Daily Countdown: Weird Al Songs #71

#71

Polka Party

Title: “Polka Party”

Album: Polka Party

Released: 1986

Genre: Polka/Comedy

Songs: “Sledgehammer,” “Sussudio,” “Party All the Time,” “Say You, Say Me,” “Freeway of Love,” “What You Need,” “Harlem Shuffle,” “Venus,” “Nasty,” “Rock Me Amadeus,” “Shout,” “Papa Don’t Preach.”

I listened to this one forever during my college days.

Lyrics

You could have a big dipper
Going up and down all around the bends
You could have a bumper car bumping
This amusement never ends

I wanna be your sledgehammer
Why don’t you call my name?
Oh, let me be your sledgehammer
This will be my testimony, yeah, yeah

There’s a girl that’s been on my mind all the time
Su-su-sudio, oh-oh
Now she don’t even know my name
But I think she likes me just the same
Su-su-sudio, whoa-oh

And my girl wants to party all the time
Party all the time, party all the time
My girl wants to party all the time, party all the time
She parties all the time

Say you, say me
Say it for always, that’s the way it should be
Say you, say me
Say it together naturally

We’re going riding on the freeway of love
Wind’s against our back
We’re going riding on the freeway of love
In a big Cadillac

That’s why you need, ooh
That’s why this what you need, I’ll give you what you need

Yah, yah, yah, do the Harlem polka, everybody now
Yah, yah, yah, do the Harlem polka

She’s got it, yeah baby, she’s got it
Well, I’m your Venus, I’m your fire
What’s your desire?

Nasty, nasty boys don’t mean a thing
Oh, you nasty boys
Nasty, nasty boys don’t ever change
Oh, you nasty boys

I like this part

Ooh, rock me Amadeus
Ooh, rock me Amadeus
Ooh, rock me Amadeus, ooh

Shout, shout, let it all out
These are the things I can do without, come on
I’m talking to you, come on

Please papa don’t preach, I’m in trouble deep
Papa don’t preach, I’ve been losing sleep
But I’ve made up my mind, I’m keeping my baby
Oh, I’m gonna keep my baby
I’m gonna keep my baby

Keep my baby
Keep my baby
Keep my baby
Hey

Source: Musixmatch

The Pitt S2 E15

Spoilers

“9:00 PM”

Who knew that what I really needed was Santos and Mel doing karaoke?

The ending episode of season two was filled with moments that brought such humanity to the show.

Noah Wylie is an amazing actor. His performance as Robby was sensational. He goes through the wringer during this episode as many of his co-workers and friends face him down with the concerns that he is considering ending his life. At the end, it felt like a moment shared with the little baby that had been abandoned in the beginning of the season was more helpful to Robby than anything else. He spoke to the baby about all the things she will see in her life and you could tell he was also talking about himself. I know Noah Wylie is the star of this show, but that does not mean that he is free from consequences of his potential actions.

 “I got a good feeling you’re going to be just fine.” Robby said this to the baby, but was he actually talking to himself?

Babies were an important fixture of this episode as Robby and Abbot were able to team up (with a whole room full of personnel) to save a woman and her unborn baby when she was seizing from pre-eclampsia (a blood pressure disorder that can occur around 20 weeks of pregnancy). She was doing a Wild Birth, a birth without medical treatment or with the help of doctors. That sounded insane to me, but I googled it an it was a thing. The show certainly showed how these consequences could have had a tragic result.

Langdon and Robby had their conversation, but it was not what I had envisioned. I had hoped to see Robby come and tell Langdon that he respected what he has accomplished, but instead, Langdon turned it back on Robby, telling him that he needed help. It was probably a more honest interaction than the happy resolution I had in my head.

The Pitt is a fabulous show and the second season was every bit as great as the first season. There are plenty of questions going into their third season including the fate of Dr. Al-Hashimi, who Robby insisted tell the admins about her seizures.

That emergency c-section was rough to watch.

The mid-credit scene of the karaoke was life-affirming as was the ending sequence with some great fireworks. It was the 4th of July remember.

Bring on season three.

Daily Countdown: Weird Al Songs #74

#74

Gotta Boogie

Title: “Gotta Boogie”

Written: Al Yankovic

Album: “Weird Al” Yankovic

Release: 1983

Style: Dance/disco

Lots of funny puns involving boogers. What more can you ask? This was a wonderful surprise the first time hearing Weird Al’s debut album, as I do not remember hearing it on the Dr. Demento show. I did see Al perform this live in concert at one of the times I saw him play.

Lyrics

Gotta boogie
Gotta boogie
Gotta boogie
Gotta boogie
I gotta boogie (gotta boogie)
Gotta boogie (gotta boogie)
I gotta boogie (gotta boogie)
Gotta boogie on my finger and I can’t shake it off

Well, I went out to a party just the other night
I was jammin’ to the music, I was feelin’ alright
I was burning up the floor like a disco maniac
When my woman said, “Baby, why’s your hand behind you back?”

