Tag Archives: film

Descendent (2025)

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June 18

Movie 18

I found this movie while searching through Amazon Prime (technically it was on AMC +) for 2025 films that I missed. I had never heard of this movie, but the premise sounded intriguing so I put it on the June Swoon 5 playlist.

Descendent (which is a poor title in my opinion) was written and directed by Peter Cileila, starring Ross Marquand (Aaron from the Walking Dead, as well as a voice actor for the MCU) and Sarah Bolger.

According to IMDB, “A troubled LA school guard, haunted by family tragedy, experiences strange visions after a mysterious light appears in the sky. As his wife’s due date approaches, he races to face his demons before his growing obsession consumes him.“

I must warn you that this movie, though listed as sci-fi thriller, is really more of a character study and it does drag at times because of that. If you read that summary and thought the “mysterious lights” was going to accompany a lot of sci-fi moments, you would be incorrect. There are several sci-fi scenes, but it is not the core of the story.

That core is the psychological problems being dealt with by Sean (Ross Marquand) as his wife Andrea (Sarah Bolger) was having a baby. For me, these characters, especially Sean, were very intriguing and felt as if I wanted to know about them. Seeing how the sci-fi elements fit in the story was an extra treat.

Ross Marquand did a great job with the multiple issues facing Sean. He was confused and lost one moment and angry and off-balance the next. You wondered exactly what he might do during the whole film because of the traumas of his past.

I am not sure how I feel about the ending. The final shot made me wonder what was happening and disappointed that I would not find out.

This is a good film that makes a solid watch if you need something to do. I’m not sure it is worth searching out to see, but if you have AMC+ or can access it on Prime, it is worth it.

Hallow Road (2025)

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June 17

Day 17

This morning, I watched a psychological thriller/horror film called Hallow Road, and it disturbed me. It was tense and taught, but I am not sure how I feel about the ending.

According to IMDB, “Two parents enter a race against time when they receive a distressing late-night phone call from their daughter after she caused a tragic car accident.”

The film featured two outstanding performances at the center of the story from Rosamund Pike and Matthew Rhys. When I saw Matthew Rhys attached to this film, I was excited as I am truly enjoying his work on Apple TV’s Widow’s Bay. I did not realize that Rosamund Pike was involved until the movie was underway.

Both Rhys and Pike were amazing as panicked parents responding to their daughter’s desperate phone call in the middle of the night. They each showed the entire gamut of emotions as the situation grew worse. Most of the movie took place with the parents inside their car, speaking to their daughter on the phone. The helplessness they felt came through with every new revelation and every unexpected twist.

When it became clear that this movie was taking a shift from compelling family drama into something more mysterious, I was not sure how to feel. While, the unnatural story beats worked as a surprise, I am not sure that it was the route I wanted to see the movie take. It was a sudden shift that, while teased, felt like it came out of nowhere.

However, the film was full of suspense the entire time and the result at the end was powerful. I wonder how powerful it could been if it did not have the twist of story.

The fantastic acting of Pike and Rhys carries this movie and they alone are reasons to see it. I found this on Hulu after a friend’s review from earlier this year.

Deep Water (2026)

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I do love me some shark movies. Even the bad ones, which there are a lot, have their share of fun and wild moments. Deep Water, which is a return to form for Finnish film director Renny Harlin, has its share of moments and scares.

According to IMDB, “A group of international passengers en route from Los Angeles to Shanghai are forced to make an emergency landing in shark-infested waters. Now they must work together in hopes to overcome the frenzy of sharks drawn to the wreckage.”

There were a group of superficial characters that meant little to me, but there were some intriguing characters that I liked very much. Finally, there was at least one jerk who I wanted to become a shark-burger. Most of the characters were kind of dull, but I still found myself rooting for most of them.

I was shocked to see both Aaron Eckhart and Sir Ben Kingsley in this cast, as I felt as if this film was a B-level film at best. I still think that is the case, but it is always great to see Kingsley in anything.

