Tag Archives: X-Files

The X-Files S11 E5, E6, E7

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I watched three more X-Files from season 11, leaving me with just three left to complete the entire series.

“Ghouli”

Episode 5 was a wild ride with Scully receiving a vision in a dream that led her to a case of two girls who seemingly did not know each other who had stabbed each other viciously.

The girls shared the same dream as Scully did, down to the last detail so Mulder and Scully were involved. Turned out that the only connection between the two girls was that they both were girlfriends for a boy named Jackson Van De Kamp.

When Scully and Mulder tried to find the boy, they arrived too late. They found the boy’s parents dead and the boy in his room, an apparent murder-suicide.

Van De Kamp was a name given to Scully a few episodes ago as a possible name used by William, her son. Scully was afraid that the boy who had killed himself was William and she tearfully spoke to his body before setting up a DNA test.

When the body was left alone, it unzipped the body bag and escaped from the morgue.

Turned out this was indeed William and he had some mental powers, specifically mental illusions that allow him to make people see things he wanted, such as himself dead on the floor.

The DOD was in pursuit of both Mulder and Scully and the boy as well. Mulder and Scully tried to find William, protecting him from a group of men trying to capture him. William used his abilities to escape.

The whole Jackson/William thread here created some strong scenes, but I did wonder why Scully thought this was her son. Maybe it was the connection to the visions that he had. She had talked to Jackson’s therapist and she confirmed that Jackson had seen the whole story from the end of season 10, with the virus and the collapse of the earth. Maybe it is just that mother’s feel.

The episode ended with William getting away, but he had approached Scully at a gas station making her see the form of Dr. Pierre Chang from LOST. Just kidding, the actor who played that role was in the episode.

This was a nice episode that left Mulder and Scully with the knowledge that there son was alive.

“Kitten”

We got an episode featuring Skinner, looking back at a time in his youth as he was in Vietnam.

In his platoon, a soldier nicknamed Kitten was accidentally exposed to a mysterious gas and it caused him to murder civilians.

Other members of Skinner’s troupe were being killed off too and Skinner disappeared. Kersh called for Mulder and Scully, expecting them to know what was going on with Skinner. When they did not, they started to investigate what was going on.

This episode featured Haley Joel Osment as the son of Kitten, Osment ended up being the killer as he had set several traps for the other veterans, including his own father.

People were having their teeth falling out in this town too. It is implied that this was because these people were also exposed to the gas. Perhaps in a small dose than what sent Kitten into a murderous rage.

Mulder and Scully seemed to be back on the trust train with Skinner, but he technically never told them about his current situation with CSM, so can they truly trust him?

“Rm9sbG93ZXJz”

What a bizarre episode this was.

The X-Files has had several episodes where they were involved with technology, such as artificial intelligence and typically those have been some of the worst of the episodes. This one is better than some of the other ones, but it all felt really odd.

The automation of all the technology of the episode made me think I was in a Ray Bradbury sci-fi story. I really pictured “April 2026: There Will Come Soft Rains.”

Everything started to go to hell after Mulder did not tip at a fully automated sushi restaurant. Apparently, the technology took this poorly. When Mulder finally tipped on his phone, all the chaos ended.

This episode was told with the minimal amount of dialogue. Both Mulder and Scully had very few lines and only spoke when absolutely needed. It helped create quite the mood of the episode.

It was an episode that spoke to putting aside one’s phones at times and, I guess, to make sure to tip your waitresses (although Mulder finally only tipped 10%).

The X-Files: I Want to Believe (2008)

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I have started season 10 of The X-Files, with just 15 more episodes to complete my rewatch of the whole series. I have been working on this on and off since late 2023. With the end in sight, I thought it would be a good choice to go ahead an rewatch the second of the X-Files movies that came out in 2008, The X-Files: I Want to Believe.

According to IMDB, “Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) worked at the F.B.I. as partners, a bond between them that led to them becoming lovers. But now they’re out of the F.B.I. and have begun new careers. Scully works as a staff physician at a Catholic hospital. Her focus these days is on a young boy with an incurable brain disease. Administration wants to give up on him. Scully, who feels a special bond with the boy, does not. Meanwhile, Mulder’s focus is on clipping newspaper articles, throwing pencils into his ceiling and writing about the paranormal. Scully and Mulder are brought together as partners again when a special case requires Mulder’s expertise, and Scully is prevailed upon to convince him to help. The case involves a pedophile priest who claims he is having psychic visions regarding the whereabouts of a missing F.B.I. Agent.”

