EYG Comic Cavalcade #28

June 4, 2023

Summer is here! I anticipate some big things when it comes with my comic reading. I hope to arrange some of these comics into their appropriate boxes. I have some things ready to go.

Last time I did a Comic Cavalcade, I mentioned that there was no Marvel comic issues at Comic World. I expected that after that Wednesday when there were no Marvels shipped that there would be arriving later that week. So, as of now, it was last Sunday (a week from today)I stopped by Comic World ready to pick up those missing Marvels only for Drew to tell me that the truck from Diamond had exploded and the comic issues were all damaged.

Excuse me?

I had a difficult time finding any specific details on the accident, but I did find info from Diamond which said the truck that was carrying the comics to the “Diamond Comic Distributors’ Plattsburgh Distribution Center” suffered a serious accident that led to the comics being damaged. “While some product may ship from reserves/backstock, some will need to be sent from the printer for a delayed release,” Diamond told affected retailers in an e-mail.

https://icv2.com/articles/news/view/54168/traffic-accident-delays-diamond-shipments-retailers-northeast

Apparently, there were some people hurt badly in the wreck too so all positive thoughts to anyone involved in the accident. It makes missing out on some Marvel books for a few weeks a little less important.

Marvel had some books this week…

Amazing Spider-Man #26. Written by Zeb Wells and pencils by John Romita Jr. John Romita Jr, Scott Hanna & Marcio Menyz were the cover artists. This was the big issue that Marvel desperately tried to keep spoiler-free, but failed at miserably. When the word got out anyway, they just embraced the spoiler and announced that Kamala Khan (Ms. Marvel) dies in this issue and that is the big thing that sent Peter off the deep end. It was a good issue, but I do not like the killing of Kamala Khan even a little bit. Why? Because I know as I am typing this that she will not be dead for long. Heck, she may even be back in November when The Marvels comes out on the big screen. This feels like just another stunt that will not matter in six months to a year. I feel as if Ms. Marvel deserved better.

Nocterra: Val Special. Story by Scott Snyder and Tony S. Daniel and art by Francis Manapul. Look what I found. I had been having a conversation with Todd and another customer at Comic World about Nocterra and the customer referred to the series having two special issues. I knew of the Blacktop Bill special but I did not know of another. I wondered if it was missed when it came out. However, as I was looking through the ‘to be read’ pile (looking for Where Monsters Lie #1 which I cannot find. It’s in a box somewhere!), I found the issue. It was good as usual. I am glad I found it.

Starslayer: The Log of the Jolly Roger #5. Thanks to Todd for this one who gave this to me as a gift. While I just glanced at the Starslayer story (not very interested in it), the reason this is worthwhile is that there is a short backup story featuring the second appearance of Groo the Wanderer by Sergio Aragonés. It was fascinating how Groo was actually different in this story showing proof that even Groo has character development (or perhaps recession) over the years.

Deep Cuts #2. “Sorry, But I Can’t Take You” Written by Kyle Higgins and Joe Clark and penciled by Helena Masellis. Cover art was done by Chris Brunner. The second issue of this series from Image featured a story rooted in Jazz music. Specifically a woman named Gail Geldstein, a singer tying to create a Broadway show about Jazz that was lacking one really great song. It is a solid read.

Local Man #4. Written by Tim Seeley and Tony Fleecs and Tony Fleecs also did the art. The cover was done by Tony & Tim and Brian Reber. Jack Xaver, being chased by the police for being Local Man (a joke about Jack wearing the same coat as the pic of Local Man in the papers was great), found the hideout of Camo Crusader, a former teammate whose plans were less than super heroic. The Local Man series continues to be very entertaining.

Avengers Beyond #3. Written by Derek Landy and penciled by Greg Land. Land and Frank D’Armata did the cover art. The Avengers, who have nobly taken up the fight with the Dark Order and the Lost One, were desperately trying to keep the shield up around planet earth. The Beyonder, who the Lost One planned on destroying, had other thoguhts and betrayed the Avengers.

W0rldtr33 #2. Written by James Tynion IV and featuring art by Fernando Blanco. Siobhan Silk and Nicky Gallo arrive in the narrative, searching for answers about the case going on. To be honest, while I enjoyed reading this, I am not 100% sure what is going on. I am hoping I can make more sense soon. Perhaps I need a re-read on these. I love James Tynion IV though.

