With the Daily Zone coming to a close yesterday after I completed the viewing of all 156 episodes of The Twilight Zone, I have started to compile some lists. Kicking off the posts are, in my opinion, the Top 20 performances from The Twilight Zone 1959-1964. There are three actors who appear in the top 20 twice.

#20. Neville Brand/George Takei (The Encounter). I put these two together because they were so important playing off the other that they were truly an acting team. And this episode falls apart with out these two elevating the material.

#19. Buster Keaton (Once Upon a Time). The special episode of The Twilight Zone honored Buster Keaton and his history in the films. The silent section highlighted Keaton’s slapstick mastery and was one of the few Twilight Zone episodes that were actually funny.

#18. Donald Pleasence (The Changing of the Guard). Donald Pleasence was a teacher at the end of his career, looking for a reason to make himself relevant. The potentially suicidal man is truly brought to life by Pleasence.

#17. Jack Klugman (A Game of Pool). Jack Klugman brought a lot of pathos to this role of a pool player determined to be known as the greatest ever, and the game that would make that so.

#16. Theodore Bikel (Four O’Clock). Bikel played the villain of the piece, Oliver Crangle, and he played him with a flair and with a ton of gusto. In what could have been just a mustache twirling villain, Bikel found the perfect balance in this man.

#15. Russ Martin (Death Ship). Give a shout out to Jack Klugman here too as the captain, but Russ Martin is the character providing all the conflict among this group of three men who crashed on an abandoned planet only to find another crashed ship with three bodies that looked just like them.

#14. Anne Francis (After Hours). Anne Francis does a great job as a confused customer of a department store that can not seem to find her way back to the floor she had purchased her gift from. One of the cool twists of the series and Francis does a great job of showing it.

#13. Earl Holliman (Where is Everyone?). Holliman’s performance really made the debut episode of The Twilight Zone something special as he showed a steep decline mentally when he had no one around to interact with. If Holliman did not do so great, would the show had been such a success?

#12. Fritz Weaver (The Obsolete Man). The Chancellor learns a painful lesson thanks to Burgess Meredith in this sci-fi future tale. A 1984/Big Brother type of story with the Chancellor having the tables turned on him. Weaver showed all the emotions and the fear at the end was palpable.

#11. Cliff Robertson (Caesar and Me). Cliff Robertson had some excellent performances in the show, but this one really stands out for me. Watching this man gradually lose himself to this ‘talking’ ventriloquist dummy was very powerful.

#10. Billy Mumy (It’s a Good Life). Young Billy Mumy had several good performances, including Long Distance Call and In Praise of Pip, but he is iconic in this role as the all-powerful Anthony, who ruled the town with a mental power that could send you to the ‘cornfield.’ The coldness of expression was quite advanced for a young boy.

#9. Gladys Cooper (Night Call). Receiving a surprising call in the middle of the night leads to a lot of terror for invalid Elva Keene. She went from terror early to hopefulness when she realized that perhaps she would not have to be alone. This was a very layered performance from a talented actor whom we will see later on this list.

#8. James Whitmore (On Thursday We Leave for Home). Captain Benteen has been the leader of his people for years, and when the rescue ship arrived from earth, Captain Benteen struggled with the idea of not being the God he had been. Whitmore gives this man, who could be considered a cult leader, humanity and you understood why he would become lost.

#7. Burgess Meredith (The Obsolete Man). Burgess Meredith might be considered the MVP of The Twilight Zone and his portrayal of the librarian Romney Wordsworth who was to be put to death because of his obsoleteness. Yet Romney gets the last word on the subject. Burgess Meredith is perfect in this role.

#6. Robert Duvall (Miniature). Another character dealing with mental illness, Charley Parkes found himself much more at ease talking to and interacting with a doll house miniature at a museum, believing that it was alive and carrying on life in the doll house.

