I was dreading this one. But any kind of Sandler Saturday would not be complete without the infamous Jack and Jill. I had heard that this was a bad movie.
I had no idea.
Jack and jill is one of the worst movies ever made.
Adam Sandler played twins. Jack and Jill. This is one of the most obnoxious films I have ever seen.
Sophomoric. Diarrhea jokes, which are always my favorites. It is borderline racist, among others.
Somehow Al Pacino decided this was a good career move. There were other well known celebrities in the film and I can not figure out why.
This goes on my worst movie list of all time with Movie 43, Batman and Robin, Holmes and Watson, Transformers: The First Knight etc.
I don’t know if YUCK is strong enough for this monstrosity. I’ll pull out the original…
After the bad taste The Waterboy left in my mouth, I tried to find something for the Sandler Saturday that might not be as awful as that one. I pulled up Netflix and put Murder Mystery on next.
According to IMDB, “When an NYC cop (Adam Sandler) finally takes his wife (Jennifer Aniston) on a long promised European trip, a chance meeting on the flight gets them invited to an intimate family gathering on the Super Yacht of elderly billionaire Malcolm Quince. When Quince is murdered, they become the prime suspects in a modern day whodunit.”
So, this movie had the benefit of matching up Sandler with Jennifer Aniston, who is very charismatic in this movie. Sandler was also at a more restrained level with his performances. This film did not have him so over the top as he is in many other films. He is playing a character here instead of just being Adam Sandler and that seems to always be a key.
Unfortunately, the story of the murder case is desperately messy and filled with clichés. The concept was fun, if not realistic, but there was just too much going on with the other characters and the answer to the mystery was not the powerhouse reveal that it should have been. The film ended in a silly car chase.
I would say that Murder Mystery is a watchable movie on Netflix that is not offensive. I would say it is a mediocre film that has a couple of appealing leads.
After two enjoyable movies in the Sandler Saturday, the streak is over as I watched The Waterboy and I was ready for it to be over ten minutes into the film.
Adam Sandler played Bobby Boucher, a waterboy who was constantly being abused and picked on by the coach (Jerry Reed) and other players. When the coach fired him, Bobby went looking for another waterboy position. When he joined the South-Central Louisiana State University Mud Dogs, coached by Coach Klein (Henry Winkler), he discovered that the years of being abused allowed him to direct his anger into tackling people. This led Klein to offer Bobby a place as a linebacker on the team.
There is a solid cast in the film including Oscar winner Kathy Bates, Henry Winkler, Fairuza Balk, Jerry Reed, Lawrence Gilliard Jr., Paul Wight, Blake Clark, and Rob Schneider. There are a bunch of cameos too including Bill Cowher, Jimmy Johnson, Brent Musburger, Dan Patrick, Lynn Swann, Lawrence Taylor, Lee Corso, Chris Fowler and Dan Fouts.
This was so stupid. I was so ready for this to be done. I did not like the character of Bobby and I thought everyone around him was so mean and rotten that it made things hard to watch. None of it was funny. It was also sadly predictable.
The football game at the end had some giggles to it, but it was way too late to save this.
I have put this one out of the way. It is a crapfest.
We’re off to a great start, this Sandler Saturday.
I would definitely say that Punch-Drunk Love is not an Adam Sandler movie. He stars in the film, but it is an Adam Sandler movie the same way Uncut Gems is an Adam Sandler movie. Uncut Gems was a Safdie Brothers and Punch-Drunk Love was a Paul Thomas Anderson movie.
According to IMDB, “Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated. His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.“
Adam Sandler is really good in this movie. Again, he is playing a character and it is a character considerably deeper than most characters he plays. Barry is a socially awkward, lonely man who has a horrible self-image. He is extremely compelling during the film even when he is doing some of the strange things that he does. You can see how much talent Adam Sandler actually has as an actor.
The film is very much a PTA film, weird, strange and fairly chaotic. There are many surreal elements to the movie that work well within the context of the film.
I loved the relationship between Barry and Lena (Emily Watson). It was sweet and original. I liked how it did not go the way I expected.
I kicked off the Sandler Saturday special event her at EYG with Happy Gilmore. This idea came about because I noticed that, though I have said that I hated Adam Sandler movies, that I really haven’t seen very many of them. So I planned a day to binge as many Adam Sandler movies that I could stomach.
Happy Gilmore was the first of the films and I have to say, I kind of liked it.
I know… I’m surprised too.
