Here is the next Netflix movie that was originally released in October, but just arrived on the streaming service this weekend. 2020/2021 have been the bizarrest of years when dealing with movies.
I am not sure where to classify this when it comes to the year end stuff. Of course, in December, will I remember this one at all?
Vacationing married couple Christine (Maggie Q) and Neil (Luke Hemsworth) are on a beautiful tropical island of the coast of Thailand. Neil is a photographer who is doing a photo study on the natives. However, both husband and wife wake up one morning with no memory of the night prior. Finding a mysterious video on his phone, they discovered that Neil and Christine had sex and he then broke her neck and buried her.
Of course, she was apparently fine at the time they woke up in their room. The mysterious events were emphasized by physical issues for Christine that sent the pair on an investigation of what exactly had happened to them.
There was a great set up for this film. The mystery of what exactly happened when Neil apparently killed Christine was a great premise. Unfortunately, it was not as strong moving forward as it was in the first part of the film. I still found myself engaged in much of the film though it felt as if the third act really became continually confusing and convoluted.
Maggie Q was definitely the best part of the movie as the desperate Christine. Her performance was hectic and chaotic as Christine searched for answers against the backdrop of paranoia that the entire island was out to get her. I enjoyed the chemistry between Maggie Q and Luke Hemsworth too.
There are too many horror clichés in a film that had such an intriguing premise. There are good moments here as well, but the movie certainly could have been more than what it turned out to be.
It is hard to explain exactly what PG: Psycho Goreman is. It plays totally against the expectations of the viewers and embraces some of the worst characteristics of the human condition, and yet it does so with a remarkable energy and a biting humor that makes this one of the most entertaining films you are going to see.
Mimi (Nita-Josee Hanna) and her older brother Luke (Owen Myre) were playing “Crazy ball” in their backyard, a game with rules that only they understand. Mimi is anything but kind hearted. In fact, an argument could be made that she is a horrendous brat with the worst attitude you will see in a film this year. She wins the game and so Luke has to dig his own grave (exactly how much of that was a joke is never truly mentioned). As he is digging, he uncovers a gem and Mimi takes it. Unbeknownst to them, they had opened a portal allowing an ancient evil demon (Matthew Ninaber), who had been banished by forces of heaven after a failed attempt to destroy the universe. However, the demon needed the gem back to fully gain his powers, and the gem gave Mimi the power to control him. So Mimi basically set him up as her family pet and used his power for her own desires.
You may believe that you will know where this is headed, but you would be wrong. This is as funny of a film as I have seen in awhile and it embraces the rottenness of the characters. Lessons are not learned. Behaviors are not altered. It is just fantastic.
The effects are done on the cheap side. Honestly, this feels like a cheaper version of the old Mighty Morphin’ Power Rangers meets the Evil Dead. The effects are mostly (if not totally) practical and the budget clearly only allowed for so much. However, this played perfectly into the kind of movie that Psycho Goreman is and worked. In fact, had there been CGI involved, it feels as if the film would have suffered. The film is also very violent and filled with blood, but it felt very non-real. A lot of red liquid that is tossed around and B-movie creatures and their gross deaths.
These are not the typical characters you see in these movies. These characters feel as if they should all be the villains in the films. There are so few characters that you would normally root for that it adjusts your perception of the film. Yet you find yourself hoping for them to make it through.
Without the recommendation of the Critically Acclaimed podcast (with William Bibbiani and Witney Seibold), I never would have watched this film. So I owe them a thanks. The quirkiness and overall weirdness of PG: Psycho Goreman is a winning combination and I laughed more than I have in a while.
After anxiously watching the new trailer today for the upcoming Godzilla vs. Kong film from Legendary Pictures, I had a desire to se a monster movie. Yet, I could not find one that truly interested me. Then, I discovered something on Vudu that I had not expected.
A 2002 version of Godzilla Against MechaGodzilla.