Gotta boogie (gotta boogie)
I said boogie (gotta boogie)
I gotta boogie (gotta boogie)
Gotta boogie on my finger and I can’t shake it off

I can’t pick it off (uh uh)
I can’t flick it off (uh uh)
I sure ain’t gonna lick it off (oh no)
So I guess I’m gonna have to learn to live with it

I gotta boogie (gotta boogie, uh huh, he’s gotta boogie)
I gotta boogie (gotta boogie, uh huh, he’s gotta boogie)
I gotta boogie (gotta boogie, uh huh, he’s gotta boogie)
Gotta boogie on my finger and I can’t shake it off

Gotta boogie
(Boogie)
Hey, you wanna boogie? (No man, I don’t wanna boogie)
Wanna boogie? (Get that boogie out of my face)
Do any of you wanna boogie? (No!)

Gotta boogie on my finger
Gotta boogie on my finger
Gotta boogie on my finger and I can’t shake it off

Source: Musixmatch

Daily Countdown: Weird Al Songs #75

#75

Hooked on Polkas

Title: “Hooked on Polkas”

Album: Dare to Be Stupid

Style: Polka/Comedy

Released: 1985

Songs in medley: “Twelfth Street Rag,” “State of Shock,” “Sharp Dressed Man,” “What’s Love Got to Do with It,” “Method of Modern Love,” “Owner of a Lonely Heart,” “We’re Not Gonna Take It,” “99 Luftballons” (sung in German), “Footloose,” “The Reflex,” “Bang Your Head (Metal Health),” and “Relax”.

Lyrics

You’re takin’ to me good,
Just like you know you should.
You get me on my knees,
Please, baby, please.


She looks so great, every time I see her face.
She put me in a state (ooh, state of shock)


Top coat. Top hat.
I don’t worry, ’cause my wallet’s fat.
Black shades. White glove.
Lookin’ sharp. Lookin’ for love.
They come a-runnin’ just as fast as they can,
‘Cause every girl’s crazy ’bout a sharp-dressed man, hey!

Whoo! Ah ha!


Oh, what’s love, got to do, got to do with it?
What’s love but a second-hand emotion?
What’s love got to do, got to do with it?
Who needs a heart, when a heart can be broken?


M E T H O D O F L O V E,
It’s the method of modern love.


Owner of a lonely heart.
Owner of a lonely heart,
Much better than the
Owner of a broken heart.
Owner of a lonely heart.


We’re not gonna take it. No!
We ain’t gonna take it.
We’re not gonna take it, any more.


Neun und neunzig luftballons
Auf ihrem Weg zum Horizont.
Denkst du vielleicht Grad an mich.
Dann singe ich ein Lied fur dich.


Now I gotta cut loose. Footloose.
Kick off my Sunday shoes.
Please! Louise! Pull me off-a my knees.
Jack! Get back! Come on, before we crack!
Loose! You’re blues. Ev’ry body cut footloose!


So why don’t you use it.
Try not to bruise it.
Find time, don’t lose it.


Bang your head.
Metal health’ll drive ya mad.
Bang your head.
Metal health’ll drive ya mad.


Relax, don’t do it.
When you wanna go to it.
Relax, don’t do it.
When you wanna come.
Relax, don’t do it.
When you wanna sock it to it.
Relax, don’t do it.
When you wanna come.
When you wanna come.
When you want to come.

Daily Countdown: Weird Al Songs #76

#76

The Brady Bunch

Title: “The Brady Bunch”

Written:  Ivan Doroschuk/Sherwood Schwartz/Frank De Vol/Al Yankovic

Album: “Weird Al” Yankovic In 3D

Released: 1984

Parody: “The Safety Dance” by Men Without Hats

Style: Synth-pop/new wave

Here is another song where Al dives into television, including the actual lyrics from The Brady Bunch TV show. Parodying the popular one-hit wonder, “The Safety Dance,” Al showed his versitality.

Lyrics

You can watch Mr. Rogers, you can watch Three’s Company
And you can turn on Fame or The Newlywed Game
Or The Addams Family
I say, you can watch Barney Miller, and you can watch your MTV
And you can watch ’til your eyes fall out of your head
That’ll be okay with me
And you can watch (TV!)