Of course, I had seen the infamous scene with the Bob Barker fight. It is easily the most famous fake celebrity fight in movie history.
All of the things that I have hated about Adam Sandler movies in the past were in Happy Gilmore, but it felt to me as if they were kept in check. The traits that I have hated in Grown Ups 2 or Pixels were not as annoying as they were there. Perhaps cause it felt like Happy Gilmore was a real character and not just the same Adam Sandler-type that I have seen him play over and over. Maybe if I had seen this at the end of today it would stand out more. But as the first film in the Sandler Saturday, Happy Gilmore was better than I thought.
That does not mean that there aren’t stupid things that would never happen. The whole ending bit with the tower or the Volkswagen hitting him on the golf course are ridiculous, but, for whatever reason, they worked here. I can suspend disbelief for certain things.
So we are off to an unexpectedly good start for the Sandler Saturday.
We have arrived at the final day for the June Swoon 4: Two Day. The final movie for the 2024 films (“It’s Then, Now”) is a Liam Neeson film called Absolution that I watched on Hulu.
A lot of Liam Neeson films are similar over the last few years and they have titles that are anything but distinct. This movie had the same feel to it. The title “Absolution” seemed just as random as many of the other films. It i snot memorable.
However, Absolution does take some different steps in the story to set itself apart from “Retribution,” “The Ice Road,” “The Marksman,” “Cold Pursuit,” “The Commuter” and such.
According to IMDB, “An aging gangster attempts to reconnect with his children and rectify the mistakes in his past, but the criminal underworld won’t loosen their grip willingly.”
This summary from IMDB does not touch upon the seminal fact of the story that made this Liam Neeson performance different than all the others. Since it is not mentioned here, I will avoid spoiling it and say that this one fact really adds to the typical character that Neeson plays.
Neeson’s co-star was Yolanda Ross and she was excellent in her role. I thought the scenes with Neeson and Ross stood out from the rest of the movie and I wish there had been more of this.
I also liked the young actor Terrence Pulliam, who played Dre, Neeson’s estranged grandson. The two of them also had some good scenes that gave Neeson’s character more depth than it would have had. Pullian does not have a ton of dialogue, but he played the scenes well with his facial features and looks.
Some may think that this story was too slow, but I liked the pace of the film. It gave us a chance to get into the character Neeson was playing and connect with the choices he had made and the regrets that were swallowing him.
There was a series of weird scenes with Neeson and his father (Josh Drennan) that seemed to be in a different movie, but these scenes did not derail the film for me.
Absolution was not as bad as I thought it was going to be, and I did actually like a lot of what was there. It has a 55% critics score on Rotten Tomatoes and a shockingly low 32% audience score. I think it is much better than that.
The penultimate day of the June Swoon 4 saw me head over to Hulu for a movie listed there called The Order.
The Order was directed by Justin Kurzel and starred Jude Law and Nicolas Hoult in a film dealing with the FBI vs. White Supremacists. This movie is based on the non-fiction novel The Silent Brotherhood: The Chilling Inside Story of America’s Violent, Anti-Government Militia Movement by Kevin Flynn and Gary Gerhardt.
According to IMDB, “In 1983, a series of increasingly violent bank robberies, counterfeiting operations and armored car heists frightened communities throughout the Pacific Northwest. As baffled law enforcement agents scrambled for answers, a lone FBI agent (Law), stationed in the sleepy, picturesque town of Coeur d’Alene, Idaho, came to believe the crimes were not the work of traditional, financially motivated criminals but a group of dangerous domestic terrorists, inspired by a radical, charismatic leader (Hoult), plotting a devastating war against the federal government of the United States.”
I was impressed with the performances of Jude Law and, especially, Nicolas Hoult. Hoult was extremely sinister as leader of the Order, Robert Matthews. Nicolas Hoult lost himself inside this role and delivered a chilling performance. I think this bodes well for Hoult’s soon to be role of Lex Luthor in the upcoming Superman movie in July. Jude Law played well opposite Hoult too.
It is a sad tale that there are people who feel the way these characters do in The Order. I don’t understand why people have to approach others with hate because they have something different about them. Movies like this remind us how far we still have to go.
I was going to go to see Babygirl at the end of last year, but something came up that caused me to not go. At that point, I put it on the list for the June Swoon. It was available on HBO Max and today was the day that I finally watched it.
I just did not like this movie.
According to IMDB, “Romy, the head of a large company, accustomed to managing people, becomes the plaything of young intern Samuel. The rules are simple: she obeys all his orders, and he keeps her secret. But the passion that escapes outside the office threatens to destroy them both.”
