Oppenheimer

I have not been a fan of Christopher Nolan. I believe he has been overrated by all kinds of critics. Of his movies, I did not like Interstellar (about half of it I liked), Inception, Tenet, The Dark Knight Rises or Dunkirk, which I know is a hot take.

However, the buzz around his new biopic Oppenheimer (and the combined Barbenheimer) was high and I will say that I was anticipating the film.

The film tells the story of J. Robert Oppenheimer (Cillian Murphy) and how he, along with a group of scientists, created an atomic bomb and the fallout of the use.

The plot is not anywhere near as simplistic as I just laid out. Like many other Nolan films, the narrative of the story is told in a disjointed, non-linear timeframe. At times, it was a challenge to know what time period it was showing. They did a lot of black and white shooting for the most recent timeframe (which was the Senate confirmation hearings for Lewis Strauss). This storytelling technique requires the audience to keep their attention on the screen, so that is not a bad thing.

The acting in Oppenheimer is absolutely top notch all around. Cillian Murphy has to be considered an early favorite to be nominated for best actor at the Oscars next year with his performance. He brought such a humanity and soulfulness to this man who could have been difficult to get to know. The expressiveness of each expression and his eyes was utterly fantastic.

Robert Downey Jr., who played Lewis Strauss, is another actor who should probably be in contention for a statue next year. Downey Jr. loses himself in this role and, before long, you do not see RDJ anymore, you see this manipulative politician out for a touch of revenge. Emily Blunt is a powerhouse as Kitty, Oppenheimer’s wife. She spends much of the film in the background, but when she gets the chance to step forward, man does she step forward.

I loved Matt Damon as General Groves too. He delivers one of my favorite lines of the movie that was also in the trailers when he asks about the chance of them destroying the world when they pushed the button to the bomb. “Near zero” was the response and Groves preferred the idea of “zero” instead.

The visuals of the film were breathtaking. I watched this in IMAX and I absolutely recommend that you watch this on as big of a screen as possible.

The score of this movie was amazing. It beautifully illustrated everything that was happening on the screen. The sound of every explosion or loud noise literally shook the seat that I was sitting in. I can’t imagine watching this in some kind of 4D version because I am sure that the moving seat would completely destroy you. Each second of the sound effects were worth it.

Unfortunately, as we have seen with some other Nolan films, much of the dialogue of the actors gets drowned out by the score or was muffled and difficult to understand. This is truly the one aspect of the film that is worth criticizing.

As I said, I have believed that Christopher Nolan has been overrated. This, however, is a brilliant movie with unbelievable filmmaking. I think this is probably Nolan’s greatest movie ever. While I personally prefer The Dark Knight, there is no denying that this is a one-of-a-kind movie with phenomenal acting, special effects off the chart, a complex and well-organized story and a score that does exactly what you want a score to do.

This is one of the best movies of the year.

5 stars

Barbenheimer

Today is July 21st, and it is officially Barbenheimer day!

The release of two of the summer’s biggest films, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer are released in theaters today (technically last night) and are going head to head. For some reason, the idea of watching a double feature of these two movies has gotten me way more excited about both of them.

Honestly, at the beginning of the summer, neither of these two movies were films that I highly anticipated. I would have watched them both, but neither were appointment level for me.

Then, they started talking about the whole ‘Barbenheimer’ idea. Setting these two movies up, such polar opposites, as a perfect double feature is genius.

I mean, there have been plenty of times when two major films released on the same day. Perhaps part of the feel is that there has not been anything thins big since the COVID era. This feels different than other co-releases.

If I owned a movie theater, I would be taking advantage of the promotion of the dual films. There would be Barbenheimer specials and discounts for those who bought tickets for both in the same day.

The internet memes are certainly on fire as well. All of this has made me so excited that I am writing an EYG Blog post about it.

I am starting out watching Oppenheimer in IMAX and then I will follow that up with Barbie in XD. Big screens for a big event.

I hope this is as much fun as I think it may be.

The Daily Zone: The Twilight Zone S5 E21

July 21, 2023-number 141

Spoilers

“Spur of the Moment”

The Twilight Zone is once again dealing with time.

“This is the face of terror. Anne Marie Henderson, 18 years of age, her young existence suddenly marred by a savage and wholly unanticipated pursuit by a strange, nightmarish figure of a woman in black, who has appeared as if from nowhere and now, at driving gallop, chases the terrified girl across the countryside, as if she means to ride her down and kill her, and then suddenly and inexplicably stops to watch in malignant silence as her prey takes flight. Miss Henderson has no idea whatever as to the motive for this pursuit. Worse, not the vaguest notion regarding the identity of her pursuer. Soon enough, she will be given the solution to this twofold mystery, but in a manner far beyond her present capacity to understand, a manner enigmatically bizarre in terms of time and space – which is to say, an answer from… the Twilight Zone”

The start of this episode was pretty strong. Admittedly, it would have been nice to have the mysterious woman look a little more mysterious as you can tell immediately that this is the same actress. Still, it is unclear what was going on in the scene.

Then, to have this turn into a confrontation between old and new loves…is a totally different feel. When her former fiancé, David, arrived at the door, you get the feeling of what was going to happen. She was going to marry Robert despite her love for her childhood sweetheart and she would ruin her life. We have seen this dozens of times in narratives, the denial of true love causing pain.

However, that is not what happened. We see Anne in the future (or is it the present?), depressed, angry, her father dead, her mother begging for help and married to a drunken David. We learn that Anne did indeed run off with her love David, leaving Robert at their engagement party, and this was led her down the path to unhappiness and angst.

The future Anne realized that the frightening confrontation she had with her younger self was nothing more than a desperate attempt to warn herself of her failure.

The Daily Zone: The Twilight Zone S5 E15-16, E18, E20

July 20, 2023- numbers 135, 136, 138, 140

Spoilers

I have weaved around the Amazon Prime listing and I am back on regular track for the correct listing of Twilight Zone episodes. However, this morning’s episodes are quite a run of mediocre offerings.