You can watch Johnny Carson you can watch Phil Donahue
And you can use TV Guide to help you decide with a capsulized review
Say, you can watch 60 Minutes, even Captain Kangaroo
But there’s only one set, so whatever you watch
Well, you know I gotta watch it too

Say, give it up, give it up
Television’s taking its toll
That’s enough, that’s enough
Gimme the remote control
I’ve been nice, I’ve been good
Please don’t do this to me

Turn it off, turn it off
I don’t want to have to see The Brady Bunch
Not The Brady Bunch
Well, The Brady Bunch
Yeah, The Brady Bunch

It’s the story of a lovely lady
Who was bringing up three very lovely girls
All of them had hair of gold, like their mother
The youngest one in curls
It’s a story of a man named Brady
Who was busy with three boys of his own
They were four men living all together
Yeah, but they were all alone

Until the one day, one day
When the lady met the fellow
And they knew, and they knew
It was much more than a hunch
That the group
This group must somehow form a family
That’s the way, that’s the way
That’s the way they all became The Brady Bunch

Well, The Brady Bunch
Yeah, The Brady Bunch
Well, The Brady Bunch
Oh, it’s The Brady Bunch
It’s The Brady Bunch
Oh, The Brady Bunch, yeah

Oh, The Brady Bunch
It’s The Brady Bunch
Well, it’s The Brady Bunch
Well, it’s The Brady Bunch
Well, it’s The Brady Bunch
It’s The Brady Bunch

Source: Musixmatch

EYG Comic Cavalcade #198

April 12

It is EYG Comic Cavalcade time. It was another fun week. I got some deliveries from Midtown Comics this week too, including some Daredevil #1 blind bags and some variants.

Comic of the Week

The Fury of Firestorm #1

Firestorm has always been one of my favorite DC characters. I enjoyed the original appearances of Robbie Raymond and Martin Stein, combined into one being with amazing nuclear powers. It was exciting to hear that Firestorm would be back in his own limited series. Then, the first issue was excellent with a mystery behind what is going on. Good stuff.

Books this week:

Amazing Spider-Man #26. Written by Joe Kelly with pencils by Francesco Manna & Ed McGuinness. Cover art was done by Ryan Stegman & Marte Gracia. I also picked up the Spider-Gwen variant cover by David Nakayama. Death Spiral Part 7 is picking up the pace as the Carnage/Torment team-up gets even more dangerous as they are looking for a spiral for Spider-Man.

Neighborhood Watch #1. Written by Sarah Gailey and illustrated and cover art by Haining (Silver Medalist). The new book from Boom! Studios deals with a couple of neighboring towns: Willow Haven and Open Arms, and its neighborhood watch program. There is a murder that happens too.

Uncanny X-Men #26. “Careful What You Wish For” Written by Gail Simone and art by Luciano Vecchio. Cover art was done by David Marquez and Matthew Wilson. The kids of the Haven House are being grabbed and their histories are suddenly strange. And … the New Mutants? What is going on here?

Uncanny X-Men Annual #1. “The Rise of the Regulators” Written by Gail Simone & Mikki Kendall with art by Francesco Mortarino with Elisabetta D’Amico. Cover art was done by David Marquez & Matthew Wilson. This story was a great bit with the history of Haven House. That history is known as the Regulators and they have a tie to pre-adamantium Wolverine. I love when the history of the area folds in with the mutants.

D’Orc #3. “A Bit Light-Headed” Written, drawn and cover art by Brett Bean. D’Orc faced off with a powerful dwarf with a big hammer. I have truly been enjoying D’Orc. The humor of the book has been great and D’Orc and his crew are deep in action too. Solid book.

The Muppets Noir #2. Written, drawn and cover art by Roger Langridge. Kermit is still unconscious and the rest of the Muppets were trying to decide what to do about the show. Meanwhile, the detective Flip Minnow continued to try and solve the case and find Meringue Crustworth. The noir world introduced us to Staler & Waldorf, the Swedish Chef and Sweetums. Lots of Muppet fun.

Mad About DC #1. Cover art was done by Dan Panosian. Guest editor (for some reason) was Chip Zdarsky. I also picked up the foil issue of the same cover by Dan Panosian. This was one of the books I got from Midtown this week. It was a fun version of Mad Magazine focusing on the characters of DC. Tons of satire and humor.

Baby Garfield #1. “Baby Garfield’s First Word” and “Baby Garfield’s First Hairball” Written by Grace Ellis (1st) and Michael Northrop (2nd). Art for the two stories was done by Asia Simone and Rob Justus respectfully. This was another book I got from Midtown Comics. I was not the biggest fan of Garfield, but I considered picking this up on the shelf. When I did not get it, I got it and I liked it. I was surprised how much I actually enjoyed this book.

Everyone Loves a Jewel Thief #1. Written by Aaron Campbell & Tim Seeley with art and cover art by Aaron Campbell. Ignition Press has been huge lately and has been very successful. We have yet another new book, this one compiling a team of jewel thieves.

