Tag Archives: dc

2025 Year in Review: The Christopher Reeve Memorial Comic Book Movie of the Year

Posted on by

I think this is a difficult one to give out this year, and I do think that my decision is different than I have ever done before.

There are three possible films: Thunderbolts, Superman, and Fantastic Four. I usually give this award to the superhero film that is highest on my Best Films list. That is not the situation this year. In fact, of the three, this one is my least favorite of the three. They are all awesome, but it just felt right to give this award to this certain film.

The Christopher Reeve Memorial Comic Book Movie of the Year

Previous Winners: Batman (1989), Dick Tracy (1990), The Rocketeer (1991), Batman Returns (1992), Batman: Mask of the Phantasm (1993), The Crow (1994), Batman Forever (1995), The Phantom (1996), Men in Black (1997), Blade (1998), Mystery Men (1999), X-Men (2000), From Hell (2001), Spider-Man (2002), X2: X-Men United (1993), Spider-Man 2 (1994), V for Vendetta (2005), 300 (2006), Superman: Doomsday (2007), The Dark Knight (2008), Watchmen (2009), Scott Pilgrim vs. the World (2010), Captain America: First Avenger (2011), The Avengers (2012), Iron Man 3 (2013), Captain America: Winter Soldier & Guardians of the Galaxy [tie] (2014), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Logan (2017), Avengers: Infinity War (2018), Avengers: Endgame (2019), Birds of Prey (2020), Spider-Man: No Way Home (2021), Black Panther: Wakanda Forever (2022), Guardians of the Galaxy Vol. 3 (2023), Deadpool and Wolverine (2024)

So, in 2025, The Christopher Reeve Memorial Comic Book Movie of the Year goes to….

Superman.

This film brought the character of Superman back to the big screen and did it in a way that truly paid homage to the Christopher Reeve version back in the 1978 movie.

Director James Gunn placed this new Superman smack dab in the center of his new DCU where Superman had been around for awhile. No origin story here. We all know it.

It’s not perfect, but it is the best rendition of Superman since Christopher Reeve and that is why I gave Superman this award, despite the fact that both Thunderbolts and Fantastic Four are higher up the list for me than Superman.

Daily Countdown: TV Shows #29

Posted on by

#29

Batman

POW! BOOM! ZOK!

In 1966, ABC broadcast a TV show starring the Caped Crusaders from DC Comics. Batman and Robin made their return to the public eye with this action/comedy series.

Batman was played by Adam West and Robin was played by Burt Ward, and they were the way that the Dynamic Duo was seen until the Batman ’89 movie where they gave batman an update.

The show was one of the earliest show I can remember being obsessed with. Each episode was similar as Batman and Robin would face a villain from Batman’s extensive rogue’s gallery and get captured at the end of the episode and placed in some kind of dasterdly death trap. The next episode would resolve that trap and would wrap up the villain. The villains became iconic too as we got the Joker, Penguin, Catwoman, Riddler, King Tut, Mad Hatter, among others.

When I was young, I always bugged my mom to make me a mask like Robin. I was a Robin fan as a youth. Looking back, whenever they had the big fights, Robin would have to fight the big bad villain and Batman would punch out the hoodlums. I was always surrpised how underappreciated Robin felt.

I was, of course, watching reruns of the show. I would always look forward to Batgirl episodes starring Yvonne Craig, who was added as a character in the third and final season.

My friends and I would use the term “Batman Leap” which was when one of us would make an illogical leap to answer a question or solve a problem… something that made no sense, much like Batman and Robin would do on the series. Glu Glutton’s Glue Factory being a prime example.

The campy nature of the show appealed to many, but typecast the actors involved for decades.

Either way, I loved the 1906s Batman series, and it belongs on this list.

So… what’s next on the list? We’ll find out… Same Bat-Time, Same Bat-Channel!

Peacemaker S2 E6

Posted on by

Spoilers

“Ignorance is Chris”

So the truth of the other world is finally revealed and the answer was just what I thought it was… although they take it another step .

Seeing that swastika on the American flag where the stars were supposed to be was a rough visual. Earth X? Some form of it? James Gunn is a wild man.

Harcourt noticed the fact immediately. As soon as Adebayo, Harcourt, Adrian and Economos arrived in the alternate earth, Harcourt spotted that there were no people of color.

It was a popular theory that had been going around the internet over the last several weeks, but it makes perfect sense. White Dragon, Chris father, a racist scumbag in the DCU, is still racist scumbag, but now… so is everyone.

The reveal of the truth was really well done and I am seriously concerned for Adebayo. Running from a mob of racists chasing her (including Keith) is shocking. It takes a big swing and sets things up for the final couple of episodes.

Economos spilling the beans to Chris’s father was very funny. Seeing Adrian go face to face with himself was also a hoot. I liked how the alternate earth Vigilante is a member of the Sons of Liberty, and now, you’ve got to reexamine everything we had thought about this world before.

Biggest surprise this episode though is easily… Lex Luthor! Rick Flag Sr. going to Luthor to make a deal to help him find the dimensional portal. I was thinking it was going to be Chris’s father, not dead, in the DCU, but when Nicholas Hoult sat down in his orange prison jumpsuit, I literally shouted out loud. I did not expect Superman’s arch enemy to make an appearance on Peacemaker.

There was a great scene between Chris and Harcourt too, as they try to figure out their relationship. Of course, there is only a limited time as this earth’s Emilia showed up demanding that Harcourt was arrested.

This has been great and now that we got this twist, I can’t wait to see where it goes next.

Superman (2025)

Posted on by

The DCU is finally here as James Gunn revealed his huge blockbuster to officially kick off the DC Universe films, in a reboot that has been in the planning stages for years. They started off with their classic character, Superman.