#5. Jack Klugman (In Praise of Pip). Here is the first of the three actors to appear twice on this list, and Klugman could have been here a couple of other times as well. His Max Phillips is in such pain when he mistakenly finds out that his son, Pip, had been killed in the Vietnam War. As he is dying himself from a gunshot wound, Klugman spends a day at the amusement park with the spirit of Pip in a truly heartbreaking performance.

#4. Burgess Meredith (Time Enough at Last). One of the best episodes of the series, poor Henry Bemis only wants to be able to read his books and newspapers, but everyone is preventing him from doing it. So when Henry survives the destruction of the city only to break his glasses, irony is truly hard to swallow. Meredith is the second double performance on this list, and he could have easily been here for Printer’s Devil too.

#3. Agnes Morehead (The Invaders). One of the singularly top performances of the series, Agnes Morehead does not have dialogue and she still dominates the screen as she battles the arrival of aliens from another planet (although there is a twist to that).

#2. William Shatner (Nightmare at 20,000 Feet). This was almost #1 as Shatner was brilliant as the man who saw a gremlin on the airplane wing and slowly slipped into madness trying to convince others on the plane that there is danger afoot. Shatner could have easily let this performance slide into an overblown performance (see John Lithgow in Twilight Zone: The Movie), but everything was perfect. Shatner could have made this list too as Don Carter in Nick of Time.

#1. Gladys Cooper (Nothing in the Dark). Wanda Dunn had been hiding from Mr. Death. She had secured herself in a hideaway and avoided human contact. When a policeman was shot outside her place, she had to come out and help him, opening herself up to the final fate that awaits us all. She was so amazing, bringing fear, denial and acceptance to this broken woman. She starred in this with Robert Redford as Mr. Death. She is, of course, the third actor to have double duty on this list.

July 27, 2023- numbers 154, 155, 156

SPOILERS

“Come Wander with Me”

A musical interlude inside The Twilight Zone?

“Mr. Floyd Burney, a gentleman songster in search of song, is about to answer the age-old question of whether a man can be in two places at the same time. As far as his folk song is concerned, we can assure Mr. Burney he’ll find everything he’s looking for, although the lyrics may not be all to his liking. But that’s sometimes the case – when the words and music are recorded in the Twilight Zone.”

This episode has a time loop going on as we see something that, apparently, keeps happening. Floyd Burney, aka “Rock-a-Billy Kid,” arrives at an isolated location in search of a new song. The strange old man in this dilapidated shop in the woods warned him away, but Floyd heard a song being sung in the woods.

Pulled along like the sailors when hearing the siren call from Greek mythology, Floyd finds a woman in the woods named Mary Rachel and tries to convince her to give him the song she was singing. She kept saying that it was someone else’s song. This line is never mentioned again.

Floyd seduces her and she sings the song for him, which he has plans to record himself. However, her brother shows up with a gun and wants to take Floyd back to his other brothers. Floyd struck him with his guitar, killing him. He takes off to run from the other brothers, but Mary Rachel begs him to not run “this time.” She wants him to hide instead saying that he is always caught. Floyd runs back to the old who he also kills… for no real reason this time. The brothers catch up with Floyd and we see the gravestone for Floyd Burney that we saw before.

I have to say that these country folk sure can’t take a punch. The young guy died from getting hit across the back with a guitar that did not look incredibly sturdy. The old man died from one punch.

The song was quite annoying too and it did not sound like a song that a Rock-a-Billy singer would play. When Floyd tried to show the old man what kind of music Rock-a-Billy was and dropped to his knees to sing, I nearly lost it.

This was an annoying episode with ideas that are only ever touched upon or implied.

“The Fear”

This was a decent episode of The twilight Zone, the penultimate episode of the original series’ TV run.

“The major ingredient of any recipe for fear is the unknown. And here are two characters about to partake of the meal: Miss Charlotte Scott, a fashion editor, and Mr. Robert Franklin, a state trooper. And the third member of the party: the unknown, that has just landed a few hundred yards away. This person or thing is soon to be met. This is a mountain cabin, but it is also a clearing in the shadows known as the Twilight Zone.”

I liked how this episode built the tension and the anxiety between the two characters stranded in this cabin in the woods with some mysterious ‘thing’ outside.

