June 29

The penultimate day of the June Swoon 4 saw me head over to Hulu for a movie listed there called The Order.

The Order was directed by Justin Kurzel and starred Jude Law and Nicolas Hoult in a film dealing with the FBI vs. White Supremacists. This movie is based on the non-fiction novel The Silent Brotherhood: The Chilling Inside Story of America’s Violent, Anti-Government Militia Movement by Kevin Flynn and Gary Gerhardt.

According to IMDB, “In 1983, a series of increasingly violent bank robberies, counterfeiting operations and armored car heists frightened communities throughout the Pacific Northwest. As baffled law enforcement agents scrambled for answers, a lone FBI agent (Law), stationed in the sleepy, picturesque town of Coeur d’Alene, Idaho, came to believe the crimes were not the work of traditional, financially motivated criminals but a group of dangerous domestic terrorists, inspired by a radical, charismatic leader (Hoult), plotting a devastating war against the federal government of the United States.”

I was impressed with the performances of Jude Law and, especially, Nicolas Hoult. Hoult was extremely sinister as leader of the Order, Robert Matthews. Nicolas Hoult lost himself inside this role and delivered a chilling performance. I think this bodes well for Hoult’s soon to be role of Lex Luthor in the upcoming Superman movie in July. Jude Law played well opposite Hoult too.

It is a sad tale that there are people who feel the way these characters do in The Order. I don’t understand why people have to approach others with hate because they have something different about them. Movies like this remind us how far we still have to go.

June 28

I was going to go to see Babygirl at the end of last year, but something came up that caused me to not go. At that point, I put it on the list for the June Swoon. It was available on HBO Max and today was the day that I finally watched it.

I just did not like this movie.

According to IMDB, “Romy, the head of a large company, accustomed to managing people, becomes the plaything of young intern Samuel. The rules are simple: she obeys all his orders, and he keeps her secret. But the passion that escapes outside the office threatens to destroy them both.”

I want to start out by saying that this is a truly brave performance by Nicole Kidman. What it exposes to her as an actress is a passion for her work and her commitment to the role. The underlying insecurities of Romy had to be difficult to play and she does it with a flourish.

I did not enjoy the story. I found it dull and I was not interested in all the sex scenes that they showed. The scenes were very intense but I just found most of it uncomfortable.

Antonio Banderas was great in his supporting role. Banderas has been a great performer over the last several years as he has found a bunch of great roles and has excelled in them.

June 27

The June Swoon has been on a bit of a down swing. It happens every year as we go through stretches of movies that are not very good. We’ve been luckier this year than before as we have had some really good films. Then there was Hitpig.

Hitpig was an animated movie from 2024 featuring a strong voice cast with a poor script. The humor is forced, the story is predictable and the dialogue is cringy.

According to IMDB, “Hitpig is a pig hired by humans to bring back their escaped animals. It’s not easy, but it’s a living. His latest hit is Pickles, a naive but vivacious elephant who has escaped the clutches of an evil Vegas showman. Though Hitpig initially sets out to capture the perky pachyderm for big cash, the unlikely pair find themselves on an unexpected adventure criss-crossing the globe that brings out the best in both of them. Set in a futuristic cyberpunk world, Hitpig proves sometimes what we want isn’t what we need. From Pulitzer Prize-winning author Berkeley Breathed’s wild imagination comes an adventure about learning that sometimes what we want isn’t what we need“

The voice cast was stacked. The cast included Jason Sudeikis, Lilly Singh, Flavor Flav, Rainn Wilson, RuPaul, Anitta, Andy Serkis, Hannah Gadsby, Lorraine Ashbourne, and Charlie Adler.

The animation is good and the colors and character designs are well done. Little kids probably will enjoy the bombastic nature of the story and will be distracted by the look. Unfortunately, I need more in an animated movie than this offers.

June 26

Rom Com- Horror? No way that is going to work.

