Category Archives: Doc’s Movie Reviews

Descendent (2025)

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June 18

Movie 18

I found this movie while searching through Amazon Prime (technically it was on AMC +) for 2025 films that I missed. I had never heard of this movie, but the premise sounded intriguing so I put it on the June Swoon 5 playlist.

Descendent (which is a poor title in my opinion) was written and directed by Peter Cileila, starring Ross Marquand (Aaron from the Walking Dead, as well as a voice actor for the MCU) and Sarah Bolger.

According to IMDB, “A troubled LA school guard, haunted by family tragedy, experiences strange visions after a mysterious light appears in the sky. As his wife’s due date approaches, he races to face his demons before his growing obsession consumes him.“

I must warn you that this movie, though listed as sci-fi thriller, is really more of a character study and it does drag at times because of that. If you read that summary and thought the “mysterious lights” was going to accompany a lot of sci-fi moments, you would be incorrect. There are several sci-fi scenes, but it is not the core of the story.

That core is the psychological problems being dealt with by Sean (Ross Marquand) as his wife Andrea (Sarah Bolger) was having a baby. For me, these characters, especially Sean, were very intriguing and felt as if I wanted to know about them. Seeing how the sci-fi elements fit in the story was an extra treat.

Ross Marquand did a great job with the multiple issues facing Sean. He was confused and lost one moment and angry and off-balance the next. You wondered exactly what he might do during the whole film because of the traumas of his past.

I am not sure how I feel about the ending. The final shot made me wonder what was happening and disappointed that I would not find out.

This is a good film that makes a solid watch if you need something to do. I’m not sure it is worth searching out to see, but if you have AMC+ or can access it on Prime, it is worth it.

Hallow Road (2025)

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June 17

Day 17

This morning, I watched a psychological thriller/horror film called Hallow Road, and it disturbed me. It was tense and taught, but I am not sure how I feel about the ending.

According to IMDB, “Two parents enter a race against time when they receive a distressing late-night phone call from their daughter after she caused a tragic car accident.”

The film featured two outstanding performances at the center of the story from Rosamund Pike and Matthew Rhys. When I saw Matthew Rhys attached to this film, I was excited as I am truly enjoying his work on Apple TV’s Widow’s Bay. I did not realize that Rosamund Pike was involved until the movie was underway.

Both Rhys and Pike were amazing as panicked parents responding to their daughter’s desperate phone call in the middle of the night. They each showed the entire gamut of emotions as the situation grew worse. Most of the movie took place with the parents inside their car, speaking to their daughter on the phone. The helplessness they felt came through with every new revelation and every unexpected twist.

When it became clear that this movie was taking a shift from compelling family drama into something more mysterious, I was not sure how to feel. While, the unnatural story beats worked as a surprise, I am not sure that it was the route I wanted to see the movie take. It was a sudden shift that, while teased, felt like it came out of nowhere.

However, the film was full of suspense the entire time and the result at the end was powerful. I wonder how powerful it could been if it did not have the twist of story.

The fantastic acting of Pike and Rhys carries this movie and they alone are reasons to see it. I found this on Hulu after a friend’s review from earlier this year.

Deep Water (2026)

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I do love me some shark movies. Even the bad ones, which there are a lot, have their share of fun and wild moments. Deep Water, which is a return to form for Finnish film director Renny Harlin, has its share of moments and scares.

According to IMDB, “A group of international passengers en route from Los Angeles to Shanghai are forced to make an emergency landing in shark-infested waters. Now they must work together in hopes to overcome the frenzy of sharks drawn to the wreckage.”

There were a group of superficial characters that meant little to me, but there were some intriguing characters that I liked very much. Finally, there was at least one jerk who I wanted to become a shark-burger. Most of the characters were kind of dull, but I still found myself rooting for most of them.

I was shocked to see both Aaron Eckhart and Sir Ben Kingsley in this cast, as I felt as if this film was a B-level film at best. I still think that is the case, but it is always great to see Kingsley in anything.

There were enough interpersonal relationships between the characters to keep them from being more than juts chum for the sharks. Yes, the characters are not Martin Brody, Matt Hooper or Quint, but you can’t expect that type of writing in every shark movie.

I did think many of the shark attacks were silly at times, especially the one involving the helicopter, but their presence did create a sufficient amount of tension to keep the thin story afloat.

Harlin was unafraid to kill off characters in many different ways, and it did feel as if any of them were ripe for being eaten (or drowned). The stakes are absolutely off the charts.

