The Flash

The Flash has been in development for years. Finally, the movie has arrived with an unbelievable controversy and with some people claiming that it is the ‘best comic book movie ever.’

I’ll start with the controversy. I have to address it. Ezra Miller has had an insane path over the last several years, leading an abusive stretch with others. I am really trying my best to separate my thoughts of the creative person from the content, so my review will not detail my thoughts on Ezra Miller’s real life craziness.

So, on to the review.

Barry Allen (Ezra Miller) uses his super speed to travel back in time to save his mother (Maribel Verdú) from her untimely death, which causes the universe to go seriously wonky and all kind of changes happen. Barry goes on a quest to try and right the wrongs he did, along with a younger version of himself, Bruce Wayne (Michael Keaton) and Kara (Sasha Calle).

Okay, first off, this is not the best comic book movie ever made. Period. That does not mean I did not like The Flash, because I did. But this movie is fun, but very messy.

Let me start with what I liked. Ezra Miller did a great job as Barry Allen, in particular as the older Barry Allen who had more experience. They had a confidence and a swagger that fit the character very well. Miller did a great job playing two distinctly different characters, as well. Honestly, they did such a good job that I never thought about it being the same actor playing two roles.

Michael Keaton was sensational as the older Batman. Keaton looked as if he was having a blast returning to a version of a role that he played in 1989. He was absolutely the standout character in the film and his re-introduction was epic.

Sasha Calle was a wonderful addition as Kara Zor-El aka Supergirl. She brought a character that was nowhere near a Kal-El and a character whose brutality made a lot of sense considering the situation that she had found herself in.

Some of the emotional scenes that we got between Ezra Miller and Maribel Verdú as Nora Allen were extremely well written and directed. They had some powerful moments together and brought a heart to the movie.

Then there were several parts of The Flash that I thought were a mixed bag, some good, some bad. One of these was the special effects. Honestly, the first 10-15 minutes of CGI in this movie (I’ll say one word… babies) was some of the worst special effects we have had in a major movie in awhile. It was really a turn off in that scene. However, there were also some CGI in The Flash that was amazing and awesome. The speed force and the way the Flash was shown using his speed were beautifully rendered. There were times when one Barry Allen was carrying the other Barry Allen and it was totally seamless. CGI was truly a coin flip for the movie.

I found the cameos and Easter eggs that were plastered throughout the film were great and a lot of fun. Some did not always look as great as it could be, but the film absolutely played on the nostalgia (‘member-berries). However, there felt like some of the nostalgia was too forced, especially with the dialogue for Batman/Bruce Wayne. Is there a reason Michael Keaton had to repeat so many lines from his original movies? We get it, we remember. That felt too ham-fisted at times. Still, the best cameo came right at the end of the film (no spoilers, of course), but this felt like a giant middle finger to everyone and I was here for it.

Another up and down aspect was the humor. Some of the jokes worked really well, but other times it felt out of place. Don’t get me wrong, I am not saying that I want always serious comic book movies like the Snyder films, but some of this worked and much of it didn’t. Part that I did not like was the way young Barry Allen was portrayed. He was so obnoxious and played as a moron for much of the film. I know it was meant to show older Barry Allen what he had been like and to let him understand how others had seen him, but it felt too much. Young Barry felt stupid and I did not get that from previous films.

I will say that I hated the post credits scene at the very end of the film. It felt totally unnecessary and just not funny.

It also is unclear after this movie what the direction of the DCU is going to be. This felt much more like a goodbye to the previous films/universe instead of something that was going to kickoff the next round of movies. This was loosely based on the comic run called Flashpoint (which had an awesome animated DC movie back in 2013). The only set up in this film was.. ‘hey, multiverse!’ The multiverse concept has been done better in Across the Spider-Verse, Everything Everywhere All At Once, and the MCU.

