Tag Archives: movie-review

Sovereign (2025)

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June 20

Movie 20

I’m not sure how to feel about this one.

Sovereign was a film starring Nick Offerman and Jacob Tremblay that I found after an exhaustive search for a film this morning for the June Swoon 5. Nothing was tripping my trigger until I came across this movie on Hulu. I like both of the actors of this film (which also included Dennis Quaid) and it had a high Rotten Tomatoes score so I decided to put it on.

It was a film that I had a problem with becoming engaged with as the character played by Offerman, Jerry Kane, was such a brusque, unwavering individual with thoughts and opinions that were revolutionary or conspiratorial. It was clear that Jerry had been indoctrinating his son Joe (Tremblay) into his way of thinking, even though Joe did not always seem to be okay with the ideas.

Watching these two interact with the world and the eventual results of the choices was heartbreaking and very difficult to watch. The film certainly did not leave me with a positive feeling.

Both Nick Offerman and Jacob Tremblay played their roles brilliantly. There was a raw, visceral feel around the characters. Jerry stuck in his ways and lost in himself and Joe who could see a way out, but was tied to his father.

This film is based on a true crime drama and, as I said, I am split on it. I did not find the experience of watching Sovereign an enjoyable one, but the two main performances were so excellent that I am glad that I watched it. It did not leave me in a positive mindset, but there are a lot of strengths to the creation of the film including some wonder cinematography and direction that make the film special.

It is one of those movies that I am glad to have seen but never want to watch again.

Sarah’s Oil (2025)

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June 19

Movie 19

Today is Juneteenth and, in honor of the holiday, I watched a movie called Sarah’s Oil, which was a film that had been on my Amazon Prime watchlist for awhile now. It was on there for so long because it sounded as if it was not going to be a movie that I was not going to like.

However, it was such a great film. I was fully engaged and entertained by the story, the characters, and the relationship between Sarah and Bert. I was in on the show immediately, and the time of the film just flew by.

According to IMDB, “The remarkable true story of eleven year old Sarah Rector, an African American girl born in Oklahoma Indian Territory in the early 1900s, who believes there is oil beneath the barren land she’s allotted and whose faith is proven right.”

Naya Desir-Johnson does a tremendous job as the titular character. I loved how this character was well-spoken and intelligent and not serving any fools. She has great chemistry with Zachary Levi, who played Bert Smith, a Texas wildcatter and con man. This center relationship is important to the movie and, while it is a basic story, they fit very well together.

The prevalent racism of the time (Early 1900s in Oklahoma) is dealt with in this movie and, while it is not out front, the reach of it is felt throughout the story. It is under practically every scene, especially those with people in the town. It just felt as if that was the way it was.

The film was exciting and tense, even though it does feel kind of predictable. The biopic does a really great job of presenting this story in an entertaining way.

Naya Desir-Johnson would have made the list for the “I See Kid Actors” Award last December had I seen this. She doesn’t win the award, but she absolutely deserved to be recognized.

Ash (2025)

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June 16

Day 16

Today kicks off the second half of this year’s June Swoon 5 with a sci-fi/horror film on Hulu called Ash. Directed and scored by Flying Lotus, a DJ, rapper, filmmaker and record producer, Ash feels like a mixed bag.

According to IMDB, “A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.“

The good parts of Ash included the lead performance from Eiza González as Riya, the woman who wakes up and is confused by the gore and death around her. González did a very strong job of expressing her confusion and fear of the situation that she found herself in.

Another positive is the look and the sound of the film. The score made the film standout from some of the other entries in the subgenre of space monster/horror. The score kept the audience on their toes and uneasy as the mysteries unfurled around Riya. The film’s special effects and imagery was also top notch as everything, especially the body horror aspects of the film, looked specifically frightening or horrendous.

The biggest problem is that this movie, story wise, does not even try to attempt something different than what we have seen before. There are scenes that feel as if they were taken directly out of Alien or The Thing or Event Horizon or Cloverfield: Paradox or many other space monster films.

The film leaned hard on cliches throughout the entire movie. Riya had amnesia at the beginning after awakening to find everyone dead. I mean… was there ever any question about what had happened here? Aaron Paul’s character Brion was very cliche as well. The only thing not cliche about him was that he spelled his name with an “o” instead of an “a.”