I can state, without a doubt, that James Gunn has done an amazing job with a film that soars to remarkable heights and is loaded with a ton of comic book-y fun.

It seems as if you can’t do a comic book movies these days without a ton of controversy, and Superman is not an exception. There have been complaints flying around about the use of the term immigrant in reference to Superman as well as the movie being “woke.” Despite these criticisms and talking points looking to drum up hatred, Superman (2025) is a wonderful movie and a great time in the theater.

No origins here, which is a great thing. We all know where Superman came from and how he wound up in Kansas, so why waste time showing it once again? Gunn is right in that we do not need to see baby Kal-El land, Bruce Wayne’s parents shot or Uncle Ben be killed ever again. We know these stories.

The world of this movie is fully encompassed with metahumans already and the dangers of the world are quite clearly shown.

The opening info tells us that Superman has stopped a war between a couple of countries and this is one of the big sticking points for a lot of people involved. This is the back drop of everything that goes down.

David Corenswet played Superman and he does an unbelievable job at it. He approached Superman with the right amount of heart and joy, even if he seemed to have a bit of a temper. It is really refreshing to see a Man of Steel concerned with saving people around him. There are a bunch of scenes showing that Superman cares for the people of earth, even after they turn on him.

I won’t give away why they turn on him, but it feels like it absolutely could happen in the world we live in today.

Corenswet and Rachel Brosnahan’s Lois Lane are already dating, and she knows about his true identity. There is amazing chemistry between these two and they bring sparks to the screen. Lois Lane is shown as an intelligent and strong woman who will take whatever risk she needs to take for her passions, whether that be the story she is pursuing or the man that she loved.

Superman’s iconic enemy, Lex Luthor, was played by Nicholas Hoult. This is my favorite version of Lex Luthor to ever appear in live action (or animated, btw). Hoult gave him such an evilness, but he did it without creating a cartoon. I understood Luthor’s motivations, even if they were horrendous. Nicholas Hoult was sensational in the role.

There were several other heroes appearing in the film, inside the Justice Gang, which included Guy Gardner, the Green Lantern, played with that slimy perfection by Nathan Fillion. Isabela Merced (from season two of Last of Us) as Hawkgirl, who did not have as much to do, but was pretty cool when she was involved. Mister Terrific, played by Edi Gathegi. Mister Terrific had a major part to play in this movie and he was awesome. I loved how they used these group of heroes instead of pulling out some of the more heavy hitters of the DCU.

The film looked really good, especially any scene with flight involved. The score was decent but James Gunn, who is well-known for his needle drop songs in some of his other movies, did not have many here. That did not distract me. In fact, I did not even think about it until the end credits.

When we first meet them, I was not a fan of Ma and Pa Kent (Neva Howell and Pruitt Taylor Vince), but I have to say they grew on me later in the film.

Krypto the dog was well used, even if I thought maybe he was used too much. Krypto has some solid scenes in the film. He is important and not just there to make everybody “awww” over a cute dog.

Some of the jokes did not land, which made a few scenes a touch awkward, but most of the humor worked fairly well. There were not as many jokes as some of James Gunn’s previous films, but there definitely had some humor in it.

I don’t think there is any other way to look at this other than as a triumph for James Gunn’s new rebooted DCU. Superman was colorful, exciting, dramatic, funny at times, and had so much heart that has been missing from Superman in other recent iterations. Outside of a few nitpicks (such as some of the workers at the Daily Planet… what was up with those characters?), I think this was a smashing success.

4.9 stars

Sunday Morning Sidewalk #18

Posted on by

Spoilers

“Playing House”

Last week, I was not very interested in the new story arc that The Sandman was starting off. This week, I am all in.

Funny how a week can change things. The whole story of Rose Walker and her search for his brother Jed was not catching my attention. I theorized last week when Rose showed up in the Dreaming at Morpheus’s throne room, business might be picking up and I was right. Right now I am fully engaged with this story of a sister trying to reunite with her brother.

We got more abut Jed’s life, trapped in a basement as his cruel foster father collected $800 checks every month and how Jed escaped into his dreams, with the aid of one of Morpheus’s missing nightmares, Gault, to become a super hero called The Sandman. Perhaps it was this dream that grabbed my attention, but, whatever it was, I thought this was so much more entertaining and gripping than it was last week.

The Corinthian was back again, being brutal and vicious in the most gentlemanly manner. When he showed up to take Jed, it was both a happy moment and one of anxiety. One thing is for sure, I was happy with the fates of the foster parents. They deserved every bit of what they got.

It seems more and more to me that Morpheus is not the hero of this story. On the surface, it appeared as if he wanted to help Rose find Jed, but it appeared that he only cared about retrieving Gault. His punishment of Gault was over the top too. I have to not think about Morpheus as a hero and instead thing of him like a force of nature. He is much like Galactus. Galactus consumes planets, but he is a necessary cog in the universe’s life span even if his actions could, at times, seem villainous.

The Lyta/Hector storyline still does not intrigue me near as much as the main story with Rose, but the dream baby does have some interest.

I am looking forward to next week’s installment, which is episode nine of eleven. We are coming to the end of the second program in the Sunday Morning Sidewalk series. I am actively looking for the third TV show to include after The Sandman concludes in three weeks.

Creature Commandos S1 E5

Posted on by

Spoilers

“The Iron Pot”

The Creature Commandos focused on Frankenstein this week, seeing some back story on him that turned out as tragic as one might expect.

This series has been up and down for me. This episode was good, but it really felt too quick, as if it rushed through. I would have said inconsequential, but Rick Flag Sr. sure looks like he is dead. I have a hard time believing that, but he sure seemed dead, and that would be clearly consequential.