I had fun with The Flash. Do not go into the film with the expectations that it is going to revolutionize the comic book movie industry, because it is not up to that standard. It is fun, with some solid actors who looked to be enjoying themselves, and a sprinkling of emotions in all the right spots. It is not the best DCEU movie, nor is it the worst. In fact, I would place it in the upper half of the DCEU films, and I believe that The Flash gives you permission to move on.

3.5 stars

The Son (2022)

June 15, 2023

Day: 15, Movie: 15

Today’s June Swoon 2 film is on Netflix and it deals with a very heavy subject. The Son was a film directed by Florian Zeller and starred Hugh Jackman and Laura Dern. Depression is a tough challenge that many people struggle with daily.

Peter (Hugh Jackman) and Kate (Laura Dern) split up years before when Peter met and fell in love with another woman Beth (Vanessa Kirby). The divorce was tough for their son, Nicholas (Zen McGrath), who held on to the pain he felt.

When it was revealed that Nicholas had been skipping school, Kate chose to have him go live with Peter to hopefully help him. Peter was very busy at work and he saw what he wanted to see when it came to Nicholas.

Nicholas continued his struggles at his father’s home, slipping back into some negative behaviors.

There was a lot of melodrama in this movie to the point where it felt like there was too much. While the performances were solid, the material was not up to par. It seemed as if there was nothing deeper than what was shown and some of the dialogue was iffy.

I had a major problem early on that pulled me out of the story. As someone who works in a school, I can not imagine how a student could skip school for a month at a time without someone checking on him. It happened in this movie with two different schools and that just did not feel realistic to me and that caused me to disassociate myself with the story.

Anthony Hopkins appeared as Peter’s father, but he was completely wasted in the film. His appearance was literally just a few minutes, making this role nothing more than a cameo.

The key is that there is not enough specifics or development of the character of Nicholas. He is very surface level and, because of that, we are unable to access the important part of the story that would help with the emotional beats of the film. Zen McGrath does a good job with what he was given, but there just was not enough of a portrait of this character.

The Son was a sad story that does not go any deeper than that. The actors are very good with the limited details they are given and instead of three dimensional characters we get melodrama.

This Place Rules (2022)

June 14, 2023

Day: 14, Movie: 14

This Places Rules was the latest movie released in 2022 that will be today’s entry on the June Swoon 2 list. It was released on HBO on December 30, 2022 and then on HBO Max the next day. This documentary followed the events that led up to the January 6th insurrection, and was directed and hosted by journalist and YouTube content creator Andrew Callaghan.

The film went to several of the major events prior to Jan. 6th, interviewing the extremists on both sides. This doc does a great job of not only laying out the bizarre thoughts of Trump supports, Qanon wackos, and Proud Boys, but also extremist on the left like Antifa and BLM.

Some of the wildest scenes of the movie involved Alex Jones, host of Info Wars. His far right propaganda highlighted some of the worst natures that we as the people have, while truly showing that what Jones (along with others) really wants is to make money off the selling of merchandise. It was revealed that Proud Boy leader Enrique Tarrio not only sold Trump merch, but also merch for Joe Biden.

The interviews of random people at the rallies are jaw dropping. Some of the insanity that comes from these people defy all logic. Another fascinating moment of the doc was his interview and time spent with the Spencer family, who were big Trump supporters and Q-believers, in particular the young kids of the family. Then, at the film’s end when Q’s dates passed without anything happening, the disappointment and realization of this family that Q was not what they thought was an amazing punctuation on the film.

Callaghan’s confrontation near the end of the film of “The Inglorious Patriot” Dave Todeschini was epic. Todeschini spent all of his times talking about his personal battle against the pedophiles of the world, how Hollywood would drink the blood of babies, only to have Callaghan point out to him that in 1999, Todeschini had been arrest and convicted on sexual abuse charges of young boy.

While This Place Rules is not a laugh out loud film, the humor comes in the shocking realization of what some people really think and what they are willing to say or do.