First off, I love the characters of Fox Mulder and Dana Scully. They are some of my all-time favorite TV characters. They are a major selling point for this movie, especially since I am right in continuity of the TV rewatch to where this film would take place. Seeing David Duchovny and Gillian Anderson together once again would improve any movie.

It just does seem that this movie does need that improving. The story in this film is fairly ugly and has moments where it is just not easy to follow. It is convoluted and turns into the weirdest “Frankenstein” type film, seemingly from out of nowhere. The secondary plot of the boy with the disease that Dr. Scully is trying to help despite the administration at the hospital that she works is too medical TV show for a movie like this.

Father Joe (Billy Connolly) is a bizarre choice in many ways, but I do enjoy the conflict that he throws into the mix. As a possible psychic seeing flashes of the kidnapping, that is questionable enough, but when it was revealed that he was a pedophile as well, it was a rough choice. The character is still kind of set up to be the heroic one, which did not go well for Scully and, I would guess, most of the audience. Billy Connolly is an awesome actor though and this was a solid performance.

I do wish this story had a little more construction to it, because what they gave us seemed too strung together without enough connective tissue. Still, I did enjoy seeing my two favorites back together in a movie that would be basically a “monster-of-the-week” structure from the show.

The X-Files S8 E1, E2

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“Within”

“Without”

I started season eight of the X-Files today, with its first two episodes, “Within” and “Without.” I have been dreading the start of this season because I knew that this was the season with David Duchovny departure…sort of.

Mulder was abducted by aliens at the end of season seven. This season, I remember Mulder was gone, but he was still in many episodes, being tortured by the aliens. I think this was the show wanting to move on, but yet keep Mulder in the mind’s eye.

This is one reason I remember hating the character of John Doggett, played by Robert Patrick, because he was the replacement for Fox Mulder and I wanted Fox Mulder back. And with the character still being shown every once in awhile, I could not get over it. John Doggett suffered for it.

Watching these two episodes, I had a much different reaction to John Doggett than I did when I first watched the show, back in the early 2000s. Here, I found him to be an interesting new character with a new dynamic with Scully. Scully as the believer (with Skinner in tow) and Doggett as the skeptic is a new feeling for the show.

The show bought in with the Alien Bounty Hunter once again, as the Alien Bounty Hunter was revealed to be on the ship that had Mulder.

These two episodes were really pretty good. It felt as if it took the story in a new direction while still circling back to the mythology behind the show’s first seven seasons. I know I liked them more today than I did in the past.

The X-Files S7 E19, E20, E21, E22

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“Hollywood A.D.”

“Fight Club”

“Je Souhaite”

“Requiem”

And with this, season 7 of The X-Files comes to a close. Perhaps one of the most inconsistent seasons of the show, with some real highs and some real lows.

The first three episodes on the list were all based in humor. One that really worked well, one that was so-so and one that was maybe the worst episode of the series.

“Hollywood A.D.” was ridiculous in all the best ways. Mulder and Scully being followed by a movie producer, who was full of puns and jokes, and a movie with Gary Shandling and Tea Leoni. This was written and directed by David Duchovny and had enough wink-winks to make the episode work.

“Je Souhaite” was the middle ground episode as it featured a Genie granting wishes. Honestly I got a lot of Twilight Zone vibes from this episode, which ended like the Disney movie Aladdin did. I found this silly too, but the humor worked more than it did not.

“Fight Club,” on the other hand, is one of the worst episodes I have ever seen of the X-Files, rivaling “First Person Shooter”. Kathy Griffin played two characters who were doppelgangers of each other and in love with a man who also had a doppelganger. Oh, and pro wrestler Rob Van Dam appeared. This was one where the humor did not work and the story was so stupid and incoherent that it seemed as if everyone was just going through the motions.

Then in “Requiem,” the season ended with the show going back to its roots, quite literally, as the show returned to the Oregon town that appeared in season one episode one. It also returned actors who had appeared in that episode. Returning as well was Smoking Man, Krychek, and Marita Covarrubias and Krychek apparently murdered a wheelchair-bound Smoking Man by pushing him down the stairs. It sure looked like he was dead this time, but I know he did not die here. Besides, it would not have been satisfying having Krychek be the one to knock off the a-hole.