There were enough interpersonal relationships between the characters to keep them from being more than juts chum for the sharks. Yes, the characters are not Martin Brody, Matt Hooper or Quint, but you can’t expect that type of writing in every shark movie.

I did think many of the shark attacks were silly at times, especially the one involving the helicopter, but their presence did create a sufficient amount of tension to keep the thin story afloat.

Harlin was unafraid to kill off characters in many different ways, and it did feel as if any of them were ripe for being eaten (or drowned). The stakes are absolutely off the charts.

Sure, there are basic story beats that you see over and again in shark movies, but they do work overall here and the plane crash that led before the sharks, was excellent.

I enjoyed this movie and the film hit me in the feels at the end, which is really should have. I think this is a solid shark movie and I am happy to have rented it on Fandango at Home.

3.75 stars

Ash (2025)

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June 16

Day 16

Today kicks off the second half of this year’s June Swoon 5 with a sci-fi/horror film on Hulu called Ash. Directed and scored by Flying Lotus, a DJ, rapper, filmmaker and record producer, Ash feels like a mixed bag.

According to IMDB, “A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.“

The good parts of Ash included the lead performance from Eiza González as Riya, the woman who wakes up and is confused by the gore and death around her. González did a very strong job of expressing her confusion and fear of the situation that she found herself in.

Another positive is the look and the sound of the film. The score made the film standout from some of the other entries in the subgenre of space monster/horror. The score kept the audience on their toes and uneasy as the mysteries unfurled around Riya. The film’s special effects and imagery was also top notch as everything, especially the body horror aspects of the film, looked specifically frightening or horrendous.

The biggest problem is that this movie, story wise, does not even try to attempt something different than what we have seen before. There are scenes that feel as if they were taken directly out of Alien or The Thing or Event Horizon or Cloverfield: Paradox or many other space monster films.

The film leaned hard on cliches throughout the entire movie. Riya had amnesia at the beginning after awakening to find everyone dead. I mean… was there ever any question about what had happened here? Aaron Paul’s character Brion was very cliche as well. The only thing not cliche about him was that he spelled his name with an “o” instead of an “a.”

The film was only 1 hour and 35 minutes long, but it felt much longer than that. It dragged through the first two thirds of the movie before a fairly spry final act helped pick up the action. I am not opposed to slow burns, but there needed to be something more entertaining during that slow burn to engage my mind. This did not have it.

The film looked great, sounded great and had a decent lead performance, but there is just not enough of anything else to make this anything but a forgettable flick.

Arco (2025)

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June 13

Day 13

Last year when the Academy Award nominations came out, there was one film among the Best Animated Feature category that I had never heard of before. It was a French film called Arco. I placed it on the list for the June Swoon 5 immediately.

I found it streaming on Hulu and watched it this morning with the English dubbed version. I typically am not a fan of the dubbed version, preferring the original voices. However, since it was an animated film, I decided it would not be as jarring as a live action dubbed film would be. Plus, the voice cast seemed very impressive with Will Farrell, Juliano Krue Valdi (who played young Michael Jackson in the biopic film, Michael), Mark Ruffalo, Natalie Portman, Andy Samberg, Flea, and America Ferrera.

According to IMDB, “In 2075, a girl witnesses a mysterious boy in a rainbow suit fall from the sky. He comes from an idyllic far future where time travel is possible. She shelters him and will do whatever it takes to help him return to his time.”

The voice of Iris, the young girl who discovered Arco, was done by Romy Fay, a talented voice actor and singer-songwriter.

The film has several underlying themes in the story that kind of take a back seat to the lost in time aspect for Arco and iris. Some of the characters do not have the depth that they required, but they do seem to work together to form a tapestry of color and creativity. The imagery of the rainbows are lovely and the friendship between Arco and Iris is sweet, even if the backdrop of the world is horrific.

The oddball trio, led by the voice of Will Farrell, feels like something right out of anime. In fact, this reminded me of a Studio Ghibli film, only considerably shorter.

Arco was an enjoyable enough film that had a good message with some amazing visuals. I can see why it received an Oscar nomination.