I remembered watching a version of this when I was a kid and would go to the Sunday afternoon matinee at the local theater which would be playing old Godzilla movies. I loved that so much. I was nowhere near a kid in 2002 though so I did not know what this film was.
The film was a Japanese kaiju film directed by Masaaki Tezuka and it was treated as a direct sequel to the original 1954 Godzilla film. In fact, the human characters in the film used the skeleton of the original Godzilla from that film to create their mechanized robot in response to the return of the King of Monsters. In a battle with the new Godzilla, maser-cannon technician Lieutenant Akane Yashiro (Yumiko Shaku) failed to stop the rampaging Godzilla, leading to the death of several of her squad. Her failure was able to help spur her on in the battle with Godzilla.
This Godzilla looked better than the original Godzilla, looking less like the guy in a rubber suit as many of the Godzilla films did. It had more of a Power Rangers feel to it though.
I have to say, as a huge fan of Godzilla, casting the giant lizard in the villain role, making me cheer for MechaGodzilla is not what I wanted. In fact, I found myself rooting for Godzilla in much of the movie. It appeared that Godzilla may be cast as the villain position in the upcoming Godzilla vs. Kong film as well, so maybe I need to get used to it.
The dubbing of the English over the Japanese speaking characters was pretty well done. That usually irritates me, but this film’s dubbing did not bother me at all.
The design of this Godzilla felt more like the Godzilla we are getting in the most recent films from Legendary, looking solid.
The story is simple and the humans are kept at a minimum. The Godzilla/MechGodzilla fights are great and dramatic. This was good fun.
Netflix’s new film is based on a book of the same title written by Aravind Adiga, which speaks directly to the caste system throughout the country of India.
Balram Halwai (Adarsh Gourav) narrated the film, revealing his story coming from the poor villager in India to major entrepreneur. Through his personal efforts, Balram was able to become a driver for Ashok (Rajkummar Rao) and Pinky (Priyanka Chopra-Jonas), a wealthy couple from a powerful Indian family. Balram made himself indispensable to the couple. However, one on terrible night, Balram discovered his position in the family.
I enjoyed the film for the most part. It was an interesting story and I was intrigued into how Balram became the man he became. It looked good and the acting was solid.
I have to say that the subtitles were tough to read and I did miss some of them. I usually do not mind the subtitles, but these were quicker and more challenging this time.
Honestly, this was fine, but I am not sure that I will remember it in a month.
After seeing the first three episodes of Marvel’s first Disney + show, WandaVision, I, as a comic book geek, feel that I am at a point where I believe I can make a few inferences on what is happening on the show.
Understand, I could be completely wrong. That is one of the wonders of this show. It clearly has a plan in place for where they are headed, but it could be any number of places. However, I feel as I am ready to make some educated guesses on the core mysteries of the show.
#1. What is going on?
I believe that after the events of Avengers: Endgame, Wanda was feeling lost and alone. She had seen the death of her brother Pietro and her great love in Vision. It is at this point where she either is approached by or approaches a certain being for help. My guess is that Mephisto, Marvel’s “devil”, is the character involved here. It makes sense considering how important the character of Mephisto was in the comic storyline upon which this series is loosely based. Mephisto convinced Wanda that he could help her reunite with Vision and give her everything she ever wanted.
#2. What is the motive?
Why is Mephisto doing this? I do believe, as in episode 2, the reason is “for the children.” Much like the comic series, Mephisto wants Tommy and Billy as a way to steal Wanda’s reality warping powers for himself.
#3. Who is in control?
Wanda’s powers are what has created the sitcom world that she lives in with Vision. She has created this world and maintains it. I do not think she is consciously doing it, or, at least, realizes that she is doing it. I do not think that it is a coincidence that all the times when the outside world sneaks into the situation, Wanda has had some emotional moment. When Mr. Hart is choking, he had been pressing Wanda for answers about her past, which she did not know. I believe she subconsciously caused him to choke, and it wasn’t until her inner hero came out that she had Vision help him. Another example was from episode 2 with the arrival of the Beekeeper, mere moments after she discovered that she was pregnant. In episode three, the comment by Geraldine (aka Monica Rambeau) about Pietro being killed by Ultron came after Wanda was reminiscing about her brother while watching her twins sons. Elizabeth Olson has been brilliant in these scenes portraying Wanda’s confusion over these contradictory moments.