Dead by Deadlight #1. Written by Derek Fridolfs with art by Dean Kotz. Cover art was done by Alex Horley. This is a survival online game adapted into the comic form by Titan Comics. There are some horrific imagery in this book and it is a compelling start. The killer is definitely scary and I am curious to see how this book progresses.

Cosplayer Versus Shark #1. “Part One: Up from the Depths” and “Part Two: It’s Always Shark Week!” Written by Pat Jankiewicz and art by Shaun “Spanky” Piela. This was a wild and weird one shot that reminded me of a Carl Hiaasen novel, specifically Chomp. This is a lot of fun.

Pretty Hate Machine #1. Written by Ryan O’Han & Tim Seeley with art by Paolo Armitano. Cover art was done by Todor Hristov. Another new horror series, this one based upon the album from Nine Inch Nails. The new Mad Cave book was very entertaining and the imagery was scary.

Something is Killing the Children #46. “All Her Monsters” Part Six. Written by James Tynion IV and illustrated and cover art by Werther Dell’Edera. It has been quite a few months since we have seen Erica Slaughter. It was great having Something is Killing the Children back on the reading list. It is consistently one of the best books available when it is out.

Estuary: A Ghost Story #1. Written by David “DB” Andy & Tim Daniel and illustrated and cover art by Maan House. What is better than combining nun horror with aquatic horror… plus a ghost story of a shipwrecked Spanish vessel. Another new series from Oni Press.

Iron Man #4. “No Escape” Written by Joshua Williamson and art by Carmen Carnero with Jan Bazaldua. Cover art was done by Ryan Stegman & Frank Martin. Tony Stark is trying to find the winner of the Tony Stark Award, who has been grabbed by AIM. However, he comes across a different type of AIM… Advanced Iron Man.

Wolverine #18. “Clash of the Champions” Written by Saladin Ahmed with art by Martin Coccolo. Cover art was done by Dan Panosian (Bronze Medalist) . Wolverine faces off against Hercules, controlled by The Adamantine. It is a bloody and brutal war between Logan and Herc. And this will bring Athena to the fray.

Black Cat #9. “String Theory” Written by G. Willow Wilson with art by Gleb Melnikov and Andres Genolet. Cover art was done by Adam Hughes. MJ and Black Cat find themselves in alternate universe, living all new lives. Are their new lives what they really want?

Mortal Thor #9. “Inevitable” Written by Al Ewing with art by Pasqual Ferry. Cover art was done by Alex Ross (Gold Medalist). Sigurd has to deal with a threat from the Radioactive Man. Sigurd is preparing to launch an assault on Roxxon.

Space Ghost #10. Written by David Pepose and art by Jonathan Lau. Cover art was done by Francesco Mattina. Space Ghost faced off with something than no one can defeat…time. Specifically, Tempus the Time-Master.

Web of Venom #1. Written by Jordan Morris and art by Luke Ross & Ramon Rosanas. Cover art was done by Stefano Casselli & Federico Blee. We got another book featuring a symbiote and a new Venom form. This time is is Boomerang, aka Fred Meyers. I’m not sure why we need to have yet another symbiote anti-hero running around. The story was fine, but I am not sure why it is needed.

Twilight Zone #6. “Growth” Written, art and cover art by Nicole Goux. A sad story about a girl with a plant that was alive… an actual baby.. and the hatred that people who are different face. This one turns out tragic, much like many of the Twilight Zone episodes.

Bleeding Hearts #3. Written by Deniz Camp and art and cover art by Stipan Morian. The Vertigo zombie book is back this week and the Zombie boy is showing signs of being more than just another in the hungry horde. What does that mean? Bleeding heart continues to be one of the more intriguing Vertigo books.

Other books this week: Murder Podcast #6, Defenders of the Earth: Dark Destiny #4, Blood & Thunder #12, Absolute Green Lantern #13, The Nice House by the Sea #9, and Alice: Forever After #3.

Quick Hits: Moonstar #2 was released this week as Danielle Moonstar is on the mission. I picked up two covers from Midtown Comics this past week. Both with the guest appearance of EYG Hall of Famer “Weird Al” Yankovic. The first one was World’s Finest #50 with Al and his accordion hanging out with Batman and Superman. The other was Bizarro: Year None #1 where Al is portrayed as the “Normal Al” Yankovic, with a briefcase. I love Weird Al so I knew I wanted to find these two covers for my collection. Hello Darkness #20 had a collection of fun horror short stories. My favorite of the stories was “The Thread” which was pretty gross in the end. Transformers #31 focused on Megatron taking the next step in his status, in a manner I would not have expected. One of my favorite books this week is one of the oddest team-ups I have ever seen. It is Godzilla’s Monsterpiece Theater Presents Romeo & Juliet and Godzilla #1. It is as wild as it sounds. Speaking of wild, the team up between Ash and Archie continues in Archie x The Army of Darkness #3 from Dynamite Comics. This one had a cool cover that nearly made the medal round. Sai: Dimensional Rivals #4 kept going into multiple worlds in search of the seventh stone. The idea of the different art in the different universes makes this book original. And finally, Speed Racer: Tales from the Road #1 which featured the winners of the Mad Cave Studios talent search.