“The Long Morrow”

This is the best of the episodes that will be on this post. A new world version of “Romeo and Juliet” where you have the doomed couple that is fated for failure.

“It may be said with a degree of assurance that not everything that meets the eye is as it appears. Case in point, the scene you’re watching. This is not a hospital, not a morgue, not a mausoleum, not an undertaker’s parlor of the future. What it is is the belly of a spaceship. It is en route to another planetary system, an incredible distance from the Earth. This is the crux of our story – a flight into space. It is also the story of the things that might happen to human beings who take a step beyond, unable to anticipate everything that might await them out there.”

“Commander Douglas Stansfield, astronaut, a man about to embark on one of history’s longest journeys: forty years out into endless space and hopefully back again. This is the beginning, the first step towards man’s longest leap into the unknown. Science has solved the mechanical details and now it’s up to one human being to breathe life into blueprints and computers, to prove once and for all that man can live half a lifetime in the total void of outer space, forty years alone in the unknown. This is Earth. Ahead lies a planetary system. The vast region in between is the Twilight Zone.”

So the plan was to put Doug into suspended animation so when he returned to earth, he would be the same age, basically, that he was when he left, though the earth would be 40 years older. However, before his departure, he met his young colleague, Sandra Horn and they fell in love. They were sad that he was leaving and, when he would return, he would be in his 70s.

The couple made decisions as it was happening that were in direct opposition. Doug chose not to go into suspended animation and age regularly while Sandra chose to go into suspended animation on earth and not age at all until he would return.

Doug did not want to saddle this young beauty with an old man so he left her. Romantic and tragic all the same time.

“The Self-Improvement of Salvadore Ross”

Salvadore Ross is yet another protagonist in The Twilight Zone who are unlikable and just a bad guy. I’ve seen some review that have said that the audience can relate to him with his desire to improve himself. I never got that from him. I saw him as someone who just wanted something that he couldn’t have and would go to any extremes to do it no matter what the cost. I was very pleased with the end of the episode with Salvadore taking a bullet, even though it basically destroyed the life of the man who wound up shooting him.

“Confidential personnel file on Salvadore Ross. Personality: a volatile mixture of fury and frustration. Distinguishing physical characteristic: a badly broken hand, which will require emergency treatment at the nearest hospital. Ambition: shows great determination towards self-improvement. Estimate of potential success: a sure bet for a listing in Who’s Who in the Twilight Zone.”

Salvadore had some kind of supernatural ability to make deals that would do amazing things. He made a deal with an old man in the hospital to switch his cold with Sal’s broken hand. The old man agreed, not knowing that the deal would happen.

Salvadore then started making deals to make money, to make himself old, to regain his youth… all to the detriment of the people in which he was dealing. He was not doing it to improve himself, but in order to try and make his desired woman, Leah Maitland, fall for him.

He was played with quite a temper and I definitely got the vibe from him that he would be an abusive husband. He grabbed Leah by the arm and put his hand up around her chin several times in the episode during their arguments. I found most of the early scenes between Sal and Leah to be quite cringeworthy and uncomfortable.

He bought the compassion off of Leah’s father, which led to Leah’s father shooting and killing him so he would not marry Leah. While that is a happy ending for me, it would certainly lead to prison for her father and would lead to another person out of Leah’s life. Salvadore was so selfish and self-absorbed in this episode that he turned out to be one of the worst characters on the show.

“Black Leather Jackets”

Aliens preparing for an invasion of the earth, who speak to a giant eyeball on a computer screen? Oh, and these aliens are shown wearing black leather jackets, like those troublesome kinds of the time.

“Three strangers arrive in a small town; three men in black leather jackets in an empty, rented house. We’ll call them Steve, and Scott, and Fred, but their names are not important; their mission is, as three men on motorcycles lead us into the Twilight Zone.”

There is a whole bunch of silliness here. The whole black leather jacket/motorcycle thing is a stereotype. The love story that comes between alien Scott and neighbor girl Ellen is ridiculous and makes no sense. There was zero chemistry between the two of them and I did not believe their relationship even once.

Why was the leader shown only as a giant eyeball? We may never know.

There was a recognizable face here though. Duke of Hazzard’s Uncle Jesse/Grizzly Adams’s Mad Jack, Denver Pyle played Ellen’s father, who confronted the aliens early and got mind controlled after they bullied him. Ellen was also a known actress, Shelley Fabares, Christine on Coach.

“From Agnes-with Love”

You can always tell when there is going to be an attempt at a comedic episode of The Twilight Zone. You get the cartoonish background music, trying to use the music to help make episode funnier than it was.

Again, that is unable to help this one.

“James Elwood: master programmer. In charge of Mark 502-741, commonly known as Agnes, the world’s most advanced electronic computer. Machines are made by men for man’s benefit and progress, but when man ceases to control the products of his ingenuity and imagination he not only risks losing the benefit, but he takes a long and unpredictable step into… the Twilight Zone.”

The computer named Agnes wanted to help with James’s love life, giving him tips for women (tips by the way that were remarkably sexist or even a touch misogynistic), especially one woman in particular, Millie.

The computer responded to verbal questions with the large font print on what looked like paper. The entire set up was ridiculous.

Poor little nerdy James really had no chance. He clumsily poured champagne all over Millie on one date. She, for some reason, gave him another date, even after giving her roses, flowers in which she was allergic. James, unintentionally introduced Millie to another co-worker and they hit it off really well.

Turned out that Agnes was sabotaging James, as if he needed the help, because Agnes was jealous. I guess this led to a nervous breakdown for James.. who was just trying to get some work done. James’s boss was Mr. Drysdale from the Beverly Hillbillies.

I am not sure that the show has ever had a successful episode of comedic nature. At least this comedic episode did not try to get by on slapstick and the music changed as the episode moved on.

EYG Comic Cavalcade #42

July 19, 2023

Forty-two is the answer to the question, “What is the meaning of life, the universe, and everything?”.