Mulder then gets abducted by aliens in full view of Skinner, setting up Mulder’s absence moving forward. Scully tells Skinner that she was pregnant, even though she does not understand how (I mean, she knows how… but she was supposed to have been unable to become pregnant after her abduction).

“Requiem” set up the series with some real cliffhangers that allowed the series to continue into the 8th season. Many times during the 7th season, it really felt like it was going to be the final season and that the creative juices were gone. Part of that may have been the end of the conspiracy and wrapping things up, like Samantha Mulder’s disappearance, as they did.

The X-Files S7 E14

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“Theef”

There were a lot of controversial themes hidden in this X-Files episode. Okay, maybe not that hidden, but when the story swings on the choice of a doctor to end the suffering of a patient who could not be saved, it can create a lot of intrigue.

Picket Fences dealt with the concept of Euthanasia several times, but one would not expect it to appear on an X-Files episode.

The episode also featured “hexing” which seemed to be a backwoods form of voodoo, including the voodoo doll, called a poppet which was how the episode villain was using this pwoer.

The villain, Orell Peattie, was played by Billy Drago, and he was excessively creepy. He played the father of the girl who had been given the excess morphine by the doctor, Robert Wieder, played by James Morrison. Both of these actors did a great job in the episode.

The only issue could see was making Orell Peattie apparently not very highly educated, making the whole character a stereotype. The misspelling of the word “thief” being the title of the episode and something written after his victims.

I do not remember watching this episode when it first aired in 2000, but I did enjoy this one now. As I said, there were several themes in this episode that could be looked at deeper yet including not only Euthanasia but also modern medicine vs. practical magic.

Scully keeping Mulder on his toes is a fun moment in this overall creepy entry.

The X-Files S7 E12

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“X-Cops”

Bad boys, bad boys… whatcha gonna do?

This X-Files episode was an extremely clever and creative one as it was a blend of X-Files and another of the big hits on FOX at the time, Cops.

Cops was a TV program that had cameras follow different law enforcement agents around and recorded their interactions with their cases. This X-Files episode crossed over with its fictional story of what we thought might be a werewolf, but turned into much more. It was a creature of some sort that was feeding on fear.

Some of the best and most classic episodes of the X-Files blended the bizarre, paranormal world with comedy. “Bad Blood,” “Jose Chung’s From Outer Space,” and “Clyde Bruckman’s Final Repose” being top examples the show’s comedy. “X-Cops” expertly mixed its comedy in with this ultra serious and realistic situation.

I loved how Scully was reacting to the camera crew. Every time she made some comment or turned a different way, Gillian Anderson showed off her remarkable comedic timing. For example, Scully, doing an autopsy, turned directly to the camera and said “The FBI has nothing to hide,” a statement Skinner had told Scully on the phone when she called him to let him know about the cameras involved in this case.

The episode started with a disclaimer about a special episode of the X-Files and followed that with the Cops TV show theme song. The title included some shots of Mulder and Scully, which was done to prevent any audience members from being confused and thinking that Cops was on instead of the X-Files.

This is one of the best episodes of season 7 and should be included on any list of the best X-Files episodes ever.

The X-Files S7 E10 E11

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“Sein Und Zeit”

“Closure”

The X-Files investigates the JonBenét Ramsey case.

Ok, not exactly, but they may as well have.

Only, they tied it into Mulder’s missing sister and his own family tragedy.

I was surprised when this turned out to be a two part episode as some horrible images were shown, including a mass graveyard of children. This was a shocking moment that I did not expect in this series.

You see, at first, I felt very dismissive of this episode, in particular “Sein Und Zeit” because it felt as if the fictional case of this episode was such a take off of the Ramsey case that it seemed exploitive. Then when they tried to connect it to Mulder’s sister, it really took another step away from what I wanted.

Then, Mulder’s mother, who had tried to contact him, committed suicide.

And the emotional power of the episode really took over.

David Duchovny brought some of the best work I have seen from him in a long time. The scene where Scully tells Mulder that his mother had a terrible disease and that she had committed suicide and not killed by some mysterious conspiracy was extremely powerful.

This was all building to answering the question about what happened to Samantha Mulder. As I am watching it, I did not believe that the show would give us a final truth. I saw on Wikipedia that Chris Carter believed that season 7 might have been the final season of the X-Files so I thought that maybe that elusive mystery would finally be revealed. The title “Closure” leads to the idea as well.

Cigarette Smoking Man showed up to see Scully, and I kept yelling at her to shoot him in the head. She didn’t.