Captain America: Symbol of Truth #13. Written by Tochi Onyebuchi and drawn by R.B. Silva. The fourth part of the Cold War arc continued here as Steve and Sam go at it hard over a disagreement on what to do next about Bucky and Cap’s kidnapped son Ian.

Doctor Strange #3. “A Day with Dormammu” Written by Jed MacKay and art by Pasqual Ferry. The backup story featuring Nico Minoru was written by Amy Chi and drawn by Tokitokoro with a title “Close Encounters of a Strange Kind.” This was a neat issue with an encounter between Dr. Strange and Dormammu, one of the more original ways for arch rivals to face off.

Deadpool #7. “Heavenly Bodies.” Written by Alyssa Wong and art by Luigi Zagaria. Martin Coccolo & Neeraj Menon did the cover art. Deadpool and Valentine had their date crashed by assassins from the group named Atelier. Meanwhile, Lady Deathstrike is trying to dogsit Deadpool’s new symbiote dog, Princess. I have been liking this new series featuring Deadpool, who, in the comics, has been hit and miss for me historically.

Silver Surfer: Ghost Light #4. “Part 4: Demolition Man” Written by John Jennings and art by Valentine DeLandro. Taurin Clarke was the cover artist. I have not been a huge fan of this series so far, but I did think this one was a decent book. Things are coming to a head with the Strangers and Al Harper and the Surfer. This is the penultimate issue for this mini series.

The Daily Zone: The Twilight Zone S1 E12

June 4, 2023- number 12

Spoilers

“What You Need”

Who really knows the future? Well, in the Twilight Zone, it is apparently a little old man named Pedott. This is a talent that down-on-his-luck scoundrel, Mr. Fred Renard needed.

“You’re looking at Mr. Fred Renard, who carries on his shoulder a chip the size of the national debt. This is a sour man, a friendless man, a lonely man, a grasping, compulsive, nervous man. This is a man who has lived thirty-six undistinguished, meaningless, pointless, failure-laden years and who at this moment looks for an escape—any escape, any way, anything, anybody—to get out of the rut. And this little old man is just what Mr. Renard is waiting for.”

This was another main protagonist in an episode of The Twilight Zone that was really unlikable. Renard did not look to have much of a character arc either. He just wanted something to go right for him and when he realized that Pedott could tell him specifically what he needed, meaning he had a gift to see in the future, Renard was ready to cash in.

We got some nice inclusion of a story of a baseball player named Lefty whose arm was ruined. This was to show the ability of Pedott, and it looked as if the story was going to be a happy one. However, the use of Renard as a greedy creep who wanted to become Pedott’s partner guaranteed that this tale would take the typically ironic end.

This episode was fine. I was happy to see Renard get his comeuppance at the end of the episode. There is nothing here specifically deep or complex, unlike many other Twilight Zone episodes. It was a nice watch.

All Eyes (2022)

June 4, 2023

Day: 4, Movie: 4

I have a low budget horror/drama for the June Swoon 2 today. I found it on Amazon Prime awhile ago and had placed it in “My Stuff” at the streamer. The premise of the film intrigued me so I added it to the list, intended for the June Swoon.

A disgraced podcast host Allen (Jasper Hammer) received a letter from a man named Don (Ben Hall), a widower who claimed that there was a monster in the woods behind his home. Allen, hoping to use this story for redemption, took Don’s offer to come and help him kill it. However, Allen soon realized that he had gotten himself into a situation that he had simply not expected.

First of all, it was clear that this movie was very low budget, so some of the things that it has in it do not look the greatest. Some of the booby-traps set up at Don’s home were silly and should not have worked the way they did. Having said that, the look of the film is not a criticism. I am sure they did the best they could with the budget that they were afforded.

The key to this movie is the interactions between Allen and Don. Both men were broken, from different reasons and both men were filled with pain. Finding this unlikely connection between them was the heart of the film. Some of the best scenes were the ones where these two men spoke to each other. Don was clearly an unhinged individual who set up a series of bobby-traps around his house that put anyone around him in jeopardy.