It is one of the numbers from LOST (4, 8, 15,16, 23, 42)

It’s the retired number across all Major League Baseball in honor of Jackie Robinson.

And today, it is the 42nd edition of EYG Comic Cavalcade on NEW COMIC BOOK DAY (which also happens on National Hot Dog Day!)!

UPDATE: We are down to two missing independent comic issues #3: No/One #3 and Neighbors #3 (got Neighbors #4 today, which was missing last week). Blue Book #3 was in the books this week.

There were only five Knight Terrors books this week, continuing the 46-issue run in DC Comics with the villainous Insomnia causing terrifying nightmares for the DC Heroes and Villains. This week the five issues included: Knight Terrors: Wonder Woman #1, Knight Terrors: Superman #1, Knight Terrors: Nightwing #1, Knight Terrors: Catwoman #1, and Knight Terrors: Punchline #1. Wonder Woman, Superman and Nightwing were all really good. The Punchline one was a character I did not know at all, but it was still okay. I did not like the Catwoman issue at all. So far, the overall enjoyment of the Knight Terrors event has been good. I have enjoyed most all of the 17 books so far, with Catwoman being the sole flop for me. Next week should bring us to about the halfway point.

Then… what a shock! I could hardly believe it…

A Vicious Circle #2. Written by Mattson Tomlin and art by Lee Bermejo. I can’t believe it. This large scale book from Boom! Studios came out after issue #1 was released on December 14, 2022. Yes, I said 2022. There have been a couple of times when I was looking at my pull list and I came across the title A Vicious Circle and I had no idea what t was. As I was reading #2 today, I could not tell you much of anything about #1. What do I remember about #1? I remember the spectacular artwork that it featured and that part of it was in black and white. I should probably re-read it at some point. However, issue #2 was phenomenal. The art, once again, was breathtaking. The story was awesome with two characters, Sean (who I do remember from issue#1-though I remember nothing about him) and some other guy and these two are jumping across time. Some absolutely stunning visuals in the book and, while I may not necessarily say that it was worth the wait, I am absolutely happy that it is finally here and I hope I do not have to wait until 2024 for the next installment.

Something is Killing the Children #31.Showdown at the Easy Creek Corral: Part One.” Written by James Tynion IV and drawn by Werther Dell’edera. It has also been awhile since we have gotten a new SiKtC issue too (while nowhere near as long as A Vicious Circle). It is setting up a huge showdown between Erica Slaughter and Charlotte Cutter. It was good to see this one again.

Deadpool: Badder Blood #2. Script by Chad Bowers and story/pencils by Rob Liefeld. Deadpool finds himself in a weird situation, fighting… Shatterstorm?… and then Killville (which is not “a hallucinogenic-torture chamber/fun house where super people with a price on their heads are taken to die.”) Fun Deadpool action.

Blade #1. “Mother of Evil: Part One.” Written by Bryan Hill and featuring art by Elena Casagrande. The Daywalker is back in his own series finding himself stuck in several plots that are meant to help save the world. And he’s not happy about it. Some fantastic artwork in this new issue with some wonderful full splash pages that jump off from the book.

Spider-Gwen: Shadow Clones #5. Written by Emily Kim and penciled by Kei Zama with Geoffo. This short series came to a close with all of the Spider-Gwen clones coming together to help. Fact is this issue did not keep my attention. I am not a fan of clone stories and this one is one that I am glad is over. I did not hate the issues leading up to this one, but I just did not find it engaging today.

New Mutants: Lethal Legion #5. “Vampire Heist II.” Written by Charlie Jane Anders and penciled by Enid Balám. Here was another short story where this finale did not grasp my attention much. I have struggled with knowing who these character were the entire series and this continued. I did kind of like their giant dragon that they took to Krakoa. Otherwise, this was a meh.

All Eight Eyes #4. Written by Steve Foxe and featuring art by Piotr Kowalski. However, this Dark Horse short series brought it to the finale. No ‘meh’s or lack of attention in this one. This had some great artwork, some visceral imagery and a very cool wrap-up to the story of Reynolds. Great conclusion.

Guardians of the Galaxy #4. “The Star-Sheriff.” The Star-Sheriff is Rocket and we find out where he has been and what he is trying to do to replace his connection with Groot (who has become the Grootfall). Looks like Rocket is reunited with the Guardians and they are teaming back up to help their wayward friend.

Big Game #1. Written by Mark Millar and drawn by Pepe Larraz. The Mark Millar Universe of characters all come together for a five-issue series that is pretty fun. I did struggle with who some of these characters are, but I did know the Ambassadors and Kick Ass. This is an interesting beginning.

Black Panther #2. “Reign at Dusk Part 2.” Written by Eve L. Ewing and penciled by Chris Allen. Issue two of this new Black Panther series was a struggle to get through as well. There are a lot of characters that I am not sure about and not quite enough T’Challa. Still, I expect this to pick up as we go.

Blue Book #3. Written by James Tynion IV and art by Michael Avon Geming. This series has been weird to read. I read it in the following order: issue #1, issue #4, issue #5, issue #2, and then issue #3. It was all connected to the story of Barney and Betty and so the differing order messed things up a bit. Still, the individual issues were engaging and I do like UFO stories.

Secret Invasion E5

SPOILERS

“Harvest”

The penultimate episode of Secret Invasion dropped on Disney + this morning. It did feel that this was an episode that was meant to set up the finale. Not that it is a bad episode, but it did feel that it did not have a ton of events happen.

Last week, I complained that there was no Olivia Colman in episode 4 so my favorite thing this week was the return of Sonia Falsworth.

She is simply my favorite part of this series and I would absolutely watch a series with her as the main protagonist. She is so charming and witty and yet as brutal and matter-of-fact as any character we have seen. She is completely believable as an MI6 agent and her moments with Samuel L. Jackson have been wonderful. I am pleased that she made her way into this episode more prominently than she had been up to this point.