The film was only 1 hour and 35 minutes long, but it felt much longer than that. It dragged through the first two thirds of the movie before a fairly spry final act helped pick up the action. I am not opposed to slow burns, but there needed to be something more entertaining during that slow burn to engage my mind. This did not have it.

The film looked great, sounded great and had a decent lead performance, but there is just not enough of anything else to make this anything but a forgettable flick.

Exit 8

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Exit 8 was another film that I could have seen in the theater, but could not make it fit the schedule. So I rented it today on Fandango at Home. The Japanese sci-fi/thriller is one of the best movies that I have seen in 2026.

According to IMDB, “A man trapped in a endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?“

This movie engaged me so much, I was literally yelling at my computer screen, wanting the characters to follow my instructions. It was a simple set up with a complex morality tale. I absolutely loved this film and the experience of watching it.

The film was in Japanese, but the dialogue was limited, which made it a breeze to follow along with the subtitles.

Kazunari Ninomiya was our main protagonist whose point of view we start with in the very beginning of the movie. His eyes were literally the camera to the scenes we were watching. However, that does not last long as the POV switched once he was inside the subway corridor.

There was also the “Walking Man,” played by Yamato Kochi and the Boy, played by Naru Asanuma. The young actor does a sensational job with nearly zero dialogue. To be honest, I am not sure I understood the Walking Man’s role in this narrative, but that did not stop me from being invested in the characer.

Based on a video game, Exit 8 had me looking for every little detail and found me frustrated when the characters did not see the same.

The ending of the film had me screaming out loud, first in desperation and then in joyousness. It was beautifully shot and made me extremely happy.

I loved this movie. I did not expect that this was going to be one of the best movies I would see in 2026, but I am so pleased that I took the chance with a Japanese film.

5 stars

They Will Kill You

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Happy Memorial Day. With the day off school, I am using today to catch up on a bunch of films, now on streaming, that I have not yet seen in 2026. The first film up today is a horror/action/comedy movie called They Will Kill You starring Zazie Beetz.

I had seen the trailer for this film in the theaters, but it only lasted like a week or so in the theaters and I did not get to see it. Honestly, I did not think I would miss it much. It did not seem to be my cup of tea. However, after watching the film this morning, I have to say that I was wrong. This was a heck of a good time.

According to IMDB, “A woman takes a job as a housekeeper in a NYC high-rise, unaware of the building’s history of disappearances. She soon realizes the community is shrouded in mystery.”

That synopsis does not do justice to this story, which, admittedly, is rather thin and coincidental. Still, this is not one of those films where you go in expecting a deep and fully developed story. There was just enough background in the film to make the action and brutality to come understandable.

Zazie Beetz is sensational in her violent, bad ass way. After her first scene in her room inside the building, the shocking reveal of what was going on was out of nowhere and I was here for it.

The rest of the cast was fun, featuring some reasonably big names including Patricia Arquette, Tom Felton, Heather Graham, Myha’la, James Remar, and Paterson Joseph.

I found much of the film very funny. Again, this movie does an admirable job of blending tones through the film. It has comedic beats that feel like they work well with the gory horror moments and the action/adventure moments. It is not easy to blend tones and more movies that try to do it fail than succeed. They Will Kill You is one that makes it look easy.

I wish I had seen this on the big screen. I think the violence would have popped all the more. Still, I enjoyed renting this on Fandango at Home and it kicked off today’s binge in a exciting and dramatic manner.

3.8 stars

Is God Is

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I saw a horror movie this morning that felt like it was not a typical horror movie. After that, I went to see Is God Is, which is a revenge flick that did not feel like a typical revenge flick. It was a good day for creative filmmaking.

The title made no sense to me at all. Is God Is? What was that? Honestly, I almost did not go to the film, because the title had me confused. However, once I noticed which film this actually was (I have seen trailers for this), I was excited to see it.

According to IMDB, “Two sisters embark on an epic quest for revenge; confronting a charged family history that will push them to extraordinary lengths.”

This was a story not just about two sisters, but specifically about twins. Kara Young played Racine and Mallori Johnson played Anaia, twins who had lifelong scars when their father had attempted to murder their mother by setting her on fire. I don’t know if the actor playing their father is known, so I am going to not mention him by name, but this actor created an amazingly horrific individual.