Disclosure Day

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Steven Spielberg is back in the director’s chair for the new film, Disclosure Day, which brings Spielberg back to a topic that he seems to love… aliens.

Some of Spielberg’s greatest movies of all time have aliens at the center, from Close Encounters of the Third Kind to E.T.: The Extra-Terrestrial to War of the Worlds. Now he is back with Disclosure Day, a film starring Emily Blunt and Josh O’Connor.

This sci-fi film had just about everything that I would have wanted in it. Josh O’Connor played a man named Daniel Kellner, who had been working for the people trying to keep the existence of aliens hidden, but he had a change of heart, stealing away data proving the truth behind aliens and the government’s knowledge and involvement. Daniel was on the run, hoping to be able to show the data to the public.

Meanwhile, Emily Blunt, who played Margaret Fairchild, a weather girl in Kansas City, suddenly begins t show abilities that she had never had before. Speaking languages she did not know and knowing information about people she had never met before. When she started speaking in a strange language on live TV, things got weird for her.

Emily Blunt is absolutely on fire in this film. Her performance might just be arguably the greatest performance of her career, despite having plenty of banger performances to choose from. Emily Blunt takes the story to another level every second that she is on screen and she elevated the whole script. I truly believe that she should be nominated for Best Actress at the Academy Awards next year from this work.

The rest of the cast is great, albeit looking a little less in comparison to Blunt. Josh O’Connor has been doing amazing work recently, including his great performance in the last Knives Out film. We also have Colman Domingo, Wyatt Russell, Elizabeth Marvel, Eve Hewson, and Jeremy Shamos.

Then there was the film’s main antagonist, Colin Firth. Firth played Noah, who was the agent with the top secret government agency trying to keep things under wrap, and he pursued Margaret and Daniel across the midwest.

I would not define this movie as an action movie, but they had some really good action, which included a scene with a train that was as good of an action sequence as you are going to see in any movie.

This film saw Spielberg beg the legendary John Williams, 94 years old, to come out of retirement to score Disclosure Day. Williams provided yet another amazing score for Spielberg, capping off an unbelievable career.

The movie might be a touch too long, but I do like how it took its time to develop the story and not just throw out everything about what was happening. The central mystery is handled well and kept me hooked from the beginning. The ending of the film has had some detractors, but I think it worked well. If anything, I wanted a little more before the screen went to black. I found the ending of the film to be quite an emotional moment.

Steven Spielberg is one of the greatest directors of all time, and a member of the EYG Hall of Fame. His latest film recaptured some of the magic from his earlier filmography, especially feeling connected to films like Close Encounters. I saw this in IMAX and I found that to be a great viewing experience. I would recommend seeing this on a big screen while it is in the theater.

4.6 stars

Bambi: The Reckoning (2025)

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June 11

Day 11

I have had a pretty good run with the 2026 June Swoon 5. Ten really good, enjoyable movies so far. It is sad that had to come to an end, but I kind of expected it.

I have three movies I am going to today at Cinemark and so I needed a shorter movie. I just did a short yesterday and I wanted to avoid another right now. I found a film on Peacock that was only 1 hour and 20 minutes, that would work for the schedule. Unfortunately, it was Bambi: The Reckoning.

I have seen several of these movies. Winnie the Pooh: Blood and Honey, Winnie the Pooh: Blood and Honey 2, and Screamboat. Of those, I did not hate Screamboat as much as I hated the Winnie the Pooh movies, but it was not good by any stretch.

I gave it my best shot to come into this movie with an open mind, but that was wiped away early on.

According to IMDB, “A car wreck strands a mother and son in the deep woods where a mutated, vengeful deer stalks them. As local hunters and an obsessive grandmother converge, the forest becomes a bloody arena for a grieving creature’s primal rage.”

The writing on this is atrocious. I’m not sure that there is one redeeming character in the film. I was openly rooting for Bambi to kill these miserable excuses for human beings. Funnily enough, Bambi did not directly kill several of them.

The dialogue was basically yelling other characters’ names.

When most of these kills are funnier than scarier, you know you’ve got a problem. My favorite was the guy who got dragged behind a van as they were trying to escape from Bambi. What a completely random death.