However, the word was that Rick Flag Sr, as played by Frank Grillo, was playing a part in future DCU projects, and that the animation was all cannon, so I can not believe that I just saw him killed by this Clayface-looking monster.

Perhaps this is my own personal taste too, but the animated blood that is done so much here is overkill. I think the blood loses its impact when it is used as much as it is. It is the same way I feel about Invincible. I would rather keep the bloodshed to a minimum to keep it feeling special. When you just see bloody kill after bloody kill, it desensitizes the viewer and minimizes the effect. That is my opinion, but I thought the blood use in X-Men ’97 was much more effective than it has been in Creature Commandos.

Twenty-two minutes feels less than this show should have. At the very least, it should be 30 minutes, but this just felt like it was over and it had just started.

Grotesquerie S1 E9

Posted on by

Spoilers

“Episode 9”

An intense episode that, once again, really throws my understanding of what is going on into a confused state… and I loved that.

It felt as if Lois was on a crusade to put things to rest before she moved down to Florida. She saw Marshall and gave him divorce papers (and he was downright cruel at this point), she saw her daughter for one final slap, and she continued dream therapy.

It was here where things started to go weird once more. It was suggested that Lois’s dream, specifically about the Burnside family, which had no connection to her own life, was Lois seeing the future.

Of course, Megan was arriving at a murder scene exactly like the Burnside murder in reality. Right down to the mystery contents of the boiling pot on the stove, which feels as if it is a secret that we will be getting in the finale.

Reality? Hm, I wonder.

When Lois met Megan at the hotel, Lois had her cut her arm so she could see her blood. That was supposed to be how Lois proved to herself that this was real… and then the most surreal thing happened, with Megan’s abusive boyfriend showing up and attacking her. Lois held a gun on him but he did not stop. He tormented Lois about being the dream woman and that she knew she couldn’t kill him. He went so far as to put the barrel of the gun Lois held into his own mouth.

And then she shot him.

That was an awesome moment. A-hole got what he deserved. However, I worry for Lois.

Still, I am not convinced that everything here is real life. The background TVs kept talking about the fires that were spreading, much like the final sections of Lois’s dreams, and I feel there may be something “biblical” going down.

The Penguin S1 E4, E5

Posted on by

Spoilers

“Cent’anni”

“Homecoming”

Episode four was my favorite episode of the series so far. We saw the backstory of Sofia, how she was taken to Arkham and the horrors that were unleashed on her there.

Legit, some of the scene at Arkham were horrendous… electric shock treatments… to someone who was innocent of the charge of being “The Hangman.” Sent there by her very own father’s manipulations. Her whole family, except her brother, turned on her, keeping her in the asylum for ten years.

It really made Sofia relatable… someone the audience could root for… before she went totally crazy. Sofia gassed her entire family (except the one little girl). She tortured Johnny Viti. When he swore to help her, she brought him to a meeting and promptly shot him in the head when he tried to disagree with her.

Sofia then told the members of the meeting that she was setting up a new family. That the Falcone family was dead and that she was taking the name Gigante. She found Salvatore Maroni, who escaped from prison after one of Oz’s men tried to assassinate him. She formed an alliance with him with the intention of killing Oz and running the new family in the right way.

Cristin Milioti is absolutely brilliant. She had so many scenes that illuminated the power of her performance as she was developing into a massive villain right before our eyes… and one that we were cheering for.

Victor was assigned to protect Oz’s mother Francis. Oz was worried because he was not having quite the successes that he was hoping for, and he sent Victor to protect his mother. Deirdre O’Connell is great in this episode as Penguin’s mother. She has some great scenes with Victor and a tour de force scene with Oz later in the episode. The performance of a woman slowly succumbing to dementia is truly powerful and sad at the same time.

The Penguin’s disposal of Nadia and her son in a blaze of flame was shocking and showed how horrible Oz was too. He may be the protagonist, but he is not a hero.

Grotesquerie S1 E7

Posted on by

Spoilers

“Unplugged”

WTF?

I mean… WTF?

This episode started off with Lois being just a totally vicious bitch toward her daughter and her new fiancé, Travis Kelce. She was so cruel that I found myself hating her so much. Then she pulled the plug on Marshall. Then we found out that Father Charlie was Grotesquerie and that Sister Megan was his accomplice. Megan got into a massive fight with Lois, where she stabbed her multiple times.

Then things changed.

Lois is in the coma. Marshall is alive and in the Lois role from the beginning. Lois had been the one having the affair. Sister Megan was the police chief. Marshall decided to pull the plug on Lois. Travis Kelce wanted to say goodbye, but Marshall wanted no part of that, keeping him from the room. When they pulled the plug, Lois floated up and seemed to get her heartbeat back.

What the hell is going on?

Is this show implying that Lois has been in the coma the whole time and the first six episodes were all in her head? I think that is what is going on here.

Does that mean that everything prior to Lois waking up from her coma in this episode means nothing?

That is a massive sized twist if that is the case. It is also extremely confusing in this episode. Where does this story go from here? Is this a totally different story than the one we have been watching?

Only one episode released this week, but it was nearly an hour long, and it was totally insane. I am not sure what happened or where it goes from here. There are three more episodes remaining.

The Penguin S1 E3

Posted on by

Spoilers

“Bliss”

I have been behind on The Penguin’s latest episode because of the Dodgers-Padres series, which has been must see for me. Sunday night’s next episode of The Penguin will also have to be viewed at a different time because the Dodgers start the NLCS vs. the Mets.

It is nice to have HBO Max so that I can catch up on The Penguin whenever my schedule allows it. Because this is an excellent series.

This episode gave us more details and background with Victor as he questioned whether or not he should be sticking with Oz. “Bliss” does a great job with relationships, specifically with Oz-Victor, Victor and his father, and Oz-Sofia. All the while, Oz and Sofia are showing off the new designer drug they are ready to be pushing- Bliss. Apparently, Sofia Falcone let us know that this is a drug that they had used at Arkham, which makes me wonder if that is tied to one of the known Batman baddies from there.

