Meters Down or Into the Deep. I compared it to Crawl earlier in this review, but that movie was so much better.

I think Thrash would be a passable movie to watch on Netflix if you do not have much else to do. I would not say it does not completely suck, but that is hardly high praise.

2.75 stars

The Pitt S2 E14

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Spoilers

“8:00 PM”

It is the penultimate episode of The Pitt and Robby is having an existential crisis and his buddy Duke saw it and called him out. Dana seemed to be able to sense what Robby was feeling. He comment about being afraid that she wasn’t going to see him any more.

Robby is clearly losing his patience. His chewing out of a couple of paramedics over their failure for gender bias in cardiac care was anything but kind hearted. Of course, they deserved the cut down.

Going back to Robby and Duke, Robby actually admits that he was feeling as if he did not want to keep going. This stripped away the question about whether or not Robby was feeling suicidal and places our concerns over what is going to happen to Robby. Noah Wylie is the star of the show, but does that guarantee that he will be safe.

The Langdon scene with the man with the spinal injury was absolutely suspenseful and tense. Langdon had every pressure in the world in this scene and he crushes it. I hope that this is something that can get Robby to give Langdon his flowers. That scene with this victim was my favorite moment of the episode.

My least favorite… the tug of war rope imbedded in the man’s hand. Ugh… HATE IT! I loved that character, but every time they showed his hand with the rope in it… I had to grimace.

If that was not enough… Dr. Al-Hashimi brought Robby in to a room asking his opinion on a case, which turned out to be her… and we find out that she has a seizure disorder paired with viral meningitis and altered mental status. How is this going to affect things?

One more week of an amazing season.

Pizza Movie

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Easter Stream Binge #4

One of the types of movies that I typically do not hate are the stoner movies. Especially those that include a lot of bullying and stupid humor.

As I started to watch Disney +’s movie, Pizza Movie, after the first ten minutes, everything that I hate about those movies were dropped. I was hating this movie with all of my heart. I considered just stopping the movie. I did not know why I should continue this movie when it was making me feel this way. It’s not as if I paid money at the theater to see it.

Then something really weird happened.

The movie won me over.

I am not sure what happened, but the complete ridiculousness of the movie grabbed ahold of me and suddenly I found myself enjoying the stupidity, laughing at the antics of the three main leads.

Gaten Matarazzo and Sean Giambrone played Jack and Montgomery, roommates at college who were anything but the alphas. Matarazzo and Giambrone had a lot of chemistry with each other and their comedic timing was perfectly executed. Bullied and beat up, Jack and Montgomery wound up taking some experimental drugs they found in their dorm room that led them to going through multiple stages.

It was when they started in on these stages that the movie changed for me. Everything became so surreal and so weird that it was difficult to continue to see it as just another bad behavior/stoner movie. It took these two and made them way more interesting than they ever had a right to be.

I am not sure that I have had such a monumental shift in my opinions of a movie, especially from hating it as much as I did in the first ten-fifteen minutes to being entertained by the silliness of it.

3.75 stars

The Super Mario Galaxy Movie

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I went to The Super Mario Galaxy Movie today in a packed Phoenix Theater in Dubuque. As I was leaving, I was very disappointed and not entertained, but the kids around me leaving were bouncing with energy, bantering about their favorite parts and were just filled with an excitement that you could feel.

I wish I shared that same kind of feeling.

I was bored through most of this movie. I did not find anything to the story and I am not a big fan of Nintendo or Super Mario to be interested in the characters that were appearing on the screen.

According to IMDB, “Mario ventures into space, exploring cosmic worlds and tackling galactic challenges far from the familiar Mushroom Kingdom.”

The animation was sensational. The colors popped off the screen and every moment looked fantastic. The color and the imagery was another reason why kids are going to love this movie.

The voice acting was fine. Jack Black as Bowzer is great as always. Chris Pratt as Mario is fine, but not that memorable. Other voice actors included Glenn Powell, Brie Larson, Anya Taylor-Joy, Benny Safdie, Keegan-Michael Key, Charlie Day, Donald Glover, Kevin Michael Richardson, Issa Rae, and Luis Guzman.