Except it really does. Your Monster is a surprising film with some deeply troubled characters and an ending that is absolutely wild.

According to IMDB, “After her life falls apart, soft-spoken actress Laura Franco finds her voice again when she meets a terrifying, yet weirdly charming Monster living in her closet. A romantic-comedy-horror film about falling in love with your inner rage.“

Melissa Barrera is Laura Franco and Tommy Dewey is the Monster living in her closet. Unexpectedly, the pair hook up and seem to really get along. However, Laura is dealing with some deep seeded trauma from a relationship with Jacob Sullivan (Edmond Donovan), a writer/director of a play that he had originally written for Laura, only to recast when they broke up.

Laura has plenty of issues in the film, dealing with her own feelings of betrayal and anger. She is clearly not ready for any kind of relationship so, when she walks onto tryouts for the play, things were awkward.

The chemistry between Melissa Barrera and Tommy Dewey is off the charts and makes the weird story work. If that center relationship did not have the chemistry it did, the film would be a total flop. I was wondering about some of the characteristics of the character of Laura, but it all made sense in the end.

This was unexpectedly good and really became more of a character study. It is the type of film that might require a second viewing to see the subtleties in the story.

I have no idea where this one came from.

I had Chicken for Linda on my list of movies for the June Swoon, but I do not remember where I heard about it. I knew it was an animated movie, but that was about it. I had rented it on Fandango at Home, but when I started it, I realized that it is in French.

According to IMDB, “Linda is unfairly punished by her mother, Paulette, who will do anything to make it up to her. Even a chicken with peppers when she can’t cook. Linda absolutely wants to have the chicken that her father made that day…But there is a strike, a general strike.“

The film is unlike any animated film I have seen. The animation was very stylish and different than I had seen before which was a cool feature of it. The colors made much of the film stand out and each color had a purpose to the characters.

The story was very sweet, and surprisingly deeper than one would expect. It had a lingering sadness to it with plenty of humor and joy to go around. Ridiculous situations occur all around and the animation style served it well.

All this trouble for chicken with peppers?

June 24

I have not seen a movie start off with a bigger WTF in a long time than Tuesday, starring Julia Louis-Dreyfus.

A24 has used some bizarre concepts to deal with serious issues, from farting corpses to being transformed into animals if they can not find love. On the surface, it may seem absurdist at times, but there are always deeper undertones in the narrative than what you would expect.

This movie deals with death, but not just the grief and pain of the loss, but specifically the inability to accept the inevitability of the end and the strides someone will go to to avoid that acceptance.

Julia Louis-Dreyfus played Zora, the mother of Tuesday (Lola Petticrew), who is a 15-year old, wheelchair bound girl with an incurable fatal disease. Julia Louis-Dreyfus gives the best performance of her career, which is saying something, as she struggled with the denial, taking steps to avoid the loss unlike anyone has every done before.

I am trying to remain somewhat vague in my details of this movie, because I went into it with no expectations for it and I was blown away by the surreal aspects of the film. If you can go into this film without any knowledge of the way the story progresses, the better your experience will be.

Tuesday is a powerful piece that deals with something that everyone can relate to and does it in a poignant and emotional way. It is another winner for A24 and their amazing catalogue of films. It is available on HBO Max.

June 23

Today’s June Swoon film is the final of the 2025 Academy Award nominated films for Best Picture that I needed to see. Nickel Boys was directed by RaMell Ross.

Nickel Boys tells the story of its two main protagonists, Elwood (Ethan Herisse) and Turner (Brandon Wilson), who meet at Nickel Academy, an abusive and brutal reform school in Florida during the 1960s.

The film is told through the first-person perspective of both Elwood and Turner, though never at the same time. The perspective of either Elwood or Turner is used as the camera, with the supporting actors looking directly at the camera. The technique makes this film different than most other movies that I have seen.

The story is also told in a nonlinear format with flashforwards to Turner’s future. There were some moments that were difficult to follow during the movie, considering the switching of the POVs.

