I have been a fan of Roxy Striar for years, since she was the host of TV Fights. So when I heard she had such a significant role in a movie, I wanted to see it. It was very much an independent feature and with it finally available on Prime, I rented it.
This was a very fascinating movie. These actors are all new faces except for Striar and Andrew Ghai, who I knew from the Movie Trivia Schmoedown. I think you can see the inexperience from these actors, but they did a decent job.
The film dove deep into the concept of depression and mental illness, dealing with grief and guilt that comes with it. I did like the way they told the story, through flashbacks to when Lola, Roxy Striar’s character, was still alive.
The film had a well written interactions between these characters. There was a weird transition about half way through, but I did like the way the film ended up.
I am very happy for Roxy, getting a role like this and doing such a solid job. There was a lot of emotion and sadness, as well as hope and rebirth. An independent film that gives a clear message.
I am not a long time viewer or fan of Doctor Who. My knowledge of the character and the shows are limited. Last week’s special was fun. This week’s second special, Wild Blue Yonder, was unbelievably awesome.
The Doctor (David Tennant) and Donna (Catherine Tate) crash landed the out-of-control Tardis on a seemingly deserted spaceship at the end of time. The Tardis then dematerialized, sensing a danger, stranding The Doctor and Donna on the ship to face the mystery of what had happened.
I do not want to spoil anything here. Let me just say that this was one of the best science fiction stories I have seen in ages. The cleverness of this episode and the creativity of the situation that The Doctor and Donna found themselves in is steeped in sci-fi history yet provided some much originality and pay off for those who have watched the franchise.
The only thing that I would criticize about this special would be that someone like me who has just come to the franchise now, with a very limited amount of Who knowledge, would not understand as much as those who have watched them all. That is not a bad thing and I do not think it is required viewing to watch this special. I just think that it would have made this a richer experience.
However, I thought the last 25 minutes of this special was just spectacular and I was completely thrilled with the story. The cliffhanger made me ready to see the thrid sepcial next week.
It is Christmastime and that means it is time for some movies that are targeted toward the family and may be sugary sweet and silly.
That is a very good description of the new film on Amazon Prime, Candy Cane Lane, starring Eddie Murphy.
According to IMDB, “A man (Eddie Murphy) is determined to win the neighborhood’s annual Christmas decorating contest. He makes a pact with an elf (Jillian Bell) to help him win–and the elf casts a spell that brings the 12 days of Christmas to life, which brings unexpected chaos to town.”
There is a lot of dumb, holiday fun in this hokey family film. Eddie Murphy is always great and he is in full Christmas mode here. There are actually several moments through this film where the movie avoids those pesky family film clichés. There are tropes that you expect, but he film does not go down the same path.
Jillian Bell is funny as the villainous Pepper. The mini figurines of the others who failed the task was clever. Nick Offerman, Chris Redd, and Robin Thede was fun as these little characters.
There was a lot of dumb in the story too, but I found it inoffensive and cute at times. I think if a family’s looking for a funny film to watch for Christmas, you could do worse than this.
We got a new Nic Cage movie released this weekend focusing on celebrity and the potential toxicity that comes along with that. It was called Dream Scenario.
Nic Cage played a college professor named Paul Matthews, a hapless man who is just going through an unremarkable life. Then, one day, he discovered that people were all dreaming about him, people that he did not know. Paul would just walk through the dream like an observer, doing nothing to help the person. It got to the point where real life Paul was feeling guilt over not helping despite the fact that he had zero control over it.
As this phenomenon went viral, Paul started to become well known and in demand. This is, until the dreams he was appearing in began to turn dark and nightmarish. The people who were fascinated by Paul before turned on him quickly, forcing Paul into trying to get through his life.
Nicolas Cage was sensational as Paul, playing completely against his typical character. Paul was frumpy and depressed, unable to understand why things were happening and why people were turning on him considering he had done nothing wrong. You can’t help be feel sorry for Paul considering things were happening that were totally out of his own control.