The problem was, for me, the story was lacking. I did not find anything happening that was engaging. It felt more like a bunch of random adventures with music playing over top. It was not a competent, overarching story that worked. It had some definite strengths to the movie, but the over loaded characters did not feel as if they were given any time to develop.

BUt as I said, the kids of my theater loved what they got. So, my thoughts on this movie are coming from an adult purpose, and I am not a fan. I prefer that the animated film worked for both kids and adults, but I struggled to get through the 90 + minutes of the film.

It is going to make all the money though. I liked the first one much more than this one.

2.4 stars

Monarch: Legacy of Monsters S2 E6

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Spoilers

“Requiem”

I guess Skull Island is taking place at Jurassic Park now.

What was that opening scene meant to convey? It was a huge nothing. I guess there had not been many scenes between Kentaro and Hiroshi so the writers felt they needed something to show the audience. Or maybe they needed to throw a Kong cameo in to justify the name.

I don’t know how much more of this show I can take.

I did like how Kentaro ripped into Cate with her ridiculousness. The Cate character does the same thing every episode and it feels like they could just take her dialogue and copy it every scene.

What has been true about this show since day one is that the flashbacks are heads and shoulders above the present day material. That remains to be true. We follow Shaw in his reassignment and we come to meet his father. It didn’t make me feel much better when his father asked him why he was here, and he said was it a fight or fornication. Fornication? Who uses that word in their daily dialogue?

It was interesting to see how Lee’s flashback to his father was similar to the way Lee was thinking in the present. It is meant to show that Lee is not thinking clearly, but if he is on the opposite side of Cate then I am all down with it.

The Godzilla cameo in Kentaro’s dream was ridiculous. It was not as superficial as the Kong cameo, but it wasn’t much above it.

Then, as Lee was attempting to see if it was possible to open a rift to summon Godzilla to fight Titan X, something wonky happened and present day Lee started talking to young Lee on the walkie talkie.

Has the show added a time travel element to it? That ending was an interesting tidbit that maybe becomes something to help the show out. I have found this to be quite the sludge to get through each week, and I hope that the second half of the season would bring more to intrigue me than what it has done before.

Ready or Not 2: Here I Come

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The original Ready or Not from 2019 was a surprise smash hit featuring a star making turn from Samara Weaving. However, it did not feel like a film that required a sequel. Still, in Hollywood, a successful film, especially a new and original IP, will most likely lead to a new installment. So we get Ready or Not 2: Here I Come.

Ignoring the stupid use of the number 2 in the title (it should only be Ready or Not: Here I Come), this new sequel is a solid continuation on a story which both built on the first film and provided new ground for the sequel.

According to IMDB, “After surviving one deadly game, Grace and her sister Faith must now outrun four rival families competing for a powerful throne – winner takes all.”

The sequel is every bit as gruesome and bloody as the original, with people exploding into pools of blood and sinew all over the place, usually when they are facing Grace and Faith, so the splatter does not miss them.

This film added some star power to the hunters chasing Grace and Faith, including Buffy herself, Sarah Michelle Gellar. The Pitt’s Jack Abbot, Shawn Hatosy is here as Gellar’s character’s brother. Elijah Wood played the lawyer behind the competition for the seat on the council that the hunters were competing for. LOST’s Richard, Nestor Carbonell, is another of the hunters, who turns out to be a piss-poor shot.

Once again, this is a group of Satan worshipers, so if that is something that you do not like in your movies, this one is built around it even more than the original. It can be jarring hearing Elijah Wood say “Hail Satan” several times. Of course, Satan worshipers make for excellent villains.

There is a lot of comedy in the gorefest too, and much of it worked. There were some ridiculous characters among the hunters’ families there for support and backup during the game.