Sure, there are basic story beats that you see over and again in shark movies, but they do work overall here and the plane crash that led before the sharks, was excellent.

I enjoyed this movie and the film hit me in the feels at the end, which is really should have. I think this is a solid shark movie and I am happy to have rented it on Fandango at Home.

3.75 stars

Ash (2025)

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June 16

Day 16

Today kicks off the second half of this year’s June Swoon 5 with a sci-fi/horror film on Hulu called Ash. Directed and scored by Flying Lotus, a DJ, rapper, filmmaker and record producer, Ash feels like a mixed bag.

According to IMDB, “A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.“

The good parts of Ash included the lead performance from Eiza González as Riya, the woman who wakes up and is confused by the gore and death around her. González did a very strong job of expressing her confusion and fear of the situation that she found herself in.

Another positive is the look and the sound of the film. The score made the film standout from some of the other entries in the subgenre of space monster/horror. The score kept the audience on their toes and uneasy as the mysteries unfurled around Riya. The film’s special effects and imagery was also top notch as everything, especially the body horror aspects of the film, looked specifically frightening or horrendous.

The biggest problem is that this movie, story wise, does not even try to attempt something different than what we have seen before. There are scenes that feel as if they were taken directly out of Alien or The Thing or Event Horizon or Cloverfield: Paradox or many other space monster films.

The film leaned hard on cliches throughout the entire movie. Riya had amnesia at the beginning after awakening to find everyone dead. I mean… was there ever any question about what had happened here? Aaron Paul’s character Brion was very cliche as well. The only thing not cliche about him was that he spelled his name with an “o” instead of an “a.”

The film was only 1 hour and 35 minutes long, but it felt much longer than that. It dragged through the first two thirds of the movie before a fairly spry final act helped pick up the action. I am not opposed to slow burns, but there needed to be something more entertaining during that slow burn to engage my mind. This did not have it.

The film looked great, sounded great and had a decent lead performance, but there is just not enough of anything else to make this anything but a forgettable flick.

Mr. Nobody Against Putin (2025)

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June 15

Day 15

Today’s June Swoon 5 film is another Oscar winner that I had not seen prior to today. It won the Academy Award for the Best Documentary Feature in 2026 and it was entitled Mr. Nobody Against Putin.

My initial thoughts were that this was about the war in Ukraine, and, while the Ukraine War was a major theme of the film, the center of the doc was different.

Pavel Talankin was the main character of the doc, and he was a teacher/teacher organizer/school videographer at a school in the Russian city of Karabash, a town known as the most toxic and poisonous town in Russia. Pavel began filming in earnest after the Russian invasion of Ukraine in 2022, when the Russian government required schools to have regular “patriotic displays” and use state-written curriculum.

Pavel was always one for openness and freedom, proving what he called a safe space for the students to express themselves. These governmental requirements became such an opposition to what he believed that he went as far as to resign. However, when he was contacted by  director David Borenstein about a response Pavel had made to an Instagram post, Pavel rescinded his resignation to compile more film for a documentary on how the war was affecting the school he worked at.

There were some amazing moments in the doc, none more shocking than when, prior to a Russian flag ceremony at the school, Pavel played the “Star-Spangled Banner” as performed by Lady Ga Ga. I was shocked that he was allowed to get away with that and that did not get him arrested or removed from the school.

The doc featured several other intriguing characters such as “Pavel Abdulmanov, a pro-Putin history teacher; a student named Masha, whose brother fights and later dies in the war; and former students who are drafted into the army“-(Wikipedia)

I was completely fascinated by this powerful, first person film and the perspective it brought to the situation that the school found itself in. As a teacher myself, I could not comprehend how I would react to the same situation and I pray that I never have to find out. Mr. Nobody Against Putin is a tremendous work with some extreme emotional moments.

Martin: Life is Short

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I have always been a fan of Martin Short, even more so since Only Murders in the Building. When the new documentary entitled Martin: Life is Short dropped on Netflix recently, I placed it on my queue so I could get around to watching it. I watched it this Sunday.

This gives the life story of Martin Short, from his childhood, including some terrible tragedies, to his remarkable career, from the flops and major successes.

There were a lot of great interviews from Short’s friends and family including his brothers Michael, Brian, his sister Nora, and Tom Hanks, Steve Martin, Catherine O’Hara, Eugene Levy, John Mulaney, Andrea Martin, Paul Shaffer, Steven Spielberg, and Rita Wilson.

The story spends a lot of time on the relationship between Martin and his wife Nancy. They are shown as the perfect couple, one that others wished they had relationships like.