There are some unintendedly funny moments and so little made sense. I could not bring myself to give this the “So Bad, It’s Good” ranking because there was just nothing good about it. Maybe if the RiffTrax crew would riff this, there might be something worth the time.

This may not sink to the depths of Winnie the Pooh: Blood and Honey or its sequel, but it was nowhere near Screamboat. That is saying something.

John Candy: I Like Me (2025)

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June 7

Day 7

Today’s June Swoon 5 film was a documentary on Amazon Prime from last year that looked at the life and career of one of the most beloved actors/comedians of the past forty years, John Candy.

The doc started off with Bill Murray trying to come up with something bad to say about John Candy, and wishing the producers luck in their investigation to find some dirt on the man. It was a real funny kick off to the show and did a great job of pointing out how universally beloved men John Candy was.

There were a litany of stars who had nothing but amazing things to say about John Candy including Tom Hanks, Dan Aykroyd, Catherine O’Hara, Macaulay Culkin, Martin Short, Eugene Levy, Dave Thomas, Andrea Martin, Steve Martin, Conan O’Brien, and Mel Brooks.

The doc does a great job of outlining how the death of John Candy’s father (when John was 5 years old) affected him as an adult, and how his behavior of drinking, smoking, eating led to his early death at 43.

It also showed what a lovely human being John Candy was and how much success he had as an actor, starting off with SCTV and ending as a movie star.

The doc also talked with John Candy’s family, his wife, his brothers, his son, and his daughter. They talked about the close relationship John Candy had developed with John Hughes, and how Candy wound up in 9 films from the director.

I liked John Candy, but I would never say that I was a huge fan of his, but I found myself tearing up at the end of the documentary, which tells you how well director Colin Hanks and the rest did with this doc. The story of them closing down a freeway in LA for John Candy’s funeral procession was amazing.

The doc is available on Amazon Prime and it moves at a brisk clip, moving through his way-too-short life and career. It is wonderful when you can look back on a person’s career and see only the good.

Masters of the Universe

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“By the power of Grayskull…I have the Power!”

The new version of He-Man and the Masters of the Universe came out this weekend, an IP that has been redone several times, both in live action and animation.

According to IMDB, “A young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword and return home to protect his kingdom.“

I was never a big fan of He-Man, although I did not dislike the IP. I watched the Kevin Smith animated versions on Netflix.

This movie was not my favorite. I had several problems with the film which I will go into later. However, it was not a total loss as there were some things I liked.

First off, I thought Nicholas Galitzine did a great job as Prince Adam. I may not necessarily like how they had him playing the role, but I do think he did a great job in the role. He had a Chris Hemsworth vibe to him.

Jared Leto, whose had some questionable roles, was an outstanding Skeletor. Again, there are some of the writing that did not work well, but Leto stood out among the cast.

There was some good action, especially in the later stages of the film. I enjoyed the finale of the third act, action-wise.

There were a lot of issues though. The biggest one is the tone. This is meant to be too humorous, kind of in the veins of a Thor: Love and Thunder. There were several times when there was a good scene, some times even an emotional scene, but it did not get a chance to settle in because there was a joke coming after.

And for a film that wanted the humor to be so front and center, the film was not very funny. I am not sure I laughed at all, certainly not more than a giggle here and there, and I found myself rolling my eyes more than anything else. I’m not opposed to a healthy dose of humor in my action movies, but the humor needs to be doled out in proper doses and in the correct moments. This film did not do that.

The earth section of this film could have easily been removed, because it did nothing and it was just a way to extend the run time. I really did not like the roommate character in this, and I wonder why people did not have this guy committed with his talk about swords and other planets. And there was a monster that showed up on earth and knocked away by an Amazon truck. This is an Amazon film. Brought me memories of War of the Worlds. Amazon is clearly the biggest heroes in all movies.

And, boy was there an obvious Coca-Cola product placement too. I laughed audibly at this.

There are a ton of secondary characters that were just here to stand in the background and not have any sort of story to them. Alison Brie as Evil-Lyn was a total waste, as was Morena Baccarin as the Sorceress.