Empire of Light (2022)

June 13, 2023

Day: 13, Movie: 13

Olivia Colman has become one of our best current living actors working, and she brings her best no matter what project she is in. This is a perfect example as today’s June Swoon 2 is Empire of Light, a film that did not receive near the amount of love as many had anticipated.

According to IMDB, “Hilary (Olivia Colman) is a cinema manager struggling with her mental health, and Stephen (Micheal Ward) is a new employee longing to escape the provincial town where he faces daily adversity. Together they find a sense of belonging and experience the healing power of music, cinema, and community.

There was a lot of good things here. First was the performances, led by Olivia Colman. Michael Ward was excellent as Stephen. There were solid supporting performances from Colin Firth, Toby Jones, Tom Brooke, Crystal Clarke, and Tanya Moodie.

There were also several very good scenes in the film that brought some emotional heft and strong character development. The film looked beautiful too.

This is where things kind of went off the rails. The positives of this film are there, for sure, but there are other issues that drag this down, most of which deal with the story being told.

The film did lack a general narrative throughline. It felt as if it tried to do way too many different things and none of them worked together very effectively. The movie lacked a focus as this film felt as if it were about mental illness, racism, the power of the cinema and theater experience, relationships at the work place, adultery and the use of power to get your way. These all were used and most of them used equally which made the film feel too muddled.

There also seemed to have a couple spots at the end of the movie that could have served as an effective ending, but it kept going back to continue the story. Some times that works, but here it just felt like the movie wasn’t sure how to end.

Empire of Light had its moments and Olivia Colman is, once again, exceptional, but it feels to much of a mess to be a great movie. It is currently passable at best.

Women Talking (2022)

June 12, 2023

Day: 12, Movie: 12

With the June Swoon 2 in full swing, I came this morning to an Academy Award winning film that I had not seen from 2022. Women Talking was written and directed by Sarah Polley and won the Oscar for the Best Adapted Screenplay, as well as being nominated for Best Picture.

Women Talking featured a powerful ensemble cast that included Rooney Mara, Claire Foy, Jesse Buckley, Frances McDormand, Judith Ivey, Kate Hallett, Shelia McCarthy, Ben Whishaw, August Winter, Liv McNeil, Michelle McLeod, and Emily Mitchell.

It was 2010 and a group of women from a Mennonite colony discovered a horrendous secret. There were men in the colony who would take horse tranquilizers and drug the women in order to rape them. When one of the men were captured, he revealed the others involved too.

These men went to a neighboring city for trial and most of the men from the colony went to help with bail, leaving the women and children behind. The group of women who had all at one time been raped or assaulted came together in order to decide what they were going to do. Would they stay and allow it to keep happening, would they stay and fight or would they leave the colony?

Most of the movie was this debate among the women, trying to keep themselves and their children safe as well as keep their religious faith.

There is a reason this was a screenplay winner at the Oscars. The dialogue and the character interactions here were remarkably powerful and covered every aspect of the situation. The conflicts within each woman was shown with understandable relatability. There was anger, grief, guilt, confusion all beautifully portrayed by a very talented ensemble cast. None of the survivors had the same reactions and that made it all the more potent.

There is not much action going on, but you do not miss it because the tension of the conversations were so high, you feel as if you’ve seen such a dramatic decision.

Women Talking could be a challenge for some people, but it is an outstandingly acted film with amazing character driven dialogue that provides an empowering message.

Decision to Leave (2022)

June 11, 2023

Day: 11, Movie: 11

I have been waiting anxiously to watch this Korean made film for the June Swoon 2. Decision to Leave was a popular hit of the international films last year, but I have been pushing it off because of the length. The film was almost 2 hours and 20 minutes, which was long for a film that required reading.

Before I go on about the movie, I have to complain about the captions. The English translation was small on the screen and some of the dialogue went too fast. It was difficult to keep up with the flow of the story without being 100% sure what they just said. I have said that in previous subtitled films, you forget that you are reading and just fall into the story, but this time the reading was more difficult at times that it never truly allowed me to lose myself in the story.