I loved watching this documentary and it went by quite quickly.

4 stars

Eden (2025)

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June 14

Day 14

Today’s June Swoon 5 film was on Netflix and it was directed by Ron Howard. It was entitled Eden and it is based on a true story.

According to IMDB, “Based on a factual account of a group of outsiders who settle on a remote island only to discover their greatest threat isn’t the brutal climate or deadly wildlife, but each other.”

The cast was remarkably strong and their performances were all exceptional. The cast included Jude Law, Daniel Brühl, Sydney Sweeney, Ana de Armas, and Vanessa Kirby.

These actors brought what they could to the film, despite that their characters were not written with much depth and were basically surface level.

There were some solid scenes and watching these characters back stab each other was a fun watch.

Ana de Armas was tremendously intriguing as the Baroness. She was very manipulative and used her sexuality in some very creative manners.

Eden was a mixed bag. Great actors with solid performances, but the story and characters were lacking at times. It was not a terrible watch, but it could have been so much more than what we got.

Power Ballad

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Director John Carney, who has had musical-based movies in the past with Once and Sing Street, is back in Ireland with another film about music.

Power Ballad starred Paul Rudd and Nick Jonas and they both do a top notch job as their characters in this film, and Paul Rudd did way more singing than I ever thought he would.

According to IMDB, “Rick, a washed-up wedding singer, and Danny, a fading boy band star, bond over music and a late-night jam session. When Danny turns Rick’s song into a hit, Rick sets out to reclaim the recognition he believes he deserves.”

The music of the film was fabulous. Paul Rudd did a great job performing all of these songs and Nick Jonas was excellent too. I liked the scene where Rick and Danny spends time together, drinking and jamming, and writing some songs. It was like a background of how songs are written.

The film was funny and entertaining. Rick’s arc was wonderful and you could feel his loss and his anger over the slight by Danny. The ending was very satisfying.

I wanted to go out of the way to see Power Ballad, as it was not going to fit well in my viewing schedule. I am thankful that I was able to make it work because I enjoyed this a lot. It may not be as brilliant as Sing Street, but there are plenty of positives to make it worth my time, especially Paul Rudd who is awesome as ever.

4 stars

Arco (2025)

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June 13

Day 13

Last year when the Academy Award nominations came out, there was one film among the Best Animated Feature category that I had never heard of before. It was a French film called Arco. I placed it on the list for the June Swoon 5 immediately.

I found it streaming on Hulu and watched it this morning with the English dubbed version. I typically am not a fan of the dubbed version, preferring the original voices. However, since it was an animated film, I decided it would not be as jarring as a live action dubbed film would be. Plus, the voice cast seemed very impressive with Will Farrell, Juliano Krue Valdi (who played young Michael Jackson in the biopic film, Michael), Mark Ruffalo, Natalie Portman, Andy Samberg, Flea, and America Ferrera.

According to IMDB, “In 2075, a girl witnesses a mysterious boy in a rainbow suit fall from the sky. He comes from an idyllic far future where time travel is possible. She shelters him and will do whatever it takes to help him return to his time.”

The voice of Iris, the young girl who discovered Arco, was done by Romy Fay, a talented voice actor and singer-songwriter.

The film has several underlying themes in the story that kind of take a back seat to the lost in time aspect for Arco and iris. Some of the characters do not have the depth that they required, but they do seem to work together to form a tapestry of color and creativity. The imagery of the rainbows are lovely and the friendship between Arco and Iris is sweet, even if the backdrop of the world is horrific.

The oddball trio, led by the voice of Will Farrell, feels like something right out of anime. In fact, this reminded me of a Studio Ghibli film, only considerably shorter.

Arco was an enjoyable enough film that had a good message with some amazing visuals. I can see why it received an Oscar nomination.

Merrily We Roll Along (2025)

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June 12

Day 12

I repeat what I said earlier this week, I wish there were more examples of films like this. Not just adaptations of Broadway plays into film versions, but the actual play recorded live and put on the screen.

Earlier in the June Swoon 5, I watched Good Night, and Good Luck: Live From Broadway, which was starring George Clooney and it was awesome to see it in the way that it was shown on the Broadway stage. Today, I added another stage play filmed as it was to the list.

Merrily We Roll Along was a Tony-winning Broadway musical from Stephen Sondheim, including Tony-winning performances from Jonathan Groff and Daniel Radcliffe. It was available on Netflix and it has been waiting on my queue for June to begin.