#4. What about SWORD?
In the MCU, SWORD stands for Sentient Weapon Observation and Response Division. In the comics, the W actually stands for “world.” In the comics, SWORD is based mainly as a space observation unit, but the MCU version feels as if it is more than that. I do believe that Wanda could be considered a “Sentient Weapon” and that SWORD has been watching her. They are not sure what has happened, so that is why they were trying to get Wanda to tell them “Who is doing this to you?”
#5. What about the town?
I am convinced that the town of Westview is a real town that existed in the MCU and was taken over by Wanda in an attempt to recreate her fantasy world. The people of the town are enslaved by Wanda’s powers but they do have some flashes of understanding of what is happening to them. I do think Agnes is more than what she seems (and maybe Herb too). I think it is clear that the people of Westview are not happy (and rightfully frightened) that they are being forced into living out this happy fantasy by Wanda.
#6. Why a sitcom (and ads)?
I would assume that Wanda, growing up a young girl in Sokovia, watched a lot of sitcoms as a youth and this embellished her understanding of a happy life in America. The ads are references to the most emotional/tragic moments of Wanda’s life. Thus, the connection to Strucker, the beeping bomb from Stark that tormented her and her brother as children, and Hydra. Plus, the Hydra Soaks soap does look considerably like the Tesseract. Another online theory that I live is that the two “actors” in the ads, who are the same in all of them, is actually Wanda and Pietro’s parents. That would make these ads all the more relevant inside Wanda’s potentially fractured mind.
#7. What is Vision?
I truly believe that this series is heading toward ripping our hearts out at the end because I do not believe that Vision is real/alive. He is a construct of Wanda’s mind and we are being set up to grieve his loss once more. I sure hope I am wrong about that. There are some hints in episode three that Wanda is able to subconsciously bring inanimate objects to life with her. We see Wanda’s magic give life to the butterflies over the crib and the stork from the painting on the wall. In fact, after the butterflies come to life, Wanda says “Oh, did I do that, I didn’t mean to.” I think that is an important piece of dialogue that I have not heard anyone talking about. So maybe she really did reanimate the dead body of Vision and he is truly back. Her power is based on the same energy from the mind stone that gave Vision life in the first place.
These are just some of my thought on the show. I have really loved WandaVision so far. As a huge fan of the classic sitcoms, I am enjoying seeing them play with the tropes and adapting them into this story that is way deeper than what it appears to be.
If you haven’t watched the third episode of WandaVision on Disney +, then you do not want to read this article. We will be discussing some of the specifics from “In Color”
After two episodes in beautiful black and white, WandaVision finds its way into color, and takes a huge step forward in showing us exactly what is going on.
Episode three is clearly based on the 70s sitcoms. The setting of the house this week resembled the Brady Bunch homestead and the music is distinctly The Partridge Family. We also have the song “Daydream Believer” which seem to be giving us a hint about what is going on as well.
And one episode after discovering that she was pregnant, Wanda gives birth to twins.
Tommy and Billy.
Comic fans knows the relevance of the twins in Wanda and Vision’s life and their rapid development gives us an idea that things are happening.
This episode also featured “Geraldine” heavily. She is featured in much of the show’s most creepy-feeling moments. One of the biggest being how, after Wanda tells Geraldine that she was a twin and she had a brother named Pietro, Geraldine says to her that he had been killed by Ultron. This led to Geraldine being rejected from the sitcom world.
Other signs that Geraldine (who we know is to be a grown up version of Monica Rambeau, whom we met in the movie Captain Marvel) include:
Geraldine has a necklace with the SWORD symbol.