That is not necessarily a flaw of the film as much as it was Vudu and its presentation. I will not hold that against Decision to Leave, but there is no doubt that it affected my viewing pleasure.

According to IMDB, “From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon (Park Hae-il) arrives on the scene, he begins to suspect the dead man’s wife Seo-rae (Tang Wei). But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.”

I did enjoy this movie with its mystery at its core. Exactly how much of a role had Seo-rae played in her husband’s demise or was it actually just suicide? The film does a great job of keeping the story going as you are never sure what the truth is.

The relationship between Hae-joon and Seo-rae felt wrong for most of this movie as you could never be sure if she were playing him or if she was just a victim of the situation. This relationship caused Hae-joon’s marriage to crumble, although there are some hints in the movie that implied that Hae-joon was already not very happy with the path of his life.

Reason to Leave was directed by Park Chan-wook, who also directed the iconic film Oldboy. Park Chan-wook created a beautiful look to the film and brought a great deal of magic to the love story.

Decision to Leave tells a solid romantic story with touches of tragedy mixed in. The performances are all really strong and the film looks lovely. It is a touch long, but it takes its time telling the story effectively.

Breaking (2022)

June 10, 2023

Day: 10, Movie: 10

The June Swoon 2 continues today with Breaking, a movie based on a true story starring John Boyega.

Former Marine Brian Brown-Easley (John Boyega) “is denied support from Veterans Affairs, financially desperate and running out of options, he takes a bank and several of its employees hostage, setting the stage for a tense confrontation with the police.” (IMDB)

John Boyega was amazing as the desperate Marine was and how he was trying to shine a light on the problem that he was facing. It was not just that he needed the money, which he did, but he wanted that the VA, which had denied his money, to make things right.

Boyega showed how troubled Brian was, both with the situation and with the mental aspect. He was more than just a troubled man. He was shown to be a good man even though the two hostages he kept in the bank were afraid for their lives. Nicole Beharie and Selenis Leyva are tremendous as the two bank employees remaining as hostages. The negotiator was played by Michael Kenneth Williams and he brought an empathy unlike most any other character in the film.

There was a lot of tension developed in the film by not only the situation but also the character dialogue. You were never sure exactly what was going to happen. You might feel that this situation was going to end up tragic, but there were plenty of uncertainty about what was going on. That made this an effective way to create a mood.

I am not sure if the film was able to shine enough of a light on the problem facing Brian. There are issues with the way the VA treats some vets and this film touched on it, but it needed to go into it more if they wanted it to be a message.

Breaking was a film that I had always heard positives about, but I never got around to seeing it in the theater or on streaming. It made a great film for the June Swoon 2.

Transformers: Rise of the Beasts

I loved the Transformers as a kid. I loved the TV cartoon and I remember buying Transformers toys. Then the Michael Bay movies came along and I was excited. Unfortunately, they turned out to be some of my least favorite films ever. Legitimately, I believe Transformers: The Last Knight might be my least favorite movie of all time.

The last Transformers movie was Bumblebee, which was the first one without Michael Bay’s fingerprints all over it, and it was one of the best. Sadly, it did not do well at the box office so I was afraid that the film series would head back to the giant stupidity of the previous films instead of the solid work of Bumblebee.

Here come Transformers: Rise of the Beasts. This included characters from the 1990s animated TV show Beast Wars along with a low number of the Autobots. While I do not think this new Transformers movie was up to the level of Bumblebee, this was way better than any of the first five in the franchise and presented a breath of fresh air for the Robots in Disguise.

Set in 1994 after the events of Bumblebee, Rise of the Beasts featured Noah (Anthony Ramos), a down on his luck former soldier who was struggling to find employment to help his mother and his ill brother Kris (Dean Scott Vazquez). After failing to get an honest job, Noah succumb to criminal activity and tried to steal a car. Of course, his luck is terrible as he tried to steal the Autobot, Mirage (Pete Davidson).

