I love Godzilla. So I was very excited when I saw the trailer for this new Japanese film. Godzilla Minus One is potentially the best Godzilla movie that I have seen.

Godzilla comes from the oceans and attack as a force of nature. This Godzilla is not the “protector” Godzilla as we have been used to over the last few years. This Godzilla is out there as a motiveless devastation.

One of the reasons why this is one of the best Godzilla movies ever is because this film was able to do something that very few (if any) Godzilla films have been able to do: create human characters that are compelling and who I wanted to see.

Fact is many times when the human characters are on the screen in a Godzilla movie, my thought has been, “Get them off the screen, bring up Godzilla.” However, in Godzilla Minus One, the human character are just fantastic. These are characters that I loved and found engaged with every second they were on. Koichi Shikishima (Ryunosuke Kamiki) is amazing and he fills the screen of this film.

Godzilla looked tremendous. The beast looked like a true monster and he was frightening. Watching Godzilla walk his way through the Japanese cities was unbelievable. It also had the feel of old school Godzilla films.

Yes, this is in Japanese, but, as with all really great foreign films, you forget that you are reading the captions and it just becomes part of the story. The score is utterly exceptional and works to enhance the scenes, especially with Godzilla.

The finale of the film is tense and anxious. It has an extremely emotional ending that had some tears forming in my eyes. The story was more than just Godzilla on a rampage and I loved it.

4.8 stars

Even though I am not a Doctor Who fan, I am aware of the character and I was interested in the first of three specials airing on Disney + that were celebrating the 60th anniversary of the character. After watching special 1 today, I am looking ahead to the next two specials, which are “Wild Blue Yonder” (Dec. 2) and “The Giggle” (Dec. 9).

I thought the special did a great job of introducing me to the characters that were going to be important in this story, especially Donna Temple-Noble, played by Catherine Tate. They gave me, a casual viewer, the information that I needed to enjoy the story and the relationships within the story.

David Tennant looks to be having a blast running around and assuming the face of The Doctor once again. Tennant has so much energy and charisma that you immediately embrace the character, even if you have just a passing knowledge of him.

The special effects are decent for a TV movie, which this basically is. Some of the creatures are fun and have a creative design. Again, not knowing what other creatures on the series looks like, it is hard for me to criticize the current situation. Nothing pulled me out of the story, which is a victory.

Catherine Tate was great too. I can see why this character was as popular as I had heard she was. She had great chemistry with Tennant and the pairing truly worked.

The mystery of why Tennant returned to the Doctor’s face is intriguing as I know that has never happened before in the history of The Doctor. It is something that I look forward to discovering.

3.5 stars

I had no idea what Saltburn was about. I have heard about this movie in reference to the Academy Awards, and I do think that I knew, deep in the recesses of my brain, that Barry Keoghan was in the film. Other than that, I had no idea. I do not even remember ever seeing a trailer.

This was a wild trip. It was dark, demented and disturbing. There were many moments that shocked me or made me grimace. It also has one of the most repulsive characters I have seen in a movie in a long time. I won’t spoil which character it is because there are several options but this character is just horrible.

According to IMDB, “Struggling to find his place at Oxford University, student Oliver Quick (Barry Keoghan) finds himself drawn into the world of the charming and aristocratic Felix Catton (Jacob Elordi), who invites him to Saltburn, his eccentric family’s sprawling estate, for a summer never to be forgotten.”

Barry Keoghan does an astounding job with his performance. He takes his complicated character and makes him relatable. Jacob Elordi, who we just saw playing Elvis Presley in Priscilla, played Felix and brings so much charm and charisma even though there is an uncertainty to exactly what this character’s deal was.

The eccentric characters that were see once Oliver and Felix get to Saltburn are fascinating and include some exceptional acting. Richard E. Grant, Rosamund Pike, Paul Rhys, Carey Mulligan, Archie Madekwe, Sadie Soverall, and Alison Oliver.

The film is very unsettling and I did not expect the way the plot developed. Emerald Fennell, who recently directed Promising Young Woman, does a great job here in a film that is truly wild.