Again, this does not feel like a comic book movie. This is a crime story featuring a character that is known to comic fans as one of Batman’s rogue gallery. As I say every week, the performance of Colin Farrell as Oz is breath-taking. It goes far beyond just the physical transformation he undergoes. His pain from Victor’s desire to depart wounded Oz to the core. Farrell played that out brilliantly.

Victor’s choice at the end leaves little to no wiggle room (no pun intended). It is sad for the young kid.

The Penguin is excellent and we will see where this goes next.

Batman: Caped Crusader S1 E1

Posted on by

Spoilers

“In Treacherous Waters”

A brand new Batman animated series dropped its ten episode season one on Amazon Prime today, and I was able to watch episode one, “In Treacherous Waters,” to kick off the new show.

This first episode, which featured the new Penguin, a female named Oswalda Cobblepot, gender-switched for the animated program. She is voiced by Minnie Driver.

The new series definitely has the same flavor of the original Batman: The Animated Series, one of the greatest cartoons of all-time. Bruce Timm is back with an involvement in this new series, so that tone similarity makes sense.

Hamish Linklater is the voice of Batman/Bruce Wayne and the style of the voice is clearly in honor of the late great, EYG Hall of Famer, Kevin Conroy. Diedrich Bader, who has done a ton of voice over acting, is Harvey Dent, Eric Morgan Stuart is Commissioner Gordon, Krystal Joy Brown is Barbara Gordon, and Jason Watkins was Alfred Pennyworth. There are several other voices to come in the remainder of the episodes.

The style on this series again reflects the original series and looks really cool. However, the story itself was, at best, okay. I did like the first episode, but that is all I have seen so far and I would say that the level of animated TV shows from this past year (X-Men ’97, What If…? etc.) rates much higher than this so far. Of course, I have only seen one episode so far and I will definitely be checking out the remaining 9 episodes of this first season as soon as I can.

Of course, the gender-swapped Penguin will probably be an issue for some, but that does not bother me in the slightest. Minnie Driver is a talented actor and works well for the character. I am sure there will be voices out there who are angry at this change who will scream to the heavens about the impropriety of making Oswald Cobblepot a female. I am sorry for your pain.

Eisner Winners SDCC 2024

Posted on by

BEST SHORT STORY

“Friendship Is Forever,” by Sam Maggs and Keisha Okafor, in My Little Pony 40th Celebration (IDW)

“The Kelpie,” by Becky Cloonan, in Four Gathered on Christmas Eve (Dark Horse)

“The Lady of the Lake,” by Joe S. Farrar and Guilherme Grandizolli, in BUMP: A Horror Anthology #3 (BUMP)

“Talking to a Hill,” by Larry Hancock and Michael Cherkas, in Comics for Ukraine (Zoop)

“World’s Finest, Part 1,” by Tom King and Belen Ortega, in Wonder Woman #3 (DC)

BEST SINGLE ISSUE/ONE-SHOT

Horologist, by Jared Lee and Cross (Grim Film)

Nightwing #105, by Tom Taylor and Bruno Redondo (DC)

Star Trek: Day of Blood—Shax’s Best Day, by Ryan North and Derek Charm (IDW)

Superman 2023 Annual, by Joshua Williamson and others (DC)

Sweet Paprika: Black, White, & Pink, by Mirka Andolfo and others (Image)

BEST CONTINUING SERIES

Birds of Prey, by Kelly Thompson and Leonardo Basto Romero (DC)

Nightwing, by Tom Taylor and Bruno Redondo (DC Comics)

Shazam! by Mark Waid and Dan Mora (DC)

Transformers, by Daniel Warren Johnson (Image Skybound)

Wonder Woman, by Tom King and Daniel Sampere (DC)

BEST LIMITED SERIES

The Cull, by Kelly Thompson and Mattia De Iulis (Image)

Godzilla: Here There Be Dragons, by Frank Tieri and Inaki Miranda (IDW)

Kill Your Darlings, by Ethan S. Parker, Griffin Sheridan, and Robert Quinn (Image)

PeePee PooPoo, by Caroline Cash (Silver Sprocket)

Superman: Lost, by Christopher Priest and Carlo Pagulayan (DC)

BEST NEW SERIES

Beneath the Trees Where Nobody Sees, by Patrick Horvath (IDW)

Black Cloak, by Kelly Thompson and Meredith McClaren (Image)

Local Man, by Tim Seeley and Tony Fleecs (Image)

Phantom Road, by Jeff Lemire and Gabriel Hernández Walta (Image)

Somna: A Bedtime Story, by Becky Cloonan and Tula Lotay (DSTLRY)

BEST PUBLICATION FOR EARLY READERS

Bigfoot and Nessie: The Art of Getting Noticed, by Chelsea M. Campbell and Laura Knetzger (Penguin Workshop/Penguin Random House)

Burt the Beetle Lives Here! by Ashley Spires (Kids Can Press)

Go-Go Guys, by Rowboat Watkins (Chronicle Books)

The Light Inside, by Dan Misdea (Penguin Workshop/Penguin Random House)

Milk and Mocha: Our Little Happiness, by Melani Sie (Andrews McMeel)

Tacos Today: El Toro & Friends, by Raúl the Third (HarperCollins/Versify)

BEST PUBLICATION FOR KIDS

Buzzing, by Samuel Sattin and Rye Hickman (Little, Brown Ink)

Mabuhay!, by Zachary Sterling (Scholastic Graphix)

Mexikid: A Graphic Memoir, by Pedro Martín (Dial Books for Young Readers/Penguin Young Readers)