Meanwhile, Elena (Dominique Fishback), a young museum intern, studied a falcon statue with weird markings on it. When she accidentally broke the statue, it revealed the Transwarp Key, an object that was taken by the group of Maximals, led by Optimus Primal (Ron Perlman), years before from their home planet when forces of the planet-sized Unicron, who consumed planets, tried to find the key. The key would open portals around the universe and allow Unicron unfettered access to any planet of his choosing. Unicron’s led henchman was named Scourge (Peter Dinklage), who had been searching for the key since. When Elena activated it, the signal alerted Scourge to its location.

The signal also brought Optimus Prime (Peter Cullen) and the few other Autobots to it, trying to find the key which would allow them to go home to Cybertron.

Okay, so… that is a lot of synopsis. And I just scratched the surface. Though it feels convoluted when I am writing the plot out, the film does a decent job of explaining things for the audience so they were not lost. At least, I was not lost, though I have a knowledge of the lore so perhaps someone not as familiar with the Transformers may be more confused.

There have been several issues I have had with the previous Transformers movies. The first one is the human characters. In previous movies, the human characters were terrible characters that simply took up time that should have gone to the Transformers. Here, Anthony Ramos and Dominique Fishback do a very good job of being vital and not ridiculous like in previous films (The film had Mirage make a great joke about Marky Mark…aka Mark Wahlberg, who was in previous Transformers movies).

Second issue I have had before was the fact that I could never tell which giant robot was which. All of the Autobots looked the same except for Optimus Prime and Bumblebee. The rest were dull and poor characters that were undistinguishable from the others. This is much better since they keep the Autobots to a limited number including Prime, Bumblebee, Mirage, Arcee and Wheeljack. The Maximals were much more original in their designs so they stood out better (although when they transformed into their robot forms, they were much less so). Optimus Primal and Michelle Yeoh’s Maximal character Airazor are the two Maximals that standout in this film. However, the villains were absolutely interchangeable, even Scourge not standing out of the crowd.

Previous franchise films had just stupid humor/jokes that were not funny. The humor in this film was kept to a minimum and usually worked well.

The writing has been truly stupid over the previous movies and, while this film’s writing isn’t remarkable, it is much better. There are several cringeworthy moments in the third act though that bothered me. The third act was decent enough as not to have ruined what they were going for, though it did feel like too much of a step back.

The mid-credit scene was great and looks to take the franchise into a very intriguing path that I would be all for. No spoilers here.

As someone who hated the Michael Bay Transformers movies, I am on board with this new path the franchise is on. This movie is not a brilliant film, but it easily clears the bar set by previous entries in the series. While not as good as Bumblebee, keeping the number of Autobots down helped this film and it is always cool to hear Peter Cullen voicing Optimus Prime. This film kept the really stupid things at a minimum and avoided most of the traps that ruined previous movies. I am cautiously optimistic about the future of the Transformers movies.

3.5 stars

Living (2022)

June 9, 2023

Day: 9, Movie: 9

The June Swoon 2 this morning features a movie that was utterly beautiful.

Bill Nighy gave an Academy Award nominated performance as Mr. Williams, a grim and humorless bureaucrat whose life changed after receiving a diagnosis giving him just a few months to live.

Mr. Williams decided to do something worthwhile will the few months he had remaining and he took up the fight for a local playground.

Bill Nighy is absolutely transcendent in this role. He is subtle and powerful with every glance and every slight word. He is never over-the-top, even though the situation could call for it. He was reserved yet determined to not fail in his final effort.

He had become withdrawn and callous within his job before the diagnosis altered his thinking. He spent some time with a former co-worker, Margaret Harris (Aimee Lou Wood), whose energy and willingness to embrace life attracted the old man. He wanted to remember how to engage in the daily joy of being alive while he still had the opportunity.