I really enjoyed this film, but I will say that the ending did not strike as well as I would have liked it. Unfortunately, I can’t talk about that without diving into spoilers. Suffice it to say that I did not love the way the film concluded.
There were some funny scenes of the film, which is listed by A24 as a comedy/horror film. I’m not sure that is an accurate classification, but there are several funny moments. Nicolas Cage does great job bringing this schulb to life, and seeing what happens to him is a warning about the fickleness of pop culture as well as a commentary on cancel culture.
I love Godzilla. So I was very excited when I saw the trailer for this new Japanese film. Godzilla Minus One is potentially the best Godzilla movie that I have seen.
Godzilla comes from the oceans and attack as a force of nature. This Godzilla is not the “protector” Godzilla as we have been used to over the last few years. This Godzilla is out there as a motiveless devastation.
One of the reasons why this is one of the best Godzilla movies ever is because this film was able to do something that very few (if any) Godzilla films have been able to do: create human characters that are compelling and who I wanted to see.
Fact is many times when the human characters are on the screen in a Godzilla movie, my thought has been, “Get them off the screen, bring up Godzilla.” However, in Godzilla Minus One, the human character are just fantastic. These are characters that I loved and found engaged with every second they were on. Koichi Shikishima (Ryunosuke Kamiki) is amazing and he fills the screen of this film.
Godzilla looked tremendous. The beast looked like a true monster and he was frightening. Watching Godzilla walk his way through the Japanese cities was unbelievable. It also had the feel of old school Godzilla films.
Yes, this is in Japanese, but, as with all really great foreign films, you forget that you are reading the captions and it just becomes part of the story. The score is utterly exceptional and works to enhance the scenes, especially with Godzilla.
The finale of the film is tense and anxious. It has an extremely emotional ending that had some tears forming in my eyes. The story was more than just Godzilla on a rampage and I loved it.
Even though I am not a Doctor Who fan, I am aware of the character and I was interested in the first of three specials airing on Disney + that were celebrating the 60th anniversary of the character. After watching special 1 today, I am looking ahead to the next two specials, which are “Wild Blue Yonder” (Dec. 2) and “The Giggle” (Dec. 9).
I thought the special did a great job of introducing me to the characters that were going to be important in this story, especially Donna Temple-Noble, played by Catherine Tate. They gave me, a casual viewer, the information that I needed to enjoy the story and the relationships within the story.
David Tennant looks to be having a blast running around and assuming the face of The Doctor once again. Tennant has so much energy and charisma that you immediately embrace the character, even if you have just a passing knowledge of him.
The special effects are decent for a TV movie, which this basically is. Some of the creatures are fun and have a creative design. Again, not knowing what other creatures on the series looks like, it is hard for me to criticize the current situation. Nothing pulled me out of the story, which is a victory.
Catherine Tate was great too. I can see why this character was as popular as I had heard she was. She had great chemistry with Tennant and the pairing truly worked.
The mystery of why Tennant returned to the Doctor’s face is intriguing as I know that has never happened before in the history of The Doctor. It is something that I look forward to discovering.
I had no idea what Saltburn was about. I have heard about this movie in reference to the Academy Awards, and I do think that I knew, deep in the recesses of my brain, that Barry Keoghan was in the film. Other than that, I had no idea. I do not even remember ever seeing a trailer.
This was a wild trip. It was dark, demented and disturbing. There were many moments that shocked me or made me grimace. It also has one of the most repulsive characters I have seen in a movie in a long time. I won’t spoil which character it is because there are several options but this character is just horrible.
According to IMDB, “Struggling to find his place at Oxford University, student Oliver Quick (Barry Keoghan) finds himself drawn into the world of the charming and aristocratic Felix Catton (Jacob Elordi), who invites him to Saltburn, his eccentric family’s sprawling estate, for a summer never to be forgotten.”
Barry Keoghan does an astounding job with his performance. He takes his complicated character and makes him relatable. Jacob Elordi, who we just saw playing Elvis Presley in Priscilla, played Felix and brings so much charm and charisma even though there is an uncertainty to exactly what this character’s deal was.