Daily Countdown: Weird Al Songs #81

#81

Bohemian Polka

Title: “Bohemian Polka”

Written: Freddie Mercury/Al Yankovic

Album: Alapalooza

Release: 1993

Genre: Polka/Comedy

Bohemian Polka is the only polka Al ever put together for an album that was just a cover of a single song, Bohemian Rhapsody by Queen. I can remember the shock when first playing the song and seeing how the polka would not feature a group of songs from a variety of artists.

Lyrics

Is this the real life
Is this just fantasy
Caught in a landslide
No escape from reality
Open your eyes
Look up to the skies and see
I’m just a poor boy, I need no sympathy
‘Cause I’m easy come, easy go
Little high, little low
Anyway the wind blows, doesn’t really matter to me
To me

Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he’s dead
Mama, life had just begun
But now I’ve gone and thrown it all away
Mama, ooo
Didn’t mean to make you cry
If I’m not back again this time tomorrow
Carry on, carry on, as if nothing really matters

Too late, my time has come
Sends shivers down my spine
Body’s aching all the time
Goodbye everybody – I’ve got to go
Gotta leave you all behind and face the truth
Mama, ooo
I don’t want to die
I sometimes wish I’d never been born at all

I see a little silhouetto of a mam
Scaramouch, scaramouch, will you do the Fandango
Thunderbolt and lightning – very, very frightening me
Galileo, Galileo
Galileo, Galileo
Galileo figaro – Magnifico… Hey! Hey! Hey!
I’m just a poor boy, nobody loves me
He’s just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go – let him go
Bismillah! We will not let you go – let him go
Bismillah! We will not let you go – let him go
Will not let you go – let him go
Will not let you go – let him go
No, no, no, no, no no no no no!

Oh mama mia, mama mia, mama mia let me go
Beelzebub has a devil put aside for me, for me
For me

So you think you can stone me and spit in my eye
So you think you can love me and leave me to die
Oh, baby – Can’t do this to me, baby
Just gotta get out – just gotta get right outta here

Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me Anyway the wind blows – Hey!

Source: LyricFind

The Boys S5 E1, E2

Spoilers

“Fifteen Inches of Sheer Dynamite”

“Teenage Kix”

The Boys are back on Amazon Prime for their final season, and all the crap is hitting the fan.

Homelander is in charge of everything. He is the top boss, the ultimate ruler. He’s ordering the president around, making him get drinks.

Yet, Homelander is not happy. Everyone is leaving him (in his own, warped mind).

Butcher is every bit as horrible of a person as Homelander. He has been pursuing the virus full scale and has gotten to a point where he had a usable version.

Kimiko (who talks now), Butcher, Starlight entered one of Vaught’s concentration camps to rescue Hughie, Frenchie and Mother’s Milk, despite knowing it was Homelander’s trap. The prison camp break was shocking. MM strangled the living penis man with his own penis. Who would ever guess that I would write that sentence.

The first episode brought a major tragedy. Homelander broke the neck of A-Train. A-Train showed up to help Starlight and the others escape by distracting Homelander. I hated A-Train for the longest time, but just when I really started to like the guy, he gets murdered.

Homelander unfreezes Soldier Boy and talks him into helping. He sent Soldier Boy after Butcher, and the confrontation led to Soldier Boy being exposed to the virus and apparently dying. Of course, at the end of episode two, Soldier Boy, in a body bag, sat up, indicating that the virus did not kill him. It sure looked like it did.

There is so much going on in the first two episodes (Ashley is vice-president and has a second head growing out of her head, giving her psychic powers, among other things). Starlight and Hughie are suffering from depression over the past year. Butcher is just off the deep end. Frenchie and Kimiko are hot and heavy. And Homelander… he is completely crazed… barely dealing with the world around him. He is obviously a metaphor for some of the current world events going on, and it is not even subtle at this point.

I have no idea where this season is heading, but I have to believe that Homelander is finally going to get his. How that is going to happen is anyone’s guess. The Boys is one of the best superhero shows on TV and literally anything could happen.

Daily Countdown: Weird Al Songs #83

#83

Theme from Rocky XIII (The Rye or the Kaiser)

Title: “Theme from Rocky XIII (The Rye or the Kaiser)”

Album: Weird Al Yankovic In 3D

Release: 1982

Written:  Jim Peterik/Frankie Sullivan/Al Yankovic

Parody: “The Eye of the Tiger” by Survivor

Style: Rock/Movie Songs

One of the more unknown Al parodies from his second major album. This is one of the early songs to show how clever Al could be with his lyrics and yet one more song that he wrote involving food.