As I continued to watch the episode, I started believing that the show might actually give an answer to the mystery. I did not grasp the idea of what in actuality happened. Samantha was apparently taken by “walk-ins” which was a concept told to Mulder by a psychic named Harold Pillar (Anthony Heald) who was also in search of his own missing son. A walk-in was a being made of starlight that would take children who suffered horrible fates.

That whole concept was strange, but the scene where the spirit of Samantha Mulder came to Fox Mulder and hugged him was quite beautiful and provided the character with some serious closure. He could accept that Samantha was gone and, as he said at the end of the episode, he said, “I’m fine. I’m free.”

I am still not sure how his mother played into this. What was her message? Did she know this was Samantha’s fate or what was going on. We saw Mulder’s mother’s spirit come to him and whisper something. I am just not sure that fit with what the show was telling us.

We also got the image of the little girl whose disappearance started this whole thing indicating that she too had become starlight and was, in fact, dead.

I am not sure I love the resolution of this seminal mystery, but I am happy that it is done. I am not sure that all of the different times when we learned bits about Samantha fit into this theory and it works best when you forget about some of those. The whole Samantha mystery was used multiple times over the seasons for episodes and I wonder how much they knew about what actually happened to Samantha.

No matter what, even if the resolution was not totally satisfactory, I am glad that it was addressed and that Mulder was given closure. It is good that this Samantha story ended here.

The X-Files S7 E7

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“Orison”

One of the most fascinating aspects of the X-Files has been the inclusion of religion and faith into the story. Fox Mulder, who believes in just about anything and everything, has a blind spot where it comes to God. To a point where he has been dismissive of spiritual belief over the years. Meanwhile, Dana Scully, the skeptic, the agent placed on the X-Files to debunk the craziness of Mulder’s work, believes in God and Heaven. This strange dichotomy continued in this episode “Orison.”

This episode was basically a sequel to the second season episode “Irresistible” where the character of Donnie Pfaster originally debuted.

The episode really brought it home as Pfaster kidnapped Scully with the intention of killing her, as the one who got away. Scully fought hard, and I was absolutely rooting for her as she showed some solid attack moves. Of course, stopping to try and use the phone was an error in judgment. She should have just found something to pummel Pfaster into oblivion.

I loved how Scully was able to get herself free and did not require Mulder to save her, even though he arrived and held a gun on Pfaster, she was already loose. Then, the dramatic scene where Scully shot Pfaster multiple times was surreal.

Was this out of character for Scully? Maybe, but it is absolutely understandable. This character of Scully has had plenty of close calls and this one felt even more personal. When Scully worried that it was not God that had spoke to her to kill Pfaster, that was chilling.

I would have liked more with the priest who had helped free Pfaster. The titular character, Orison, was a bit of a toss aside character in a story where his presence was vital.

I am never a huge fan of the religious based episodes of the X-Files because it feels as if Mulder’s total denial of God does not fit his character, but this focus on Scully made this a worthwhile episode.

The X-Files S7 E6

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“The Goldberg Variation”

“Luck isn’t a superpower…” said Deadpool to Domino in Deadpool 2. Well, we saw in that flick that it absolutely was. Longshot would also disagree with that assumption.

It seems that Fox Mulder would be in that camp too as Mulder and Scully come across a man who was thrown out of a window of a 300+ story building, falling to his apparent doom, only to walk away practically unscathed (he did have a bruise on his elbow).

“The Goldberg Variation” introduced us to the character of Henry Weems, who appeared to have the most amazing luck in the world, while people around him had to suffer to keep the balance. Cause-and-effect, as Mulder said.

This is a “monster-of-the week” episode where a sad sack individual has something weird or paranormal about them and have to spend time with Mulder and Scully. We see the same idea in Clyde Bruckman’s Final Repose from season three, only that turned out more tragic than this one did.

Henry Weems got himself in trouble with the mob by getting involved in a poker game and winning big. The whole gangster part of the episode was a bit far, but I did like the overall end for the plot. It was nice having Henry connected to the boy in the building who needed a transplant. I thought from the beginning that Henry would wind up being the person who would be compatible as an organ donor and that he would die at the end to save the kid.

However, making it one of the gangsters was a nice twist, subverting the expectation of the trope. It also worked nicely with the theme of the episode.