The relationship between Grace and Faith had to work for this film to work, and I will say that it was shaky at times. I only heard about their estrangement, not being shown it, but they did win me over as the film went along. Both Weaving and Kathryn Newton do a great job with their performances, though there are a couple of times in the film that made me feel a little icky about what was going on.

Grace takes a real beating in this film and, like so many other action heroes, she shrugs wounds off as she goes. There needs to be some suspension of disbelief that Grace (and also Faith, to a lesser extent) can keep going despite all the stuff that has happened to her (them). Of course, Arnold Schwarzenegger, Bruce Willis, and other action heroes who are men would push on too, so why couldn’t Samara Weaving?

It is a strong follow up to the original. I do not think it is as good as the first one, but it does not fall into the garbage as many sequels do. Ready or Not 2: Here I Come is a fun time at the theater for fans of horror and good action.

4.2 stars

Project Hail Mary

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I have been looking forward to Project Hail Mary for quite a while. I have heard so many good things about it, and I find Ryan Gosling to be extremely entertaining and a top level actor that it only served to increase my anticipation. I booked my tickets to the IMAX theater at Cinemark and went this morning.

People are right. It is fabulous.

According to IMDB, “Science teacher Ryland Grace wakes up alone on a spaceship light-years from Earth. As his memory returns, he uncovers a mission to stop a mysterious substance killing the sun, and save Earth. An unexpected friendship may be the key.”

The film is utterly gorgeous. It looks unbelievable and the special effects are jaw dropping. There is no doubt that Project Hail Mary is an early Oscar contender for the Best Visual Effects Award. I completely recommend seeing it in IMAX too. The bigger the better.

But the visuals are not the only awesome aspect of the film. Ryan Gosling was spectacular as Ryland Grace. He carried this film with every moment that he was on screen, which was practically the entire thing. We saw both the present and the past with this character and he provided us with an amazingly emotional ride right off into space.

I was surprised how funny this movie was. There was a wonderful use of humor and most everything really hit, comedically. Gosling has great comedic timing and he uses the quips and the moments to truly inform the character. I sure hope the Golden Globes do not put this in the Comedy category like they did with The Martian.

Phil Lord and Christopher Miller directed the film and their brand of sly humor came through brilliantly. Drew Goddard, who had also co-written Cabin in the Woods, wrote the script, adapting it from a novel by Andy Weir of the same name. This crew of creators brought such life to the story that it worked on all levels.

I enjoyed the way the story was told. It started off in the space craft with Ryan Gosling and then it would flashback to times when Gosling’s Ryland Grace was on earth and showed us as the movie progressed how Grace wound up in that ship.

I don’t want to go into spoilers, although a major part of the story has been revealed in trailers. I am still not going to talk about it, but this section was so great and infused this movie with such energy and power.

There were a couple of scenes in space that, I swear, I did not breathe during because it was so intense that I couldn’t stand it. They were done so well and brought that action energy to a film that felt like a slow burn at other times. It all worked together so well.

If you force me to criticize the film, it might be a little long. I think they could have shaved off ten minutes, maybe, but I did not feel the length during the viewing.

In the end, Project Hail Mary was a fantastic film with sci-fi elements that is a true crowd pleaser, filled to the brim with emotion and beautiful imagery. One of the best films of 2026 so far.

5 stars

Cold Storage

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With a no school day because of a March blizzard, I got a chance to watch a couple of streaming movies that I have been wanting to see. The first one was recommended by my friend Chris. I had never heard of it before, but it looked interesting.

Cold Storage had a late eighties, early nineties action flick feel to it, as had some fun characters dealing with a bizarre fungus that was turning people and animals into infected, spreading around.

According to IMDB, “When a highly dangerous fungus escapes from a secret laboratory, a former bioterrorism agent is called back into action. Alongside two young employees, he must confront an invisible and out-of-control threat.”

Joe Keery starred as Teacake, a guard at a storage facility, and Georgina Campbell starred as Naomi, a new worker at the facility. They discovered this fungus and how it has multiplied, calling in help from the army.