It is not the worst movie to watch, but I did find myself bored in a good chunk of the film and very noticeably, not laughing. The last third of the film was better and one would wish it was the style the whole film would have taken.

2.5 stars

Rental Family (2025)

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June 4

Day 4

So the June Swoon film for the day is Rental Family, a film featuring Brendan Fraser. It was one that I thought about going to the theater to see, but it did not work out. I decided that I would save this one for June Swoon.

According to IMDB, “An American actor in Tokyo struggling to find purpose lands an unusual gig: working for a Japanese “rental family” agency, playing stand-in roles for strangers. He rediscovers purpose, belonging, and the beauty of human connection.”

I am torn on this movie. Not because I did not enjoy it, because this was a beautiful movie filled with emotion and lovely exteriors and great performances. The problem I had was with the central concept of the idea of rental family, not the movie but the business that Shinji Tada (Takehiro Hira) was running. He would send actors into situations to play relatives or friends or whatever to people who are emotionally challenged.

For example, in this film, Brendan Fraser played an actor named Phillip who was struggling with his career. He moved to Japan several years before and he joined in the company where he is sent into a situation where he was pretending to be the absentee father of a little girl, Mia (Shannon Mahina Gorman). He was hired by her mother to help her get into a specific school.

The problem is they do not tell Mia that he is pretending and they pretend that he is her long, lost father, and they told Phillip that he needed to not get close to her. How is he supposed to do that, get to know her and not get close to her.

It just felt gross. I felt that these characters were so emotionally manipulated in this that it, as I said, felt gross.

However, so much of the movie is so wonderful that I kind of held my nose and moved along. To be fair, I think that it is gross is meant to be part of the themes of the film.

There is another storyline where Phillip is pretending to be a journalist interviewing a big time former actor Kikuo Hasegawa (Akira Emoto) which was a beautiful tale of friendship and life.

I loved the relationships Phillip developed with both Mia and Kikuo, which made his constant lies all the harder to watch. You can tell from Fraser’s excellent performance how the lies were affecting him as well.

While I had trouble with the concept of the film, everything else was amazing. I loved the story, the characters, the performances, the relationships and the chorography. Rental Family was an outstanding movie that made me feel icky at a few times.

Malcolm in the Middle: Life’s Still Unfair

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Spoilers

I used to like Malcolm in the Middle, though I never would say that I loved it. It was something that I watched when it was originally on ABC. I knew that there was going to be a new series featuring the returning cast on Hulu/Disney + and i was somewhat interested, but I had not gone out of my way to watch it. It came out in April and I saw it on Disney + a few times, but just never got around to watching it.

Finally, tonight I had an open evening and with only four episodes of the show to watch, I decided that I would finally watch it.

Overall, I am glad I did. However, I would not say that I loved it. There were parts that bugged me, and I am not sure I would have continued if it were a longer series. I do think that this was just the right amount of episodes at four.

The show did tell a specific story centered around Lois and Hal’s 40th wedding anniversary. Again, parts of the storyline was great and other parts were cringe. The final episode had a spectacular conclusion that was emotional and heartfelt and made everything else feel better.

I want to say immediately that I really found Leah, the daughter of Malcolm, played by Keeley Karsten, to be remarkably charming and a perfect fit for the role. The show cleverly gave Leah the ability to talk to the screen like Malcolm could do, narrating much of what was going on. It is obviously a trait passed along from father to daughter.

It was very funny, and well in character, that Malcolm had not ever told Hal and Lois that he had had a daughter, and so when they crashed his home because Malcolm had been avoiding the question about attending Lois & Hal’s big party, all of Malcolm’s lies came crashing down.

I am not sure how I felt about the whole Hal story arc of these episodes, but there is no denying that he came out a better person in the end. I was torn about the whole drug trip he went on (reminded me very much of the trip taken by Mayor Tom on Widow’s Bay), but there were some very funny moments within it.