The stories of Don’s late wife really helped to humanize him and definitely touched Allen.

The monster involved in this story is an enigma. We know practically nothing about it, though there are some mysterious people as part of this story who obviously have some connection to it. The monster was used very well in the film and actually did look pretty decent when we finally get a look at it. Mind you, that scene was pretty much an apparent green screen, but, again, I appreciated the effort. In the end of the film, the film has some almost mega commentary about the monster that works for the whole film.

The performances of Jasper Hammer and Ben Hall stole the show. Ben Hall especially filled what could have been a cliched character into something rich and multidimensional.

This was a quick watch and was much better than I thought it would be, better than it had any right to be. Good performances and a surprisingly effective monster story blended together into a solid movie.

Spider-Man: Across the Spider-Verse

Masterpiece!

Miles Morales is back for the follow-up to the Oscar winning animated movie Into the Spider-Verse from 2018 with the brand new, part one, Spider-Man: Across the Spider-Verse.

Miles (Shameik Moore) is trying to balance his life at college with his responsibilities of being Brooklyn’s only Spider-Man, but his continued lying to his parents (Brian Tyree Henry, Luna Lauren Valez).

Meanwhile, Gwen Stacy (Hailee Steinfeld) was having many other problems in her own world with her police captain father, Captain George Stacy (Shea Whigham), who is trying to arrest her Spider-Woman persona. When a different era Vulture arrived in her world, several other spider-people, led by Miguel O’Hara (Oscar Isaacs) came to try to capture him. Gwen was impressive in aiding Miguel and Jessica Drew (Issa Rae) so she was brought into the multiversal group designed to protect the Spider-Verse.

Miles and Gwen are a great pairing, with a ton of chemistry together. They work so well together because they have so much in common. Both of them are lonely, lacking someone they can rely on, to confide in. The Spider-Gwen costume, which was created in the comics, looks absolutely amazing in this animation. It is one of the best designs of the past decade in comics, which is a huge reason why Spider-Gwen became such a breakout character.

However, there are other awesome breakout characters in this movie. We meet Spider-Punk (Daniel Kaluuya) who steals nearly every scene he is in. There is also Spider-Man India, named Pavitr Prabhakar (Karan Soni) who is a fabulous character design.

Of course, Miguel O’Hara makes a brilliant antagonist (of a sort) as the heroic Spider-Man 2099. Miguel was always trying to do what was best for the Spider-Verse, even if he had to do some things that he did not want to do. His character was not the quippy type as most Spider-men were. There is an anger inside of him spurred on by his own inane responsibility. I have a feeling that we will be diving into more of his story in part two, which comes out next March.

Of course, you cannot have a review of Spider-Man: Across the Spider-Verse without commenting on the animation styles that are so varied and absolutely special. The animation on display in this movie is beyond anything I have ever seen. It is a work of art, with every frame a potential poster to be framed on the wall. Not only is the animation brilliantly conceived, each character has their own, distinct art style. It was said that the film brought artists from these characters’ comic runs in to consult on how the animation should work, and that level of dedication created something truly unique and utterly bombastic to watch. There were several times when I just stared at the screen in complete awe of the artistry on display. The animation of Into the Spider-Verse was Oscar worthy and this animation elevated that even more.

The score of the movie was perfectly placed, with the amazing music amplifying every scene. Composer Daniel Pemberton brought together the eclectic soundtrack for this picture.

There were a ton of cameos and Easter eggs in the movie. In fact, there were just too many to even be able to see. As John Locke, one of my favorite characters from the TV show LOST, said in season two, “We’re gonna need to watch that again.” This movie feels as if it demands a rewatch just to try and see everything that is there.

The story was complex, but it does a great job of laying out the idea of the multiverse and the Spider-Verse proper. You can see the ties to the greater MCU in this movie too, allowing the potential connection to the MCU. The story could have become convoluted, but it did not because it grounded it with Miles and Gwen. At the heart of this story was parents and their children.

Spider-Man: Across the Spider-Verse is filled with surprises, amazing action, some of the most breath-takingly beautiful and visually unique animation ever on screen and a compelling story that shows just how important Miles Morales is. There is so much awesomeness in this movie, I have not even mentioned the return of Peter B. Parker (Jake Johnson) and his baby daughter May.