Agnes tells Vision that Geraldine has “No Home” or no family
Agnes and Herb nearly revealed something to Vision
Agnes clearly seems unnerved by Geraldine
After she is rejected from Westview, Geraldine is surrounded by a military looking group (probably SWORD)
The moment of memory about Pietro was a powerful one for Wanda. She was conflicted at this point but the attempt at inserting the idea of Ultron in the show by Geraldine breaks that momentum for Wanda.
This week’s advertisement was for Hydra Soak, bubble bath, and, of course, a tie to the villainous Hydra that Wanda had worked for with Baron von Strucker.
Things seem to be firing up and next Friday cannot get her soon enough.
With 2021 being poised to be the biggest year of comic book movies/shows ever, I wanted to revisit a film that was base don a comic book that kind of flew under the radar in the early days of the comic book movie renaissance. Mystery Men was based loosely on Dark Horse’s Flaming Carrot Comics.
A group of wannabe superheroes, Mister Furious (Ben Stiller), The Blue Raja (Hank Azaria) and The Shoveler (William H. Macy) are on the streets of Champion City doing their best. Unfortunately, their best has not been very good. A run-in with the local star superhero Captain Amazing (Greg Kinnear) at an old folks home made it even more obvious.
However, Captain Amazing had done such a great job of superheroing that crime was at an all time low and he was becoming bored. So Captain Amazing worked to get his old nemesis, Casanova Frankenstein (Geoffrey Rush) released from the the insane asylum so he had an opponent to make headlines with. Casanova Frankenstein captured Captain Amazing and the villain planned on causing massive damage to the city.
Mister Furious saw Captain Amazing’s capture and he, along with his friends, recruited more super heroes, including Invisible Boy (Kel Mitchell), The Bowler (Janeane Garofalo), The Spleen (Paul Reubens) and the Sphinx (Wes Studi). Together the team had to overcome their internal strife in order to save the city.
There are a lot of really fun moments in this movie, which is filled with original characters that have great chemistry with one another. The reason this works so well is that the cast is clearly having a blast playing these off-the-wall characters. Reports indicated that several of the cast were given leeway to adlib their dialogue to add bits to their characters and, since there are several comedians in the cast, it worked pretty fluidly.
There were some shocking moments in the film as well, directly from the potentially incompetence of the heroes. Another example is the fact that The Bowler had her father’s (Carmine the Bowler) skull in her bowling ball. This was shown more clearer than the fate of Captain Amazing. The film has my respect for the risks that it took.
It is a fun and entertaining film that showcases its talent extremely well.
I will be honest, the main reason that I watched this film, a film that was released originally in October of 2020 and just now released on streaming in January was that it came from Boom! Studios. Boom! is a company that also puts out comic books and is the company that is responsible for one of my favorite, if not my favorite, comic of the last few years, Something is Killing the Children. I discovered that The Empty Man is another horror based graphic novel that was released by Boom! Despite its low reaction on Rotten Tomatoes, I was now intrigued.
What I got was a bizarre, overly-long, supernatural horror film that had some truly big ideas and an ending that I am not sure about how I feel.
The Empty Man started with four friends climbing in the mountains. One of them, Paul (Aaron Poole) heard a whispering and wound up falling into a crevice. When he friends found him, they discovered that Paul had slipped into a comatose state despite not having any apparent injury. The fearsome skeleton that also was in this crevice should have given them a clue.
Then, the next day, Paul found himself, somehow, on the edge of one of the cliffs, blowing into a pipe of some kind. Then, unexpectedly, his three friends kill each other and they fall off the cliff. I have to say that I was not expecting that and I immediately was not sure what this movie was going to be about. Then the title came up and I could not believe that this was just the cold open. It had been a significant amount of time, but we had not yet gotten into the meat of the story.
We then meet James Lasombra (James Badge Dale), a former policeman who had left his job to grieve the death of his wife and son, who had died in a car crash. A friend of his, Nora (Marin Ireland), called him when her daughter Amanda (Sasha Frolova) had disappeared. An ominous message saying that “The Empty Man made me do it” was written in blood on her bathroom mirror.
