MASH (1970)

January 31

So another Genre-ary comes to an ending with today’s movie, MASH, the original film from 1970 starring Donald Sutherland, Elliot Gould and Tom Skerritt, wrapping up the Comedy Genre-ary 2026.

I love MASH the TV show (it was my #8 in the Top 100) and that probably hurt this film, which I have seen a few clips from, but never sat down and watched the entire thing.

They were saying character names that I loved, but who did not seem like the characters that I loved. Outside of Radar O’Reilly (who was played by Gary Burghoff in the film and the TV series, the only cast member that returned), we saw Hawkeye Pierce, Trapper John, Henry Blake, Hot Lips, Frank Burns, Father Mulcahy, and Spearchucker.

My biggest problem with this film is that it is not the TV show. The doctors of the 4077 MASH felt so much meaner than what I was used to. I did not like some of the things that they did because they felt cruel instead of funny. They were cruder, obnoxious and not as empathic as I expected.

The plot was nearly non-existent. The film was just a series of scenes that were only connected together because they came at the 4077 MASH. That is… until the show turned into a football film. There were several episodes of the TV show where they competed against other units, but seeing them all in full football pads and helmets was weird.

The actors were strong with Donald Sutherland, Elliot Gould, Tom Skerritt, Gary Burghoff, Rene Auberjonois, Robert Duvall, Sally Kellerman, Jo Ann Pflug, Fred Williamson, David Arkin, Roger Bowen, Michael Murphy, and Timothy Brown.

I am sure that I would have liked this more than I did, if I did not have the TV series so firmly placed in my head.

And with that… the 2026 Genre-ary is closed.

My Blue Heaven (1990)

January 30

On the penultimate day of the Genre-ary, I watch yet another Steve Martin movie. M y Blue Heaven is actually the fourth Steve Martin movie (along with The Jerk, Cheaper by the Dozen, and Dirty Rotten Scoundrels) in this year’s comedy Genre-ary.

I rented My Blue Heaven on Fandango at Home to fall into the Genre-ary.

According to IMDB, “An all too uptight FBI agent must protect a larger than life mobster with a heart of gold, currently under witness protection in the suburbs.”

Steve Martin and Rick Moranis are great together. They are a wonderful pair with amazing chemistry, dating back to Little Shop of Horrors. The two lead actors are the reason why this movie holds together because there are some shaky moments in the story.

The story itself is kind of hard to buy because there are so many things that happen that are not realistic. But everything is held together because of Martin and Moranis.

There is a great cast around Martin and Moranis. They included Joan Cusack, Carol Kane, William Hickey, Daniel Stern, Deborah Rush, Bill Irwin, Jess Bradford, Seth Jaffe, Robert Miranda, Melanie Mayron, Ed Lauter, and Raymond O’Connor.

There are some awesome dance routines in the film. It was really entertaining.

My Blue Heaven was fun and funny with some great actors that overcame some of the wonkier marts of the script. A solid Steve Martin movie.

Spaghettiman (2016)

January 29

I found this low budget superhero flick on Amazon Prime and it seemed like a good fit for comedy Genre-ary.

Boy is it stupid. But, I have to say, it is stupid in the right way.

According to IMDB, “Clark doesn’t care about you. He doesn’t care about the world. He barely cares about himself. But after an incident with an old bowl of spaghetti and a malfunctioning microwave, he becomes a superhero that can fight crime with the power of spaghetti. However, you have to pay him.

Clark is really a jerk. He gets these weird spaghetti powers and he starts charging people. He is not your typical superhero.

The paper bag mask reminded me of when Spidey had to wear a paper bag mask and an old FF costume to get home. Lots of fun there. Or, I picture the Unknown Comic from The Gong Show. Either way, this is one more example of the paper bag mask.

There is clearly some Spider-Man love here as the spaghetti makes a Thwip sound when Spaghettiman shoots spaghetti from his hands.

None of it makes any sense, but it is funny. This film understands that it is stupid and it embraces that stupidity with both hands, with spaghetti shooting out of them.

It was a fun time watching this extremely low budget film that couldn’t be more indie if it tried.

The Audition (2015)

January 28

Time is short tonight, so I went searching for a comedy short to watch, and did I find one!

The Audition was directed by Martin Scorsese and featured Leonardo DiCaprio and Robert DeNiro competing against one another for a lead role in the next Scorsese film.

Scorsese also stars, along with Brad Pitt. The four icons had come together to make this short as an advertisement for Studio City in Macau and City of Dreams in Manila.

This was a lot of fun with these superstars playing against their own reps in a very meta short. These talented actors are able to deliver the comedy as well as their typical dramatic roles.

Reportedly, the short/ad cost an estimated $70 million dollars.