The end of this movie is a HUGE cliffhanger, yet it did not leave me feeling as if the movie shorted me on the story as films such as Fast X did. The end of this, almost 2 hour and 20 minute movie, only left me wanting more. Next March cannot get here soon enough. This is the best movie of the year so far.

5 stars

The Boogeyman

The latest Stephen King short story adapted into a feature film is the movie The Boogeyman, a horror film directed by Rob Savage.

According to IMSB, “Still reeling from the tragic death of their mother, a teenage girl and her younger sister find themselves plagued by a sadistic presence in their house and struggle to get their grieving father to pay attention before it’s too late.

Sadie (Sophie Thatcher) is a solid lead character, bring both a competence and a serious troubled backstory. The death of her mother in a car wreck shaped her as a character dramatically, but not as much as it did her father, Will (Chris Messina). Will, a therapist who worked out of his home, had major grief going on with the loss of his wife. So much so that it was affecting how he was parenting. I found myself yelling at Will during the scene where Sadie wanted to talk to him about her feelings of her mother’s death, but he avoided it like crazy. I found that to be just horribly selfish of him.

The film does a really good job of keeping the mystery of what the Boogeyman looked like for most of the movie, allowing the suspense to grow with every shadowy glance. Some horror movies jump right into full screen shots of the monsters and it becomes less frightening. Not so here. The Boogeyman was scary through the entire film and when we finally get a really extended look at it, it makes it more effective.

There were plenty of times where I found myself ready to yell (I was in the theater so I was yelling to myself) about things that the characters were doing or were not doing. I don’t know if it is my geeky background or my knowledge of comic books and roleplaying, but there are things that seem obvious to do instead of some of the things that they tried. However, one of the big things from the third act, I had picked out well before and was yelling (to myself) that they needed to do it. When they actually did what I wanted and it worked, I nearly jumped out of my seat.

Vivien Lyra Blair played Sadie’s little sister Sawyer, and she does a very solid job. She had several facials that showed plenty of the differing emotions that a young girl her age would be thinking during this entire movie. There was also a winning cameo from David Dastmalchian that kicks the film off wonderfully.

The film may not be the best horror film ever made, but it succeeded in keeping me invested and tense with these characters. I was on the edge of my seat for most of the movie so I found it to be a good time.

4 stars

The Daily Zone: The Twilight Zone S1 E11

June 3, 2023- number 11

Spoilers

“And When the Sky was Opened”

Her name: X-20. Her type: an experimental interceptor. Recent history: a crash landing in the Mojave Desert after a thirty-one hour flight nine hundred miles into space. Incidental data: the ship, with the men who flew her, disappeared from the radar screen for twenty-four hours… But the shrouds that cover mysteries are not always made out of a tarpaulin, as this man will soon find out on the other side of a hospital door.”

The eleventh episode of the first season of The Twilight Zone was a great episode. Three military pilots flew an experimental spaceship called the X-20. After disappearing for a 24-hour period, they crashed in the desert.

Major William Gart had a broken leg and had to stay in the hospital. When we ick it up, we see Colonel Clegg Forbes came back to the hospital to see Gart, and he was in a panic. It seemed as if his best friend, Colonel Ed Harrington, the third man of the pilots, was missing and no one remembered him.

Forbes told Gart about the trip to the bar the night before when Harrington disappeared. The people in the bar, who had been interacting with Harrington moments before, were now confused by Forbes’ behavior.

Watching Forbes try to wrap his mind around the fact that his longtime friend had been figuratively erased from existence was fascinating and the mystery of what was going on had me glued to the screen.

As the other two pilots eventually disappeared without a trace as well, I realized that there would not be any answers forthcoming, and it did not bother me at all. I liked how the episode left us uncertain about what was happening. We, the audience, were just like the three pilots. We knew that they were there, but we did not know what happened to them.

Grimcutty (2022)

June 3, 2023

The first film of the June Swoon 2 that is not very good is Hulu’s Grimcutty.

An internet meme comes to life to attack kids, forcing them to cut themselves, and drive parents into a frenzy. Asha (Sara Wolfkind) begins to see the creature and she desperately looks for ways to save herself and her family. Meanwhile, her parents (Usman Ally, Shannyn Sossamon) are becoming panicky and more strict with social media.