The police were little help, so James decided to do some of his own investigating, connecting this to a doomsday cult in which he was afraid that Amanda had fallen into.
The movie is very atmospheric and darkly imagined. The imagery of the movie certainly played like the scenes of a dark, horror graphic novel. It was disturbing and, at times, frightening. The mystery of what was going on during this whole time was difficult to follow but does have a distinct wrap up.
The performances were fine, but I would not say that anything was a true standout. The short appearance of Steven Root as the cult leader was appropriately creepy, but the rest of the film lacked any true standouts.
There is no doubt that the movie is just too long and could have stood to be shorted by a good 30 minutes or so. At 2 hours and almost 20 minutes, The Empty Man can be a slog at times to get through. There are some really good moments here, but it gets bogged down. The lengthy run time needed more character development to truly be necessary.
It does not end in a feel good manner, so if you are expecting that, you will be disappointed. That is never a deal breaker for me, but I have to admit that I wanted some optimism in the conclusion somewhere.
It was not an unpleasant watch, but I am not sure that it is what I was hoping for. Though stylistic, I think I wanted more substance in the middle, especially for the length that it was.
Netflix had a huge year in 2020 with a list of great movies released on the streaming service. 2021 is not starting out well for them.
Outside the Wire is the new sci-fi/action film starring Anthony Mackie. Set in the future, a drone pilot Lt. Harp (Damson Idris) disobeys orders and he makes a dangerous decision that winds up getting himself into trouble and sent to a specific place as a punishment. There, he meets Captain Leo (Anthony Mackie), an android officer, who is on his way for a mission to stop a Russian insurgent from getting nuclear codes.
While there are some decent action bits in the movie with some interest fire fights, there was little emotional depth to any of them, which tends to make them both hard to care about and easily forgettable. Typing this up right now just a few hours after watching the film, I cannot remember any specific action sequence worth the time in Outside the Wire.
Then, while Anthony Mackie is a charismatic actor with a remarkable screen presence, the film places him in a character that simply is not allowed to do that. There are a few flashes of Mackie’s charm here and there, but he is more of a hard nosed robot than a leading man. Damson Idris is shown in the first half of the movie in such an inconsistent manner that you’re never sure if you are meant to be rooting for the character or if he is meant to be the one learning about his own mistakes. He was very dislikable for much of the run time of the movie, which is not a good choice in the story that they are outlining.
The third act completely blows off the rails too. The first part of the film was dull and disposable, but the final half of the movie spends its time deconstructing just about everything that the movie set up in the first part. Without spoilers, there are some decisions made that make no sense and exist to simply give the narrative that twist that too many movies are expected to have.
By the way, there are not really any reason for the military to have these robots they called Gumps. In fact, much of the sci-fi aspects of this movie are extraneous and a waste of time. This does not have to be a sci-fi story. In fact, Anthony Mackie did not even need to be an android. All of the science fiction could be removed and the story could still work exactly as it is as a strictly action movie.
Unfortunately, this is a film that you won’t remember too long after you see it. I am sure that in December of this year, I will look at the title of the movie and wonder exactly what this was about.
Regina King has been on a massive role recently with the projects that she has acted in, from If Beale Street Could Talk to HBO’s Watchmen. She has done a lot of television directing as well and this movie, One Night in Miami, was her feature film directorial debut.
One Night in Miami is a fictionalized story of one night in Miami when four black iconic superstars met together and discussed their lives and their place in history. The four icons were Cassius Clay (Eli Goree) [pre Muhammad Ali], Sam Cooke (Leslie Odam Jr), Jim Brown (Aldis Hodge) and Malcolm X (Kingsley Ben-Adir) who were together in a hotel room on the night when Clay defeated Sonny Liston to become the champion of the world.