The film started off making it seem as if the leading protagonist would be Mr. Williams’s newest co-worker, Mr. Peter Wakeling (Alex Sharp), but he ended up as a supporting player in the story. Through his eyes, we get the chance to see the results of what Mr. Williams was able to accomplish.

Living was directed by Oliver Hermanus and the film is an adaption of a 1952 Japanese movie Ikiru which had been directed by EYG Hall of Famer Akira Kurosawa.

I have not seen the original film from Kurosawa, but this new adaptation is lovely, life-affirming and filled with a zest for life that is too easily lost. Bill Nighy is spectacular in his reserved and measured performance that will no doubt break your heart while inspiring you to do better. Living was a wonderful experience.

Sr. (2022)

June 8, 2023

Day: 8, Movie: 8

A Netflix documentary featuring Robert Downey Jr and his father Robert Downey Sr. has been on the streamer for awhile now, existing on My List since it came out. The June Swoon 2 allows me the chance to actually watch this.

Robert Downey Jr. is clearly one of the most charismatic actors we have today and this documentary shows that. It also spends a lot of time with Sr. and we get a good idea where a lot of RDJ’s personality came from.

The best parts of the doc were when we saw Jr. and Sr. interacting, especially when they included RDJ’s son Exton.

The documentary was shot in black and white and it added that gravitas to the film. It was a feel of something special and you get some truly amazing moments between father and son.

One of my favorite moments in the doc was when RDJ was singing a German folk song, “Fischerweise” with Sean Hayes on the piano. It was a request from Sr. and it is apparently something young 15-year old RDJ did in a contest. This section of the doc was hilarious.

Thinking back, I probably should have saved this film for Father’s Day in the June Swoon 2, but it fit today better, time wise. This is a beautiful love letter to a father from a son and from a couple of classic filmmakers.

Glorious (2022)

June 7, 2023

Day: 7, Movie: 7

The June Swoon 2 gets really gross today with the horror/comedy film that can be found on Shudder called Glorious. The film was directed by Rebekah McKendry and featured one basic location, a rest stop bathroom.

Wes (Ryan Kwanten) is traveling with all of his stuff in his car. He was depressed and sad and stopped at a rest stop where he promptly begins to drink and burn items from the car. He could not bring himself to burn the photo of Brenda (Sylvia Grace Crim), the woman he had just lost.

Passed out, Wes laid on the ground all night. In the morning, Wes rushed into the bathroom to throw up. When in there, he was engaged in conversation by a voice form the next stall. Not really wanting to start a conversation, Wes tried to get away, but he realized that the bathroom door could not be opened and that the voice had something to do with it.

The voice told Wes his name was Ghatanothoa (J.K. Simmons), a demigod who was trying to hide from his father, a primordial who had accidentally formed the universe, and Ghatanothoa needed a favor from Wes to avoid its father’s detection and, thus, the destruction of the entire universe.

Glorious was bloody, grimy and darkly funny. The dialogue between Wes and the demigod was both ridiculous and informative. Wes’s constant desperate attempts to escape kept turning out to be failures and he kept flashing back to memories of Brenda.

JK Simmons is, as always, great. His voice was the perfect catalyst for the craziness that was going on in this bathroom. The tale was insane, yet you believed what was happening.

There was a hilarious situation involving a glory hole that has to be seen to be believed. Then, the unexpected twist at the end of the film was shocking and completely out of nowhere, challenging everything that we had known up until that point, and yet, made total sense.

Glorious has a down ad dirty feel to it, much like the setting of a rest stop bathroom, and it keeps you off-balance. The end had that Twilight Zone type feel to it. It is a short film (only 79 minutes) but it uses every second well.

Good Luck to You, Leo Grande

June 6, 2023

Day: 6, Movie: 6

It is amazing to think that this is the same actor who played Ms. Trunchbull in last year’s Matilda the Musical.

Emma Thompson is an unbelievable actor and the range that she can show in a calendar year of performances is astounding.