Lyrics

Fat and weak, what a disgrace
Guess the champ got too lazy
Ain’t gonna fly now, he’s just takin’ up space
Sold his gloves, threw his eggs down the drain

But he’s no bum, he works down the street
He bought the neighborhood deli
Back on his feet, now he’s choppin’ up meat
Come inside, maybe you’ll hear him say

Try the rye or the kaiser
They’re on special tonight
If you want, you can have an appetizer
You might like our salami, and the liver’s all right
And they’d really go well with the rye
Or the kaiser

Never eats while on the job
He heard it’s good to stay hungry
But he makes a pretty mean shish kabob
Have a taste, they were made fresh today

Try the rye or the kaiser or the wheat or the white
Maybe I can suggest an appetizer
Stay away from the tuna, it smells funny tonight
But you just can’t go wrong with the rye
Or the kaiser

So today, his deli comes first
Still he dreams of his past days of glory
Goes in the back and beats up on the liverwurst
All the while you can still hear him say

It’s the rye or the kaiser, it’s the thrill of one bite
Let me please be your catering advisor
If you want substitutions, I won’t put up a fight
You can have your roast beef on the rye
Or the kaiser

The rye or the kaiser

The rye or the kaiser

The rye or the kaiser

Source: Musixmatch

Sha Na Na S4 E19, E20, E21, E22, E23, E24

…All greased up and ready to sing their brains out….

I finished off the final season of Sha Na Na this afternoon with the six remaining episodes I had to see in season 4. I have to say that it was a really fun last few months as I worked my way through the playlist from Pattyoc01 on YouTube. While they were not always the best of quality, they were always fun and gave me flashes of nostalgia from when I was a young boy watching these in syndication. Sha Na Na was technically the first concert I ever attended (with my Dad at the Five Flags Center in Dubuque, Iowa) so I am very happy to have had a chance to watch these again.

Again, as I mentioned in the last post, some of the songs were songs that I had not heard before (or at least did not recognize). They did repeat a couple of songs in these episodes, including Runaway, Hand Jive, and Under the Boardwalk. We got to hear Chico sing again. He has not been a featured singer in the final season. Sure he was one of the lesser used voices overall in the show, but he got more than he has this year. I wonder if that was because of the absence of Dirty Dan.

We got quite a few Screamin’ Scott performances in this last handful of episodes. It was funny, but he wore that green suit in three episodes consecutively, and they were all on the street songs. I wonder if they recorded those all on the same day.

It is also interesting how many different outfits Screamin’ Scott wore. I mean, most of the group had one or two basic outfit that they wore, but Scott is always all over the place with jump suits and bright colors. And not just in the comedy skits either.

Of the guests, the one I liked the best of this group was Scatman Cruthers. I did not know what he was going to do, but he ended up singing and he was great. He played a ukulele and sang the blues. I know he sang the theme song to Hong Kong Phooey, but I did not expect him to do it here, but he was tremendous.

Other guests in these episodes included Mary Wells, The Spinners, Billie Davis Jr & Marilyn Macoo, Peaches and Herb, and Kim Carnes.

Another surprise was Pamela Meyers singing “It’s My Party and I’ll Cry If I Want To”. While Meyers had sung songs before, she was out on the street all by her self. We could hear the background vocals of Sha Na Na, but there was no sign of any of them. I wonder if that was the first time someone sang a song without any sight of any of the group?

Sha Na Na was inducted into the EYG Hall of Fame this year in the April 1 Legends class. I had a lot of fun with the boys over these four seasons.

Grease for peace….

Goodnight Sweetheart, well it’s time to go….

Daily Countdown: Weird Al Songs #84

#84

The White Stuff

Title: “The White Stuff”

Album: Off the Deep End

Release: 1992

Parody: “You Got It (The Right Stuff)” by New Kids on the Block. 

Written: Maurice Starr/Al Yankovic

Style: Pop/Boy Band

There have been plenty of original songs that Weird Al parodied that I have either did not like or did not know. You Got It (The Right Stuff) is a perfect example of a song that I disliked that Weird Al made better with his parody.

And what can be a better topic for a song than the white stuff in an Oreo cookie?

Lyrics

The white stuff
The white stuff

The first one was a sweet one
Second one was a blast
Soon I finished off the bag, ate ’em up real fast
You can see ’em in my teeth
Tell it when I talk
Had so many my pancreas just went into shock

I love the white stuff, baby
In the middle of an Oreo
I love the white stuff, baby
It’s the most delicious thing I know

I’ve had a zillion or two
In my life, they’re so right
My teeth are all rotted clear through
But who cares? What else am I supposed to do?

