June 23rd, Movie 24

I started to watch this movie/comedy special last year, but I did not get very far into it. It had trouble grabbing my attention when I watched it. My mind must not have been in the proper state to watch it then because, when I watched Bo Burnham: Inside from Netflix for the June Swoon today, I thought it was outstanding.

Bo Burnham spent a year recording his comedy special with no crew or audience and what he came up with was an amazing time capsule of the thoughts and feelings the world faced when confined to their houses during the COVID-19 pandemic. The special contained comedy and comedic songs detailing the frustrations, the depressive states, the mental anguish, and the boredom of life during the isolation of the pandemic.

Burnham also skewered internet culture and phenomenon that came into the zeitgeist during the pandemic such as video reactions and playing along with video games.

Music was, at the same time, catchy and depressing, but no matter the feeling the music elicited from the viewers, the overall concept was that it was funny. Really funny. Undeniably relatable funny.

One of my favorite visual gags was Bo drawing a Venn diagram of Malcom X and Weird Al with “ME” at the intersection. That felt like the perfect cross of worlds for this special.

I do not know for sure why when I tried to watch this special last year it just did not grab my attention. Perhaps I wasn’t ready for it yet. Bo Burnham: Inside certainly grabbed my attention today. It is a spectacular Netflix comedy special/film that takes one of the most difficult eras of our lives and satires it while embracing the mental state it placed many of us in. It is not just inside the house, but inside the mind.

June 22nd, Movie 23

Today, for the June Swoon, we jump into the Western genre with a film called Old Henry which was written and directed by Potsy Ponciroli.

Henry (Tim Blake Nelson) was a widower raising his teenage son Wyatt (Gavin Lewis) on a normal farm, living the peaceful life of a farmer. When Henry comes across an injured man named Curry(Scott Haze) with a satchel of money and a gunshot wound, a posse of men arrived, claiming to be the law. Henry did not know whom to trust, but, as things became more violent, a secret from his past was revealed changing the balance of the situation.

There may be some familiar moments in this movie, but it is extremely impressive in the way it carries itself off. Tim Blake Nelson is outstanding in the lead role as he reveals the darkness behind his squint. You can see that Henry wanted to be a good man for his son, but the situation pressed him too far.
I did not even begin to guess the surprise twist in the third act and I absolutely loved it.

The relationship between Henry and Wyatt was believable and understandable, especially after you learn the truth at the movie’s end. Both Nelson and Lewis do a great job of interacting, Nelson trying to protect the boy and Lewis looking to be allowed to be a man.

There is a solid cast along with Nelson, Wyatt and Haze. Other actors appearing in the movie included Trace Adkins, Stephen Dorff, Richard Speight, Jr., Max Arciniega, and Brad Carter.

Nicely paced with some wonderful shots, Old Henry takes the typical Western genre film and peppered it with great performances and a great reveal. If you are a fan of Westerns, you should give Old Henry a shot.

June 21st, Movies 22

As I was searching through movies for 2021 that I may have missed, I came across the DC Universe film Justice Society: World War II. I always enjoyed a good JSA story so I thought this would be a good film to include in the June Swoon.

The story kicks off with Barry Allen (Matt Bomer), aka The Flash. He was on a picnic with his girlfriend Iris (Ashleigh LaThrop) when he hears an explosion. He takes off to discover Superman (Darren Criss) fighting with Brainiac (Darin DePaul). During the battle, Flash runs really fast to catch a Kryptonite bullet, but he runs so fast, he transports himself accidentally to a different location.

At first, he thought he time traveled, but eventually, Barry realized that he crossed to a different world. In this world, he finds a group of heroes calling themselves the Justice Society was fighting against Hitler’s forces during World War II. The group was led by Wonder Woman (Stana Katic) and included Hawkman (Omid Abtahi), Hourman (Matthew Mercer), Black Canary (Elysia Rotaru), and Jay Garrick, the Flash (Armen Taylor).

Barry teams up with the JSA and their battle takes them to face off with King of Atlantis, Aquaman (Liam McIntyre).