I have also found Priscilla to be a great addition to this story. There is so much background that can be mined between Fury and Priscilla that it feels as the little bit that we have gotten here is gold. I want more of that as well.

Emilia Clarke feels underwritten and I have not had a ton of connection with this character. I wanted more form her with the death of Talos, but she seems very emotionally distant, even in situations where she should feel something. The scene with G’iah and Priscilla gunning down the Skrull house invaders was bad ass though. Emilia Clarks feels like she should be someone that is dominating every moment she is on screen and she just hasn’t. That is not her fault because it does feel as if she is doing what she can, but there just has not been enough with her to justify my emotional connection.

I liked the scene with Fury and ‘Rhodey’ at the hospital, even though there seemed to be a few holes in the logic. Sam Jackson and Don Cheadle are always welcome together on my screen.

There seems as if there is a lot of things happening and with next week’s finale coming, I hope they are able to wrap everything up effectively.

The Daily Zone: The Twilight Zone S5 E17

July 19, 2023

Spoilers

This is another episode out of official order on Prime. I will continue to do the write-up according to Prime’s listing, but include the actual order/numbers.

“Number 12 Looks Just Like You”

Another mysterious and dark future is shown to us in The Twilight Zone where a dystopian future has every young person at the age of 19 is transformed into a beautiful body of their choosing, surgically. There are only a handful of choices to be made and everyone looks alike.

“Given the chance, what young girl wouldn’t happily exchange a plain face for a lovely one? What girl could refuse the opportunity to be beautiful? For want of a better estimate, let’s call it the year 2000. At any rate, imagine a time in the future where science has developed the means of giving everyone the face and body he dreams of. It may not happen tomorrow, but it happens now, in The Twilight Zone.”

The episode reminded me of Pixar’s The Incredibles. In that movie, Syndrome, the villain, wanted to give weaponry to the world because he had a hatred of the super people and he believed that “… when everyone is super… no one will be.” The same idea is going on in this episode, except instead of ‘supers,’ it is beautiful people. In fact, the quote “when everyone is beautiful, then no one will be” is used a couple of times in the episode.

The episode implies that the surgery is not voluntary, and that there is someone behind the scenes that is pushing for this conformation for all. As Marilyn had chosen not to undergo the transformation, but she is taken to the hospital and basically forced into having the surgery.

The three actors: Richard Long, Pam Austin, and Suzy Parker played all of the different roles to show how everyone in this world looked alike. Richard Long, in particular, took on all the male roles in the hospital, from doctors to orderlies to Marilyn’s father and uncle. Collin Wilcox gives a strong performance as the young girl who did not want to join the collective and become just another beautiful person. The ending of the episode is quite tragic and dark.

This is an episode that does a decent job of world building, but does not feel as if it were complete. I think this is one that could have been a successful episode in season four when there were more time for the story.

The Daily Zone: The Twilight Zone S5 E12-14

July 18, 2023- numbers 132, 133, 134

“Ninety Years Without Slumbering”

More grandfather clock shenanigans on The Twilight Zone.

“Each man measures his time; some with hope, some with joy, some with fear. But Sam Forstmann measures his allotted time by a grandfather’s clock, a unique mechanism whose pendulum swings between life and death, a very special clock that keeps a special kind of time—in the Twilight Zone.”

Sam was a grandfather living with his granddaughter and he believed that as soon as the grandfather clock stopped running, he would die. So he was obsessively rewinding it, making sure that it never stopped. His granddaughter and her husband were getting concerned that grandpa had lost his mind.

There was a whole psychiatrist thing happen, but grandpa wound up selling the clock to a neighbor so he could keep taking care of it. However, the neighbors left town for the weekend and the clock was going to stop ticking. Grandpa tried to break in but he got caught by the cops.

So Grandpa had accepted his fate, that he was getting ready to die. He spirit left his body and then… he told his spirit that he wasn’t going to die. He just said, nope… not dying tonight.

This was such a silly end to an episode that could have had some real anxiety to it, but never did. Just a waste of an episode. Ed Wynn is a likable actor though and he did a good job with his performance, but the writing was just not up to par.

“Ring-a-Ding Girl”

I have complained a few times during the Daily Zone that The Twilight Zone had plenty of episodes that had a pretty solid set-up, a very good premise, but the ending just did not pay it off properly. Well, this is the first time that I can remember from the series that the episode was dull and not working for me, until the ending, which was absolutely fantastic and pulled the episode off the heap.

“Introduction to Bunny Blake. Occupation: film actress. Residence: Hollywood, California, or anywhere in the world that cameras happen to be grinding. Bunny Blake is a public figure; what she wears, eats, thinks, says is news. But underneath the glamour, the makeup, the publicity, the buildup, the costuming, is a flesh-and-blood person, a beautiful girl about to take a long and bizarre journey into The Twilight Zone.”

Bunny Blake received this mood ring from her sister that she hadn’t seen in years and, though she was expected to be in Rome to film her next movie, she decided to stop off in her hometown and see her sister. Bunny was seeing images in the ring of people she knew from the town and they kept asking for Bunny’s help.

Bunny was intended to be shown as a stuck-up, vain actress that would look down on the common world. However, Maggie McNamara, the actress playing Bunny, was so charming and relatable, I never once held any of that against her. You could feel that there was something going on with her, but I had no idea what it was. And that is what would eventually make this episode better than expected.

Bunny was definitely trying to get the town to not go to the park for the annual founder’s day picnic. None of it made sense… until it did.

We find out that Bunny was actually on a plane that would crash into the park, killing all the people who attended. But since Bunny had worked to get the people elsewhere, she saved most of the townspeople. We then learn that Bunny was truly on the plane and had died in the crash, and that the Bunny who was here visiting her sister and fixing it so the town would not be at the park was just a spirit.

“We are all travelers. The trip starts in a place called birth, and ends in that lonely town called death. And that’s the end of the journey, unless you happen to exist for a few hours, like Bunny Blake, in the misty regions of the Twilight Zone.”