This was another movie that was based on a stage play, this time written by Kemp Powers. There have been several successful films recently that have been base don plays and this falls right into the line with those. Because One Night in Mimi takes place mostly within the room with the four men and it features some stellar dialogue and discussions between these characters.
And that was great.
There were limited amount of action, and, truly, the plot was not the focus of the film either, the performances were wonderful and the drama between the four of them kept the viewers glued to the screen. I know I was fascinated to hear where they took it from here. The main conflict seemed to stem from Malcom X’s desire to have Sam Cooke do more than just record fluff musical pieces and the wish that he would do more substantive work for the Civil Rights movement. While Clay and Brown got into disagreements as well, the interactions between Malcolm X and Cooke were the main event.
The direction was stunning as well. Regina King does a fantastic job with the shots, giving so much more depth to the hotel room than what you would expect a director could. With the limited settings, King is anything but restricted with her vision of the evening’s activities.
One Night in Miami is smart, compelling and feels very relevant in the ways of power and how one may yield it to benefit everyone. All four actors give tremendous performances, especially Leslie Odam Jr. and Kingsley Ben-Adir, who go at each other with a ferocity unexpected. This is an amazing debut for Regina King.
I was very excited this morning to see the premiere of the first two episodes of Marvel Studios new Disney + series, WandaVision. I am, of course, a huge mark for Marvel and the Marvel Cinematic Universe and it has been too long since Spider-Man: Far From Home. That was the last time that we had any new content from the studio. With Covid-19 playing chaos with the schedule, the anticipation for this show only grew. I am pleased to say that the anticipation was well worth it. I loved WandaVision and I am completely on board with what they are starting.
However, I can understand if there are people out there who will not love this as much as I do because there is no denying that this is Marvel Studios taking a huge swing and taking their universe into a direction that you have never seen before. It is totally weird, original, unexpected…all in the best ways.
When the people at Marvel Studios said that this was going to be a sitcom, they were telling you the truth. The first two episodes are clearly reminiscent of the TV days of I Love Lucy, Bewitched, I Dream of Jeannie, right down to the laugh track. The black and white helped set the tone of the series and it is unlike anything Marvel has tried up until now. It is a real gutsy move from Marvel to have this series be the first one out of the gate for the Disney + shows.
The show is an homage to the black and white sitcoms of the 50s and 60s. I was always a huge fan as a child of the reruns of these kind of shows so I enjoyed honoring them by including the sitcom tropes into this 2021 series. Plots of having to host a surprise dinner with the boss or perform at a city talent show are the type of plots one might have seen on these sitcoms.
Elizabeth Olson and Paul Bettany are absolute joys. They are clearly having a blast with these characters being placed in this setting. And they do it without sacrificing what made Wanda and Vision the fan favorite characters that they are. They fit seamlessly into the framework that the show is going for and I expect that their performances will only increase as the show progresses.
Kathryn Hahn as the nosy next door neighbor Agatha is a beautiful touch to the series. Her character is starting out as a trope herself, but there is so much more that is under the surface with Agatha that I am excited to see where this character is taken. I also loved having Debra Jo Rupp, a veteran of sitcoms from That 70s Show, appear as one of the women in the town of Westview. These touches really help to make WandaVision feel like a sitcom of the 1950s.
However, there are subtle (and some not so subtle) hints that there is something sinister going on with the show. It is not going to remain just a sitcom paying tribute to the days of TV lore. I would go as far as to say that there were a couple of distinctly creepy moments of reality among the black and white façade. When Mr. Hart (played by Fred Melamed) was choking, I was totally creeped out. There was a puppetmaster feel to the situation, as if someone was forcing him to choke, and the looks on the faces of Wanda and Vision truly helped cement the scene as bizarrely intense.
The appearance of the mysterious Beekeeper near the end of episode two was a moment that was really out there. The show does a remarkable job in such a few short, quick scenes of building the mystery of exactly what is happening to two of our favorites from the Avengers. There was also the radio that was asking Wanda what was happening. Another subtle point was the feel that the crowd at the talent show of people from Westview were more like the Stepford wives than we had expected. And the end of episode one with the person watching on the TVs gave a LOST vibe (and you know how much that hits with me).