As always, the DC Animation is very well done and this is no exception. The animation was better than normal, I thought and the characters are used in a wonderful manner. I loved seeing some of the JSA characters (although, I would have been up for a few more extra ones).

I liked the story. It was simple and straightforward. The voice acting was fine.

I do think that some of the story beats were rushed and that this could have been stretched out to a two-parter. I know they have done that before. The use of Dr. Fate was too much of a tease and I wanted way more with him. They had several “Batman Leaps”- which is a term we dubbed to describe a time where someone makes an unlikely, impossible, somewhat illogical inference of a clue (like they would do on the old 1966 Batman series). When Barry Allen met Superman in the “past” and realized that there were some differences, he immediately jumped to “different earth”.

Still, these complaints are nitpicks. I enjoyed the film well. I still think this could have been outstanding of they had done a few extra steps, but it was still a lot of fun.

June 20th, Movie 21

I had two choices this morning. I had dropped down to Encounter or Old Henry. I wound up choosing Encounter, that featured Riz Ahmed and Octavia Spencer, and was directed by Michael Pearce.

Malik (Riz Ahmed), a former Marine suffering from PTSD, showed up in the middle of the night, taking his children, Jay (Lucian-River Chauhan) and Bobby (Aditya Geddada) on a late night road trip. Malik was here to protect them from an alien infestation of little parasites that he claimed had taken control of the boys’ mother and step-father.

Malik was taking the boys across the state toward Nevada and the base where he said scientists were working on ways to prevent the bug-like creatures from taking over people.

When he discovered that the boys’ mother was pregnant, Malik called his probation officer Hattie Hayes (Octavia Spencer) to go check on her. Hattie told Malik that he had missed his last meeting and that he was in trouble. This is the first indication that we had that perhaps the idea of parasitic bugs from space may not necessarily be reality.

I was having some initial issues with the story at first, but this switch in tone and direction worked really well for me. They spent a good chunk of the second act of this movie trying to show that the reality could be either direction.

I worried that the film would make us think one way and then throw a wrench into the story at the end and change everything. I definitely wanted one way and I was afraid that if they made that decision, the film would take anything positive and wreck it. Thankfully, it did not go that way.

However, the ending was a little silly and there were some things done by characters that did not make much sense. While the ending was weaker than I had hoped, it did not damage the remainder of the film.

Riz Ahmed is fantastic in Encounter as he always seems to be. Lucian-River Chauhan is excellent playing opposite Ahmed as Jay. Aditya Geddada had a few moments, but the character of Bobby does some things that did not ingratiate himself to the audience. Octavia Spencer was terribly underused and should have played a bigger role than she did.

I was happy to have included Encounter in the June Swoon because I did enjoy most of this movie. There were some flaws here and there, but the relationship with Malik and his to boys was a standout piece of the film and it kept me wondering exactly what was real and what was not.

June 19th, Movie 20

Um… okay.

I guess I did not know what to expect with Red Rocket, directed by Sean Baker. For some reason, I thought this was a French speaking film. I am not sure we could get further away from a French speaking film than this.

Former porn star Mikey Saber (Simon Rex) returned to his hometown of Texas City, Texas, to try and get his life back on track. He goes to his ex-wife (although she told him that they were still married) Lexi (Bree Elrod), who was living with her mother Lil (Brenda Deiss), and talked them in to letting him stay, promising to help pay rent.

He struggled to find employment as his porn star reputation got in the way, a reputation that he was actively trying NOT to hide. He winds up selling pot for a neighborhood dealer (Judy Hill) he knew from his days in Texas City.

When the money started coming in, Mike and Lexi started having sex again. However, after a trip to a donut shop, Mike met a seventeen year old girl Strawberry (Suzanna Son) who he fell for quickly and envisioned her as a porn star that he could manage, bringing him back to the top.

Simon Rex is a good actor and has some charm about him, but I so hated the character he played that I could not get past that. Mike is a horrible human being who is selfish, crude, cared only for himself, obnoxious… any sort of negative comment you could male about Mike would fit him well. He does not go on any sort of journey as out main protagonist, unless you consider him only getting worse. Not only is he having sex with the seventeen year old, cheating on his ex-wife, but he is preparing to take Strawberry to Hollywood and get her involved in the porn industry.