Missing You, by Phellip Willian and Melissa Garabeli. translation by Fabio Ramos (Oni Press)

Saving Sunshine, by Saadia Faruqi and Shazleen Khan (First Second/Macmillan)

BEST PUBLICATION FOR TEENS

Blackward, by Lawrence Lindell (Drawn & Quarterly)

Danger and Other Unknown Risks, by Ryan North and Erica Henderson (Penguin Workshop/Penguin Random House)

Frontera, by Julio Anta and Jacoby Salcedo (HarperAlley)

Lights, by Brenna Thummler (Oni Press)

Monstrous: A Transracial Adoption Story, by Sarah Myer (First Second/Macmillan)

My Girlfriend’s Child, vol. 1, by Mamoru Aoi, translation by Hana Allen (Seven Seas)

BEST HUMOR PUBLICATION

How to Love: A Guide to Feelings & Relationships for Everyone, by Alex Norris (Candlewick/Walker Books)

I Was a Teenage Michael Jackson Impersonator, and Other Musical Meanderings, by Keith Knight (Keith Knight Press)

It’s Jeff: The Jeff-Verse #1, by Kelly Thompson and Gurihiru (Marvel)

Macanudo: Optimism Is for the Brave, by Liniers (Fantagraphics)

The Yakuza’s Bias, by Teki Yatsuda. translation by Max Greenway (Kodansha)

BEST ANTHOLOGY

Comics for Ukraine, edited by Scott Dunbier (Zoop)

Deep Cuts, by Kyle Higgins, Joe Clark, Danilo Beyruth, and others (Image)

The Devil’s Cut, edited by Will Dennis (DSTLRY)

Marvel Age #1000, edited by Tom Brevoort (Marvel)

The Out Side: Trans & Nonbinary Comics, edited by The Kao, Min Christensen, and David Daneman (Andrews McMeel)

Swan Songs by W. Maxwell Prince and others (Image)

BEST REALITY-BASED WORK

Are You Willing to Die for the Cause? by Chris Oliveros (Drawn & Quarterly)

Last on His Feet: Jack Johnson and the Battle of the Century, by Adrian Matejka and Youssef Daoudi (Liveright)

Messenger: The Legend of Muhammad Ali, by Marc Bernardin and Ron Salas (First Second/Macmillan)

Thing: Inside the Struggle for Animal Personhood, by Samuel Machado and Cynthia Sousa Machado with Steven M. Wise (Island Press)

Three Rocks: The Story of Ernie Bushmiller: The Man Who Created Nancy, by Bill Griffith (Abrams ComicArts)

BEST GRAPHIC MEMOIR

Family Style: Memories of an American from Vietnam, by Thien Pham (First Second/Macmillan)

A First Time for Everything, by Dan Santat (First Second/Macmillan)

In Limbo, by Deb JJ Lee (First Second/Macmillan)

Memento Mori, by Tiitu Takalo, translation by Maria Schroderus (Oni Press)

Sunshine: How One Camp Taught Me About Life, Death, and Hope, by Jarrett J. Krosoczka (Scholastic Graphix)

The Talk, by Darrin Bell (Henry Holt)

BEST GRAPHIC ALBUM—NEW

Ashes, by Álvaro Ortiz, translation by Eva Ibarzabal (Top Shelf/IDW)

Eden II, by K. Wroten (Fantagraphics)

A Guest in the House, by Emily Carroll (First Second/Macmillan)

Parasocial, by Alex De Campi and Erica Henderson (Image)

Roaming, by Mariko Tamaki and Jillian Tamaki (Drawn & Quarterly)

BEST GRAPHIC ALBUM—REPRINT

Doctor Strange: Fall Sunrise Treasury Edition, by Tradd Moore (Marvel)

The Good Asian, by Pornsak Pichetshote and Alexandre Tefenkgi (Image)

Hip Hop Family Tree: The Omnibus, by Ed Piskor (Fantagraphics)

Orange Complete Series Box Set, by Ichigo Takano, translation by Amber Tamosaitis (Seven Seas)

Wonder Woman Historia: The Amazons, by Kelly Sue DeConnick, Phil Jimenez, Gene Ha, and Nicola Scott (DC)

BEST ADAPTATION FROM ANOTHER MEDIUM

Bea Wolf, adapted by Zach Weinersmith and Boulet (First Second/Macmillan)

#DRCL midnight children, vol. 1, based on Bram Stoker’s Dracula, by Shin’ichi Sakamoto, translation by Caleb Cook (VIZ Media)

H.P. Lovecraft’s The Shadow over Innsmouth, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)

The Monkey King: The Complete Odyssey, adapted by Chaiko, translation by Dan Christensen (Magnetic)

Watership Down, by Richard Adams, adapted by James Sturm and Joe Sutphin (Ten Speed Graphic)

BEST U.S. EDITION OF INTERNATIONAL MATERIAL

Ashes, by Álvaro Ortiz, translation by Eva Ibarzabal (Top Shelf/IDW)

Blacksad, Vol 7: They All Fall Down, Part 2, by Juan Díaz Canales and Juanjo Guarnido, translation by Diana Schutz and Brandon Kander (Europe Comics)

A Boy Named Rose, by Gaëlle Geniller, translation by Fabrice Sapolsky (Fairsquare Comics)

The Great Beyond, by Léa Murawiec, translation by Aleshia Jensen (Drawn & Quarterly)

Shubeik Lubeik, by Deena Mohamed (Pantheon Books/Penguin Random House)

Spa, by Erik Svetoft, translation by Melissa Bowers (Fantagraphics)

BEST U.S. EDITION OF INTERNATIONAL MATERIAL—ASIA

#DRCL midnight children, vol. 1, based on Bram Stoker’s Dracula, by Shin’ichi Sakamoto, translation by Caleb Cook (VIZ Media)