That help was Robert Quinn (Liam Neeson) who had interacted with the fungus in the past and was one of the few people remaining who had any expertise on this topic at all.

Keery and Campbell worked together extremely well. You immediately buy the chemistry between them and want them to survive the experience. You can feel for these characters. They are just deep enough to keep you interested in their well-being.

Liam Neeson brings the perfect energy for the grizzled, injured former military man with his first hand knowledge. Neeson handled the slightly comedic tone to the movie as well. Neeson has always had a strong sense of comedic timing and he gets a chance to show it here.

The overall story is fairly limited, but it works well as a monster movie. We get a bunch of secondary characters who we don’t mind seeing blow up from the fungus (though the vomiting green goo is unnecessary). While this story is simple, it is just about the right amount of combination of action/horror/comedy to pull off the film.

This was a fun film to watch and I had a great time rooting for these characters to survive the fungus.

4 stars

EYG 2026 Oscar Predictions

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List from Angeline Jane Bernabe and Mason Leib on ABC News.com

These are my thoughts and predictions for Sunday night’s Academy Awards. As I said, these are my predictions for who I think will win. This is not my personal favorites. I will give a second choice as the runner-up in my opinion.

Best picture

  • “Bugonia”
  • “F1”
  • “Frankenstein”
  • “Hamnet”
  • “Marty Supreme”
  • “One Battle After Another”
  • “The Secret Agent”
  • “Sentimental Value”
  • “Sinners”
  • “Train Dreams”

I am a believer in the Sinner’s momentum. I do think that Sinners will overtake “One Battle After Another” which has been the leading candidate for much of the pre-award season. Sinners is also my personal favorite of the nominated films, so I am cheering for it. If not Sinners, it will be “One Battle After Another.”

Best supporting actress

  • Elle Fanning, “Sentimental Value”
  • Inga Ibsdotter Lilleaas, “Sentimental Value”
  • Amy Madigan, “Weapons”
  • Wunmi Mosaku, “Sinners”
  • Teyana Taylor, “One Battle After Another”

This is a strong category, but the performance Amy Madigan gave in “Weapons” was just so special and it made that move more than what it would have been. Sure, it is a genre film and the Academy some times does not favor those, but I do believe this one transcends genre. Second choice: Teyana Taylor (OBAA).

Best actor

  • Timothée Chalamet, “Marty Supreme”
  • Leonardo DiCaprio, “One Battle After Another”
  • Ethan Hawke, “Blue Moon”
  • Michael B. Jordan, “Sinners”
  • Wagner Moura, “The Secret Agent”

Again, I believe in the momentum of Sinners. Michael B. Jordan’s victory at the Actor Awards was a significant signal that the race had switched. Jordan is a remarkably worthy potential winner as he played two different characters (and one of those he played two different ways when he was changed into a vampire). It brought a lot of energy. Second choice: Timothée Chalamet.

Best actress

  • Jessie Buckley, “Hamnet”
  • Rose Byrne, “If I Had Legs I’d Kick You”
  • Kate Hudson, “Song Sung Blue”
  • Renate Reinsve, “Sentimental Value”
  • Emma Stone, “Bugonia”

Jessie Buckley. ‘Nuff said. I would have loved to cheer for Kate Hudson because I thought she was exceptional in “Song Sung Blue” but Buckley may have given the best performance I have ever seen. If she does not win this award, there should be investigations. Second choice: NONE. It is Buckley.

Best supporting actor

  • Benicio Del Toro, “One Battle After Another”
  • Jacob Elordi, “Frankenstein”
  • Delroy Lindo, “Sinners”
  • Sean Penn, “One Battle After Another”
  • Stellan Skarsgård, “Sentimental Value”

I am going with Stellan Skarsgård for his work in “Sentimental Value.” I think Del Toro and Sean Penn may split votes, opening up the large contingent of foreign voters in the Academy to give it to Skarsgård. This is a tough category too because you also have the spoiler floating around in Delroy Lindo. Second choice: Sean Penn, but I could see it being Lindo or Del Toro.