As I was watching this episode, I was thinking that it was going to be a very low 3 or perhaps a high 2 for the rating, but then the ending happened and I found myself elevating the episode all the way up to …

That shows how a successful twist at the end of the show can improve what they had seen. It made everything make more sense and put a real emotional touch on the episode.

“You Drive”

I hated Oliver Pope immediately.

There have been a bunch of characters that have appeared on The Twilight Zone over the previous 133 episodes that I disliked. There were even a few that I hated, but Oliver Pope is right near the top of that list.

“Portrait of a nervous man: Oliver Pope by name, office manager by profession. A man beset by life’s problems: his job, his salary, the competition to get ahead. Obviously, Mr. Pope’s mind is not on his driving.”

When the narration finished, Oliver hit a kid on a bicycle with his car and then drove off. Rod Serling continued his narration:

“Oliver Pope, businessman-turned-killer, on a rain-soaked street in the early evening of just another day during just another drive home from the office. The victim, a kid on a bicycle, lying injured, near death. But Mr. Pope hasn’t time for the victim, his only concern is for himself. Oliver Pope, hit-and-run driver, just arrived at a crossroad in his life, and he’s chosen the wrong turn. The hit occurred in the world he knows, but the run will lead him straight into—the Twilight Zone.”

Oliver went home, filled with guilt, but not filled enough to do anything about it. He was more concerned with his job and a guy who he believed was trying to get his job. And when that guy got arrested as a suspect in the hit-and-run, Oliver celebrated the fact that he did not have to worry about his job any more.

The episode started with some good creepiness as the car in his garage was making noises. Unfortunately, the rest of the episode got really silly, as the car would honk its horn, drive itself back from the shop, and chase Oliver down the road.

There was a moment when it looked like the car was going to run over Oliver’s head, but it stopped short of that. Instead, it drove Oliver to the police station where he, apparently, confessed to the hit-and-run that had killed the boy.

I don’t know if this episode inspired Stephen King to write Christine, but it did not inspire me to do anything but want a more satisfying punishment for Oliver.

EYG Comic Cavalcade #41

July 17. 2023

I was able to finish up that large group of comics that I got at last week’s NEW COMIC BOOK DAY. It was the largest week of new books that I can ever remember getting.

Kicking off with…

Killadelphia Vol. 5 There’s No Place Like Home. The trade paperback that reprinted Killadelphia issues 26-30 was full of shocking moments. The battle between the dark and light forces in Philadelphia claimed a huge amount of victims from out regular cast. I did not expect to lose everybody among the group of Detective Sangster, John Adams, Abigail Adams, George Washington, Jupiter, Toppy and Brittany was harsh. And then, to end the book with the arrival of Spawn…. Spawn? I thought issue #30 was the final of the Killadelphia series, but obviously there is going to be more with the guest star Spawn involved. Not sure how I feel about that.

Joe Fixit #5. Written by Peter David and with art by Yildiray Çınar. The cover art was by Cully Hamner & Jordie Bellaire. I discovered that this issue was missing from my collection. Perhaps it was among the exploding books from a couple of months ago, but I ordered a copy off eBay and it came today. I enjoyed this series quite a bit, mainly because of the inclusion of Spider-Man. This wrapped up with Spidey and Joe taking a trip to a Penn & Teller show.

Deep Cuts #3. “K.C. Blues.” Written by Kyle Higgins & Joe Clark with art by Diego Greco. The tales about the blues continue in Deep Cuts as we see a man who was at one point an amazing bassist, who now had to struggle to get by with a family of his own.

Superman: Lost #5. “The Republic.” Written by Priest and penciled by Carla Pagulayan. Lee Weeks with Elizabeth Breitweiser did the cover art. I’m not sure how I feel about how this series is seemingly taking the character of Clark Kent. This Green Lantern named Hope is not exactly what I feel works in this book. We’ll see where it goes from here.

Star Signs #3. Written by Saladin Ahmed and art by Megan Levens. The people with the powers from the missing constellations continue to show up and seem to be drawing sides. Mister Duke was revealed to be the Ares character with a bunch of power behind him.

Red Goblin #6. Written by Alex Paknadel and art by Jan Bazaldua. One of Normie’s friends has been taken by the new Goblin Knight, as ordered by the Goblin King, who seems to be having some physical trouble. Then, Normie and Rascal have been having their own issues since the whole Carnage thing.

X-Men: Days of Future Past Doomsday #1. Written by Marc Guggenheim and penciled by Manuel Garcia. Geoff Shaw and Edgar Delgado were the artists on the cover. This is a prequel to the classic X-Men story from the 1980s and expanded it into more of the Marvel Universe. There were some sad moments, even though I knew that this was all just a possible future. It was a decent read.

Warlock: Rebirth #4. “Soul Mates.” Written by Ron Marz and penciled by Ron Lim. This kicked off with a fun little scene between Spider-Man and Daredevil sharing a Turkey and cheese sub. Now, this scene had zero to do with the overall story, but I always love Spidey. The rest of the book was fine.

Rogue & Gambit #5. “Power Broke.” Written by Stephanie Phillips and drawn by Carlos Gomez. Steve Morris did the art on the cover. The final battle with Power Broker and his mind controlling remote control. Things do not go well for Power Broker. However, Rogue does something at the end of the book to make me question her decision making skills.

The Daily Zone: The Twilight Zone S5 E10-11

July 17, 2023- number 130,131

Spoilers

“The 7th is Made Up of Phantoms”

June 25, 1876 is a dark day in the history of the US Military. June 25, 1964 was a dark day in the history of The Twilight Zone.

The episode took the story of Custer’s Last Stand and had three soldiers from the show and had them tracing the path of the past, only to get stuck in it.

“June twenty-fifth 1964—or, if you prefer, June twenty-fifth 1876. The cast of characters in order of their appearance: a patrol of General Custer’s cavalry and a patrol of National Guardsmen on a maneuver. Past and present are about to collide head-on, as they are wont to do in a very special bivouac area known as….the Twilight Zone.”