My favorite part of this episode was the relationship between Miss Scott and Trooper Franklin. I liked how they interacted, how they dealt with each other honestly and straightforwardly. They did not force a romantic relationship between them, though I could see that developing in the future for them.

The ending of the episode had some iffy moments. I am not sure how I felt about the giant inflatable alien or why the trooper started to shoot at this alien without even once trying to communicate with it. Then the wind from the balloon was somewhat over the top as it deflated.

In the end, it felt like the same basic concept that we had seen in “The Invaders” episode and the episode called “The Little People.” Still, the first two acts of this show made it very good and did support the ending well enough.

“The Bewitchin’ Pool”

The final broadcast episode of the first version of The Twilight Zone had a bunch of problems.

First, apparently, the scenes shot outdoors had trouble with the sound and had to be redubbed. It was painfully noticable.

Even more so, the lines by Mary Badham, who played young girl Sport, could not be dubbed because the actress had gone back to Alabama and it was too expensive to bring her back. So instead they used known voice over actress June Foray to do the lines. June Foray voiced Rocky the Flying Squirrel in the Bullwinkle series. It was a distinct difference from the rest of Sport’s lines.

Sport and her brother Jeb could escape from their mean and always fighting parents by diving into their swimming pool, coming up at a mysterious land where kids escape to and they met an old woman named Aunt T. They go back and forth a couple of times, even though Aunt T said that finding their way back would be nearly impossible until they finally leave their parents and stay in the magical land for good.

The show was a comment on divorce and how it affects kids. Of course, it does not help when you have got a rotten mother who is constantly yelling “Darn you loudmouth kids” at you.

The acting of this episode was wooden and lifeless. The voice acting, which was out of the producers’ control, did not help anything. The closing narration said :“A brief epilogue for concerned parents. Of course, there isn’t any such place as the gingerbread house of Aunt T, and we grownups know there’s no door at the bottom of a swimming pool that leads to a secret place. But who can say how real the fantasy world of lonely children can become? For Jeb and Sport Sharewood, the need for love turned fantasy into reality; they found a secret place—in the Twilight Zone.” Was the use of the ‘gingerbread house’ line implying that Aunt T had sinister plans for the kids, fatting them up by feeding them cake like the witch in ‘Hansel and Gretel?” Will Jeb and Sport wind up as meal time?

Honestly, that would make this episode considerably better. It was a weak episode to end the series on.

This brings the Daily Zone to a close, as the first season of The Twilight Zone with Rod Serling is done. I watched all 156 episodes over the last two months.

I will be doing a few lists over the next few days of my favorite this and least favorite that.

Just remember that all of that is just my opinion… and if you disagree… that is okay and you can form your own opinions… in the Twilight Zone.

July 26, 2023-number 153

Spoilers

“The Brain Center at Whipple’s”

Lookie, there is Robby the Robot again. This is the second bad episode guest starring Robby.

This is also very relevant episode in today’s world as the Screen Actor’s Guild and the Writer’s Guild of America has been on strike with one of the big reasons being the use of AI by studios, which threatens to replace working actors and writers. Much like the theme of this episode.

“These are the players — with or without a scorecard. In one corner a machine; in the other, one Wallace V. Whipple, man. And the game? It happens to be the historical battle between flesh and steel, between the brain of man and the product of man’s brain. We don’t make book on this one and predict no winner….but we can tell you for this particular contest, there is standing room only — in the Twilight Zone.”

Wallace Whipple is only a caricature of a person. He is only a representation of the selfishness and the greed of the CEOs and the faceless heads of giant companies. His glee in his cruelty in this episode really takes away from the downfall later in the episode because it all turned on him too quickly.

Still, there is no one to truly root for in this episode. I think you are meant to relate to Dickerson, the foreman who lost his job and got drunk and tried to destroy the computer, but he was a loud drunk and not someone I felt for. The character of Mr. Hanley was shown as a decent man, but he was not around enough for any connection to be made.