However, there was more than just the pursuit of their father going on and it made me question whether I should be pulling for Racine during this film. I loved the level of shades of grey in the script, which I feel gets overlooked in a lot of revenge movies.

I loved the way the film showed the “twin mind link” by putting what the twins were thinking, as if they had a telepathic connection between them. They just knew what the other was thinking, but it still ended up with a conflict between the sisters in the movie.

There is a great ensemble of black actors in this movie including Vivica A. Fox, Janelle Monáe, Mykelti Williamson, Erika Alexander, Xavier Mills, Josiah Cross, and Justen Ross.

The flashbacks to the horrible events of the past really worked to keep the motivation of the twins going as it seemed to start off as a road film before changing into a brutal revenge flick.

Kara Young and Mallori Johnson are outstanding together. You buy them as twins who are so tight that they know what the other is thinking, and, because of that, the third act hits even harder. I found the ending very satisfying.

4.2 stars

The Sheep Detectives

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This has to be a leading candidate for surprise of the year. I had seen the trailers for The Sheep Detectives and it made it look like a cute family film that had a definite chance to be really dumb. However, The Sheep Detectives is one of my favorite movies of the year. I know that sound bizarre, but it is 100% true.

According to IMDB, “Every night a shepherd reads aloud a murder mystery, pretending his sheep can understand. When he is found dead, the sheep realize at once that it was a murder and think they know everything about how to go about solving it.“

Hugh Jackman played the shepherd named George and kicked off this murder mystery with a lot of heart. Jackman was so charming and outstanding that you feel for this character even though you knew coming in that he was going to be the victim of this murder mystery.

The voice cast of the sheep was sensational including Julia Louis-Dreyfus, Brett Goldstein, Patrick Stewart, Chris O’Dowd, Bryan Cranston, Rhys Darby, Regina Hall, and Bella Ramsey.

The story was way more emotional than I ever expected it to be. There were moments of the film where I had tears in my eyes and even a few that rolled down my cheek. It was not only emotional, but it was very funny, clever, charming and had a murder mystery that was actually well designed.

I was not expecting this movie to be as deep as it was. I expected a silly family movie with some dumb talking animals. Instead, this film took the tropes of a murder mystery and broke them down, turning the genre on its ear. All that with talking sheep characters.

I should specify that the sheep are not talking to humans like a Disney film. To the humans, they sound like sheep, but they speak to each other.

The film also has a storyline weaved into the story about prejudice/bigotry within the sheep community. Again, it was a story beat that I just did not expect, and it was not just a throwaway beat. It became a major part of the overall plot.

Brett Goldstein was hilarious doing the voices of Ronnie and Reggie, two rams always looking to butt heads.

This was based on a book Three Bags Full by Leonie Swann.

There is no way this movie should be as fabulous as it turned out to be. I am currently placing it right around the same place as Project Hail Mary and that just does not make sense. However, if you see this movie, you will understand why. I had such a great viewing experience with this movie that I came out of it feeling so great.

5 stars (…no really)

Edit: I forgot to mention about the live action actor here. They all do a remarkable job in this film including a small but vital performance by the awesome Emma Thompson. Nicholas Braun, Molly Gordon, Nicholas Galtizine, Conleth Hill, Hong Chau, Tosin Cole, and Kobna Holdbrook-Smith all bring a great energy to the film and help create the fabulous story.

The Plague

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I had heard a lot of positive things about the film, The Plague earlier in the year, but it never came around to the theaters in my area. So when I spotted it on AMC + on Prime, I decided to give this a watch.

The film is a psychological thriller/horror film directed by Charlie Polinger and starring Joel Edgerton and a cast of teenagers.

I think the theme of this movie is that middle school aged boys are horrible, cruel and just disgusting people.

According to IMDB, “A socially awkward tween endures the ruthless hierarchy at a water polo camp, his anxiety spiraling into psychological turmoil over the summer.”

This was not what I expected this film to be about. It was a rough watch, especially since I am a middle school teacher and seeing how cruel these kids were to each other, it is something I can relate to in my own life.