The X-Files S7 E1, E2

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“The Sixth Extinction”

“The Sixth Extinction II: Amor Fati”

It has been awhile since I ended season six of The X-Files, which was a first part of a three part story that would help to reboot the mythology of the series.

Honestly, the X-Files does such a great job of creating villains. Many times, villains are created to be cool, and people love them, despite of the terrible things they may have done. However, I hate these villains on the X-Files. I want Smoking Man dead. So badly. Same goes for Krychek or Diana Fowley. Of course, this episode saw the end of one of them… off camera. Diana Fowley dies at the end after the show tried to redeem her in the eyes of the viewers. It did not do that for me. The whole ‘she helped out Scully, find Mulder’ did not do it for me. In my book, she was never with Mulder in any way but the selfish way.

The show’s mythology took a turn here and set up the final push for the series. This became more of a sci-fi series than it ever had before. The whole old man Mulder arc was a bit much too, which again tried to show Smoking Man in a more positive light. I just want that smug bastard dead. Great performance from William B. Davis, as always.

The minute Albert Holsteen showed up in Mulder’s apartment, I knew what the show was going for. It was clearly a spirit coming to help Scully and that whole bit was quite a cliche.

The end where Mulder and Scully claim to be each other’s ‘touchstone’ was well acted, but I have never felt any sort of romantic relationship between Mulder and Scully. I could see them being something deeper than romantic and I choose to see this scene in that light.

This trilogy ended season 6 and kicked off season 7 well, and helped keep the show on track moving forward.

The X-Files S6 E21, E22

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“Field Trip”

“Biogenesis”

The sixth season of The X-Files, one that had some absolute highs and absolute lows, wraps up with these final two episodes.

One of them was a really bad trip (though a wild and bizarre episode).

‘Shrooms cause trouble for the agents in “Filed Trip” which found both Mulder and Scully trapped underground being devoured by a plant as they hallucinated different ‘realities’ about what was happening.

The episode felt like one of those Russian dolls. When you thought we had come to a crossroads, there was another story inside.

It was fun seeing the different hallucinations that Mulder and Scully had and how their POVs played into each of them.

The season finale for season six was “Biogenesis” and it led to Mulder being in a mental institution and Scully in Africa chasing after an artifact that could prove that aliens put the human race on earth at the beginning of the planet.

It feels as if the X-Files reignited its mythology with a slightly different focus, though we have appearances by Smoking Man, Krychek, Diana Fowley, and Albert Hosteen, characters all involved in previous X-Files stories. Skinner also took a step back with his involvement in the conspiracy/mythology of the show.

As all season finales of the X-Files seem to go, the show will be a to be continued until the beginning of the following season. Season 7 is one where the show goes through significant upheaval with new characters and exits by major figures. I’m not sure where things will go as I was not a fan of what happened during this time frame so I guess we’ll see how I react to it now.

The X-Files S6 E10

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“Tithonus”

I enjoyed this episode of the X-Files for all the ways it turned the typical formula on its head.

First, Scully was out in the field, assigned to a case with a different partner, and she would call back to FBI headquarters to talk to Mulder and he would do the background stuff. Lots of time, this was flipped, with Scully doing info searches or autopsies. Poor Mulder was like a sad puppy the whole time too.

This also felt like an opposite of “Clyde Bruckman’s Final Repose” as we had an older man who could see death. This episode, the man himself could not die and he was determined to take a picture of death with the hope of being able to do what everybody else would do. This episode was played much more serious than “Clyde” was, which had some of the funnier moments in the early days of the X-Files.

The old man, Alfred Fellig, was played by character actor Geoffrey Lewis and he does a great job playing against Gillian Anderson.

At the very end of the episode, after Fellig had taken Scully’s place and had died from the gunshot wound, Scully was in the hospital from the same gunshot wound. Scully said “You know Mulder I don’t even know why I entertained the thought. People don’t live forever.” I think that was a reference, in Scully’s mind, back to Bruckman who had told her that she would never die. This brush with nearly dying herself from the gunshot wound made her question her own mortality in a very different way. At least, that is how I took it.

The X-Files S6 E6

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“How the Ghosts Stole Christmas”

A little spooky Christmas cheer with the X-Files in July.

This episode mashed-up a Christmas trope with a haunted house trope giving us something original between the two styles.

The show contained only four actors, David Duchovny and Gillian Anderson, of course, as well as Edward Asner and Lilly Tomlin, as the ghosts in the house.