Oh, oh, oh, oh, oh Oreo
Oh, oh, oh, oh, oh, the white stuff
Oh, oh, oh, oh, oh Oreo
What’s in the middle? The white stuff

The first time that I tried it
Got a big sugar buzz
Nothing gets me high as that sandwhich cookie does
But I love the filling most
I rub it on my roast
Mix it in with my coffee and spread it on my toast

I love the white stuff, baby
In the middle of an Oreo
I love the white stuff, baby
Take some with me everywhere I go

Might get a pimple or two
Well, so what? It’s all right
Now Twinkies and Ding Dongs won’t do
All I need… You know what it is

Oh, oh, oh, oh, oh Oreo
Oh, oh, oh, oh, oh, the white stuff
Oh, oh, oh, oh, oh, Oreo
Oh, oh, oh, oh, oh, the white stuff
Oh, oh, oh, oh, oh Oreo
What’s in the middle? The white stuff

Source: Musixmatch

Sunday Morning Sidewalk #63

Spoilers

A Knight of the Seven Kingdoms

“The Hedge Knight”

The new show on the Sunday Morning Sidewalk is the Game of Thrones prequel. I have only watched one episode of Game of Thrones (season 8, episode one… I was hopelessly confused), but I had heard that the show, A Knight of the Seven Kingdoms, did not require a knowledge of Game of Thrones to enjoy, so I added it to the Sunday Morning Sidewalk. There are six episodes, averaging around thirty minutes or so.

The show is an adaptation of George R. R. Martin’s novella series Tales of Dunk and Egg.

I’m not sure what I expected from this show, but this first episode was nowhere near it. That was not a bad thing. I thought the show was extremely charming. I felt a real connection to Ser Dunk as he attempted to enter a tournament. He was awkward and gawky, and anything like one would expect a knight to be. Meeting with the bald-headed boy named Egg, Egg would eventually convince Dunk to allow him to be his squire.

No bravado or arrogance as most knights show, Dunk was an uncommon character to lead this type of series. Again, I am not sure what I expected from a Game of Thrones prequel, but I really did enjoy this slice of imagination.

Peter Claffey played Ser Dunk. Dunk is an extremely tall person, especially in comparison to the others around him. Dexter Sol Ansell played Egg. I liked the dynamic between these two characters and I expect that they will be an important part of whether or not I continue ot enjoy this show.

It had a much more comedic feel to it than I expected. While not an out and out comedy, the tone of the show had that light-hearted humor feel which is, perhaps, why I did not expect this to be in the Game of Thrones world.

This was an interesting start to the next show in the Sunday Morning Sidewalk. We will see how it progresses in the upcoming weeks.

Jury Duty: Company Retreat E6, E7, E8

Spoilers

When I started watching this season of Jury Duty: Company Retreat, I was unsure how I felt about it. By the end, I found myself absolutely lovoing it.

The last two episodes continued the storyline of the purchase of Rockin’ Grandma’s by the Triukas group and the reveal that they had a sinister motive behind the deal, giving Anthony a chance to come in at the end as a hero to stop the deal.

The Talent Show section of the show was absolutely amazing, and bringing in Sia as a guest star in the talent show was such a ridiculous, over-the-top moment, but worked so well.

Anthony Norman was such a wonderful man, and the perfect piece for the heart of the show. He was willing to take on all sorts of craziness from the collection of characters around him and he did it with such leadership and empathy. I did not think this show could top Ronald Gladden from season one of Jury Duty, but I think maybe Anthony was able to do it.

The final episode of Jury Duty has been when they go behind the scenes after the final reveal to the non-actor and it has always been one of my favorite episodes of the season because you get to see how intricate things have to be and to what lengths they take things to make this show work. Being able to see Anthony with his eyes finally open to what was going on around him is so much fun.

It also truly showed how much of a bond he had made with the actors, how connected he was with these fictional characters in real life and how much of an effect he had on them is so sweet and heart-warming. It gives you the message that if you are respectful and kind to people, good things will happen. I would be curious to see what would happen if they guy they bring in to the series would just freak out or not go to the extremes that they required him to do.

I am sure they spent all kinds of time researching their non-actor, making sure they would find the strongest possible candidate. They truly succeeded in that aspect this year.

I was iffy on the show at first, but it quickly turned into one of my favorite shows. It was easy to watch, always funny and entertaining and had a fabulous message. Jury Duty ahs had two stellar seasons of TV on Amazon Prime so far. Here’s hoping for a season three down the line.

Monarch: Legacy of Monsters S2 E6

Spoilers

“Requiem”

I guess Skull Island is taking place at Jurassic Park now.

What was that opening scene meant to convey? It was a huge nothing. I guess there had not been many scenes between Kentaro and Hiroshi so the writers felt they needed something to show the audience. Or maybe they needed to throw a Kong cameo in to justify the name.