I will say off the top that I think there is something in this premise that could have led to a decent film. Unfortunately, the execution of the film itself is severely lacking. There are some gapping holes in the story, the acting is average at best, and, probably the most unforgivable, the creature of Grimcutty is silly looking.

The message of this movie is worthwhile though. Grimcutty is a creepypasta (which, according to Wikipedia, is a “horror-related legend which has been shared around the Internet“), and is based upon real life events (such as the Momo Challenge Hoax). The film deals with the concept of addiction to social media and how if can affect your life in a negative manner. That is a viable story beat, but the themes just do not carry through this movie.

This feels like a film that could have benefited from a series of re-writes and going back over to tighten up ideas. I do think there could be a very effective and interesting film somewhere within Grimcutty. Sadly, this just is not it.

The Daily Zone: The Twilight Zone S1 E10

June 2, 2023- number 10

Spoilers

“Judgment Night”

“Her name is the S.S. Queen of Glasgow. Her registry: British. Gross tonnage: five thousand. Age: Indeterminate. At this moment she’s one day out of Liverpool, her destination New York. Duly recorded on the ship’s log is the sailing time, course to destination, weather conditions, temperature, longitude and latitude. But what is never recorded in a log is the fear that washes over a deck like fog and ocean spray. Fear like the throbbing strokes of engine pistons, each like a heartbeat, parceling out every hour into breathless minutes of watching, waiting and dreading… For the year is 1942, and this particular ship has lost its convoy. It travels alone like an aged blind thing groping through the unfriendly dark, stalked by unseen periscopes of steel killers. Yes, the Queen of Glasgow is a frightened ship, and she carries with her a premonition of death.”

This episode is a ghost story. It starts off as a mystery. How did Carl Lanser wind up on the S.S. Queen of Glasgow? Who is he? Why is he having a premonition of doom happening at 1:15 AM?

I have to say that what was happening on this episode was confusing and was not clear. However, I will admit the episode cleared up the mystery rather quickly. Everything wrapped up with a nice little bow.

I did not love this episode. It was fine, but it all felt so rushed. This felt like an episode that could have benefited from a longer run time.

It had some pretty decent ideas in it and I liked the eventual reveal, but it just did not work in the overall.

Facing Nolan (2022)

June 2, 2023

I love baseball. Although he never pitched for my favorite baseball team (that’s the Dodgers), I was always a fan of the intimidating Nolan Ryan. There was just something about the Ryan Express that was awesome. He pitched in a day where pitch count was not used. I can’t imagine how many pitches Nolan Ryan would throw in a game. But he had an attitude that if he had anything left in his arm, he wanted to go back out there.

So this Netflix documentary of Nolan’s massive 27-year baseball career, starting with the New York Mets, heading through the California Angels, Houston Astros and Texas Rangers, is a fascinating watch.

You know you are something when a former president of the United States is a talking head in your documentary. George W. Bush was a former owner of the Texas Rangers so he had several insider points of view.

Nolan Ryan struck out over 5000 batters in his career. He threw a remarkable 7 no hitters (shattering Sandy Koufax’s record of 4). He won over 300 games. He was inducted as a first ballot Hall of famer. An argument could be made that Nolan Ryan is one of the greatest pitchers in the history of the sport that thrives upon its records and history unlike any other sport.

Listening to Nolan Ryan himself speak about the highlights and challenges of his storied career was thrilling. The film spoke to his wife Ruth Ryan and to several of his children to get the inside of the pitcher.

It was also cool to see so many of Nolan’s contemporaries speak about him too. We saw George Brett, Dave Winfield, Bobby Valentine, Enos Cabell, Roger Clemens, Jose Cruz Sr., Craig Biggio, Rod Carew, Art Howe, Randy Johnson, Cal Ripken, Pete Rose, Ivan Rodriguez, Craig Reynolds, Mike Maddux, and Steve Buechele among others.

Mike MacRae was the narrator, bringing a Texas feel to the documentary. He did a nice job of setting up some of the key moments in Nolan’s career and building anticipation.