It was weird because we started with three military officers from the Old West and I thought we were getting another of the Western themed episodes of The Twilight Zone. A few moments later, there was a tank and that threw a monkey wrench into the plans.

This episode gave me more specifics about the lead up to the slaughter of Custer and his men, which was fairly interesting, but the episode did not engage me in much else. It was an intriguing premise, but the overall execution of the episode felt pretty lacking.

“A Short Drink from a Certain Fountain”

A new version of Dr. Jekyll and Mr. Hyde, the idea how scientists will test their formulas on themselves… although this is a scientist testing his formula on his brother.

“Picture of an aging man who leads his life, as Thoreau said, ‘in quiet desperation.’ Because Harmon Gordon is enslaved by a love affair with a wife forty years his junior. Because of this, he runs when he should walk. He surrenders when simple pride dictates a stand. He pines away for the lost morning of his life when he should be enjoying the evening. In short, Mr. Harmon Gordon seeks a fountain of youth, and who’s to say he won’t find it? This happens to be the Twilight Zone.”

So, Harmon basically talks his brother into testing his formula on him because he wanted to be young again so he could keep up with the love of his life, his young wife Flora. Flora, btw, is one of those horrible characters from the Twilight Zone that you just hate.

Of course, it is also a Fountain of Youth trope and it turns out much like you would expect.

The relationship between Harmon and Flora was inconsistent and unlikable. There was no reason I believed that Harmon was in love with this rotten woman and I believe even less that she wouldn’t just walk out the door and return with a lawyer when the doctor threatened to have all of his brother’s money and the gifts that he gave her away from her if she did not take care of her newly ‘childish’ husband.

This one was not one of the better episodes of the show. Not much to benefit for the story.

Jury Duty

Jury Duty is an 8-episode mockumentary series on Amazon Prime that I had no idea about until just recently.

On the YouTube program For Your Consideration, one of the hosts, Jeff Sneider, mentioned Jury Duty as they were discussing potential Emmy nominations, Sneider had said very few had watched the show but everyone that did were raving over it.

Then, there were literally four Emmy nominations for the show including Outstanding Comedy Series, Supporting Actor (James Marsden), Casting and Writing.

Finally, I saw a Thread from Kristian Harloff talking about how he had been recommended the series by Roxy Striar and that he found it incredibly funny. That made me even more intrigued and I became interested in seeing exactly what this show was about.

It was hilarious!

It was filmed in documentary style. The show was going to look at the process of the American Justice System through the eyes of a jury. The only thing was that everyone involved was an actor… except for one person.

One juror was a real person, who thought he was involved in a real documentary, but was actually being filmed for this TV show.

His name was Ronald Gladden and, unbeknownst to him, he had just become the star of this TV program. James Marsden played a fictionalized version of himself and acted like he was just an obnoxious Hollywood star. The rest of the jury pool was filled out with actors who had bizarre characters that you would think would tip Ronald off that something weird was going on.

And it did. He felt like real life was just out there.

He said that he felt like he was in a reality show a couple of times, which was really funny considering he sort of was. He took every bizarre circumstance so well and with such patience that you had to love this person.

The cast and crew had everything planned out and scripted, but there was an air of improvisation too since you were never sure what Ronald would do or how he may react to the oddness around him. If he would have done one thing, it would have affected what they had planned. It was also impressive that the cast did not crack up during the filming and that they did such an outstanding job of staying in character.

About into episode five or six, I was really hoping to see the reaction of Ronald when it was revealed that this whole trial and sequestering of the jury was scripted. Thankfully, the final episode of the season was a reveal episode, showing Ronald the truth, showed him how things were done and who these people that he had gotten to know over the previous three weeks, actually were.

The “casting” of Ronald was a huge success for this show as if he was not such an awesome and sweet guy, this show would have broken him. Instead, he stepped up in a situation that he thought was real, but was insane and handled everything beautifully.

Jury Duty absolutely deserved the Emmy nominations that it received and I am happy that I was able to watch the series. Jury Duty featured eight episodes that were about a half hour long making this an easy binge watch.

The Daily Zone: The Twilight Zone S5 E9 & E19

July 16, 2023- number 129, 139

Spoilers

Once again, Amazon Prime’s listing of season five is not in the accepted order for The Twilight Zone. On my source pages, “The Night Call” was S5 x E19, but Amazon Prime had it following the last episode, “Uncle Simon,” which is S5 x E8. Since that is the order I have on Amazon, I will be watching it in that order, but labeling it on the posts as the episode number the sources have it at.

With some investigation, I found out this fact on Wikipedia, “ ‘Probe 7, Over and Out’ was intended to air a week after the premiere of ‘Night Call,’ which was scheduled for Friday, November 22, 1963— the previous episode, ‘Uncle Simon,’ having aired a week earlier on November 15. Hours before ‘Night Call’ was to air though, President John F. Kennedy was assassinated in Dallas, Texas. Thus it was rescheduled, as were all of the other network shows. As a result, ‘Probe 7, Over and Out’ immediately follows ‘Uncle Simon’ in original broadcast order. ‘Night Call’ was eventually broadcast on February 7, 1964.”

“Probe 7, Over and Out”

I was missing the fig leaf.

This whole episode felt familiar, and it is not because it became an origin story for Adam and Eve. It was because there were plenty of pieces from the episode that we had already seen on previous episodes of the series.

“One Colonel Cook, a traveler in space. He’s landed on a remote planet several million miles from his point of departure. He can make an inventory of his plight by just one 360-degree movement of head and eyes. Colonel Cook has been set adrift in an ocean of space in a metal lifeboat that has been scorched and destroyed and will never fly again. He survived the crash but his ordeal is yet to begin. Now he must give battle to loneliness. Now Colonel Cook must meet the unknown. It’s a small planet set deep in space, but for Colonel Cook, it’s the Twilight Zone.”

