The next film in the June Swoon 3: A Cinematic Flashback is the second consecutive Oscar winning international film. The Zone of Interest is a look at a slice of life among a career driven man, his wife and happy family as they deal with the daily events of their lives.

Oh, did I mention that he was a Nazi commandant?

Oh, not just any Nazi commandant, but Rudolf Höss of Auschwitz?

I knew the film was a Holocaust setting, but I was unaware what I was about to watch. Rudolf Höss (Christian Friedel), along with his wife Hedwig Höss (Sandra Hüller), were our main protagonists. I did not figure out who they were until a bit into the film and to say that I was shocked when I figured it out would be an understatement.

There were a couple of times where I had to stop and say to myself that I was not feeling sorry for Rudolf Höss. The film did a great job of showing the entire person that this evil man was and displaying that even evil men and women have sides to their personality that you may not expect.

I do not think the film humanized Rudolf Höss as much as it showed how real life has plenty of shadows and moments where even the worst of us have quiet times.

Sandra Hüller appeared in her second consecutive film in this year’s June Swoon with her role as Hedwig. This was a wicked woman too as the film showed her being soft and loving, as well as moments when she would switch immediately to cruelty and a savageness that was unexpected. There was a scene where she told her Jewish servant that she could have her husband scatter her ashes across the land. I literally gasped at that comment.

As an A24 film. The Zone of Interest did not really have a laid out plot. It was more of an exploration of daily life just outside of the worst concentration camp in the Holocaust. It did not feel as if anything was building to a climax. It was just a series of scenes that were very powerful in their own.

One of the most effective techniques used was the management of sound. The film would have scenes with the happy family or of the beautiful home they enjoyed, but in the background, you could hear the sounds of gunfire, or dogs barking, or the suffering of Jewish prisoners. The sound cues of the film made this a truly haunting effect, without ever having the visual imagery on the screen. This juxtaposition is clearly why the film was able to win the Best Sound Oscar at the Academy Awards.

I have to say that the beginning was an odd experience for me. The film began with an extended black screen, though I could hear sound going on. I honestly thought that there was something wrong with MAX. I almost stopped it so I could see why it was not showing a picture. I was able to determine that this was intended.

This was the Academy Award winner for Best International Feature Film (although it was not up against Anatomy of a Fall) and received a nomination for Best Motion Picture as well as Best Director and Best Adapted Screenplay for Jonathan Glazer. This is one of those films that could stay with you for awhile and the image of the ending with present day Auschwitz was extremely poignant.