The eccentric characters that were see once Oliver and Felix get to Saltburn are fascinating and include some exceptional acting. Richard E. Grant, Rosamund Pike, Paul Rhys, Carey Mulligan, Archie Madekwe, Sadie Soverall, and Alison Oliver.
The film is very unsettling and I did not expect the way the plot developed. Emerald Fennell, who recently directed Promising Young Woman, does a great job here in a film that is truly wild.
Ridley Scott is back with a new epic film featuring Napoleon Bonaparte played by Joaquin Phoenix.
This film follows the life of Napoleon Bonaparte from the beginning through to his death. We meet Josephine (Vanessa Kirby), his future wife who could not give him what he wanted most of all, an heir.
We see a bunch of excellent battles with Napoleon leading the French armies against his multitude of enemies. The battle scenes are perhaps the best scenes of the film. Sadly, the best scene was the scene on the ice, which was spoiled in the trailer.
This movie looks amazing. It is shot beautifully. The action scenes are special. The costumes are perfect.
The acting is decent, but maybe not to the level that one would expect. Joaquin Phoenix is good, but it is curious that he never once attempts to have a French accent. I wonder if they were just incapable of doing the accent properly. Not doing it would be better than doing it badly.
Unfortunately, there are more problems with the film. The story just does not work for me. It feels as if it is nothing more than a series of events from Napoleon’s life. There is just not enough of a throughline in the film to make these moments feel like anything but a scrapbook.
I think the film wanted that throughline to be the relationship between Napoleon and Josephine, but that relationship just does not work fully. It felt very inconsistent.
Then, this film is two hours and forty-three minutes long and it absolutely feels like it. I was checking my phone for the time several times during the runtime. I have had films that were this long or even longer that felt like time flew by because the pacing was great. This one was not paced well because I was bored in several situations and that should not be happening.
There are positives here, but there is just something missing from the story that does not allow this to pop the way it should have. I think there could have been a better version of Napoleon.
Directed by Alexander Payne, The Holdovers was emotional, entertaining and filled with some of the best acting of the year, among an exceptional cast.
According to IMDB, “Nobody likes teacher Paul Hunham (Paul Giamatti) — not his students, not his fellow faculty, not the headmaster, who all find his pomposity and rigidity exasperating. With no family and nowhere to go over Christmas holiday in 1970, Paul remains at school to supervise students unable to journey home. After a few days, only one student holdover remains — a trouble-making 15-year-old named Angus (Dominic Sessa), a good student whose bad behavior always threatens to get him expelled. Joining Paul and Angus is head cook Mary (Da’Vine Joy Randolph)-an African American woman who caters to sons of privilege and whose own son was recently lost in Vietnam. These three very different shipwrecked people form an unlikely Christmas family sharing comic misadventures during two very snowy weeks in New England.“
This is wonderfully written and spends a great amount of time developing these three main characters of the film. Paul Giamatti and Da’Vine Joy Randolph are amazing in these roles, with these two characters that are so broken and pulled down by life. Giamatti and Randolph act their butts off.
Dominic Sessa played Angus, the one boy who winds up stuck at the school during break, does an excellent job as well, playing off Giamatti. He never looked out of place opposite Academy Award nominated actor Paul Giamatti.
The story was simple, but the characters were extremely deep and developed, bringing the conflict with them. This is not a plot driven film. It tells a story about these people and we see how they get through their lives.
The Holdovers was funny, dramatic, and full of a natural energy. The performances were so good, and I have a feeling that there may be one or two of these names will be back come Oscar time.
The third film in the Trolls animated franchise arrived in theaters this weekend. Like all of the Trolls movies, there were some fun music and color galore.
This is the typical story trope as we discover that Branch (Justin Timberlake) was once in a boy band with his brothers called BroZone and he has to go and ‘get the band back together’ to save their missing brother.
This was fine. I did like the use of the music throughout the film. The music was highly entertaining as it was more than just boy band music.
The colors are sensational and the animation looked great. It is certainly a visual feast for the young child’s mind. Of course, younger kids are the target audience for Trolls Band Together and, in that manner, it should be very successful.