Nolan Ryan was a pitcher unlike any other that stepped on a major league mound. He was dominant, but, playing for some bad teams, really held back his overall reputation. After watching this, I appreciate Nolan Ryan all the more.

The Daily Zone: The Twilight Zone S1 E8 & 9

June 2, 2023- number 8-9

SPOILERS

“Time Enough at Last”

This episode of the first season of The Twilight Zone was adapted from a short story by author Lynn Venable and starred Burgess Meredith as poor Henry Bemis, a put upon man who just wanted some time to read the newspaper or some classic literature. His boss and his wife reacted negatively to his wish, going to dramatic steps to stop him from engaging in his hobby.

I related to Henry Bemis immediately. All he wanted was to be able to read and, as a reading teacher, I wish more people would be so motivated.

However, Bemis’s tale took a drastic switch as he was hidden away at the bank that he worked at inside a vault when an H-bomb exploded, destroying evrerything around him, killing all of the people of his city. I was happy that he did not have to deal with his horrible wife any longer. Henry was upset and lonely, unsure of what his life was going to be until he found the reminensce of the public library. Books, books, books everywhere and nothing but time to read them.

I was happy for him until the show pulled one of the crueler tricks that it has done as Henry’s glasses fell and broke, leaving him in a constant blurry world.

The hatred shown by several characters in this episode really relates to the current day as many books are being banned around the country. It really is sad that Henry was denied his one major love, something that had saved him from his near suicide earlier in the episode.

The best-laid plans of mice and men…and Henry Bemis, the small man in the glasses who wanted nothing but time. Henry Bemis, now just a part of a smashed landscape, just a piece of the rubble, just a fragment of what man has deeded to himself. Mr. Henry Bemis, in the Twilight Zone.

“Perchance to Dream”

Episode nine of The Twilight Zone was the first episode of the series not written by Rod Serling. This episode, “Purchance to Dream” was written by Charles Beaumont.

Edward Hall needed help and he went to psychiatrist Dr. Eliot Rathmann looking for it. Edward had not slept for several days because of a dream that he was having. Dr. Rathmann had Edward lay down on his couch to rest, but Edward bolted up, afraid to succumb to sleep.

He told the psychiatrist that he had a bad heart condition and could not handle stressful situations or being startled. He then told the doctor that he had been having a dream of a carnival and a Cat Girl named Maya and he was sure that his heart could not handle the dream.

He told about the terrors at the carnival and the stress of the roller coaster. He said that he was sure that Maya was trying to scare him to death and that if he fell back asleep, she would succeed.

When he was leaving the office, he noticed that Rathmann’s receptionist resembled Maya. Frightened by this, Edward ran back into the office and leapt through the window, falling to his death.

However, we discover that he had not done any of this and that he was still on the psychiatrist’ couch, having never awakened. Dr. Rathmann checked Edward’s pulse, realizing that he had died in hi sleep, ironically stating that “At least he died peacefully…”

They say a dream takes only a second or so, and yet in that second a man can live a lifetime. He can suffer and die, and who’s to say which is the greater reality: the one we know or the one in dreams, between heaven, the sky, the earth – in the Twilight Zone.

This was a very intriguing episode and ending was extremely satisfying. When we come out of the dream where Edward had killed himself was very surreal. This felt very appropriate for The Twilight Zone.

The Daily Zone: The Twilight Zone S1 E7

June 1, 2023- number 7

“The Lonely”

Spoilers

The seventh episode of the first season of The Twilight Zone was called “The Lonely” and it dealt with a sci-fi prison for a man convicted of a crime.

Convicted but innocent, James Corry was stranded on an isolated and deserted asteroid for the duration of his long prison sentence. Supplies would be brought to him every three months, but otherwise, he is completely alone.

Feeling bad for him, Captain Allenby, the pilot of the supply vessel, brought him a special, secret surprise. It was a robot that was in the shape of a woman. The robot’s name was Alicia and she was very feminine. While Corry rejected the robot at first, he became close with her eventually as time passed.

When Corry and Alicia had become a couple, Captain Allenby returned with great news: Corry had received a pardon. Allenby and his crew were collecting other former prisoners and they were there to pick up Corry. They had space only for Corry and a few of his belongings. Corry rejected the idea, insisting that Alicia was more than robot… that she was a real woman and that she had to go with him.