There were some questions I had, but I think those all require spoilers, so I will just have to say that I am not sure what I saw was really what I saw during a chunk of the movie.

The main protagonist of the film was Ben, played by Everett Blunck. The young teen Blunck does a really good job dealing with the pressures of trying to fit in with the crowd, while still feeling empathy for those that were being ostracized. It was a strong performance with plenty of layers for this young boy to play. The main antagonist for Ben was Jake, played by Kayo Martin. I swear that every time I saw Kayo Martin, I pictured Justin Shenkarow from Picket Fences. Kayo Martin could easily be his brother, though Shenkarow is much older now. I really disliked the character of Jake, so Kayo Martin did an excellent job of providing the conflict within this group of children. He felt real.

The film is a slow build and does feel longer than its 1:38 run time. Still, the performances are all great and the tension is top notch. There are things that are happening that I am confused by, which kept me on my toes. Maybe I was looking too deeply into it (the Wikipedia page did not make any references to my concepts), but I was glad it was a film I finally was able to see.

4 stars

Over Your Dead Body

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Jason Segal and Samara Weaving co-star in this dark comedy about a couple whose relationship has been pushed to the point where both of them plot to murder the other.

Taking cues from films like War of the Roses, Over Your Dead Body takes the violence a step farther and gives us a film that has meta vibes to it as well.

Jason Segal is Dan, who is a less than successful director reduced to doing commercials while longing for the days of helming his one feature length film. Samara Weaving is Lisa, the pretentious actress who is involved with the theater and seemingly critical of her husband’s work.

The car ride to the cabin that they were heading to for the weekend showed well how these two had drifted away from each other and how they held a lot of inner (and outer) antagonism toward the other.

There are some scene of real humor in the film, many of which came in the form of violence and gore. I have to say there is a vomit joke, which you know I hate, but that was the only moment that I was not fond of during the film’s run time.

The film also featured actors Timothy Olyphant, Jake Curran, “Natalie” from Yellowjackets-Juliette Lewis (I tried to place this actress through the whole film, and I never was able to figure out where I knew her from until I got to IMDB), Paul Guilfoyle, Keith Jardine and Danusia Samal.

Jason Segal has been exceptional over the last few years on Apple TV +’s Shrinking, and this gave him a chance to do something different, while still keeping those traits of why we love him as an actor.

While there is nothing new and exciting about the story, the performances are great and the movie does not fail to elicit laughter. There are several tense and awkward scenes that really work in the context of the film and director Jorma Taccone brought the best out of the actors.

This is a very fun film of martial disharmony.

3.75 stars

Normal

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This was a movie that I had no idea about until just this past week. I had never seen a trailer. I went into the film as blind as I could. I thought this was sensational… a deft mixture of Fargo with Hell or High Water.

Bob Odenkirk co-wrote, produced and starred in Normal, as a interim sheriff taking over for a sheriff in the little town of Normal, Minnesota who recently died. It does not take long to realize that there is something really weird going in with the town.

This is a dark comedy and it was very effective. I was laughing out loud multiple times during the film, especially with some of the clever violence that is included with the film. I was engaged from the start with the mystery of what was going on in the town. There were moments throughout the beginning of the film that was just subtle enough to make you wonder if you were thinking too deeply. Maybe you were seeing things that were not actually there. No that was not the case.

Odenkirk, as we have seen in the Nobody franchise, works extremely well as an action hero. His laid back performance was quite the juxtaposition with the situation that his character, Ulysses, finds himself in. He is an easy to cheer for protagonist and extremely likable.

As I said, this movie is surprisingly violent and much of the violence is designed as the funny parts of the film. There were some clever scenes that a lot of horror movies would be jealous of.

At 90 minutes, Normal has the perfect length. It does not push things too far and has just enough time to dive into the story of the film and of this little Minnesota town.

There were fun scenes with Henry Winkler, Ryan Allen, Lena Headey, Reena Jolly, Brendan Fletcher, Jess McLeod, and Bill MacLellan.

Without knowing anything about this film, I enjoyed this one a great deal. I would venture to say that I liked this more than the Nobody franchise films from Odenkirk’s oeuvre.

4.5 stars

Outcome

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The newest Keanu Reeves movie debuted this weekend on Apple TV + instead of in theaters. Is there a reason for that?