In Good Luck to You, Leo Grande, Thompson played a retired teacher who had recently lost her longtime husband and she wanted to experience some sexual experiences that she never had with him. So she hired a young male sex worker to make those experiences come true.

Thompson, whose character was named Helen, got more than she was expecting. She showed such an amazing amount of nervous energy and uncertainty over what she was planning that everyone could relate to the feelings that this was stirring up.

Daryl McCormack played Leo Grande, the sex worker who is much more than a hired prostitute. He ran his own company and provided services to his clientele that they required. Well-spoken and intelligent, his very nature confounded Helen as she was not expecting someone like Leo Grande.

The dialogue between the two actors was impeccable. The dialogue gave us glimpses into who these two individuals were as people and was sexy and uncomfortable at the same time. There was an undeniable chemistry between Thompson and McCormack that pulled you into the connection between them. The movie becomes much more than just a sexual encounter. It is a character piece between two people who are able to bring the best out in each other.

Good Luck to You, Leo Grande is currently on Hulu and it is a film that gives two outstanding performances in a sexual coming-of-age story for any age.

Candy Land (2022)

June 5, 2022

Day: 5, Movie: 5

The next June Swoon 2 movie is Candy Land, and it is not a happy-go-luck children’s saccharine sweet game adaptation. There is nothing for children in this film.

The movie dives into the world of truck stop sex workers and the inherent dangers that these workers face as there is a slasher in their midst. The likable group of sex workers who formed a bond between them are faced with the brutal slaying of several individuals.

I don’t want to go into too many specifics here to avoid spoilers, but the film does not shy away from any of the graphic imagery that one would see in a slasher movie. There is a lot of blood here. It also does not leave out the sexual section of this environment either.

The film does take some time to introduce us to these characters and understand why many of them are living the life that they are living. They are not portrayed as victims here, but it does not ignore the ugliness that can come with this lifestyle.

It is a movie that can be extremely uncomfortable to watch at times, and it is unapologetic for its choices. I expect that there would be plenty of people who will not like this film because it deals with several scenes that are tough to watch.

This is a movie that I am glad I saw, but not one that I will revisit any time soon. Candy land was directed by John Swab and is currently available for rental on Vudu.

All Eyes (2022)

June 4, 2023

Day: 4, Movie: 4

I have a low budget horror/drama for the June Swoon 2 today. I found it on Amazon Prime awhile ago and had placed it in “My Stuff” at the streamer. The premise of the film intrigued me so I added it to the list, intended for the June Swoon.

A disgraced podcast host Allen (Jasper Hammer) received a letter from a man named Don (Ben Hall), a widower who claimed that there was a monster in the woods behind his home. Allen, hoping to use this story for redemption, took Don’s offer to come and help him kill it. However, Allen soon realized that he had gotten himself into a situation that he had simply not expected.

First of all, it was clear that this movie was very low budget, so some of the things that it has in it do not look the greatest. Some of the booby-traps set up at Don’s home were silly and should not have worked the way they did. Having said that, the look of the film is not a criticism. I am sure they did the best they could with the budget that they were afforded.

The key to this movie is the interactions between Allen and Don. Both men were broken, from different reasons and both men were filled with pain. Finding this unlikely connection between them was the heart of the film. Some of the best scenes were the ones where these two men spoke to each other. Don was clearly an unhinged individual who set up a series of bobby-traps around his house that put anyone around him in jeopardy.

The stories of Don’s late wife really helped to humanize him and definitely touched Allen.

The monster involved in this story is an enigma. We know practically nothing about it, though there are some mysterious people as part of this story who obviously have some connection to it. The monster was used very well in the film and actually did look pretty decent when we finally get a look at it. Mind you, that scene was pretty much an apparent green screen, but, again, I appreciated the effort. In the end of the film, the film has some almost mega commentary about the monster that works for the whole film.

The performances of Jasper Hammer and Ben Hall stole the show. Ben Hall especially filled what could have been a cliched character into something rich and multidimensional.