Positively, I do think there are some clever writing sprinkled in the script that will keep the adults in the audience entertained.
It started a little slowly, but they were into the mission soon and things got better. It has a good message and has great music and visuals.
I got the opportunity tonight to go to an early screening of the new Disney animated film, Wish, at Cinemark. Wish is scheduled to be released for the Thanksgiving holiday next week. I love getting the chance to see this early.
However, it was, at best, an okay Disney animated film.
I did not hate the film. I did not love it either.
According to IMDB, “Wish will follow a young girl named Asha (Ariana DeBose) who wishes on a star and gets a more direct answer than she bargained for when a trouble-making star comes down from the sky to join her.“
Wish felt more like a series of references to past Disney animated movies than a new and vibrant story of its own. There were a bunch of Easter eggs to former Disney films and it was fun to spot the allusions, but it also tended to get in the way of the story this film was trying to tell.
As always, the animation and the visual look of Wish was stunning and extremely beautiful to watch. There is no doubt that plenty of young children will be engrossed by the movie simply by the way it looked.
The music was okay. Some of the original songs were catchy, but, honestly, there are none that stick out in my head, just a few hours later. While I tapped my toes and nodded my head during the actual songs, there is nothing that sticks out as a big-time hit like films such as The Lion King, Aladdin or Beauty and the Beast had. There was not even songs like Let it Go or We Don’t Talk About Bruno on this soundtrack.
Chris Pine provided the voice for the antagonist of the film, King Magnifico, and he does a solid job. The voice cast was very consistently solid, including Alan Tudyk, Victor Garber, Evan Peters, Jennifer Kumiyama, Angelique Cabral, Natasha Rothwell, and Harvey Guillen.
For a film about the magic of wishes, there did not feel like there was enough Disney magic to make the film feel special.
Having said that, Wish is certainly not a bad time. It was beautiful to look at and had a simplistic message about giving up one’s dreams that is worth hearing. I just would have liked to have connected to this movie more than I did.
Heck, it is a long way from Thor: Love and Thunder.
I was excited about this movie, from Taika Waititi, since I saw the trailers. Michael Fassbender as a coach of soccer, trying to turn around a team from American Samoa that lost a FIFA match 31-0. A soccer game, 31-0. That just should not happen and yet it is a true story.
Sadly, the film was about as good as that soccer team. Not very good.
It was a typical sports movie, with the underdog team getting better as their coach struggled with his own problems.
The film was just not funny. The best parts of the film, I had already seen in the trailers, which I enjoyed. The rest of the film seemed childish and overly silly.
Taika Waititi does have skill at weaving in emotion to what should be a ridiculous situations and there are some moments at the third act that work well. Unfortunately, by that point, I was checked out and was not willing to check back in.
The reason Fassbender was the way he was could have been a real powerhouse moment, but it was not developed properly during the film and so it felt as if it came out of left field, excuse my mixing of sports metaphors.
Within the first ten minutes, I kept saying to myself, “Uh Oh.” I could feel that this wasn’t going to be an enjoyable time, but I held out my hope because I enjoy Waititi so much. The hope was gone soon after and it felt like a wasted opportunity for a really funny and enjoyable sports film.
This was a prequel that I never thought that I wanted. To see the trailers leading up to this film, I was just not interested. It felt as if the Hunger Games had really been played out and did not need anything more. Certainly not a prequel focusing on Coriolanus Snow, the villain of the Hunger Games trilogy.
However, after seeing the movie, I can see the purpose behind the film, and I enjoyed it, for part of it at least.
We see Coriolanus Snow (Tom Blyth) who becomes a mentor for one of the tributes in the tenth annual Hunger Games. His tribute was Lucy Gray Baird (Rachel Zegler). Snow was looking to advance in the society and gave ideas to change and adapt the Hunger Games to Dr. Volumnia Gaul, the creator of the games.
Trying to get Lucy Gray to be more engaging, Snow started to bond with the girl. He did whatever he could to help her survive the games.