Dirty Rotten Scoundrels (1988)

January 27

I had thought that I had seen Dirty Rotten Scoundrels before, but I do not think I have. Certainly not all the way through to the end though I have seen clips of it. I always believed that I was not a fan and that it was not something that I would find funny. I guess this is a lesson to make sure that you have watched something before judging it, because I thought Dirty Rotten Scoundrels was fantastic.

According to IMDB, “Two con men try to settle their rivalry by betting on who can swindle a young American heiress out of fifty thousand dollars first.

The Dirty Rotten Scoundrels were Michael Caine and Steve Martin and they were absolutely perfect together. The chemistry between the two con men carried the film. Glenn Headly added a nice touch of apparent innocence to the group with her portrayal of Janet Colgate.

I was rooting for Steve Martin in the beginning of the movie, but Michael Caine became someone better than you would expect. It was a fun ending which fit perfectly in with the story.

It had great comedy and showed the quick-wits of both characters. The rivalry between them was so believable, even if some of the things that they pulled off was out there.

This is a remake of the 1964 movie Bedtime story. This new version was directed by Frank Oz, who was well known as a Muppet performer (he did Miss Piggy and Fozzie Bear), the voice of Yoda, as well as director of other classic comedy hits such as Little Shop of Horrors, Bowfinger, and What About Bob?

I was sure that I had seen this before, but I had not seen the full film. It was very entertaining and full of Martin and Caine’s comedy chops and timing. I was very pleased to include this one in the Genre-ary for 2026.

Withnail and I (1987)

January 26

I am not sure where I got this film for the Genre-ary. It must have been on one of the lists that I was searching through. This is a British black comedy called Withnail and I, which featured the feature film debut of Richard E. Grant. I typically like British humor. Unfortunately, I could not get into the film.

I had a very difficult time engaging in the narrative of Withnail and I.

According to IMDB, “Two sloppy actors spend a weekend holiday at an uncle’s country cottage.

Maybe it is not fair of me, but I just was not into this movie. Did I give it enough of a chance? Maybe not, but I was just not grabbed by the film. Maybe I should give this a rewatch at some time in the future, but right now, I struggled with this movie.

Billy Crystal 700 Sundays (2014)

January 25

Billy Crystal is a personal favorite of mine. He created a stand up comedy concert film that was based on a book that he wrote about his childhood and his family. It originally aired on HBO and I watched it on HBO Max.

It reminded me of the Charles Nelson Reilly film Life of Reilly, although that movie was darker than 700 Sundays. Both comedians talked about their childhood and their eccentric families with an honesty that you might not usually hear. They included the best of their lives, but also the tragedies that made them who they were.

Billy Crystal’s film was entitled 700 Sundays which was the count of Sundays that Billy had to spend with his father, Jack Crystal, before he died when Billy was 15.

Billy Crystal was remarkably funny, bringing out laughter between the tears in his stories. The set up for each tale brought the humor to the front, even with the deep loss that might also be present.

There were parts of the act that I recognized from previous stand up performances from Crystal. However, everything really fit together well. The stage featured a image of the old house that Crystal grew up in. This house became a important structure in the stories that he would tell.

The show was poignant, powerful and touching. Billy Crystal moved through everything with a flow that kept things moving and kept everyone laughing.

It was a wonderful show.

Mercy

A new “Screen Life” film is out this weekend featuring Chris Pratt and Rebecca Ferguson, directed by Timur Bekmambetov, who was a producer on last year’s classic War of the Worlds. That should have been the first hint.

However, to be fair, this is better than War of the Worlds because, of course, it had to be, right?

I actually liked the premise of this film. It was a lesser version of Minority Report (much lesser), but there were some ideas here that were going to work.

Chris Pratt was fine as the lead actor, playing Chris Raven, the police officer who was on trial for his wife’s murder. All of the videos and internet stuff made him look real guilty.

Thing is.. the near future world this movie was set in had done something new. It placed AI in charge of the justice system, setting the AI up as judge, jury and executioner. It gave the accused 90 minutes in which to prove his/her innocence or else they would be executed. So the whole trial was on a counting clock, which created some tension in the tale.

The AI judge was Judge Maddox, played by Rebecca Ferguson, and I feel like I missed out on something here. Was she supposed to be all AI or was she meant to be somehow human, because the AI judge kept being influenced by Raven and gave some seemingly emotional responses, which seemed to go against the whole set up. This was one of my biggest problems with the movie as I just did not understand what the AI judge was meant to be.

I also picked out the killer immediately. I do not think it was a huge pull for me as it was painfully apparent and predictable.

I thought the beginning of the film wasn’t bad, but the last act or so was aggressively dumber than it should have been. Things happened that made zero sense and played against what the film had spent time setting up.