The other problem is that there just are not any characters here worth rooting for. Trailer trash, drug dealers, low lives. The only character worth anything turned out to be next door neighbor Lonnie (Ethan Darbone), who worshipped Mike and went out of his way to help him and eventually protect him. Mike did not appreciate poor Lonnie, and just uses the terrible thing that happened to Lonnie as a way to manipulate Strawberry.

The film ended with a scene that almost made me think that Mike would pay for his being such a jerk, but the movie does not take it far enough (although Mike running through the streets at night is pretty hilarious).

The actors all did exceptional jobs with their roles, but I just did not like anyone on the screen. The production of the film was top notch, and even if it is a metaphor for the Trump years, I just did not enjoy the trip. I was hoping it would end throughout the film.

June 18th, Movie 19

I was not sure what I was getting into with Happily, and now that I have finished the film for the June Swoon, I am not sure what I watched. I liked it a lot, though.

Happily was seemingly one type of movie and then a few unexpected themes injected themselves into the story which changed what it felt like what the story actually was. The ending was bizarre and left me unsure about what had been happening.

Tom (Joel McHale) and Janet (Kerry Bishé) were the perfect couple, despite coming up on fifteen years together. All of their friends hated them because they were always having sex and could not be more perfect. They hated them so much that they uninvited them to a weekend retreat they had been planning.

However, when a strange man named Goodman (Stephen Root) came to see Tom and Janet, insinuating that they were being forced to take an injection of some mysterious substance that would make them more like a normal married couple and they could not avoid it, things changed. There was suddenly a strange, almost sci-fi, feel that swept over the film. When Janet killed Goodman in a fit of self defense, Tom and Janet disposed of the body.

After suddenly being re-invited to the weekend getaway, Tom and Janet decided that this was, perhaps, a prank perpetrated by one of their friends. They decided to go to the retreat and try and figure out who was behind it. When, on an alcohol run, Janet saw an decidedly not-dead Goodman stalking her, the whole weekend took a definitive change.

I was engage in what was happening in Happily even though I was not sure what it was that was happening. The ending really switched up the movie’s tone and mood as we realized that what had been happening was not what we thought. While the ending left me scratching my head about several specific details, and the film never truly gave us answers, I have never been one who required that everything be explained to us. I can understand that there may be some people who felt that the end of the movie was not satisfying because of that. I appreciated the film giving the viewers something potentially open ended to think about.

The cast was strong. Along with Kerry Bishé, Joel McHale and the always great Stephen Root, there was Al Madrigal, Natalie Zea, Paul Scheer, Jon Daly, Breckin Meyer, Shannon Woodward, Charlyne Yi, Natalie Morales, and Kirby Howell-Baptiste.

I appreciated this movie because I was unsure the style of a film I was watching and I enjoyed seeing how it was going to play out. It was an original idea and nicely acted and designed.

The June Swoon for today brings us to an independent film written and directed by Emma Seligman called Shiva Baby. This is a short, little film that has a lot of humor and some of the most realistic and awkward moments you would ever experience.

Danielle (Rachel Sennott), a college senior, was having sex with her sugar daddy Max (Danny Deferrari). After this, Danielle had to go to a Shiva with her parents Joel (Fred Melamed) and Debbie (Polly Draper). Little did she know that her ex-girlfriend Maya (Molly Gordon) and Max, with his wife Kim (Dianna Agron) and baby would also be at the Shiva, creating a ton of uncomfortableness.

This was the basis for the majority of the movie. Poor Danielle was under scrutiny and pressure from all areas of that Shiva: her parents, Max, Maya, other relatives curious about what Danielle was doing with her life.

Rachel Sennott does a really solid job showing how much pressure she was loading on her shoulders. You wished she would just let someone in and let them help her, but you can understand why she does not trust any of the people in her circle. You are never sure exactly what was going to happen next.

The portrayal of the Jewish culture here was well done and made it so that those people who may not be Jewish understand what was going on as well.

The ending was just as awkwardly painful as you could imagine.

Shiva Baby was quick and well done.