There was Robby the Robot! A silly cameo tucked on at the end of the episode to show that even Mr. Whipple is replaceable. Danger, Mr. Whipple, Danger!

A poorly written episode with way too much melodrama that draws away from the important theme of the show. I did not like much of anything in this episode.

July 25, 2023- numbers 150, 151, 152

Spoilers

“Stopover in a Quiet Town”

“Stopover in a Quiet Town” is a standout episode of The Twilight Zone that has inspired plenty of other pop culture items.

“Bob and Millie Frazier, average young New Yorkers who attended a party in the country last night and on the way home took a detour. Most of us on waking in the morning know exactly where we are; the rooster or the alarm clock brings us out of sleep into the familiar sights, sounds, aromas of home, and the comfort of a routine day ahead. Not so with our young friends. This will be a day like none they’ve ever spent – and they’ll spend it in the Twilight Zone.”

Trapped inside this apparently deserted town, Bob and Millie run around the city of Centerville realizing that they could not escape and that thing that looked to be real, such as trees and the squirrel, were fake or stuffed.

They could find no one else in the town, only a few dummies set up in cars to look like there were people. They ran around in desperation to try and find their way out.

They heard the laughter of a little girl all around them, which was eventual revealed that they had been abducted by aliens and were being used like dolls in a little girl’s toy set.

The idea was similar to the set up of the season three episode, “Five Characters in Search of an Exit” except this was a “don’t drink and drive” type theme. I’m not sure if it was a good idea to make it the woman’s fault for being abducted, which the show hinted at. Still the execution of the story was very good even if the child’s laughter and the hints of a shadow coming over the car made this twist fairly predictable.

“The Encounter”

This one was uncomfortable.

I immediately thought that this was George Takei, who would wind up as Sulu on the original Star Trek series, which it did turn out to be. Both Takei and co-star Neville Brand were intense with their performances in this story.

It made me feel like it was a stage play. One basic setting with two actors just bouncing their performances off the other. It was certainly carried by the strength of these two actors.

“Two men alone in an attic, a young Japanese-American and a seasoned veteran of yesterday’s war. It’s twenty odd years since Pearl Harbor, but two ancient opponents are moving into position for a battle in an attic crammed with skeletons, souvenirs, mementos, old uniforms, and rusted medals. Ghosts from the dim reaches of the past, that will lead us into the Twilight Zone.

This episode was removed from much of the Twilight Zone syndication after its initial debut because of the racial overtones present and some of the controversy over the story told, in particular the revelation that Takei’s character’s father had been a traitor at Pearl Harbor and had helped signal the planes, a fact that was not true and that there had been no indication that there were any Japanese-Americans at Pearl Harbor helping the bombers.

There was also a lot of racial insensitive language being tossed around, especially from the character played by Neville Brand, who was a former soldier during WWII and had recently been fired from his job and had his wife leave him because of his drinking. Both actors used this incendiary dialogue to create some real tension in the scenes.

There were some supernatural elements of the episode too, mostly surrounding a samurai sword that Band’s character had taken off of a Japanese soldier that he had killed during the war. This was the weaker aspect of the script as the interactions with the actors was considerably more potent.

This episode had its strengths and weaknesses and they were distinctly pronounced. Some of the scenes were riveting while others made no sense. It was a tough watch for sure.

“Mr. Garrity and the Graves”

This is definitely the worst of the three episodes in this post.

“Introducing Mr. Jared Garrity, a gentleman of commerce, who in the latter half of the nineteenth century plied his trade in the wild and wooly hinterlands of the American West. And Mr. Garrity, if one can believe him, is a resurrecter of the dead – which, on the face of it, certainly sounds like the bull is off the nickel. But to the scoffers amongst you, and you ladies and gentlemen from Missouri, don’t laugh this one off entirely, at least until you’ve seen a sample of Mr. Garrity’s wares, and an example of his services. The place is Happiness, Arizona, the time about 1890. And you and I have just entered a saloon where the bar whiskey is brewed, bottled and delivered from the Twilight Zone.”