This was a quick watch and was much better than I thought it would be, better than it had any right to be. Good performances and a surprisingly effective monster story blended together into a solid movie.

Spider-Man: Across the Spider-Verse

Masterpiece!

Miles Morales is back for the follow-up to the Oscar winning animated movie Into the Spider-Verse from 2018 with the brand new, part one, Spider-Man: Across the Spider-Verse.

Miles (Shameik Moore) is trying to balance his life at college with his responsibilities of being Brooklyn’s only Spider-Man, but his continued lying to his parents (Brian Tyree Henry, Luna Lauren Valez).

Meanwhile, Gwen Stacy (Hailee Steinfeld) was having many other problems in her own world with her police captain father, Captain George Stacy (Shea Whigham), who is trying to arrest her Spider-Woman persona. When a different era Vulture arrived in her world, several other spider-people, led by Miguel O’Hara (Oscar Isaacs) came to try to capture him. Gwen was impressive in aiding Miguel and Jessica Drew (Issa Rae) so she was brought into the multiversal group designed to protect the Spider-Verse.

Miles and Gwen are a great pairing, with a ton of chemistry together. They work so well together because they have so much in common. Both of them are lonely, lacking someone they can rely on, to confide in. The Spider-Gwen costume, which was created in the comics, looks absolutely amazing in this animation. It is one of the best designs of the past decade in comics, which is a huge reason why Spider-Gwen became such a breakout character.

However, there are other awesome breakout characters in this movie. We meet Spider-Punk (Daniel Kaluuya) who steals nearly every scene he is in. There is also Spider-Man India, named Pavitr Prabhakar (Karan Soni) who is a fabulous character design.

Of course, Miguel O’Hara makes a brilliant antagonist (of a sort) as the heroic Spider-Man 2099. Miguel was always trying to do what was best for the Spider-Verse, even if he had to do some things that he did not want to do. His character was not the quippy type as most Spider-men were. There is an anger inside of him spurred on by his own inane responsibility. I have a feeling that we will be diving into more of his story in part two, which comes out next March.

Of course, you cannot have a review of Spider-Man: Across the Spider-Verse without commenting on the animation styles that are so varied and absolutely special. The animation on display in this movie is beyond anything I have ever seen. It is a work of art, with every frame a potential poster to be framed on the wall. Not only is the animation brilliantly conceived, each character has their own, distinct art style. It was said that the film brought artists from these characters’ comic runs in to consult on how the animation should work, and that level of dedication created something truly unique and utterly bombastic to watch. There were several times when I just stared at the screen in complete awe of the artistry on display. The animation of Into the Spider-Verse was Oscar worthy and this animation elevated that even more.

The score of the movie was perfectly placed, with the amazing music amplifying every scene. Composer Daniel Pemberton brought together the eclectic soundtrack for this picture.

There were a ton of cameos and Easter eggs in the movie. In fact, there were just too many to even be able to see. As John Locke, one of my favorite characters from the TV show LOST, said in season two, “We’re gonna need to watch that again.” This movie feels as if it demands a rewatch just to try and see everything that is there.

The story was complex, but it does a great job of laying out the idea of the multiverse and the Spider-Verse proper. You can see the ties to the greater MCU in this movie too, allowing the potential connection to the MCU. The story could have become convoluted, but it did not because it grounded it with Miles and Gwen. At the heart of this story was parents and their children.

Spider-Man: Across the Spider-Verse is filled with surprises, amazing action, some of the most breath-takingly beautiful and visually unique animation ever on screen and a compelling story that shows just how important Miles Morales is. There is so much awesomeness in this movie, I have not even mentioned the return of Peter B. Parker (Jake Johnson) and his baby daughter May.

The end of this movie is a HUGE cliffhanger, yet it did not leave me feeling as if the movie shorted me on the story as films such as Fast X did. The end of this, almost 2 hour and 20 minute movie, only left me wanting more. Next March cannot get here soon enough. This is the best movie of the year so far.

5 stars