When the second episode ended, I immediately wanted more. While I have been leaning more towards shows that are weekly in nature instead of the binge, WandaVision might have just made me reconsider that.
Oh, and I did not even mention the commercials. Yes, there is a commercial for each episode and I wonder how they may play into the narrative. A mini oven made by Stark Industries or a watch made by Strucker? The whole Strucker reference was great, since Baron von Strucker played a huge part in Wanda’s past.
There have been several adaptations of the original cartoon created by Charles Addams in 1938. One of the best known, of course, is the TV show featuring John Astin. However, the big screen eventually called as well and The Addams Family arrives, creepy and kooky.
Admittingly, the sequel to this film, Addams Family Values, is considered a better overall film, this 1991 film version had plenty of positives going for it, starting off with a strong cast. Raul Julia and Anjelica Huston were perfectly cast as the head of the family, Gomez and Morticia Addams. Christopher Lloyd was cast as Gomez’s estranged brother Fester. Christina Ricci, a star in the making, stole the show as the psychotic Wednesday Addams.
There were some wonderfully dark and gloriously funny moments throughout the film as Gomez and his “brother” Fester were reunited after a desperate fight from their youth. However, Fester was not what he appeared, as the audience was aware. He was the son of Abigail Craven (Elizabeth Wilson), and he just happened to look exactly like Fester. They plotted, along with Gomez’s family lawyer Tully (Dan Hedaya), to have Fester pretend to have returned in order to get their hands on the Addams family treasure.
This led to a series of very funny bits. However, most of the best comedic moments were stand alone moments or side scenes. For example, Wednesday is electrocuting her brother Pusgley (Jimmy Workman), the tour of the Addams graveyard or Thing getting a job.
The problem with the film, which does make it lesser than Addams Family Values, is that the story itself it disjointed and does not blend well together. The coincidental aspect of the film, especially the resolution of the story, is hard to buy. Overall the plot feels as if it could require some tightening.
However, the cast and their performances are great and the humor really works most of the time that The Addams Family is a fun watch that does hold up over the years. The effects for the time are fine and being funny helps to cover any holes that might be in the plot. The sequel is better, but this is a solid start.
One of my favorite Ron Howard movies of all-time, Apollo 13 does a tremendous job of telling the story of a “successful failure” for NASA in 1970.
The true story of the crew and their families of the Apollo 13 moon mission made a truly dramatic and thrilling film, anchored by an amazing cast of actors. The cast included Tom Hanks, Kevin Bacon, and Bill Paxton as the three-man crew of the Apollo 13, Jim Lovell, Jack Swigert and Fred Haise, respectively. The cast also included Gary Sinise, Ed Harris, Kathleen Quinlan, Xander Berkeley, Christian Clemenson, and Jean Speegle Howard.
In 1970, the Apollo 13 mission launched with the intention of landing on the moon. The space program had started to become less interesting to the public at large with the space race with the Russians over. Still, the mission was scheduled. Two days prior to the departure, intended pilot Ken Mattingly (Gary Sinise) was grounded because of his potential exposure to measles. Replacing Ken with Jack Swigert, Apollo 13 continued on its path.
Unfortunately, during the routine stirring of the oxygen tank, an explosion severely damaged the space shuttle and put the astronauts’ survival into question. Working with a desperate purpose, NASA tried to return the crew safely back to earth.
There are a couple of thing to say about Apollo 13 right off the bat. First, this movie does a remarkable job of creating tension and anxiety in a situation where we already know turned out to be a success. As the crew was making their reentry through the planet’s atmosphere, I was on the edge of my seat despite knowing that they made it in real life. In fact, every time I have watched this movie, I have tears in my eyes when they make it back. The film and its crew do an unbelievable job of building that uncertainty despite our prior knowledge. A big part of that, I think, has to be the score from James Horner. It does a fantastic job of amping up the mood of the film for the audience.