However, it turned out to be earth, early in its existence. We saw that already a couple of times. Colonel Cook revealed his first name to be Adam, and the woman he meets, in her own weird language, reveals herself to be named Norda… Eve Norda. They went off together at the end of the episode toward a more area with more green, flora, fruit trees… almost as if it were a garden.

Sadly, Cook’s original planet was being destroyed by a nuclear war as he is told by a transmission from a General on his planet. The Twilight Zone certainly used its stories to speak out against the dangers of nuclear weapons.

I didn’t hate the Adam and Eve twist reveal, but it sure came out of nowhere and most of this episode felt like a retread of past episodes such as “Two,” “The Lonely,” and “People Are Alike All Over,” and “I Shot an Arrow into the Air.”

“Night Call”

This one was really creepy. I loved it.

“Miss Elva Keene lives alone on the outskirts of London Flats, a tiny rural community in Maine. Up until now, the pattern of Miss Keene’s existence has been that of lying in her bed or sitting in her wheelchair, reading books, listening to a radio, eating, napping, taking medication—and waiting for something different to happen. Miss Keene doesn’t know it yet, but her period of waiting has just ended, for something different is about to happen to her, has in fact already begun to happen, via two most unaccountable telephone calls in the middle of a stormy night, telephone calls routed directly through—the Twilight Zone.”

A phone call in the middle of the night. At first, no sound. Eventually, a voice that is repeating the word, ‘Hello’ over and again.

The scene where Miss Keene received the call with the repeating ‘Hello’ on it was truly as frightening as this series has been. There was a real creepy factor to it.

Gladys Cooper played Miss Keene and does an amazing job conveying the fear and the confusion of the lonely old lady, confined to a wheelchair and spending each day just going through the motions. The fact that the phone company and her own housekeeper were little help in calming her down was even worse (though a horror trope for certain).

I also loved the twist of how the call was being made from a local cemetery and how the phone company just said that there was a phone wire down and Miss Keene could not be receiving any calls, even though we all knew that she was.

Taking a trip to the cemetery and discovering that the downed phone line was across the grave of her former fiancé, Brian Douglas, and that Miss Keene herself was responsible for his death, in the same accident where she was paralyzed. I loved this end.

I kept thinking to myself as the episode went on that this one was really nailing it, but it needed something at the end to bring it all home. There have been Twilight Zone episodes that have been great with the premise and the set up, but failed to deliver on the finale. I am happy to say that this one was not the case.

In fact, it may have been even more sad because Miss Keene had told the voice to leave her alone and when she found out who it was, she realized that he always did what she had said. This meant that she would no longer be able to talk to him and she would continue to be as lonely as she has been. A very ironic end to a very creepy and satisfying episode.

The Miracle Club

As I was going to the theater at Cinemark, the ticket-taker asked me what the premise of this movie was about. I told her that I had no idea. She laughed and said the last guy who went through said the same thing.

The fact of the matter was that I have never seen a trailer or had zero idea what this movie was about, but I came mainly because I like Maggie Smith and Kathy Bates as actors.

A group of women in Dublin were trying to win tickets to go to the Grotto of Massabiele in Lourdes. The women, Lily (Maggie Smith), Eileen (Kathy Bates) and Dolly (Agnes O’Casey), wanted to go to Lourdes for a miracle (each of them had their own plans).

One of their friends died and her daughter Chrissie (Laura Linney) came back for the funeral after being away and estranged for 40 years. Lily and Eileen had their own issues with Chrissie, making the entire situation very awkward.

All three women, along with Chrissie, received tickets to Lourdes and they went to visit the Grotto as well as deal with old wounds and trauma from years before.

The strength of the film is easily the cast. Maggie Smith, Kathy Bates, Laura Linney are masters on the screen and Agnes O’Casey steps right up with these three legends. Stephen Rhea and Mark O’Halloran added some strong supporting performances as well.

There were a lot of plotlines involved in the main characters that were addressed with the trip. It felt like one of those movies that had plenty of stories in the film that you knew would get werapped up during the runtime.

However, it did feel like a lot of what the main stories were based upon did not work. It did not feel as if I understood the main relationships for much of the film and I did not understand why there was such anger directed toward Laura Linney’s character by the others. Then, sadly, when they dealt with this, a good chunk of what happened or the reasons behind it felt left out.

There were also some moments that were left unresolved or some moments that became resolved that did not feel as if it earned that resolution.

It was entertaining enough, again thanks to the wonderful cast, but the movie is nothing much more than a Lifetime movie that hopes to pull on your heartstrings.

3.2 stars

The Daily Zone: The Twilight Zone S5 E7-8

July 15, 2023-numbers 127,128

Spoilers

“The Old Man in the Cave”

We are back to the futuristic apocalyptic world of The Twilight Zone. Oddly enough, they once again call this 1974, ten years after the official release of the episode. Not sure why they believe that 1974 is the year for all of these events, but it is fine for me.

“What you’re looking at is a legacy that man left to himself. A decade previous he pushed his buttons and a nightmarish moment later woke up to find that he had set the clock back a thousand years. His engines, his medicines, his science were buried in a mass tomb, covered over by the biggest gravedigger of them all—a bomb. And this is the earth 10 years later, a fragment of what was once a whole, a remnant of what was once a race. The year is 1974 and this is The Twilight Zone.”

A small group of military men, led by James Coburn’s Major French arrived in a small town where the population followed the instructions of an unseen old man who lived in a cave and only communicated with a man named Goldsmith, played by John Anderson.

This is very much of a parable for the belief in religion and faith in something that you could not see. The Old Man in the Cave supposedly gave the settlers information that has helped them keep alive since the nuclear war back in 1964. Goldsmith was determined that they would follow every proclamation from the Old Man. Major French arrived as the skeptic and began throwing everything back in Goldsmith’s face.

When it was revealed that the Old Man was nothing more than a computer, the faith of all of the settlers was broken and they were happy to have followed Major French’s ‘do-whatever-you-want’ attitude. Of course, it led to them all dying, except for Goldsmith, whose faith was unaltered.