Best director

  • Chloé Zhao, “Hamnet”
  • Josh Safdie, “Marty Supreme”
  • Paul Thomas Anderson, “One Battle After Another”
  • Joachim Trier, “Sentimental Value”
  • Ryan Coogler, “Sinners”

This is the award they will give to this film since Sinners is going to win Best Picture. PTA has been deserving of an Academy Award for years, and this is the one he is going to get. Second Choice: Ryan Coogler.

Best makeup and hairstyling

  • “Frankenstein”
  • “Kokuho”
  • “Sinners”
  • “The Smashing Machine”
  • “The Ugly Stepsister”

The look of Frankenstein was great and it will most likely win this award. I would have liked to see “Smashing Machine” win because the Rock really did transform into Mark Kerr, but that is not going to happen. Second Choice: Sinners.

Best original score

  • “Bugonia” — Jerskin Fendrix
  • “Frankenstein” — Alexandre Desplat
  • “Hamnet” — Max Richter
  • “One Battle After Another” — Jonny Greenwood
  • “Sinners” — Ludwig Göransson

The music of Sinners is almost as important as the characters of the film. The soundtrack brings an authentic feel to this film and Ludwig Göransson will receive another Oscar. Second choice: Max Richter for Hamnet.

Best live action short film

  • “Butcher’s Stain”
  • “Jane Austen’s Period Drama”
  • “A Friend of Dorothy”
  • “The Singers”
  • “Two People Exchanging Saliva”

If I were voting, I would pick “Jane Austen’s Period Drama” because that was by far my favorite short on this list, but the Academy is not giving it an Oscar. “Two People Exchanging Saliva” is weird, wild and builds a fictional world around some of the strangest things. It wins. Second Choice: “A Friend of Dorothy”

Best adapted screenplay

  • “Bugonia” — Will Tracy
  • “Frankenstein” — Guillermo Del Toro
  • “Hamnet” — Maggie O’Farrell and Chloé Zhao
  • “One Battle After Another” — Paul Thomas Anderson
  • “Train Dreams” — Clint Bentley and Greg Kwedar

One of the easiest picks to make. The Best Picture is coming down to One Battle vs Sinners so One Battle After Another wins this one. Second Choice: Hamnet.

Best original screenplay

  • “Blue Moon” — Robert Kaplow
  • “It Was Just an Accident” — Jafar Panahi
  • “Marty Supreme” — Ronald Bronstein and Josh Safdie
  • “Sentimental Value” — Joachim Trier and Eskil Vogt
  • “Sinners” – Ryan Coogler

See above. Same reason “One Battle” wins Best Adapted. Second Choice: Blue Moon

Best animated short film

  • “Butterfly”
  • “Forevergreen”
  • “The Girl Who Cried Pearls”
  • “Retirement Plan”
  • “The Three Sisters”

This was my favorite animated short of this list and I do think it is the one with the best animation, a true story involving the Holocaust and an Olympic swimmer. It is far and away the best on this list. Second Choice: “The Girl Who Cried Pearls.”

Best casting

  • “Hamnet” — Nina Gold
  • “Marty Supreme” — Jennifer Venditti
  • “One Battle After Another” — Cassandra Kulukundis
  • “The Secret Agent” — Gabriel Domingues
  • “Sinners” — Francine Maisler

This is a brand new Academy Award this year and I think Sinners is going to get it. The casting of this film is just amazing and the cast brings it throughout. Second Choice: “One Battle After Another.”

Best original song

  • “Dear Me” from “Diane Warren: Relentless”
  • “Golden” from “KPop Demon Hunters”
  • “I Lied to You” from “Sinners”
  • “Sweet Dreams of Joy” from “Viva Verdi!”
  • “Train Dreams” from “Train Dreams”

This song is one of the biggest hits of 2025, worldwide. The Academy is not going to miss this and create a controversy. There are only a couple of shoo-ins. This is one. Second Choice: “I Lied to You” (Sinners)- which would be my personal choice if I had a vote.