I was sure that the role of Francis had been recast, but, according to IMDB, it was Christopher Masterson playing the role. I was shocked. I thought that the recast was very similar to Francis, but that it was clearly not him. I was in err on that. Turned out the only recast of the kids was Dewey, who was now played by Caleb Ellsworth-Clark instead of Erik Per Sullivan.

Jane Kaczmarek was giving me Candace Bergen feels as she returned to her multiple Emmy nominated role. You’ve got to appreciate how committed Bryan Cranston is to playing Hal, because he is clearly willing to do anything. They really work together as well.

I was very much split on the Malcolm/Lois confrontation in the men’s room. The toilet humor just did not work for me. I have never been a fan of this style of humor. I thought the writing of the scene between the two characters was outstanding though.

Some of the other characters from the show looked rough. I am not sure if that was intended or if the actors had had tough lives. I would hate to speculate on any of them. I am glad that they were here.

The revival of this show was hit and miss for me, but I am glad that I watched it and I might even watch another show, if they did any more.

Exit 8

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Exit 8 was another film that I could have seen in the theater, but could not make it fit the schedule. So I rented it today on Fandango at Home. The Japanese sci-fi/thriller is one of the best movies that I have seen in 2026.

According to IMDB, “A man trapped in a endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?“

This movie engaged me so much, I was literally yelling at my computer screen, wanting the characters to follow my instructions. It was a simple set up with a complex morality tale. I absolutely loved this film and the experience of watching it.

The film was in Japanese, but the dialogue was limited, which made it a breeze to follow along with the subtitles.

Kazunari Ninomiya was our main protagonist whose point of view we start with in the very beginning of the movie. His eyes were literally the camera to the scenes we were watching. However, that does not last long as the POV switched once he was inside the subway corridor.

There was also the “Walking Man,” played by Yamato Kochi and the Boy, played by Naru Asanuma. The young actor does a sensational job with nearly zero dialogue. To be honest, I am not sure I understood the Walking Man’s role in this narrative, but that did not stop me from being invested in the characer.

Based on a video game, Exit 8 had me looking for every little detail and found me frustrated when the characters did not see the same.

The ending of the film had me screaming out loud, first in desperation and then in joyousness. It was beautifully shot and made me extremely happy.

I loved this movie. I did not expect that this was going to be one of the best movies I would see in 2026, but I am so pleased that I took the chance with a Japanese film.

5 stars

They Will Kill You

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Happy Memorial Day. With the day off school, I am using today to catch up on a bunch of films, now on streaming, that I have not yet seen in 2026. The first film up today is a horror/action/comedy movie called They Will Kill You starring Zazie Beetz.

I had seen the trailer for this film in the theaters, but it only lasted like a week or so in the theaters and I did not get to see it. Honestly, I did not think I would miss it much. It did not seem to be my cup of tea. However, after watching the film this morning, I have to say that I was wrong. This was a heck of a good time.

According to IMDB, “A woman takes a job as a housekeeper in a NYC high-rise, unaware of the building’s history of disappearances. She soon realizes the community is shrouded in mystery.”

That synopsis does not do justice to this story, which, admittedly, is rather thin and coincidental. Still, this is not one of those films where you go in expecting a deep and fully developed story. There was just enough background in the film to make the action and brutality to come understandable.

Zazie Beetz is sensational in her violent, bad ass way. After her first scene in her room inside the building, the shocking reveal of what was going on was out of nowhere and I was here for it.

The rest of the cast was fun, featuring some reasonably big names including Patricia Arquette, Tom Felton, Heather Graham, Myha’la, James Remar, and Paterson Joseph.

I found much of the film very funny. Again, this movie does an admirable job of blending tones through the film. It has comedic beats that feel like they work well with the gory horror moments and the action/adventure moments. It is not easy to blend tones and more movies that try to do it fail than succeed. They Will Kill You is one that makes it look easy.

I wish I had seen this on the big screen. I think the violence would have popped all the more. Still, I enjoyed renting this on Fandango at Home and it kicked off today’s binge in a exciting and dramatic manner.