According to IMDB, “Follows Hollywood star Reef as he is forced to confront his problems and atone for his past after being threatened by a bizarre video footage from his past.“

This was listed as a comedy on Apple TV, but there was not a lot of laughter in the film. Keanu Reeves’s character was sad and depressing for much of the run time. He was playing a huge Hollywood star who had dropped out of the limelight for the past five years. Some of the details of his past are hinted at but never really gone into deep detail about, but he is on an apology tour, claiming to be sober.

Matt Bomer and Cameron Diaz play his best friends who have supported him from the beginning, but who are feeling taken advantage of by their friend.

There is a strong cast besides Reeves, Diaz and Bomer. Others appearing in the film include Susan Lucci, Jonah Hill (who also directed the film), Martin Scorsese, David Spade, Van Jones, Laverne Cox, Roy Wood, Jr, Drew Barrymore, Welker White, and Asante Jones.

I am not sure much about the story, and I could’ve used more humor in the dark comedy. Jonah Hill was over the top again, although there were some moments among the ridiculousness where we see some real character in his role. My favorite scenes involved Martin Scorsese, surprisingly.

Much like the other movie I watched today (Thrash), this is not the worst thing on TV, but I did find it a little boring. It is a fine film to play if you have nothing else to do. It is not going to be a great viewing though.

2.6 stars

Ready or Not 2: Here I Come

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The original Ready or Not from 2019 was a surprise smash hit featuring a star making turn from Samara Weaving. However, it did not feel like a film that required a sequel. Still, in Hollywood, a successful film, especially a new and original IP, will most likely lead to a new installment. So we get Ready or Not 2: Here I Come.

Ignoring the stupid use of the number 2 in the title (it should only be Ready or Not: Here I Come), this new sequel is a solid continuation on a story which both built on the first film and provided new ground for the sequel.

According to IMDB, “After surviving one deadly game, Grace and her sister Faith must now outrun four rival families competing for a powerful throne – winner takes all.”

The sequel is every bit as gruesome and bloody as the original, with people exploding into pools of blood and sinew all over the place, usually when they are facing Grace and Faith, so the splatter does not miss them.

This film added some star power to the hunters chasing Grace and Faith, including Buffy herself, Sarah Michelle Gellar. The Pitt’s Jack Abbot, Shawn Hatosy is here as Gellar’s character’s brother. Elijah Wood played the lawyer behind the competition for the seat on the council that the hunters were competing for. LOST’s Richard, Nestor Carbonell, is another of the hunters, who turns out to be a piss-poor shot.

Once again, this is a group of Satan worshipers, so if that is something that you do not like in your movies, this one is built around it even more than the original. It can be jarring hearing Elijah Wood say “Hail Satan” several times. Of course, Satan worshipers make for excellent villains.

There is a lot of comedy in the gorefest too, and much of it worked. There were some ridiculous characters among the hunters’ families there for support and backup during the game.

The relationship between Grace and Faith had to work for this film to work, and I will say that it was shaky at times. I only heard about their estrangement, not being shown it, but they did win me over as the film went along. Both Weaving and Kathryn Newton do a great job with their performances, though there are a couple of times in the film that made me feel a little icky about what was going on.

Grace takes a real beating in this film and, like so many other action heroes, she shrugs wounds off as she goes. There needs to be some suspension of disbelief that Grace (and also Faith, to a lesser extent) can keep going despite all the stuff that has happened to her (them). Of course, Arnold Schwarzenegger, Bruce Willis, and other action heroes who are men would push on too, so why couldn’t Samara Weaving?

It is a strong follow up to the original. I do not think it is as good as the first one, but it does not fall into the garbage as many sequels do. Ready or Not 2: Here I Come is a fun time at the theater for fans of horror and good action.

4.2 stars

Good Luck, Have Fun, Don’t Die

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This movie is like Everything, Everywhere All At Once on a combo of speed and LSD.

That is in the good way.

Sam Rockwell leads this intriguing ensemble in a wild, time travel, sci-fi mash up with stuff that you would never expect to see on the big screen. It is a dark comedy, with some extremely dark moments of humor.