Best documentary feature film

  • “The Alabama Solution”
  • “Come See Me in the Good Light”
  • “Cutting Through Rocks”
  • “Mr. Nobody Against Putin”
  • “The Perfect Neighbor”

I have not seen many here. I did see “The Perfect Neighbor” and I loved it. Second Choice: No idea. Probably the Putin one..

Best documentary short film

  • “All the Empty Rooms”
  • “Armed Only with a Camera: The Life and Death of Brent Renaud”
  • “Children No More: ‘Were and Are Gone'”
  • “The Devil is Busy”
  • “Perfectly a Strangeness”

I have not seen any of these documentary shorts. I know “All the Empty Rooms” is about school shootings and that is usually Academy fodder, so I will guess that one. Second Choice: How about “The Devil is Busy”?

Best international feature film

  • Brazil, “The Secret Agent”
  • France, “It Was Just an Accident”
  • Norway, “Sentimental Value”
  • Spain, “Sirât”
  • Tunisia, “The Voice of Hind Rajab”

I have only seen two of these, though I am excited about seeing The Secret Agent during this year’s June Swoon. Because I have seen it, Sentimental Value gets my vote. Second Guess: “The Secret Agent.” – Heard good things.

Best animated feature film

  • “Arco”
  • “Elio”
  • “KPop Demon Hunters”
  • “Little Amélie or the Character of Rain”
  • “Zootopia 2”

K-Pop Demon Hunters is winning this. It would not have been my vote, but it is clearly the biggest cultural animated film of the year. Not sure why Elio is on this list. Second choice: Zootopia 2 (which would have been my vote).

Best production design

  • “Frankenstein”
  • “Hamnet”
  • “Marty Supreme”
  • “One Battle After Another”
  • “Sinners”

I feel like I should have gone with Frankenstein, but I am looking for an upset and Hamnet does have tremendous production design. Second choice: (and most likely winner) Frankenstein

Best film editing

  • “F1” — Stephen Mirrione
  • “Marty Supreme” — Ronald Bronstein and Josh Safdie
  • “One Battle After Another” — Andy Jurgensen
  • “Sentimental Value” — Olivier Bugge Coutté
  • “Sinners” — Michael P. Shawver

I have yet another win for Sinners. This could go to several on this list though. Second Choice: F1

Best sound

  • “F1”
  • “Frankenstein”
  • “One Battle After Another”
  • “Sinners”
  • “Sirât”

F1’s use of sound is a key element to the film. While there are some other good choices, I think the Academy wants to reward F1 with something more than a nomination and this makes sense. Second Choice: Sirât

Best visual effects

  • “Avatar: Fire and Ash”
  • “F1”
  • “Jurassic World Rebirth”
  • “The Lost Bus”
  • “Sinners”

Bah. I don’t want to pick this one because there was nothing new done in this film, but it is going to win anyway. What I wouldn’t give to have “The Lost Bus” get this award. It really does deserve it. I was really happy when it got the nomination. Sadly, Avatar wins again. Second Choice: “The Lost Bus”

Best cinematography

  • “Frankenstein”
  • “Marty Supreme”
  • “One Battle After Another”
  • “Sinners”
  • “Train Dreams”

I think this is another unlikely winner, but I just think that this film deserves the cinematography Oscar. Second choice: “One Battle After Another.”

Best costume design

  • “Avatar: Fire and Ash” — Deborah L. Scott
  • “Frankenstein” — Kate Hawley
  • “Hamnet” — Malgosia Turzanska
  • “Marty Supreme” — Miyako Bellizzi
  • “Sinners” — Ruth E. Carter

Another win for the technical aspect of Frankenstein. It did look great and the costumes are top notch. Second choice: Sinners

There are my picks. As always, I will miss some and get some right. I do hope there is a great ceremony and that Conan O’Brien is a funny host. I have Marty Supreme getting shut out. That doesn’t feel right, but I guess we will have to go with it.