I don’t know how much more of this show I can take.

I did like how Kentaro ripped into Cate with her ridiculousness. The Cate character does the same thing every episode and it feels like they could just take her dialogue and copy it every scene.

What has been true about this show since day one is that the flashbacks are heads and shoulders above the present day material. That remains to be true. We follow Shaw in his reassignment and we come to meet his father. It didn’t make me feel much better when his father asked him why he was here, and he said was it a fight or fornication. Fornication? Who uses that word in their daily dialogue?

It was interesting to see how Lee’s flashback to his father was similar to the way Lee was thinking in the present. It is meant to show that Lee is not thinking clearly, but if he is on the opposite side of Cate then I am all down with it.

The Godzilla cameo in Kentaro’s dream was ridiculous. It was not as superficial as the Kong cameo, but it wasn’t much above it.

Then, as Lee was attempting to see if it was possible to open a rift to summon Godzilla to fight Titan X, something wonky happened and present day Lee started talking to young Lee on the walkie talkie.

Has the show added a time travel element to it? That ending was an interesting tidbit that maybe becomes something to help the show out. I have found this to be quite the sludge to get through each week, and I hope that the second half of the season would bring more to intrigue me than what it has done before.

Daily Countdown: Weird Al Songs #86

#86

Polka on 45

Title: “Polka on 45”

Album: In 3D

Genre: Polka medley

Release: 1984

Parody: The idea was a style parody of “Stars on 45” from 1918.

Songs in polka: “Jocko Homo,” “Smoke on the Water,” “Sex (I’m A…),” “Hey Jude,” “L.A. Woman,” “In-A-Gadda-Da-Vida,” “Hey Joe,” “Burning Down the House,” “Hot Blooded,” “Bubbles in the Wine,” “Every Breath You Take,” “Should I Stay or Should I Go,” “Jumpin’ Jack Flash,” “My Generation.”

Polka on 45 was the first polka medley on a long list of polkas done by Weird Al. This is the second polka to appear in the Top 100, following #99 The Hot Rocks Polka. The polka medleys are some of my favorite things done by Al and they only continued to get better.

Lyrics

They tell us that we lost our tails
Evolving up from little snails
I say it’s all just wind and sails
Are we not men? We are Devo
Are we not men? D-E-V-O

Smoke on the water
And fire in the sky
Smoke on the water

I’m a boy
(I’m a man) well, I’m your mother
(I’m a man) I’m a one-night stand
(I’m a man) am I bi?
(I’m a man) I’m your slave
(I’m a man) I’m a little girl when we make love together

Hey, hey, hey!
Jude, don’t make it bad
Take a sad song and make it better
Remember to let her into your heart
Then you can start to make it
Better, better, better, better, better, better, yeah

L.A. woman
You’re my woman
Got my mojo risin’
Mr. Mojo Risin’
Hey!

In-a-gadda-da-vida, honey
Don’t you know that I love you?
In-a-gadda-da-vida, baby
Don’t you know that I’ll always be true?

Hey, Joe, where you goin’ with that gun in your hand?
Hey, Joe, where you goin’ with that gun in your hand?
Gonna shoot my old lady
Caught her messin’ ’round with another man

Yodel-ay-ee, yodel-ay-he-hoo, yodel-ay-ee, yodel-ay-he-hoo
Yodel-ay-ee, yodel-ay-he-hoo, yodel-ay he-hoo
Yodel-ay-ee, yodel-ay-he-hoo, yodel-ay-ee, yodel-ay-he-hoo
I’m an ordinary guy burnin’ down the house

I’m hot-blooded, check it and see
Got a fever of a 103
Come on, baby, do you do more than dance?
I’m hot-blooded, hot-blooded

Every breath you take
Every move you make
Every bond you break, every step you take
I’ll be watchin’ you

Darling, you gotta let me know
Should I stay or should I go?
If you say that you are mine
I’ll be here ’til the end of time
But you gotta let me know, whoa, whoa, whoa
Should I stay or should I go?

But it’s all right now, in fact, it’s a gas
But it’s all right, Jumpin’ Jack Flash, it’s a gas, gas, gas

People try to put us down (talkin’ ’bout my generation)
Just because we get around (talkin’ ’bout my generation)
Things they do look awful c-c-cold (talkin’ ’bout my generation)
Hope I die before I get old (talkin’ ’bout my generation)
This is my generation (talkin’ ’bout my generation)
This is my generation, baby (talkin’ ’bout my generation)
(Talkin’ ’bout my generation)
My, my, my, my, my, my generation (my generation)
Well, I’m talkin’ ’bout my g-g-g-g-g-g-g-g-g-g-g-generation
Hey!

Source: Musixmatch