Asner and Tomlin, two all-timers in the world of TV, brought a wonderfully different feel t the episode and their interactions with Mulder and Scully was the strength of the show.

There were plenty of fun ‘tricks’ played on out FBI agents by the two ghosts including showing Mulder and Scully their own dead corpses buried beneath the floorboard, and trying to manipulate them into offing each other. There was also a moving brick wall blocking the exit of several rooms in the haunted house.

The ghosts used this opportunity to share some dime store psychological tidbits on Mulder and Scully which hit pretty close to home. While it was intended to drive them mad, there was enough truth sprinkled in the dialogue to give the audience more insight into Mulder and Scully.

It was a fun, stand-alone episode of the X-Files which seems to be the overall theme of season six so far.

The X-Files S6 E4, E5

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“Dreamland, Part 1 and Part 2”

I recently spoke about the X-Files having episodes that are taking premises from movies such as “The Thing,” or “Speed” to fit them into the X-Files. This two-part episode takes the “Freaky Friday” premise and made it into the X-Files world.

Body swap films and shows were big at the time and it is understandable that the X-Files would go ahead and put their own stamp on it.

I love Michael McKeon. I have loved him as far back as Lenny from Laverne and Shirley, and then as David St. Hubbins from This is Spinal Tap. Seeing him as Man in Black, Morris Fletcher, was great and McKeon was awesome through the whole two episodes playing the new version of Mulder.

Seeing both Morris and Mulder in situations they were unfamiliar with brought some really good comedic moments. I enjoyed the Duck Soup-type mirror bit with Mulder and his reflection of Morris.

I saw some negative responses to these episodes and I did not agree with it. I found this to be a fun look at the idea of body swap and a new way to look at the Men in Black. Seeing how Morris responded to being Mulder was interesting, and Scully’s confusion was fun. I can understand that some may have wanted the main overall aliens story to continue instead of another funny episode. I love the funny episodes of the X-Files, as many of them are my absolutely favorite ones from the show.

I do think this could have probably been one episode instead of two as part of the second episode did feel stretched out. And some of the resolution of the story felt off. Even if the end of the episode with Mulder opening his apartment door to see of it was because of the furniture that Morris had bought. I guess this did not snap back in time as other things seemed to. That end plot hole was a little messy.

Otherwise, I enjoyed Dreamland.

The X-Files S6 E3

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“Triangle”

This was an absolutely wonderful episode of the X-Files. It was the combination of an old Twilight Zone episode and the Wizard of Oz, creating a exceptional tale of time warps and World War II escapades all inside the Bermuda Triangle.

Mulder finds himself in the Bermuda Triangle because a satellite found the Queen Anne, a British passenger ship that was rumored to have been sunk by Nazis in the war. On the ship, Mulder is in 1939 and confused about what was going on. Recognizable faces from Mulder’s life started showing up in the 1939 timeline, including Scully, Skinner, Smoking Man, and Spender, in differing roles than what Mulder was used to.

There was a scene in this episode that, in my humble opinion, may be the greatest scene ever shot for the X-Files. It is designed to look like a “Oner” a continuous shot that follows the characters as they move through the story in real time. It is something that a lot of movies and programs try to use these days, but such a shot was not used as much during the time of The X-Files.

It was not a single shot as I could find several “hidden” cuts as you would say, but it really worked well. The scene I am referring to as the greatest ever is the scene where the Lone Gunmen come to see Scully at FBI Headquarters and Scully sets off to try and find information about where in the Bermuda Triangle Mulder was. Following Scully around FBI HQ, going to Skinner, Kirsch, Spender etc. was brilliantly conceived. Scully running into Smoking Man was ominous and her interaction with Spender was hilarious. The scene ending with Scully jumping in the Lone Gunmen’s van and speeding away was utterly perfect.

There was another amazing moment in this episode that has to be considered groundbreaking. With a split screen, Mulder and 1939 Scully were coming down one of the aisles of the Queen Anne while regular day Scully was moving down another one. The two Scullys crossed paths and paused for a moment as if they could feel them passing by each other. This was such a clever use of the format that it stood out among a really exceptionally filmed episode.

The episode was clearly an homage to The Wizard of Oz. There are several Oz allusions though the episode and it ended with Mulder in a bed, much like Dorothy is at the end of the Wizard of Oz.

It is epic when a long running series takes a risk in the manner in which it is presented. Triangle was a massive hit for the show and I loved it more this time than my memory of it from before. This was exceptional TV.