A con man comes into town, pretending to be able to raise the dead. He sets up a town that, apparently, did not have any loved ones that they were sad were dead. All the people of Happiness, Arizona seemed to be happy that their relatives and family members were gone.

So, after he pretended to raise the dead, Garrity had the people pay him to have them go back to their graves.

It was clear that he was pulling a con on everybody except these dumb people.

However, the worst part of the episode was the ending. When Garrity met up with his accomplice and the dog that he pretended to bring back from the dead, it was revealed that he had actually unwittingly brought the dead people back to life and they were heading down to the town to cause trouble.

I thought maybe these zombie-like people would attack Garrity as a way to show that you can’t mess with life-death, but, nope. It was not that. They were just heading back to Happiness and the closing narration implied that Garrity did not know his own power.

How dumb was this episode? Extremely dumb. Did not like this one at all.

As of now, I only have four more episodes of the original series of The Twilight Zone for the Daily Zone. Plans are to do one episode on Wednesday and then finish up with three on Thursday (pending actual time). Perhaps it gets pushed back a day or so, but Friday is the absolute last potential day for the Daily Zone.

July 24, 2023-Numbers 146, 147, 148, 149

Spoilers

“I Am the Night-Color Me Black”

Director Abner Biberman was responsible for one of the best shots of the entire episode, as this point of view shot through the hangman’s noose was one of the images that truly stuck with me over this entire series.

“Sheriff Charlie Koch on the morning of an execution. As a matter of fact, it’s seven-thirty in the morning. Logic and natural laws dictate that at this hour there should be daylight. It is a simple rule of physical science that the sun should rise at a certain moment and supersede the darkness. But at this given moment, Sheriff Charlie Koch, a deputy named Pierce, a condemned man named Jagger, and a small, inconsequential village will shortly find out that there are causes and effects that have no precedent. Such is usually the case—in the Twilight Zone.”

There were a couple of familiar faces popped up in this episode. Ivan Dixon, Kinch from Hogan’s Heroes, and George Lindsey, Goober Pyle from the Andy Griffith Show, appear in this episode.

While this episode turned out to be a touch preachy, I really enjoyed the idea of the darkness overcoming the small town, how hate can only bring more hate to the world. The anger of the crowd toward Jagger, who killed a bigot supposedly in self-defense, and the desire of Goober to see him hanged really stood out.

According to Wikipedia, this episode was penned by Rod Serling as a response to the assassination of John Kennedy.

“Sounds and Silences”

Here is another Twilight Zone episode that suffers from a lead character that is wholly unlikable.

However, some of the comments made about Roswell by his staff and co-workers were very inappropriate and were directed simply at his weight. That makes them every bit as bad as this guy, who is absolutely obnoxious and loud.

“This is Roswell G. Flemington, two hundred and twenty pounds of gristle, lung tissue and sound decibels. He is, as you have perceived, a noisy man, one of a breed who substitutes volume for substance, sound for significance, and shouting to cover up the readily apparent phenomenon that he is nothing more than an overweight and aging perennial Sea Scout whose noise-making is in inverse ratio to his competence and to his character. But soon our would-be admiral of the fleet will embark on another voyage. This one is an unchartered and twisting stream that heads for a distant port called the Twilight Zone.”

This episodes shows the progression of a man and his succumbing to a mental illness. The episode shows Roswell first hearing every sound at a deafening level and then, after seeing a psychiatrist, trying to be able to control the sound, succeeding in a sense, but unable to adjust that volume back up again.

Another episode with sound effects that are truly awful, which is bad considering how important they are to this story. Overall, unlikable protagonist and unenterable sound beats in the story. One of the weaker episodes of the series.

“Caesar and Me”

The idea of a living ventriloquist dummy returns to “Caesar and Me.”

“Jonathan West, ventriloquist, a master of voice manipulation. A man, late of Ireland, with a talent for putting words into other peoples’ mouths. In this case, the other person is a dummy, aptly named Caesar, a small splinter with large ideas, a wooden tyrant with a mind and a voice of his own, who is about to talk Jonathan West – into the Twilight Zone.”