Allenby ended up shooting Alicia in the face, revealing the robotic materials inside her, bringing Corry to his senses.

This was a strange story. It started out interesting as we looked at the relationship that could develop when someone is isolated. There have been plenty of examples in sci-fi of characters falling for machines/robots/androids etc.

However, the story between Corry and Alicia came to such a sudden and dramatic conclusion that it felt like there were some aspects of the tale missing. It needed another 20 minutes or so I think to be effective in telling the story. Otherwise the relationship, which needed to be at the center of this story, rang hollow and empty.

“On a microscopic piece of sand that floats through space is a fragment of a man’s life. Left to rust is the place he lived in and the machines he used. Without use, they will disintegrate from the wind and the sand and the years that act upon them. All of Mr. Corry’s machines, including the one made in his image, kept alive by love, but now obsolete—in The Twilight Zone.

Brian and Charles (2022)

June 1, 2023

The second annual June Swoon gets underway today with the first film from 2022 that I had not seen. Some of these film I have been anxious to watch, but I have pushed it off until June came around. This film, which wound up on critic Dan Murrell’s top ten best list of 2022, was the comedy film, Brian and Charles.

Brian (David Earl) was a lonely and isolated inventor who was struggling after a particularly harsh winter in Wales. To combat the loneliness, Brian created a robot named Charles (Chris Hayward). Amazingly, Charles worked and the twosome became close friends.

However, Charles began to feel the need to expand his horizons and travel outside of Brian’s house, which made Brian nervous, afraid of what people would think and of the reprisals of a local bully, Eddie (Jamie Michie).

Brian and Charles was a funny, heart-warming story of two friends, one of which happens to be a robot with his torso made out of a washing machine. It is a weird, eccentric movie that was a lot of fun to watch. The center of it, of course, was the relationship between Brian and Charles. Charles was like a child, hard headed at times and other times filled with wonder for the world. Brian tried to keep Charles isolated, but it was clear that things were about to change.

It was also strange as several times Brian turned to the camera and spoke to it, breaking the fourth wall. It wasn’t just Brian either as Charles addressed the audience, and even Eddie looked toward the camera at a certain point of the story. There was even a moment when Brian was rushing out of his house that he told someone (a cameraman, perhaps?) to get out of the way. It was a quirky and odd trait of this movie that kept it feeling like a documentary of some sort.

Brian was given a love interest in Hazel (Louise Brealey) who added a human feel to Brian. Their relationship was sweet and felt very sincere, considering the movie included a giant robot that liked to dance and wanted to go to Honalulu.

I found myself laughing quite a bit and the film was very wholesome and smart. We are kicking of the June Swoon 2 with a definite winner. I watched Brian and Charles on Prime.

June Swoon 2: EYG 30 Days of Unseen Movies from 2022 DailyView Binge

It is May 31st. That means tomorrow begins our second annual June Swoon here at EYG.

Last year, after the end of the year-long DailyView, the June Swoon became a thing. Every day I watched a movie that I had not seen that was released in the previous year (2021). That went so well that I decided that this would be a yearly deal. So with the June Swoon 2 ready to begin, I will lay out the rules.

First, I will watch at least one movie every day for the entire month of June, from June 1st to June 30th. Next, each film will be a film that I have never seen before and must have been released in the year 2022. I will record these films on this post through the month.

2022 saw the record set for the most films reviewed in a single year at EYG, and yet I have compiled a large list of movies that qualify for the June Swoon 2.

The first couple of days of June will be tight, since school is just ending and I have started The Daily Zone, which has me watching and writing about episodes of The Twilight Zone daily as well. Once school is out, the schedule opens up dramatically. So the next two days will require some close, specific scheduling, but it should be doable.

So… I will be starting the first of the June Swoon 2 tomorrow afternoon.

Movies I missed in 2022

June Swoon 2

June 1, 2023: Brian and Charles

June 2, 2023: Facing Nolan

June 3, 2023: Grimcutty

June 4, 2023: All Eyes

June 5, 2023: Candy Land

June 6, 2023: Good Luck to You, Leo Grande

June 7, 2023: Glorious

June 8, 2023: Sr.