4.25 stars

Ridley Scott is back with a new epic film featuring Napoleon Bonaparte played by Joaquin Phoenix.

This film follows the life of Napoleon Bonaparte from the beginning through to his death. We meet Josephine (Vanessa Kirby), his future wife who could not give him what he wanted most of all, an heir.

We see a bunch of excellent battles with Napoleon leading the French armies against his multitude of enemies. The battle scenes are perhaps the best scenes of the film. Sadly, the best scene was the scene on the ice, which was spoiled in the trailer.

This movie looks amazing. It is shot beautifully. The action scenes are special. The costumes are perfect.

The acting is decent, but maybe not to the level that one would expect. Joaquin Phoenix is good, but it is curious that he never once attempts to have a French accent. I wonder if they were just incapable of doing the accent properly. Not doing it would be better than doing it badly.

Unfortunately, there are more problems with the film. The story just does not work for me. It feels as if it is nothing more than a series of events from Napoleon’s life. There is just not enough of a throughline in the film to make these moments feel like anything but a scrapbook.

I think the film wanted that throughline to be the relationship between Napoleon and Josephine, but that relationship just does not work fully. It felt very inconsistent.

Then, this film is two hours and forty-three minutes long and it absolutely feels like it. I was checking my phone for the time several times during the runtime. I have had films that were this long or even longer that felt like time flew by because the pacing was great. This one was not paced well because I was bored in several situations and that should not be happening.

There are positives here, but there is just something missing from the story that does not allow this to pop the way it should have. I think there could have been a better version of Napoleon.

2.8 stars

Directed by Alexander Payne, The Holdovers was emotional, entertaining and filled with some of the best acting of the year, among an exceptional cast.

According to IMDB, “Nobody likes teacher Paul Hunham (Paul Giamatti) — not his students, not his fellow faculty, not the headmaster, who all find his pomposity and rigidity exasperating. With no family and nowhere to go over Christmas holiday in 1970, Paul remains at school to supervise students unable to journey home. After a few days, only one student holdover remains — a trouble-making 15-year-old named Angus (Dominic Sessa), a good student whose bad behavior always threatens to get him expelled. Joining Paul and Angus is head cook Mary (Da’Vine Joy Randolph)-an African American woman who caters to sons of privilege and whose own son was recently lost in Vietnam. These three very different shipwrecked people form an unlikely Christmas family sharing comic misadventures during two very snowy weeks in New England.“

This is wonderfully written and spends a great amount of time developing these three main characters of the film. Paul Giamatti and Da’Vine Joy Randolph are amazing in these roles, with these two characters that are so broken and pulled down by life. Giamatti and Randolph act their butts off.

Dominic Sessa played Angus, the one boy who winds up stuck at the school during break, does an excellent job as well, playing off Giamatti. He never looked out of place opposite Academy Award nominated actor Paul Giamatti.

The story was simple, but the characters were extremely deep and developed, bringing the conflict with them. This is not a plot driven film. It tells a story about these people and we see how they get through their lives.

The Holdovers was funny, dramatic, and full of a natural energy. The performances were so good, and I have a feeling that there may be one or two of these names will be back come Oscar time.

4.6 stars

The third film in the Trolls animated franchise arrived in theaters this weekend. Like all of the Trolls movies, there were some fun music and color galore.

This is the typical story trope as we discover that Branch (Justin Timberlake) was once in a boy band with his brothers called BroZone and he has to go and ‘get the band back together’ to save their missing brother.

This was fine. I did like the use of the music throughout the film. The music was highly entertaining as it was more than just boy band music.

The colors are sensational and the animation looked great. It is certainly a visual feast for the young child’s mind. Of course, younger kids are the target audience for Trolls Band Together and, in that manner, it should be very successful.

Positively, I do think there are some clever writing sprinkled in the script that will keep the adults in the audience entertained.

It started a little slowly, but they were into the mission soon and things got better. It has a good message and has great music and visuals.

3.4 stars