I was not a big fan of the end of this episode. It felt pretty heavy-handed and it could have done without the monologue at the end.

“Uncle Simon”

Hey, is that Robby the Robot?

Danger, Uncle Simon, Danger!

This one is a mean-spirited episode with a fairly lack of a solid story.

“Dramatis personae: Mr. Simon Polk, a gentleman who has lived out his life in a gleeful rage; and the young lady who’s just beat the hasty retreat is Mr. Polk’s niece, Barbara. She has lived her life as if during each ensuing hour she had a dentist appointment. There is yet a third member of the company soon to be seen. He now resides in the laboratory and he is the kind of character to be found only in the Twilight Zone.”

Poor Barbara. She is tormented for 25 years by this rotten old man, and then gets taunted and tormented by Robby the Robot for the foreseeable future, demanding hot chocolate.

I was behind Barbara so much that her pushing the robot down the stairs, or letting her Uncle Simon lay at the foot of the stairs with a broken back until he died seemed reasonable behavior to me.

I’m not sure if we were supposed to feel for Uncle Simon, because I did not. I am not sure if we were supposed to think Barbara was a cold-hearted, money-grubbing woman, because I felt that there was a reasonable reason for that behavior. I’m not sure why poor Barbara was made to suffer as much as she did in this episode.

This one was not one of my favorite episodes. I did not understand the meaning behind the episode or the theme that The Twilight Zone almost always has.

The Daily Zone: The Twilight Zone S5 E4-6

July 14, 2023- number 124, 125, 126

Spoilers

“A Kind of Stopwatch”

Another episode of The Twilight Zone that features time and ways to manipulate it is the fourth episode of season five.

“Submitted for your approval or at least your analysis: one Patrick Thomas McNulty, who, at age forty-one, is the biggest bore on Earth. He holds a ten-year record for the most meaningless words spewed out during a coffee break. And it’s very likely that, as of this moment, he would have gone through life in precisely this manner, a dull, argumentative bigmouth who sets back the art of conversation a thousand years. I say he very likely would have except for something that will soon happen to him, something that will considerably alter his existence—and ours. Now you think about that now, because this is The Twilight Zone.”

This is another protagonist that is not easy to root for because he is completely irritating and annoying. There have been several of those over the first four seasons + and it always hurts the episode when the main character is not very likable. Even when they are learning a lesson, there has to be some component that the audience wants to see him receive a redemption. McNulty does not seem that type.

I do like the twist at the end that causes McNulty to have everyone on earth frozen in time, leaving him alone and isolated even though everyone is right there. Though the ending works, everything that led up to the twist did not work nearly as well.

“The Last Night of a Jockey”

This episode of The Twilight Zone was a one-man-show with the one and only Mickey Rooney. Rooney’s performance was one of the highlights of the show, but there is not too much else afterwards.

The name is Grady, five feet short in stockings and boots, a slightly distorted offshoot of a good breed of humans who race horses. He happens to be one of the rotten apples, bruised and yellowed by dealing in dirt, a short man with a short memory who’s forgotten that he’s worked for the sport of kings and helped turn it into a cesspool, used and misused by the two-legged animals who’ve hung around sporting events since the days of the Coliseum. So this is Grady, on his last night as a jockey. Behind him are Hialeah, Hollywood Park and Saratoga. Rounding the far turn and coming up fast on the rail—is the Twilight Zone.”

Mickey Rooney is the only character that we meet in this episode and he carries everything through his dialogue and the physical imagery when the sets keep getting smaller to show that Rooney had become bigger… something that the voice in his head apparently has the ability to make happen.

We have seen reflections in mirrors before during this series, including in “The Mirror” and in “Nervous Man in a four Dollar Room.” Grady’s alter ego spewed negatives and insults back at him, making the jockey scream in anger and frustration. Then there is an ironic ending that messes up Grady’s life all the worse.

This one was not a favorite, though Mickey Rooney was a strong actor for the role.

“Living Doll”

Now this is more like it.

Telly Savalas starred in one of the classic episodes of The Twilight Zone as Talky Tina, the talking doll, brings forth glorious vengeance upon bad parents.

The horror trope of the evil living doll has been covered a ton of times from The twilight Zone episode “The Dummy” from season three to the Chucky franchise of movies and TV or MEGAN from a movie earlier this year. When done well, the creepy doll can be very effective, and this episode is one of the best of the series.

“Talky Tina, a doll that does everything, a lifelike creation of plastic and springs and painted smile. To Erich Streator, she is the most unwelcome addition to his household—but without her, he’d never enter the Twilight Zone.”

Telly Savalas played Erich Streator, the step-father to a little girl named Christina, whose mother Annabelle (interesting, another well known killer doll. I wonder if the movie Annabelle took her name from this character?) had purchased Talky Tina for her.

This was a triggering topic since apparently there is some kind of problem where Erich and Annabelle were unable to conceive their own child. Though nothing specific was mentioned for this, there was enough hints dropped to understand the issue.

Savalas does an amazing job as the nutcase husband who does some truly cruel things and says some really inappropriate words to both Annabelle and to Christina. When he specifically yells at Christina that he was not her father, I gasped. I understood why Talky Tina took an immediate dislike to Erich. I was also happy to see Talky Tina get the last word on this situation after Erich had done so much to try and destroy the doll. I did not see Talky Tina as an evil force as I see Chucky or MEGAN or other forms of killer dolls. I see Talky Tina as a protector. Sure, that is how MEGAN started off too, so maybe Talky Tina would have gone crazy eventually as well.

There is, of course, an argument that could be made that Talky Tina was all Erich’s own mind and guilt over his inability to have children with Annabelle that led to this delusion of a talking doll. Sure, Talky Tina does imply a threat to Annabelle after she has killed Erich by having him trip and fall down the stairs, but that was done as a cool tag for the episode. I think the whole mental illness issue is in play for the backdrop of this episode.

Telly Savalas was excellent in this episode. I think he would have to be in consideration for best performance of the series for this role.