I want to start out by saying that this is a truly brave performance by Nicole Kidman. What it exposes to her as an actress is a passion for her work and her commitment to the role. The underlying insecurities of Romy had to be difficult to play and she does it with a flourish.
I did not enjoy the story. I found it dull and I was not interested in all the sex scenes that they showed. The scenes were very intense but I just found most of it uncomfortable.
Antonio Banderas was great in his supporting role. Banderas has been a great performer over the last several years as he has found a bunch of great roles and has excelled in them.
The June Swoon has been on a bit of a down swing. It happens every year as we go through stretches of movies that are not very good. We’ve been luckier this year than before as we have had some really good films. Then there was Hitpig.
Hitpig was an animated movie from 2024 featuring a strong voice cast with a poor script. The humor is forced, the story is predictable and the dialogue is cringy.
According to IMDB, “Hitpig is a pig hired by humans to bring back their escaped animals. It’s not easy, but it’s a living. His latest hit is Pickles, a naive but vivacious elephant who has escaped the clutches of an evil Vegas showman. Though Hitpig initially sets out to capture the perky pachyderm for big cash, the unlikely pair find themselves on an unexpected adventure criss-crossing the globe that brings out the best in both of them. Set in a futuristic cyberpunk world, Hitpig proves sometimes what we want isn’t what we need. From Pulitzer Prize-winning author Berkeley Breathed’s wild imagination comes an adventure about learning that sometimes what we want isn’t what we need“
The voice cast was stacked. The cast included Jason Sudeikis, Lilly Singh, Flavor Flav, Rainn Wilson, RuPaul, Anitta, Andy Serkis, Hannah Gadsby, Lorraine Ashbourne, and Charlie Adler.
The animation is good and the colors and character designs are well done. Little kids probably will enjoy the bombastic nature of the story and will be distracted by the look. Unfortunately, I need more in an animated movie than this offers.
Except it really does. Your Monster is a surprising film with some deeply troubled characters and an ending that is absolutely wild.
According to IMDB, “After her life falls apart, soft-spoken actress Laura Franco finds her voice again when she meets a terrifying, yet weirdly charming Monster living in her closet. A romantic-comedy-horror film about falling in love with your inner rage.“
Melissa Barrera is Laura Franco and Tommy Dewey is the Monster living in her closet. Unexpectedly, the pair hook up and seem to really get along. However, Laura is dealing with some deep seeded trauma from a relationship with Jacob Sullivan (Edmond Donovan), a writer/director of a play that he had originally written for Laura, only to recast when they broke up.
Laura has plenty of issues in the film, dealing with her own feelings of betrayal and anger. She is clearly not ready for any kind of relationship so, when she walks onto tryouts for the play, things were awkward.
The chemistry between Melissa Barrera and Tommy Dewey is off the charts and makes the weird story work. If that center relationship did not have the chemistry it did, the film would be a total flop. I was wondering about some of the characteristics of the character of Laura, but it all made sense in the end.
This was unexpectedly good and really became more of a character study. It is the type of film that might require a second viewing to see the subtleties in the story.
I had Chicken for Linda on my list of movies for the June Swoon, but I do not remember where I heard about it. I knew it was an animated movie, but that was about it. I had rented it on Fandango at Home, but when I started it, I realized that it is in French.
According to IMDB, “Linda is unfairly punished by her mother, Paulette, who will do anything to make it up to her. Even a chicken with peppers when she can’t cook. Linda absolutely wants to have the chicken that her father made that day…But there is a strike, a general strike.“
The film is unlike any animated film I have seen. The animation was very stylish and different than I had seen before which was a cool feature of it. The colors made much of the film stand out and each color had a purpose to the characters.
The story was very sweet, and surprisingly deeper than one would expect. It had a lingering sadness to it with plenty of humor and joy to go around. Ridiculous situations occur all around and the animation style served it well.
I have not seen a movie start off with a bigger WTF in a long time than Tuesday, starring Julia Louis-Dreyfus.
A24 has used some bizarre concepts to deal with serious issues, from farting corpses to being transformed into animals if they can not find love. On the surface, it may seem absurdist at times, but there are always deeper undertones in the narrative than what you would expect.
This movie deals with death, but not just the grief and pain of the loss, but specifically the inability to accept the inevitability of the end and the strides someone will go to to avoid that acceptance.