3.8 stars

Star Wars: The Mandalorian and Grogu

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It has been seven years since we got a new Star Wars film on the big screen. That last film was the much maligned Rise of Skywalker, which most of the fanbase either disliked it or outright hated.

However, the Disney + show, The Mandalorian, has been popular over the first three seasons, and the announcement of the next movie being a continuation of the show received mixed responses. The character of Grogu, who was known first as Baby Yoda, was a phenomenon in pop culture and was suddenly everywhere.

With the new film, starring Pedro Pascal as The Mandalorian, we get a mixed bag of a movie with some positives and some negatives that does not feel like a return to the big screen for Star Wars. It really does feel like a TV season crammed into two hours of a film.

Start with the positives. I love these two titular characters and I love the idea of spending more time with them. However, if I had not already watched three seasons of TV, I might not understand what was going on. The film does not spend much time setting up the relationship between Mando and Grogu. It just feels as if they are expected to know it.

The action sequences are mostly excellent. The beginning sequence, in particular, was exceptional. I did enjoy much of the action of the film.

The CGI had its moments, but there were also moments of CGI that were not well done. Some of the green screen (or is it The Volume?) was painfully apparent and below what one would expect from this franchise.

The story feels stitched together among the different moments of the script. There are things that happen in the film that show up out of nowhere and does not play much of a part in the film. There was a scene with a creature in the woods that helps out Grogu that feels like the character was going to be more significant than it turned out to be. It is possible that this character is known in the Star Wars universe and I am not recognizing the Easter egg.

The middle of this film was pretty boring and repetitive. There is only so many times that I need to see Grogu steal some food to eat.

Interestingly enough, they never once call the Mandalorian by his name Din Djarin, referring to him as Mando instead.

Sigourney Weaver is in the film, doing little. Jeremy Allen White voiced Rotta the Hutt, a character that debuted in the animated programs. Much of the dialogue of this film was not great and fairly surface level at best.

The best part of the film was the score by Ludwig Göransson, who has won an Academy Award. The score was very engaging.

The Mandalorian and Grogu is an okay movie. I liked much of the film, but I do not think that it elevated my enjoyment of any of the characters or the franchise. It was okay. I did not come out of this hating it, but there just is not anything that I feel needed to be on the big screen.

3 stars

Daily Countdown: Weird Al Songs #42

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#42

Jurassic Park

Title: “Jurassic Park”

Written: Al Yankovic / Jimmy Webb

Album: Alapalooza

Release: 1993

Parody: “MacArthur’s Park” by Richard Harris

Topic: Jurassic park, the movie from Steven Spielberg

Fact: Al reached out to both Michael Crichton and Steven Spielberg for permission to parody the Jurassic Park film.

Weird Al has done many movie parodies in songs over the years including Star Wars: The Phantom Menace, Spider-Man and Rocky. Jurassic park joined that list with this lead track from Alapalooza.

I remember when this album came out. I was at Wal-Mart, looking at CDs when I spotted this new Weird Al album. I had no idea it was coming out and it was such an awesome surprise.

Lyrics

I recall the time they found those fossilized mosquitoes
And before long, they were cloning DNA
Now I’m being chased by some irate velociraptors
Well, believe me this has been one lousy day

Jurassic Park is frightening in the dark
All the dinosaurs are running wild
Someone shut the fence off in the rain
I admit it’s kinda eerie
But this proves my chaos theory
And I don’t think I’ll be coming back again, oh no!

I cannot approve of this attraction
‘Cause getting disemboweled always makes me kinda mad
A huge tyrannosaurus ate our lawyer
Well, I suppose that proves they’re really not all bad

Jurassic Park is frightening in the dark
All the dinosaurs are running wild
Someone let T- Rex out of his pen
I’m afraid those things’ll harm me
‘Cause they sure don’t act like Barney
And they think that I’m their dinner, not their friend, oh no!

Jurassic Park is frightening in the dark
All the dinosaurs are running wild
What a crummy weekend this has been
Well, this sure ain’t no e-ticket
Think I’ll tell them where to stick it
‘Cause I’m never coming back this way again, oh no, oh no!

Source: Musixmatch