Taylor Swift: The Official Release Party of a Showgirl

I was not sure if I was going to go to this. This was a limited release film coinciding with the release of Taylor Swift’s new record, “The Life of A Showgirl.” I would not be considered a “Swifty” by any stretch of the imagination, but I did go to the ERAs Tour film and I enjoyed it well. It worked into the schedule tonight so I wound up in Cinemark with a ton of teenage girls and a few other adults to see this film.

It is not really a film. It is also not really a concert film. It showed us the brand new video for the song “The Fate of Ophelia,” all of the lyric vids of the other 11 songs, and several behind the scenes shots of Taylor in the prep for the video, both with rehearsing and discussion of the creative.

Taylor Swift was the director of the video as well so she was shown to be the definitive creative force behind it. There were times when it seemed that she would speak and everyone else would just agree with her. I would have liked to see someone make a comment that wasn’t just “Oh how awesome you are.”

As a middle school literacy teacher, I did love the fact that she made a comment about a metaphor, followed by a comment on alliteration and then mentioned imagery. I hope the kids in the theater heard those terms.

As for the music, it was a bit of a mixed bag. It was clear that “The Fate of Ophelia” was the best song on the album. They showed us that video at the beginning of the movie and at the end. It was definitely my personal favorite as well.

I did notice that Taylor Swift’s songs on this album had a tendency to be repetitive, in one specific manner. She seemed as if she ended every song in the exact same way. The music slowed or stopped and she repeated one line that she had sung during the song, as if she were really emphasizing it. It was fine, but I did notice it so I would have liked maybe some variety in the end of the songs.

The songs that I did enjoy included “Elizabeth Taylor,” “Actually Romantic,” “Wood,” “Opalite,” and “Cancelled.” There were two songs that I did not like at all. They were “Father Figure” and “Wi$h Li$t.” “The Eldest Daughter,” “Ruin the Friendship,” and “Honey” were good. The album’s title track, “The Life of a Showgirl” was underwhelming, but not at the level of “Father ZFigure” or “Wi$h Li$t.”

The experience in the theater was as much a reason to go to this as anything else. It was fun with the audience cheering and applauding throughout the film. No one sang along in my theater, but it was fun to be part of the mass.

Overall, this was not much of a film, but it was a solid experience and I was happy to have chosen to see it. “The Fate of Ophelia” is easily the hit of this album and was the most important of the songs with this movie.

3.6 stars

Grotesquerie S1 E1, E2

Spoilers

“Pilot”

“True Crime Catholics”

I did not need another series on my watchlist. Currently, I am watching Agatha All Along, Only Murders in the Building, Bonus Action on YouTube, The Penguin, Mr. McMahon on Netflix, Raw and Smackdown, as well as coming to the end of season four of Bates Motel, preparing to start season seven of The X-Files, in the middle of season two of The Greatest American Hero and nearing the end of season two of Battlestar Galactica. The schedule is pretty tight at this point.

Yet, seeing the series entitled Grotesquerie pop up on Hulu (originally aired on FX), a series that I had seen intriguing trailers for at Cinemark, and a series by American Horror Story producer Ryan Murphy, I thought I could find a time to add this to the rotation.

The first two episodes became available together and it combines a vicious and brutal serial killer with the world of religious iconography.

Niecy Nash stars as Detective Lois Tryon, who finds herself at these horrendous crime scenes, really not wanting to be on the case. Still, the cases feel so very personal. Drinking heavily throughout both episodes, Lois is joined by a journalist who also just happens to be a nun, Sister Megan Duval. Sister Megan is an odd duck as a nun, unlike most nuns that you would see.

Lois’s husband, played by the incomparable Courtney B. Vance, is in a coma after being revealed as a cheater. Lois’s feelings toward her husband Marshall is complicated to say the least. However, she feels as if she needs to protect him from a nurse at the hospital, Nurse Redd, who has other ideas of what to do with Marshall. Nurse Redd is maybe the creepiest character on the show so far.

Showing on FX, Grotesquerie is available on both Hulu and Disney + the next day. I hope this is stronger than the last American Horror Story that we got.