This is another episode that deals with mental illness, as Jonathan West descends into a dark place because of the machinations of the dummy, Caesar. Of course, the episode makes us think that Caesar can talk, but this is clearly a metaphor for someone hearing voices and having those voices make you do things. Jackie Cooper’s desperate pleading to Caesar to talk when the police had arrived was a haunting moment of a very good episode.

This is the same dummy used in the season three episode entitled “The Dummy.” On fact, in my head (although not labeled as such) I considered this a sequel to that episode, seeing where the dummy ends up after that last appearance.

There is also one of the worst characters of the show. The young girl named Susan, played by Morgan Brittany (who appeared later in Dallas), was just a horrible person and shown as a whiny, cruel, mean-spirited character and I do not think it is a coincidence that she ends up with Caesar at the end of the episode.

“A little girl and a wooden doll. A lethal dummy in the shape of a man. But everybody knows dummies can’t talk – unless, of course, they learn their vocabulary in the Twilight Zone.”

While this is not as great as “The Dummy,” “Caesar and Me” is another very strong episode that I enjoyed tremendously.

“The Jeopardy Room”

Welcome to The twilight Zone, Martin Landau!

Some spycraft arrives in the Twilight Zone with a single room setting, creating some stress and claustrophobia.

“The cast of characters—a cat and a mouse, this is the latter. The intended victim who may or may not know that he is to die, be it by butchery or ballet. His name is Major Ivan Kuchenko. He has, if events go according to certain plans, perhaps three or four more hours of living. But an ignorance shared by both himself and his executioner, is of the fact that both of them have taken the first step into the Twilight Zone.”

The cat and mouse between Martin Landau and John van Dreelen (who played Commissar Vassiloff) was the highlight of this episode. Vassiloff was clearly interested in finding a worthy adversary which he even placed above the actual mission – which was to kill Kuchenko.

Because of his personal machinations, Vassiloff created several holes that allowed Kuchenko a chance to survive. Vassiloff even pulled The Dread Pirate Roberts’ trick of drinking a poison that he was immune to in order to win the confrontation. No idea if this was Iocane Powder or not, though that was the deadliest poisons known to man and it did not kill Kuchenko (Love a good Princess Bride connection!)

I did like this episode a lot, but the ending turned out to be cheesy. Kuchenko turned the trap back onto Vassiloff and his henchman Boris, a henchman that proved himself to be a really stupid one, answering a booby trapped phone even though he knew that it had a bomb in it. That ending was a bit of a drawback to the solid episode.

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The Daily Zone is down to seven remaining episodes in the final season of the original version of The Twilight Zone.

July 23, 2023-numbers 143, 144, 145

“Queen of the Nile”

I do like how the episode “Queen of the Nile” did not come right out and namedrop Cleopatra as the true identity of the ageless starlet Pamela Morris. Sure, they implied it heavily, with plenty of evidence to support such an inference, but without the specific name coming up, this felt more in doubt.

Funny how the next episode, “What’s in the Box?” actually mentions Cleopatra.

“Jordan Herrick, syndicated columnist, whose work appears in more than a hundred newspapers. By nature a cynic, a disbeliever, caught for the moment by a lovely vision. He knows the vision he’s seen is no dream; she is Pamela Morris, renowned movie star, whose name is a household word and whose face is known to millions. What Mr. Herrick does not know is that he has also just looked into the face—of the Twilight Zone.”

All I could think of as I was watching this episode was the MCU movie, The Eternals, with Kumail Nanjiani’s character Kingo being a star in movies from Bollywood and having to pretend he is a descendent after so many years, since he did not age. Of course, Kingo did not need the help of an age-sucking scarab to stay youthful.

Poor Jordan Herrick never suspected the real truth about Pamela Morris and the sacrifices that she had to make in order to stay young. I suppose if he had stayed alive, he may have uncovered the whole truth, but when you are aged so rapidly that you turn to dust on the floor, you may not be able to realize that you’ve messed up.