June 9, 2023: Living

June 10, 2023: Breaking

June 11, 2023: Decision to Leave

June 12, 2023: Women Talking

June 13, 2023: Empire of Light

June 14, 2023: This Place Rules

June 15, 2023: The Son

June 16, 2023: On the Count of Three

June 17, 2023: Burial

June 18, 2023: Wildcat

June 19, 2023: To Leslie

June 20, 2023: The Justice of Bunny King

June 21, 2023: Honor Society

June 22, 2023: Significant Other

June 23, 2023: The Elephant Whisperers

June 24, 2023: Downton Abbey: A New Era

June 25, 2023: Soft & Quiet

June 26, 2023: No Exit

June 27, 2023: What Josiah Saw

June 28, 2023: Sick

June 29, 2023: The Duke

June 30, 2023: My Old School

The Daily Zone: The Twilight Zone S1 E6

May 31, 2023- number 6

Spoilers

“Escape Clause”

The sixth episode of The Twilight Zone in the first season was another episode that took the storytelling into a new direction. This was the first time where the protagonist of the tale was someone you did not want to root for.

You’re about to meet a hypochondriac. Witness Mr. Walter Bedeker, age forty-four. Afraid of the following: death, disease, other people, germs, draft, and everything else. He has one interest in life and that’s Walter Bedeker. One preoccupation: the life and well-being of Walter Bedeker. One abiding concern about society: that if Walter Bedeker should die, how will it survive without him?

Bedeker was absolutely nothing more than a whining loser who was putting his wife through all kinds of troubles with his made-up symptoms and annoying complaints. When a mysterious man named Cadwallader appeared in his apartment with a shocking offer, Bedeker was intrigued. Even when he figured out that Cadwallader was, in fact, the Devil, Bedeker was not turned away.

Cadwallader offered him a long life span, something Bekeder had been worrying about. He also made him invincible, Nothing could hurt him. But he gave Bedeker an escape clause in case he wanted to get out of the forever life.

Bekeder, with his new power, became even more obnoxious. He discovered that the thrill of danger was now gone and he started doing things that were designed to hurt himself to see if any of them would interest him. He was such a jerk about it all.

His wife winds up being killed and he takes responsibility for the act, looking for the electric chair.

Bekeder was so unlikable that when he wound up getting life in prison instead of the chair, I cheered at the irony. Of course, he took Cadwallader up on the escape clause, which led to his heart attack in his prison cell.

Bekeder had everything you could possibly want but yet he was constantly unhappy. When he was normal, he was always complaining he was sick. When he could no longer be hurt or killed, he was bored. Just a rotten human being and seeing him pay the piper was extremely satisfying.

The Daily Zone: The Twilight Zone S1 E5

May 30, 2023 – number 5

“Walking Distance”

Spoilers

This was another solid episode in the first season of The Twilight Zone. This featured a little time travel and a nostalgic look back that becomes too real.

“Martin Sloan, age thirty-six. Occupation: vice-president, ad agency, in charge of media. This is not just a Sunday drive for Martin Sloan. He perhaps doesn’t know it at the time, but it’s an exodus. Somewhere up the road he’s looking for sanity. And somewhere up the road, he’ll find something else.”

Martin Sloan finds himself back in his hometown called Homewood and he was amazed at how nothing seemed to change. The ice cream soda was still a dime, the businesses were just as he remembered, the park was the same.

So when he spotted a young him carving his name into a bandstand, something he remembered doing as a child, the bizarre situation began to formulate before his eyes. When he found his childhood home was still being lived in my his mother and father, Martin was becoming more unstable.

This is an interesting take on the time travel as we see the older Martin trying to talk to the younger Martin, chasing him across a carousel, causing the boy to fall and badly injure his leg… something that the older Martin now felt. Some time travel shows go by the idea that the past could not be changed. What happened, happened. This was like LOST. Some time travel shows/films think you can affect the future by what you do in the past, such as Back to the Future. This feels like a combination of the two ideas since the injured leg now is a problem for the older Martin, but his mother and father find out who he is and that does not seem to affect the future at all.

We see very young Ron Howard, pre-Opie from the Andy Griffith Show, as a boy that older Martin comes across and spooks him by claiming to be someone that the boy knew he could not be.