According to IMDB, “Spanning three decades, the turbulent relationship between a composer and his two lifelong friends, a writer and a lyricist and playwright.”

The story is told in reverse chronological order, as we start at the point where the relationship between Franklin (Groff), Charley (Radcliffe) and Mary (Lindsay Mendez) was collapsing and we travel back over two decades through the play. It was a remarkable technique as it would make every scene from the past both hopeful and sad at the same time.

Jonathan Groff was sensational as the lead role of Franklin Shepard. His voice, as we have known from his roles in Frozen and Hamilton, is sublime. I did not know, however, that Daniel Radcliffe, our forever Harry Potter, could sing like he does here. In fact, one of my favorite songs was early in the play and I thought to myself, “Well, there’s why he won the Tony.”

The story itself was woven together beautifully, as it is not just writing the story normally and then reversing it. The foreshadowing from the scene of the past take on a new life in this order, meaning even more to the audience than if it were told in a typical structure.

I want more Broadway plays to be shot on film and shown nationwide, and with the proliferation of the streaming services out there, I wouldn’t think that there would be a lack of a forum for presentation.

Disclosure Day

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Steven Spielberg is back in the director’s chair for the new film, Disclosure Day, which brings Spielberg back to a topic that he seems to love… aliens.

Some of Spielberg’s greatest movies of all time have aliens at the center, from Close Encounters of the Third Kind to E.T.: The Extra-Terrestrial to War of the Worlds. Now he is back with Disclosure Day, a film starring Emily Blunt and Josh O’Connor.

This sci-fi film had just about everything that I would have wanted in it. Josh O’Connor played a man named Daniel Kellner, who had been working for the people trying to keep the existence of aliens hidden, but he had a change of heart, stealing away data proving the truth behind aliens and the government’s knowledge and involvement. Daniel was on the run, hoping to be able to show the data to the public.

Meanwhile, Emily Blunt, who played Margaret Fairchild, a weather girl in Kansas City, suddenly begins t show abilities that she had never had before. Speaking languages she did not know and knowing information about people she had never met before. When she started speaking in a strange language on live TV, things got weird for her.

Emily Blunt is absolutely on fire in this film. Her performance might just be arguably the greatest performance of her career, despite having plenty of banger performances to choose from. Emily Blunt takes the story to another level every second that she is on screen and she elevated the whole script. I truly believe that she should be nominated for Best Actress at the Academy Awards next year from this work.

The rest of the cast is great, albeit looking a little less in comparison to Blunt. Josh O’Connor has been doing amazing work recently, including his great performance in the last Knives Out film. We also have Colman Domingo, Wyatt Russell, Elizabeth Marvel, Eve Hewson, and Jeremy Shamos.

Then there was the film’s main antagonist, Colin Firth. Firth played Noah, who was the agent with the top secret government agency trying to keep things under wrap, and he pursued Margaret and Daniel across the midwest.

I would not define this movie as an action movie, but they had some really good action, which included a scene with a train that was as good of an action sequence as you are going to see in any movie.

This film saw Spielberg beg the legendary John Williams, 94 years old, to come out of retirement to score Disclosure Day. Williams provided yet another amazing score for Spielberg, capping off an unbelievable career.

The movie might be a touch too long, but I do like how it took its time to develop the story and not just throw out everything about what was happening. The central mystery is handled well and kept me hooked from the beginning. The ending of the film has had some detractors, but I think it worked well. If anything, I wanted a little more before the screen went to black. I found the ending of the film to be quite an emotional moment.

Steven Spielberg is one of the greatest directors of all time, and a member of the EYG Hall of Fame. His latest film recaptured some of the magic from his earlier filmography, especially feeling connected to films like Close Encounters. I saw this in IMAX and I found that to be a great viewing experience. I would recommend seeing this on a big screen while it is in the theater.

4.6 stars

Bambi: The Reckoning (2025)

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June 11

Day 11

I have had a pretty good run with the 2026 June Swoon 5. Ten really good, enjoyable movies so far. It is sad that had to come to an end, but I kind of expected it.

I have three movies I am going to today at Cinemark and so I needed a shorter movie. I just did a short yesterday and I wanted to avoid another right now. I found a film on Peacock that was only 1 hour and 20 minutes, that would work for the schedule. Unfortunately, it was Bambi: The Reckoning.

I have seen several of these movies. Winnie the Pooh: Blood and Honey, Winnie the Pooh: Blood and Honey 2, and Screamboat. Of those, I did not hate Screamboat as much as I hated the Winnie the Pooh movies, but it was not good by any stretch.