A second major win Apollo 13 has going for it was how it was able to take what could have been boring technical sections and turned them into exhilarating scenes. Whether it be Ken Mattingly in the simulator or Jack restarting the engines, these technically charged moments were thrilling as any.
The special effects of the film are great. It does some of the best work at portraying the environment of outer space and its effects on the characters. The film looked great, but it was not over-the-top with its effects. The effects played well into the story of this crew and their survival tale.
The use of real-life news footage was expertly woven into the film, and the movie brilliantly transported us back in time to 1970s, not only in word, but in tone. Everything about this film felt accurate and of the time, which is an achievement.
Apollo 13 is a tremendously entertaining and engaging movie that holds the audience’s attention with a great script, powerful actors and characters who are using their intelligence to solve literal life and death problems.
Brandon Cronenberg, the son of David Cronenberg, brings this horror/thriller film from last year that I had not seen. I had heard a lot of positives about this movie, so I decided that it would be a good time to visit this film.
Andrea Riseborough played Tasya Vos, an assassin for a government agency, who is able to take over the body of a random person and use that person to be the killer. When she heads into a male man’s body (Christopher Abbott), there became problems with his life bleeding through into her life.
The film is extremely violent and bloody, with some distinct moments that jump out at the viewer.
Honestly, this was not my favorite film. I had heard so much positives about it that I found myself more disappointed by what was happening. I did not hate the film and there are some decent parts of the film, but I had a hard time getting into it.
There are some interesting concepts here and some themes that could be intriguing if you have some time to look at them. There are some sexual orientation ideas presented when Tasya entered the body of Colin. Some of the ideas of the character of Tasya was fascinating too, but I just did not love the blood, which felt overdone.
Perhaps if I took more time to look closer at the film, I would feel different about it. Still, Possessor was fine. Horror fans will probably love this. I thought it was passable.
Honestly, this was the first of two movies I watched in a row and I had a difficult time remembering exactly what the movie was about. That was not a good thing.
This is the latest documentary from the Oscar winning director Bryan Fogel. It tells the dramatic story from 2018 about the murder of Washington Post journalist Jamal Khashoggi at the Saudi Consulate in Turkey by agents of the Saudi government.
This documentary was extremely powerful and disturbing. The film presents its story much like a political thriller, with mood-inducing music and dramatic interviews of the people involved.
The main arc of the tale is told through the eyes of a couple of the major people involved. First , there was Omar, a Saudi national and activist, who had befriended Khashoggi. Together, they had engaged in an effort to counteract the Saudi’s propaganda techniques on Twitter and other social media platforms.
Second main person, bringing this murder plot its human connection, is Khashoggi’s fiancé Hatice Cengiz, who was waiting outside of the consulate for Khashoggi on the fateful day. Khashoggi had gone to the consulate for paperwork allowing the pair to be married and Hatice waited hours outside for him to return. He never did.
The most difficult part of the movie was the audio transcript that had been uncovered that spelled out the murder in specifics, including the record of the use of the bonesaw to cut up the body. Even in written word, this created a horrid picture of what had happened that will stick with a viewer.
This documentary feels very relevant in the world today. Not only because of the alleged involvement of the Saudi government and the Crown Prince of Saudi Arabia, Mohammed bin Salman bin Abdulaziz Al Saud, but also for the attempt from the Saudi government to silence the free speech of a journalist. It is important to understand how easily freedom of speech can be removed, especially when you have attacks on the media designed to undermine what the media said or to dub them as “enemies.” It feels as if it is a short step from that to this.
And after all of the film is over, the text at the end that tells you where everything stands is infuriating. It makes you wonder what the important things in the world truly are.
The Dissident is an important story told in a engaging and professional manner. It has a powerful, human story that should move right thinking people emotionally. Fogel has another substantial and forceful doc.
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EYG- Embrace Your Geekness 