Julia Louis-Dreyfus played Zora, the mother of Tuesday (Lola Petticrew), who is a 15-year old, wheelchair bound girl with an incurable fatal disease. Julia Louis-Dreyfus gives the best performance of her career, which is saying something, as she struggled with the denial, taking steps to avoid the loss unlike anyone has every done before.
I am trying to remain somewhat vague in my details of this movie, because I went into it with no expectations for it and I was blown away by the surreal aspects of the film. If you can go into this film without any knowledge of the way the story progresses, the better your experience will be.
Tuesday is a powerful piece that deals with something that everyone can relate to and does it in a poignant and emotional way. It is another winner for A24 and their amazing catalogue of films. It is available on HBO Max.
Today’s June Swoon film is the final of the 2025 Academy Award nominated films for Best Picture that I needed to see. Nickel Boys was directed by RaMell Ross.
Nickel Boys tells the story of its two main protagonists, Elwood (Ethan Herisse) and Turner (Brandon Wilson), who meet at Nickel Academy, an abusive and brutal reform school in Florida during the 1960s.
The film is told through the first-person perspective of both Elwood and Turner, though never at the same time. The perspective of either Elwood or Turner is used as the camera, with the supporting actors looking directly at the camera. The technique makes this film different than most other movies that I have seen.
The story is also told in a nonlinear format with flashforwards to Turner’s future. There were some moments that were difficult to follow during the movie, considering the switching of the POVs.
There are several artsy scenes throughout the film including a few scenes from the Sidney Poitier film “The Defiant Ones” as well as clips with Martin Luther King Jr.
There are some powerful scenes during the horrors of the reform school. It is a long movie and I had some trouble focusing on it, but there is no doubt that this is an amazing piece of art.
The June Swoon continued this morning with a boxing movie detailing the pursuit of the Olympic gold medal by Claressa “T-Rex” Shields.
Claressa Shields became the first American woman to win a Gold Medal in boxing but she discovered that, even after the ultimate success, there is nothing in life that is guaranteed.
Ryan Destiny played Claressa Shields, teenager whose dream was to become a star in the boxing ring. She was trained and supported by Jason Crutchfield (Brian Tyree Henry). Claressa did not have a perfect life. She had troubles with her mother and struggling with the dedication required in her training.
In most sports biopics, the big victory is the ending of the film, but, in this case, Claressa success at the Olympic games in 2012 was just the start of the story. She discovered how difficult it was for a woman to translate her success in the boxing ring into big time success in life. The product endorsements were not coming and Claressa was being offered less than the male boxers were to go for another gold medal.
The struggle for Claressa became the chunk of the movie, detailing how she nearly hit the bottom, nearly pawning her gold medal. The film is also inspiring to see how she was able to overcome these problems in a push for a second gold medal.
I did like how this movie flipped the general formula of the sport biopic upside down and told the story in a different way. Strong performances made the film even more compelling.
Another Academy Award winning film came next in the June Swoon. This film won the Oscar for Best International Feature Film and had received nominations for Best Picture and Best Lead Actress. I’m Still Here is a political biopic from Brazil that detailed the story of Eunice Paiva, whose husband, a former congressman, was a victim of a forced disappearance during the military dictatorship in Brazil in 1971.
Fernanda Torres did win a Golden Globe for her role as Eunice Paiva, along with the Academy Award nomination. She was a powerful force in this film, showing so much depth of her character. It could have easily degenerated into a sob story, but the strength of Eunice and her constant desire to protect her family while searching for the truth really marked her as an amazing woman. Fernanda Torres brings all of the emotion and power to the role.
The resiliency of the Torres family was on full display as they had to go through so much uncertainty after armed men came into their house and took away their father. Then, Eunice and one of her daughters were taken for “questioning” and held for an extended period of time. Such behaviors of a government is and was unacceptable and I’m Still Here makes that argument clearly.
As an audience, we are given time at the beginning to get to know Rubens Paiva and see how important he was to his family before he was removed by the military. We could see the hole that his forced disappearance put in his family and how Eunice did everything she could to fill that gap herself.
The film did have a couple of sections at the end showing the family in the future, including one in 2016 where Eunice was in a wheelchair and suffering from Alzheimer’s. There was still a powerful hope within that family, a trait that came from Eunice’s decade long fight for the truth. I am not sure if these last two scenes were really needed, but it was nice to see how these people’s lives moved on after they realized that their father was not coming back.
This is a long film, but it was worthwhile thanks to an amazing lead performance and a story that helps us understand what life under a dictatorship could be like.
EYG- Embrace Your Geekness 