I gave it my best shot to come into this movie with an open mind, but that was wiped away early on.

According to IMDB, “A car wreck strands a mother and son in the deep woods where a mutated, vengeful deer stalks them. As local hunters and an obsessive grandmother converge, the forest becomes a bloody arena for a grieving creature’s primal rage.”

The writing on this is atrocious. I’m not sure that there is one redeeming character in the film. I was openly rooting for Bambi to kill these miserable excuses for human beings. Funnily enough, Bambi did not directly kill several of them.

The dialogue was basically yelling other characters’ names.

When most of these kills are funnier than scarier, you know you’ve got a problem. My favorite was the guy who got dragged behind a van as they were trying to escape from Bambi. What a completely random death.

There are some unintendedly funny moments and so little made sense. I could not bring myself to give this the “So Bad, It’s Good” ranking because there was just nothing good about it. Maybe if the RiffTrax crew would riff this, there might be something worth the time.

This may not sink to the depths of Winnie the Pooh: Blood and Honey or its sequel, but it was nowhere near Screamboat. That is saying something.

Dirty Towel (2025)

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June 10

Day 10

Wednesday brought us another live action short film from 2025 for the June Swoon 5. This one I found on a list of the best short films of 2025 and it sounded the most interesting of the list. It was called Dirty Towel and it was a film by Callie Carpinteri.

A mother lectured her young daughter about sex, using the towel as a metaphor. She told her young daughter that having sex was like dirtying a new, clean towel and that you could never get it clean again.

Flash forward about 12 years and the girl, named Charlie, was having her first sexual encounter with a boy named Jack. After having sex, Charlie thought back to the words her mother spoke and had to deal with the feeling of shame.

At just over 12 minutes, Dirty Towel does a good job of displaying the inner shame people feel when they have done something that triggers that emotion. Charlie’s mind played tricks on her as she went through her normal routines and her own opinions were rough. They kept that dirty towel metaphor going throughout the short.

Emma Parks played Charlie and did a lot with the limited time.

The short was a solid film, with both humor and a strong message of self-acceptance.

Is This Thing On? (2025)

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June 9

Day 9

It is interesting when a film about a stand up comedian is not really funny.

Is This Thing On? is more of a character study than a comedy. I would go as far as to say that there is less comedy in this movie than you would see in most films. Because it is not really about the comedy. It is about the relationship between Alex and Tess (played by Will Arnett and Laura Dern) than anything else.

According to IMDB, “As their marriage unravels, Alex faces middle age and divorce, seeking new purpose in the New York comedy scene. Meanwhile, his wife Tess confronts sacrifices made for their family, forcing them to navigate co-parenting and identities.”

Both Arnett and Dern do a great job with their individual characters, showing the cracks and frustrations of their marriage.

It is a slow burn of a movie, but it takes time to develop these two main characters and, because they do, the conclusion of the film works so much better.

It is directed by Bradley Cooper and he appeared as a supporting character in the film. In fact, Cooper’s character, Balls, was an odd character, bringing some levity to the film.

I was surprised with the tone of this movie. I expected more comedy than I got, but the film is still a very well written and acted movie. Arnett and Dern are great together and the film popped when they were sharing the screen. It was an unexpected tale.

Dust Bunny (2025)

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June 8

Day 8

Today’s June Swoon entry was a wild monster/thriller that I had never heard about before. It was entitled Dust Bunny, and I saw it on HBO Max.

What helped me pick the film out was seeing Mads Mikkelsen as the lead and Sigourney Weaver in a supporting role. Who knew that this was going to be a wild flick.

According to IMDB, “After losing her foster parents to a bedroom-dwelling beast, young Aurora hires her reclusive neighbor, a professional assassin, to hunt it, unknowingly thrusting him into a war against both human killers and supernatural terrors.“

The little girl, Aurora, was played by Sophie Sloan, who does an excellent job of presenting this little girl with a dark past and a serious attitude.

The monster is done very well too, keeping it fairly under wrapped for much of the film. It is not until the third act where we start to get a better glance of the monster. It did seem fairly practical of an effect too, which was a welcome bit for Hollywood today.

Mads Mikkelsen and Sophie Sloan were great together, elevating this movie’s script above a typical movie. They worked well together, showing some serious chemistry and some good laughs too.

This was a really weird movie. Think “Leon the Professional” if written by Roald Dahl and R.L. Stein. Hitmen and monsters do not necessarily go together, but this somehow fits wonderfully.