I liked the end of this episode as Herrick met his fate and we see how Pamela remained so young after centuries of life.

“What’s in the Box”

This is another episode of The Twilight Zone where our main protagonists are just unlikable which makes it difficult to care what happened to either of them.

“Portrait of a TV fan. Name: Joe Britt. Occupation: cab driver. Tonight, Mr. Britt is going to watch “a really big show,” something special for the cabbie who’s seen everything. Joe Britt doesn’t know it, but his flag is down and his meter’s running and he’s in high gear—on his way to the Twilight Zone”

Honestly, it was the TV repairman that may have been the worst character around. I mean, he pulls some tricks with the TV causing Joe to see his future, the murder of his wife, Phyllis. The TV repairman, played by Sterling Holloway, did not appreciate the snide comments made by Joe so he pulled something sneaky with the TV and that led to the death of Phyllis. This feels a bit much for the TV repairman’s hurt feelings. It also seems a bad turn for the voice of Winnie the Pooh, himself (Sterling Holloway).

This is basically the same story as “A Most Unusual Camera” from season 2, only this is a TV instead of a camera. Overall this is not as good as that episode and this feels excessive.

“The Masks”

You may have to use some of that inheritance for some plastic surgery.

“Mr. Jason Foster, a tired ancient who on this particular Mardi Gras evening will leave the Earth. But before departing, he has some things to do, some services to perform, some debts to pay—and some justice to mete out. This is New Orleans, Mardi Gras time. It is also the Twilight Zone.”

Jason’s family was really a rotten group of people. This makes their eventual fate quite satisfying. You kind of see it coming, but it still works because of these terrible characters. They may not be as well developed of a group of characters (this is another one that might have benefitted from the longer run time of season 4), but we get enough of each character that lets us understand how lacking they are as human beings.

Robert Keith was excellent as the dying patriarch of the family that he had clearly had enough of over the years. He was very effective delivering the exposition in a clever and revealing manner.

This was a solid episode that does deliver the justice you want. The masks were sufficiently creepy and Keith is the pulse of the whole episode.

July 22, 2023-number 142

Spoilers

“An Occurrence at Owl Creek Bridge”

An episode of The Twilight Zone that was unlike any of the others shown. Namely, it is an Academy Award winner.

“An Occurrence at Owl Creek Bridge” was a short film that was shot in France and won at the Cannes Film Festival. It also won an Academy Award for Best Short Film. According to Wikipedia, the rights to the French film was purchased by TV producer William Froug to show to the American public. With a few adjustments (such as adding an introduction from Rod Serling and closing narration at the end), the film became the 22nd episode of The Twilight Zone.

It was also very different than other episodes because there was barely any dialogue in the film, depending on background sounds (such as bird noises or military orders) and a song laid over sections of the episode.

The story focused on a man named Peyton Farquhar, who was being prepared to be hanged by Union soldiers during the Civil War off a bridge over Owl Creek. As he was pushed off the edge of the bridge, his rope broke and he fell into the creek below. As he was fired upon by soldiers, he made his desperate attempt to escape. He successfully escaped the soldiers and wandered back to where his wife lived.

Just before their happy reunion, he snapped his head backwards and went taut and we saw, in reality, that he had never escaped and had been hanged on the bridge. We realized that everything that had happened after his rope broke took place in his head during the time when he had been pushed off the bridge and before the rope when tight.

“An occurrence at Owl Creek Bridge, in two forms: as it was dreamed … and as it was lived and died. This is the stuff of fantasy, the thread of imagination … the ingredients of the Twilight Zone.”

I found this to be an extremely engaging and exceptional episode of the show. I actually had figured out that he was still hanging on the bridge before the reveal, but I thought all the events that had happened were a purgatory of some sort instead of it all being in his head. I thought that twist at the end was really well done.

Roger Jacquet brought an excellent performance to the episode, showing his desperation and determination to get back to his love. The episode leaves with a haunting image of Farquhar hanging from the bridge.