There was a drone scene too, but at least they did not have to go to Amazon Prime to order it before they use it.

2.6 stars

Chaplin (1992)

January 24

Charlie Chaplin has been a staple of several of my DailyViews and watches. I have truly enjoyed many of his shorts and movies, including most recently The Great Dictator during this year’s Genre-ary. So when I noticed that this biopic on Chaplin, starring Robert Downey Jr., was listed as a Comedy/Drama, I added it to the list for this month.

I had watched some of this film when I was younger, but I remember stopping it because I was not interested. I was too young to truly appreciate the artistry of the story.

According to IMDB, “An elderly Charlie Chaplin discusses his autobiography with his editor, recounting his amazing journey from his poverty-stricken childhood to world-wide success after the ingenious invention of the Little Tramp.”

This has a remarkable cast, led by RDJ, who would receive an Oscar nomination for his brilliant performance. Other cast members included Paul Rhys, Anthony Hopkins, Dan Aykroyd, Marisa Tomei, Moira Kelly, Kevin Kline, Penelope Ann Miller, Milla Jovovich, Kevin Dunn, James Woods, Diane Lane, Nancy Travis, David Duchovny, and Geraldine Chaplin.

The definitely strongest aspect of the film is Robert Downey Jr. He is amazing with his physical performance as well as his Chaplin replica. It was said that Charlie Chaplin’s actual daughter was in the film and she was impressed and unnerved by his creation of Chaplin.

The film ended with the Academy Award night where they gave him an honorary award and they showed the actual clips from the real movies with the real Charlie Chaplin. It was very powerful.

I thought this movie was really great, led by Robert Downey Jr. I would have liked maybe more about some of the controversies that were brought up during it. Still, I liked this a lot.

War on Everybody

January 23

On a no school day because of the frigid temps, I got to watch the Genre-ary film early this morning. I pulled up HBO Max and watched a film starring Alexander Skarsgård and Michael Peña called War on Everybody.

Skarsgård and Peña are crooked cops that seem to flaunt authority at every turn. After returning from yet another suspension, Terry Monroe (Skarsgård) and Bob Bolaño (Peña) discover a heist that is about to be done. This led them to all kinds of trouble with two powerful and dangerous criminals (Theo James, Caleb Landry Jones).

During the investigation, Skarsgård is paired up with Tessa Thompson, and they are one of the best parts of the film. Thompson’s character, Jackie, fits right in with the damaged Terry Monroe. Some of their scenes together are fun and loose.

I think Skarsgård and Peña do a great job of creating these extremely unlikable characters and make them someone whom we want to root for. They are horrible people, but yet they are strangely charming and people you want to see do well. Anti-heroes have been around for years, but these two almost do not fit into that category. The skill of these tow actors is why the characters work so well.

The story is fairly skimpy. The two villains are cardboard cutouts. The action is, at best, okay. This film succeeds or fails on the strength of its lead actors. That is a good thing for this movie.

Cheaper by the Dozen (2003)

January 22

I do love Steve Martin. One of the first films of this Genre-ary was Steve Martin in The Jerk. That was really funny. Cheaper by the Dozen, not so much.

According to IMDB, “With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.”

Wow. These kids were brats. That might be harsh, but why not try some discipline? They can’t have all suddenly turned into evil little harpies because they moved away. Both Steve martin and Bonnie Hunt also showed they couldn’t have been good parents because good parents do not just become selfish ones.

There is really not much of a plot in this movie and these kids were acting like a nightmare. None of it made much sense to me, and the idea of this many kids is just insane.

There were a couple giggles during the movie, but the most laughs I had were from the end credit bloopers.

Steve Martin and Bonnie Hunt led the cast which included Tom Welling, Hilary Duff, Alan Ruck, Richard Jenkins, Kevin G. Schmidt, Piper Perabo, Jacob Smith, Morgan York, Liliana Mumy, Forrest Landis, Blake Woodruff, Brent Kinsman, Shane Kinsman, Wayne Knight, and Ashton Kutcher. There was a cameo from Regis Philbin and Kelly Ripa as well.

This felt more like a sitcom than a feature length film. I was also not sure about the message of the film… outside of the “Do you really want children?” one.

I did not hate the film, but there were so many things about it that made me wonder.

And puke jokes… those are not for me.

Laughing Gravy (1931)

January 21

I needed a film short tonight and so I went to YouTube to search up something and I found just the thing. I have had Abbott & Costello, Buster Keaton, Charlie Chaplin and the Three Stooges so far in this Genre-ary, but a comedy month is not complete with a little bit of Laurel and Hardy.

Stan Laurel and Oliver Hardy are comedic geniuses in the early days of film. Their slapstick performances rivaled the very best of the genre, and their characters were even more developed than some of their contemporaries.