2026 Oscar Nominated Shorts- Live Action & Animated

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Spoilers

Every year, I go down to Cinemark the weekend of the Academy Awards so I can see the Live-Action Short Films and Animated Short Films that had been nominated for Oscars. It is always fun seeing these in their blocks.

It was weird this year because the shows were being produced by Roadside Attractions instead of the company that normally did it. It also said that the show was being presented by Taika Waititi, but I never saw or heard one thing from him. That was strange.

I am going to list my personal favorites from 5-1 here. This is not my Oscar predictions. It was just the ones I liked the best. In fact, i can almost 100% guarantee that my favorite of the Live-Action Shorts will NOT be the Oscar winner. I plan on doing my official predictions either later tonight or some time tomorrow before the ceremony.

Kicking off with the LIVE-ACTION SHORT FILMS

#5. Butcher’s Stain. This was my least favorite of all the shorts I saw today. It is a drama taking place in a supermarket in Tel Aviv. I had a hard time getting into this one. I was not interested and found little to grab my attention.

#4. The Singers. This was a fun short. It was the first one we were shown today and it featured a group of men in a bar, drinking and betting on who had the best singing voice. It had some great singing on it, but, while entertaining, I did not find, much depth in the short.

#3. Two People Exchanging Saliva. Weird. Wild. A strange world where kissing is frowned upon and the people go to the extreme of having terrible breath to ward off the kissers. It is also a society that pays for things by getting slapped in the face. This is such a bizarre short that it was tough to follow, but it fit right in with films like Bugonia.

#2. Friends of Dorothy. A sweet short that featured a young man (Alistair Nwachukwu) who meets an older woman (Miriam Margolyes) and they bond over plays. The young man secretly wishes to be an actor and the older woman is encouraging him to do so. This is such a sentimental flick, but it is very engaging as well.

#1. Jane Austen’s Period Drama. This was, BY FAR, my favorite short of the day. It was hilarious. The title lets you know what type of short this is going to be… and the “period” in the title does not refer to a time frame. The names of these characters were making me laugh every time they were mentioned. We had Estrogenia, Labinia, Mr. James Dickley, Mrs. Bitts,  Dr. Bangley, and my personal favorite… Miss Vagianna. It sticks with these jokes throughout the film and it was amazingly funny. Again, while I would love seeing this as an Oscar winner, I can almost guarantee that it will not win. It is definitely my personal favorite though.

Next… Animated Short Films

#5. Forevergreen. The relationship between a bear cub and a tree. Yes, that is what I said. While this was fine, it felt very heavy-handed in its story and I simply found the story not to my liking. Perhaps it was too saccharin.

#4. Three Sisters. I liked this one. It was the first animated short they showed us, and it had some real funny moments with characters who barely made a sound, let alone speak. Three Sisters is quirky and unique and worked well with the animation that it gave us. There were some laugh out loud moments too.

#3. Retirement Plan. Narrated by Domhnall Gleeson, this short follows the life of a man who has just retired and who has planned on doing all kinds of things. We get a list of these plans as the unnamed man gets older with every one. This is very solid animated film with some strong moments. Gleeson does a tremendous job narrating the short. It takes us right up to the man’s death (and actually beyond it) and it is a good short.

#2. The Girl Who Cried Pearls. If I were talking about story only, this might have been my favorite. However the animation of the short was tough on me the whole time. Not only did the characters suffer from the old uncanny valley, their faces were just not what I wanted to see. While most of the film looked great, none of the characters did and it hurt a film that I think was one of the better ones I saw.

#1. Butterfly (aka Papillon). This was an absolutely beautiful short with a very powerful story of swimmer Alfred Nakache. Not only does the film focus on his swimming, it also has comments on the Holocaust and the cruelty of the Nazis. The animation style felt like we were constantly seeing everything in a water color background and it was gorgeously designed. I thought this was the best animated short we saw by a great distance.