There are several artsy scenes throughout the film including a few scenes from the Sidney Poitier film “The Defiant Ones” as well as clips with Martin Luther King Jr.

There are some powerful scenes during the horrors of the reform school. It is a long movie and I had some trouble focusing on it, but there is no doubt that this is an amazing piece of art.

June 22

The June Swoon continued this morning with a boxing movie detailing the pursuit of the Olympic gold medal by Claressa “T-Rex” Shields.

Claressa Shields became the first American woman to win a Gold Medal in boxing but she discovered that, even after the ultimate success, there is nothing in life that is guaranteed.

Ryan Destiny played Claressa Shields, teenager whose dream was to become a star in the boxing ring. She was trained and supported by Jason Crutchfield (Brian Tyree Henry). Claressa did not have a perfect life. She had troubles with her mother and struggling with the dedication required in her training.

In most sports biopics, the big victory is the ending of the film, but, in this case, Claressa success at the Olympic games in 2012 was just the start of the story. She discovered how difficult it was for a woman to translate her success in the boxing ring into big time success in life. The product endorsements were not coming and Claressa was being offered less than the male boxers were to go for another gold medal.

The struggle for Claressa became the chunk of the movie, detailing how she nearly hit the bottom, nearly pawning her gold medal. The film is also inspiring to see how she was able to overcome these problems in a push for a second gold medal.

I did like how this movie flipped the general formula of the sport biopic upside down and told the story in a different way. Strong performances made the film even more compelling.

June 19

It is Juneteenth and, for the June Swoon today, I am watching a documentary that debuted on June 19th last year on Netflix. It had been at SXSW film festival in 2023. Lagueria Davis is the writer/director of Black Barbie: A Documentary.

The documentary looked at the creation of and the history of the black doll and how the process of Black Barbie came to be.

According to IMDB, “Love her or hate her, almost everyone has a Barbie story. Even if they don’t have a story, there’s a story as to why they don’t have a story. In this film, we tell the story behind the first Black Barbie, because yes, she has a story too. It started with the filmmaker’s 83-year old aunt, Beulah Mae Mitchell and a seemingly simple question, ‘Why not make a Barbie that looks like me?‘”

Where as it seems like a trivial concept, the importance of black dolls, specifically Barbie, have upon the self-image and self-esteem of young black girls. Some of the most powerful comments of the film indicate how the young black girls would see themselves as ugly because of the color of their skin.

It is one more example of how important it is for play for children. How important it is for the people in the doc to have a doll that resembled them, and not just Barbie with brown skin.

June 18

Hulu was the destination this morning for today’s June Swoon entry, the independent film The Last Showgirl starring Pamela Anderson.

Pamela Anderson was most well known for her role on the television show Baywatch, a role which she parlayed into an infamous lifestyle and career. Whether fairly or not, Anderson was perceived in a manner that may not have been too positive.

However, Pamela Anderson completely dominated this role in The Last Showgirl, bringing an energy and an emotion that she has never shown before. She was a revelation.

According to IMDB, “When the glittering Las Vegas revue she has headlined for decades announces it will soon close, glamorous showgirl Shelly sets out to plan her next act. Reconciling the decisions she’s made and the community she has built, Shelly decides to repair her complicated relationship with her daughter.”

I kind of get the same kind of feeling with this movie that I had with The Wrestler. Performer, getting old, and desperately hoping to hold on to what they know best. Anderson’s character, Shelly, is less miserable than Randy “The Ram” Robinson, but she definitely has parts of her life that she looks back upon with regret.

The film has a solid cast around Pamela Anderson, including Dave Bautista, Jamie Lee Curtis, Brenda Song, Kiernan Shipka, Billie Lourd, and Jason Schwartzman.

Pamela Anderson proved that she was more than just her red bathing suit. She was compelling, passionate, emotionally-charged and carried this movie completely. She showed that she was more than what people gave her credit for back int he Baywatch days. She is an actor.