Goodbye, Eri, by Tatsuki Fujimoto, translation by Amanda Haley (VIZ Media)

The Horizon, vol. 1, by JH, translation by ULTRAMEDIA Co. Ltd. (Yen/Ize Press)

My Picture Diary, by Fujiwara Maki, translation by Ryan Holmberg (Drawn & Quarterly)

River’s Edge, by Kyoko Okazaki, translation by Alexa Frank (Kodansha)

The Summer Hikaru Died, vol. 1, by Mokumokuren, translation by Ajani Oloye (Yen Press)

BEST ARCHIVAL COLLECTION/PROJECT—STRIPS

Dauntless Dames: High-Heeled Heroes of the Comic Strips, edited by Peter Maresca and Trina Robbins (Sunday Press/Fantagraphics)

David Wright’s Carol Day: Lance Hallam, edited by Roger Clark, Chris Killackey, and Guy Mills (Slingsby Bros, Ink!)

Popeye Sundays Vol 3: The Sea Hag and Alice the Goon, by E.C. Segar, edited by Conrad Groth and Gary Groth (Fantagraphics)

Walt Disney’s Silly Symphonies 1932-1935: Starring Bucky Bug and Donald Duck and Walt Disney’s Silly Symphonies 1935-1939: Starring Donald Duck and Big Bad Wolf, edited by David Gerstein (Fantagraphics)

Where I’m Coming From, by Barbara Brandon-Croft, edited by Peggy Burns and Tracy Hurren (Drawn & Quarterly)

BEST ARCHIVAL COLLECTION/PROJECT—COMIC BOOKS

Adventures Into Terror: The Atlas Comics Library, vol. 1, edited by Michael J. Vassallo (Fantagraphics)

All-Negro Comics 75th Anniversary Edition, edited by Chris Robinson (Very GOOD Books)

The Ballad of Halo Jones Full Colour Omnibus, by Alan Moore and Ian Gibson, edited by Olivia Hicks (2000AD/Rebellion)

The John Severin Westerns Featuring American Eagle, edited by Michael Dean (Fantagraphics)

Michael Golden’s Marvel Stories Artist’s Edition, edited by Scott Dunbier (IDW)

BEST WRITER

Stephen Graham Jones, Earthdivers (IDW)

Mariko Tamaki, Roaming (Drawn & Quarterly)

Tom Taylor, Nightwing, Titans (DC)

Kelly Thompson, Birds of Prey, Harley Quinn, Black White and Redder (DC); Black Cloak, The Cull (Image); It’s Jeff, Captain Marvel (Marvel)

Mark Waid, Batman/Superman: World’s Finest, Shazam!, World’s Finest: Teen Titans (DC)

G. Willow Wilson, Poison Ivy (DC); Hunger and the Dusk (IDW)

BEST WRITER/ARTIST

Emily Carroll, A Guest in the House (First Second/Macmillan)

Bill Griffith, Three Rocks (Abrams ComicArts)

Daniel Warren Johnson, Transformers (Image Skybound)

Mokumokuren, The Summer Hikaru Died, vol. 1 (Yen Press)

Zoe Thorogood, Hack/Slash: Back To School (Image)

Tillie Walden, Clementine Book Two (Image Skybound)

BEST PENCILLER/INKER OR PENCILLER/INKER TEAM

Jason Shawn Alexander, Detective Comics (DC); Killadelphia, with Germán Erramouspe (Image)

Tula Lotay, Barnstormers: A Ballad of Love and Murder (Comixology Originals/Best Jackett)

Inaki Miranda, Godzilla: Here There Be Dragons (IDW)

Dan Mora, Batman/Superman: World’s Finest, Shazam! (DC)

Chris Samnee, Fire Power (Image Skybound)

Jillian Tamaki, Roaming (Drawn & Quarterly)

BEST PAINTER/MULTIMEDIA ARTIST (INTERIOR ART)

Jason Shawn Alexander, Blacula: Return of the King (Zombie Love Studios)

Chaiko, The Monkey King (Magnetic)

Juanjo Guarnido, Blacksad, Vol 7: They All Fall Down, Part 2 (Europe Comics)

Liam Sharp, Nocterra: Nemesis Special (Best Jackett); Starhenge: The Dragon and the Boar (Image)

Martin Simmonds, Universal Monsters: Dracula (Image Skybound)

Sana Takeda, The Night Eaters: Her Little Reapers (Abrams ComicArts); Monstress (Image)

BEST COVER ARTIST

Jen Bartel, DC Pride 2023, Fire & Ice: Welcome to Smallville #1 (DC); Captain Marvel: Dark Tempest #1, Demon Wars: Scarlet Sin #1, Scarlet Witch #9, Sensational She-Hulk (Marvel)

Evan Cagle, Detective Comics (DC)

Jenny Frison, Alice Never After #1, BRZRKR: Fallen Empire #1, and other alternate covers (BOOM! Studios); Knight Terrors: Harley Quinn #1–2, Poison Ivy #8, #12 (DC)

E. M. Gist, Expanse Dragon Tooth #1, Something Is Killing the Children #28 & #34, Wild’s End, vol 2 #4 and other alternate covers (BOOM! Studios); Amazing Spider-Man #23, Doctor Aphra #36, Moon Knight #3, Nightcrawlers #1, Wolverine #38 (Marvel)

Peach Momoko, Demon Wars: Scarlet Sin, various alternate covers (Marvel)

Dan Mora, Coda #3, Damn Them All #4, MMPR 30th Anniversary Special #1, Rare Flavours #3 and other alternate covers (BOOM! Studios); Batman/Superman: World’s Finest, Outsiders #1, Poison Ivy #9, Shazam!, Titans #1 (DC)