In this short, Laurel and Hardy are trying to get to sleep on a cold, wintry night, but Laurel’s hiccups kept Hardy awake and was causing the dog to bark. They knew that they were not supposed to have a dog, and so they were panicking when their dog-hating landlord came knocking on their door.

Their physical comedy was tremendous as they were trying to get back into the house with the dog. It is an impressive feat with how they worked together.

The short ended with a shocking event that caught me off guard. Something that might have been considered funnier at the time than it is today.

With the exception of the ending, this was a hoot. These old short films concentrated on the laughs and never fail to provide them.

Murder Mystery 2 (2023)

January 20

Last year, I decided to do a special Saturday where I watched a bunch of Adam Sandler movies that I had not seen before. I am not a fan of Adam Sandler, but I wanted to give it a chance. Most of the films were bad, but there were a couple decent/passable ones. One of the films that I did not hate was Netflix’s Murder Mystery with Adam Sandler and Jennifer Aniston. So with the Genre-ary in full swing, I decided that it would be a good time to watch the sequel, Murder Mystery 2.

This film is comparable to the first film. It had funny moments that I actually laughed out loud. Sandler and Aniston have great chemistry. I wish their chemistry transferred into a better movie. They could be wonderful together. As of right now, I would say that they were …ok.

According to IMDB, “Full-time detectives Nick and Audrey are struggling to get their private eye agency off the ground. They find themselves at the center of international abduction when their friend Maharaja is kidnapped at his own lavish wedding.”

Now, the story is quite silly with ridiculous situations. But after the last film, I came to expect it. This is a film that I can’t take serious but that was kind of stupid fun.

I smiled and laughed a lot during the film. It was similar to the first film and it was worth the time I spent to watch it. It was only 90 minutes and it flied quickly by. It had good pacing and several other characters that were fairly one dimensional, but fun.

This is not a good movie, but it is not bad either. It was okay.

The Rip

I have been meaning to watch The Rip, a new movie on Netflix starring Matt Damon and Ben Affleck, this entire weekend, but something else would seem to take precedent. Finally, Monday night I was able to get the movie watched.

I loved this movie.

Wow, this was great. It was exciting, thrilling, and the uncertainty of the story really amped up the tension.

According to IMDB, “A group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the huge seizure, making them question who to rely on.”

A rip is taking seized cash or drugs during a raid and this movie is supposedly based on real events in the Miami area. That might be a bit of a stretch, but it was a great story.

I love the way the story developed and how this solid cast approached each scene. Along with Affleck and Damon, the film featured Steven Yeun, Teyana Taylor (who will most likely receive an Oscar nom later this week for One Battle After Another), Kyle Chandler, Sasha Calle, Catalina Sandino Moreno, Scott Adkins, Nestor Carbonell, Lina Esco and Sal Lopez.

This was a smart film, which I always appreciate. Many films of this type would turn into nothing more than a firefight or an action spectacular, and, while there were action scenes in The Rip, it was not the focus of the movie. The action was well done but it all had a purpose.

The story kept you off balance, but every specific detail is paid off in the end, nicely blending together in a weave.

I liked this way more than the typical Netflix action movie and, along with the awesome Knives Out film from 2025, it gives me hope that the streamer will continue to put forth movies that were worthy of wacthing.

4.5 stars

Bamboozled (2000)

January 19

In honor of Martin Luthor King Day, I scheduled Spike Lee’s film Bamboozled for the Genre-ary. It was quite the satire.

According to IMDB, “A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.

The idea of this movie was used recently in the film American Fiction starring Jeffrey Wright. The thing is that this was so much more satirical than I ever expected.

Damon Wayans played Pierre Delacroix, a highly educated and uptight TV writer whose pitches were being rejected by his boss, Thomas Dunwitty (Michael Rapaport). Delacroix decided to provide a protest by presenting a minstrel variety show embracing all of the negative stereotypes associated with blacks. He intended on the show being rejected and leading to his own firing to escape the contract that he signed.

The problem was that the show became a huge hit by the public and the critics. Delacroix became enthralled by the success, losing himself in the racism.

There are so many shocking moments throughout Bamboozled that it is a difficult movie to watch. It is a powerful dismissal of the manner of television and its portrayal of African-Americans over the years. Admittedly, Bamboozled is not subtle in its satire, which may make it too cartoonish at times.

The ending was extremely tough to watch as everything came to a head. The idea that this movie had times that were difficult to watch was clearly done on purpose. It was meant to shake up the idea of racial stereotypes and racism inside the entertainment industry as well as throughout history, and Spike Lee definitely reached that level.

This is one of those movies that I enjoyed, but will probably never want to watch again. I do think it is a worthwhile show and some of the big ideas are necessary to today’s world.