Sam Rockwell is great as always. He throwed himself into this project as he does in everything that he ever appears in. He is such a top notch performer that you know you are getting his best in every role.

According to IMDB, “A ‘Man From the Future’ arrives at a diner in Los Angeles where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence.“

This film does not hide its themes about AI. It is anything but subtle that it sets AI as the villain of this film and that it sees AI as being a major problem to the world. While it also blends the idea of technology into the theme, AI is absolutely the leading concept.

This movie is utterly batshit crazy. It has some of the most wild, crazy situations I have ever seen. I compared it earlier to Everything, Everywhere All at Once, and that is a fair comparison, but this takes it to another level. If you were someone who did not like the absurdity of some of EEAAO, then this will not be your cup of tea. If you came out of EEAAO with the wish that the writers would have taken the gloves off and really gone to town with the weirdness, then Good Luck, Have Fun, Don’t Die is for you.

I was thoroughly entertained by the film, even if my jaw was agape several times.

Gore Verbinski, who directed the Pirates of the Caribbean films, returned to helm this satire and he brought a vision that just was engaging and hilarious, while still bringing an important message to the screen.

One of my favorite movies so far in 2026.

4.8 stars

Iron Lung

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I had no idea what this movie was last week when it debuted as the number two movie at the box office. I heard some talk about it this past week after its massive success. That certainly put it on my radar.

The film was written and directed by YouTuber Markiplier and is based on a video game from 2022 by David Szymanski. Markiplier said the the film would be self-financed and that he would star in the film. With a small budget of $3 million dollars, Iron Lung made a whopping $30 million + worldwide.

With the huge story of the self-made man overcoming the Hollywood order to make a hit movie, the question was, “Was Iron Lung any good?” Sadly, I did not enjoy the film as much as I had hoped that I would.

According to IMDB, “In a post-apocalyptic future after ‘The Quiet Rapture’ event, a convict explores a blood ocean on a desolate moon using a submarine called the ‘Iron Lung’ to search for missing stars/planets.“

The convict was played by Markiplier, aka Mark Fischbach, and the setting was definitely an effectively claustrophobic thriller with an air of uncertainty. I would even go as far as to say that the best part of the film was the setting as it created the desired effect of the audience.

Unfortunately, I found that the story did not grab me and that I found it dull. If I am being honest, I dozed off a couple of times during the movie, so it might not be fair to judge it, but I can say that the story failed to maintain my attention.

I am very happy for Mark Fischbach and I am impressed with his success with this movie. Maybe I should give it a rewatch some day, maybe when it arrives on streaming. As for now, I would recommend people go see it to support someone who is not letting the challenges stop him from reaching for his dream. I just was not much of a fan of the part of the movie that I saw.

2.5 stars

(I reserve the right to raise or lower this score in a future viewing)

Bamboozled (2000)

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January 19

In honor of Martin Luthor King Day, I scheduled Spike Lee’s film Bamboozled for the Genre-ary. It was quite the satire.

According to IMDB, “A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.“

The idea of this movie was used recently in the film American Fiction starring Jeffrey Wright. The thing is that this was so much more satirical than I ever expected.

Damon Wayans played Pierre Delacroix, a highly educated and uptight TV writer whose pitches were being rejected by his boss, Thomas Dunwitty (Michael Rapaport). Delacroix decided to provide a protest by presenting a minstrel variety show embracing all of the negative stereotypes associated with blacks. He intended on the show being rejected and leading to his own firing to escape the contract that he signed.

The problem was that the show became a huge hit by the public and the critics. Delacroix became enthralled by the success, losing himself in the racism.

There are so many shocking moments throughout Bamboozled that it is a difficult movie to watch. It is a powerful dismissal of the manner of television and its portrayal of African-Americans over the years. Admittedly, Bamboozled is not subtle in its satire, which may make it too cartoonish at times.

The ending was extremely tough to watch as everything came to a head. The idea that this movie had times that were difficult to watch was clearly done on purpose. It was meant to shake up the idea of racial stereotypes and racism inside the entertainment industry as well as throughout history, and Spike Lee definitely reached that level.

This is one of those movies that I enjoyed, but will probably never want to watch again. I do think it is a worthwhile show and some of the big ideas are necessary to today’s world.