BEST COLORING

Jordie Bellaire, Batman, Birds of Prey (DC); Dark Spaces: Hollywood Special (IDW)

Matt Hollingsworth, Captain America, Doctor Strange, Guardians of the Galaxy, Punisher (Marvel)

Lee Loughridge, Red Zone (AWA); Edgeworld, Grammaton Punch, Nostalgia (Comixology Originals); The Devil’s Cut, Gone, Somna (DSTLRY); Star Trek (IDW); Killadelphia (Image); Hunt. Kill. Repeat. (Mad Cave)

Dave McCaig, The Sacrificers (Image), The Walking Dead Deluxe (Image Skybound)

Dean White, Conan the Barbarian (Titan Comics)

BEST LETTERING

Emily Carroll, A Guest in the House (First Second/Macmillan)

Benoit Dahan and Lauren Bowes, Inside the Mind of Sherlock Holmes (Titan Comics)

Bill Griffith, Three Rocks (Abrams ComicArts)

Hassan Otsmane-Elhaou, The Unlikely Story of Felix and Macabber, The Witcher: Wild Animals, and others (Dark Horse); Batman: City of Madness, The Flash, Poison Ivy, and others (DC); Black Cat Social Club (Humanoids); Beneath the Trees Where Nobody Sees (IDW); The Cull, What’s the Furthest Place from Here? (Image); and others

Richard Starkings, Barnstormers: A Ballad of Love and Murder, Canary (Comixology Originals/Best Jackett); Parliament of Rooks (Comixology); Astro City, Battle Chasers (Image); Conan the Barbarian (Titan Comics)

Rus Wooton, Monstress, The Sacrificers (Image); Fire Power, Kroma, Transformers, The Walking Dead Deluxe, Universal Monsters: Dracula, Void Rivals (Image Skybound); Hunt. Kill. Repeat., A Legacy of Violence, Nature’s Labyrinth (Mad Cave)

BEST COMICS-RELATED PERIODICAL/JOURNALISM

The Comics Journal #309; edited by Gary Groth, Kristy Valenti, and Austin English (Fantagraphics)

“The Indirect Market,” by Brandon Schatz and Danica LeBlanc, comicsbeat.com

Rob Salkowitz, for Forbes, ICv2.com, Publishers Weekly

SKTCHD, by David Harper, http://www.sktchd.com

SOLRAD: The Online Literary Magazine for Comics, http://www.solrad.co (Fieldmouse Press)

BEST COMICS-RELATED BOOK

Bryan Talbot: Father of the British Graphic Novel, by J. D. Harlock and Bryan Talbot (Brainstorm Studios)

Confabulation: An Anecdotal Autobiography, by Dave Gibbons (Dark Horse)

Flamed Out: The Underground Adventures and Comix Genius of Willy Murphy, by Nicki Michaels, Ted Richards, and Mark Burstein (Fantagraphics)

I Am the Law: How Judge Dredd Predicted Our Future, by Michael Molcher (Rebellion)

The Pacific Comics Companion, by Stephan Friedt and Jon B. Cooke (TwoMorrows)

Thalamus: The Art of Dave McKean (Dark Horse)

BEST ACADEMIC/SCHOLARLY WORK

Asian Political Cartoons, by John A. Lent (University Press of Mississippi)

The Claremont Run: Subverting Gender in the X- Men, by J. Andrew Deman (University of Texas Press)

Desegregating Comics: Debating Blackness in the Golden Age of American Comics, edited by Qiana Whitted (Rutgers University Press)

If Shehrazad Drew: Critical Writings on Arab Comics, by George Khoury-Jad (Sawaf Center for Arab Comics Studies and American University of Beirut Press)

In Visible Archives: Queer and Feminist Visual Culture in the 1980s, by Margaret Galvan (University of Minnesota Press)

Super Bodies: Comic Book Illustration, Artistic Styles, and Narrative Impact, by Jeffrey A. Brown (University of Texas Press)

BEST PUBLICATION DESIGN

Bram Stoker’s Dracula and Mary Shelley’s Frankenstein boxed set, designed by Mike Kennedy (Magnetic)

Gratuitous Ninja, by Ronald Wimberly, designed by Chloe Scheffe (Beehive Books)

Inside the Mind of Sherlock Holmes, designed by Benoit Dahan andDonna Askem (Titan Comics) 

Iron Maiden: Piece of Mind, designed by Josh Bernstein and Rob Schwager (Z2)

Toilet-bound Hanako-kun First Stall Box Set, designed by Wendy Chan (Yen Press)

BEST WEBCOMIC 

Asturias: The Origin of a Flag, by Javi de Castro, https://www.javidecastro.com/asturias-the-origin-of-a-flag

Daughter of a Thousand Faces, by Vel (Velinxi), https://tapas.io/series/daughter-of-a-thousand-faces/info (Tapas)

Lore Olympus, by Rachel Smythe, https://www.webtoons.com/en/romance/lore-olympus/s3-episode-226/viewer?title_no=1320&episode_no=231 (WEBTOON)

Matchmaker, vol. 6, by Cam Marshall at https://matchmakercomic.com/. (Silver Sprocket)

3rd Voice, by Evan Dahm, https://www.webtoons.com/en/canvas/3rd-voice/list?title_no=828919 (WEBTOON)

Unfamiliar, by Haley Newsome: https://tapas.io/series/unfamiliar/info (Tapas)

BEST DIGITAL COMIC

Blacksad, Vol 7: They All Fall Down, Part 2. by Juan Díaz Canales and Juanjo Guarnido, translation by Diana Schutz and Brandon Kander (Europe Comics)

Friday, by Ed Brubaker and Marcos Martin, vols. 7–8 (Panel Syndicate)

Parliament of Rooks, by Abigail Jill Harding (Comixology Originals)

Practical Defense Against Piracy, by Tony Cliff (delilahdirk.com)

A Witch’s Guide to Burning, by Aminder Dhaliwal (Instagram.com/aminder_d)

Justice League: Warworld (2023)

Posted on by

June 4, 2024

The fourth day of the June Swoon 3: A Cinematic Flashback brought me to HBO Max and the first animated film of the month. It is also the first disappointment of the month.

At first, I felt that Justice League: Warworld was an intriguing concept. Seeing Wonder Woman in the old West was a neat concept and watching her square off with Jonas Hex opened a lot of possibilities. I was thinking this was much like Westworld and seeing the Justice League involved in this setting would be cool.

However, it was not just the old West. After her short bit was done, we came across Batman in the world of Warlord. Wonder Woman was there too. I did not understand what was happening and, if this was the case, why was Batman not in the old West. and where was Superman?

Eventually we came to Superman as an agent of the government in a black and white alien invasion film where both Batman and Wonder Woman would appear as would King Faraday. It also borrowed heavily from a Twilight Zone episode I saw last summer during the Daily Zone rewatch.

All of these side bits seemed to be nothing more than time wasters as the real plot started up in this episode as they came across Mongul, with Lobo, who has some weird sci-fi storyline. Apparently, Warworld is a massive weapon against the multiverse and he was in search of a key. Why he brought the Trinity into the story made no sense, but that was not unlike most of the rest of this movie.

J’onn J’onzz was here too and played a role in the end of the film, but the movie made the entire thing feel unnecessary as it was being used simply to introduce the idea of Crisis on Infinite Earths. The movie brought in what I assume was Harbinger at the very end to rescue the Trinity and set up the next animated film. I am only guessing that this is Harbinger since the look of the character is nothing like I remember. She looked more like Marvel’s Frankie Raye aka Nova than she did the Harbinger from Crisis on Infinite Earths.

Jensen Ackles lead the voice cast which included Stana Katic (formerly of Castle fame) as Wonder Woman, and Darren Criss as Superman. Other actors included Ike Amadi, Troy Baker, Matt Bomer, Roger Cross, Brett Dalton, John DiMaggio, Frank Grillo, Teddy Sears, Kari Wahlgren, and Robin AtkinDownes.

The animation was fine, but did not standout in any instance. The characters did not feel right. Even in Elseworld type stories, the characters needed to feel like the characters we know in order for us to relate to them. Much of the story was convoluted and only felt as if it existed simply to put them in these specific settings. Worse yet, was it simply felt like a commercial for the next DC animation film.

Usually, the DC animated movies are very well done. This was quite a step down.

Aquaman and the Lost Kingdom

Posted on by

The DCEU comes to a close. 

The long delayed Aquaman and the Lost Kingdom finally came out as the final installment before James Gunn’s films start coming out in 2025.

I had the bar set really low for Aquaman and the Lost Kingdom, and, unfortunately, it seems as if the film stumbled over it.

There was nothing obnoxiously unwatchable about the movie. It just wasn’t very good and there were plenty of times where it was actively stupid. I found much of the first act or so boring. The third act was the typical DC CGI fest and it was really predictable. 

Jason Momoa still does a decent job as Arthur Curry, but I am not sure that a lot of the humor worked well. Momoa and Patrick Wilson’s chemistry was okay, but it did feel like a poor-man’s version of Thor and Loki. Amber Heard’s presence felt awkward because of her outside situations. 

CGI was a mishmash. Some moments it was pretty good. I’d say the background with the settings were always beautiful. However, some of the action and the evil villain from the past was not good. When that green Groot-like looking thing showed up, I got real Paralax from Green Lantern vibes. I almost laughed at the character the first time he appeared.

There were several things that did not make sense, but I can’t go into these without spoiling. One thing from the third act involving Randall Park that I just could not get past.

I also spent a lot of time watching their hair flitter in the water but nothing else happened. No bubbles from the mouth. No other things floating. I was distracted by Momoa’s hair every time he was supposed to be underwater.

This was just not very good and it sent the DCEU sputtering off into the night. Bring on James Gunn’s new DCU.

2.2 stars

Merry Little Batman

Posted on by

This is probably not for hardcore Damian Wayne fans.

If you can get past the fact that Damian Wayne, who is typically a very dark and violent character, is smoothed into a family friendly cartoon version of the character, then you will enjoy this hectic, engaging and fun-filled animated romp. If taking the darkness out of the story bothers you, well, skip this one.

I am not offended by the edginess removed from the Bat-Family, so I was able to watch and enjoy the Merry Little Batman special on Amazon Prime.

According to Rotten Tomatoes, “This Christmas, Damian Wayne wants to be a superhero like his dad–the one and only Batman. When Damian is left home alone while Batman takes on Gotham’s worst supervillains on Christmas Eve, he stumbles upon a villainous plot to steal Christmas and leaps at the chance to save the day.”

Luke Wilson voiced Bruce Wayne/Batman in this movie, which was an interesting choice. It definitely revealed the changes of the character since fatherhood took over. Yonus Kibreab voiced Damian and James Cromwell was Alfred Pennyworth.

Several iconic Batman villains make their appearances too, including Joker (David Hornsby), Penguin (Brian George), Poison Ivy (Therese McLaughlin) and Bane (Chris Sullivan).

Animated in a family friendly way, Merry Little Batman is absolutely directed to a younger audience, but it did not lose the humor or the message to the story. Damian learns a valuable lesson about being a superhero, about sacrifice and about Christmas.

This is a lot of fun and, if you allow yourself to enjoy the film, you will. If your preconceived notions of what Batman or Damian Wayne is supposed to be, then you may get in your own way.

3.75 stars