I really liked the first hour and forty five minutes of this movie. The first two acts were tremendous and I was thoroughly entertained. Unfortunately, the third act was added on and felt totally like a different movie. The characters seemed different than they were in the first two acts and I did not like the ending near as well.
It also became very long. The second act (or split into chapters as the film does) seemed like a perfect ending for the film, but suddenly, we got another 45 minutes and, I am sorry to say, I felt it.
I think Rachel Zegler is a star. She is fantastic though the entire prequel and she did have chemistry with Tom Blyth. Unfortunately, the pairing of Snow and Lucy Gray seemed to happen too quickly for any sort of romantic pairing. Both actors did a sensational job with their performances though.
Viola Davis was great too, with her extremely creepy portrayal of Dr. Gaul. She was a great villain in this role, and turned out to be a considerable mentor for Snow.
The look of the film was great. The CGI and the action were top line and the section with the actual 10th Annual Hunger Games was clearly the standout section of the movie. I just did not like the third act. It felt out of place and dragged the movie along.
I still enjoyed the film. It just felt like I saw two completely different movies, with the first two acts being compelling and thrilling and the third act being drawn out and different than what we had seen in the first two. Still, overall, I think the movie was able to justify its existence.
November 11th is recognized as Veterans Day in the US and, in honor of the day, I watched one of the classic films of the 1960s that I had never seen before. It told the story of D-Day, the Allied forces storming the beaches of Normandy. It was called The Longest Day.
An unbelievable cast of stars and recognizable actors littered this film. The cast included John Wayne, Robert Mitchum, Eddie Albert, Sean Connery, Henry Fonda, Richard Todd, Robert Ryan, Richard Burton, George Segal, Paul Anka, Red Buttons, Robert Wagner, Rod Steiger, Peter Lawford, Richard Beymer, Steve Forrest, Ray Danton, Sal Mineo, Jeffrey Hunter, Arletty, Fabian, Roddy McDowell, Alexander Knox, Irina Demick, Hans Christian Blech, Bourvil, Donald Houston, Curd Jürgens, Stuart Whitman, Richard Dawson, Bernard Fox, Gary Collins, Georges Wilson, Peter van Eyck, Tom Tryon, Jean Servais, Tommy Sands, Norman Rossington, Madeleine Renaud, Wolfgang Preiss, Kenneth More, Richard Münch, Michael Medwin, Dewey Martin, Christian Marquand, Karl John, Werner Hinz, Peter Helm, Paul Hartmann, Leo Genn, Gert Fröbe, Mel Ferrer, and Ron Randell.
The Longest Day is a fairly realistic and accurate retelling of the invasion of 1944 by the Allied forces. The battles of the invasion were rendered extremely well for 1962, and I am sure that those survivors of the actual D-Day invasion had some difficulties watching this recreation. While we do not get the gore or blood of say Saving Private Ryan or other more recent war films, this does not shy away from shocking imagery and depends on the psychological more than just seeing the carnage associated with it.
It is a three hour movie, but to be honest, I felt like it moved extremely well. I did not feel the length of the film and there were enough separate characters and storylines to keep me engaged through the whole of the film.
An epic presentation of one of World War II’s most seminal moments. An amazing cast and some powerful imagery really helps to make this a total classic in American cinema. I am not a general fan of war movies, but this was really near the top of the list.
Happy Veterans Day. Thank you to all the veterans who gave their time, efforts, and, in some cases, lives to make sure that we have the freedom we live with in this country. Thank you for your service.
David Fincher returned with his latest film that has been in select theaters and debuted on Netflix this weekend.
Michael Fassbender played the Killer, an assassin who missed his most recent target and had to face the consequences for failure.
After his girlfriend is attacked in response, Fassbender methodically started on a quest for vengeance against everyone that was involved in the attack, even adjacently.
Honestly, the story of the movie is pretty simple. Fassbender does a voice over narration but his character says almost zero lines of dialogue through the film. We follow this man who is clearly anything but your typical protagonist as he brutally and without passion executed person after person.
Fassbender is a likable actor and that helps make this assassin human, because his actions are anything but. The voice over repeats the Killer’s mantra before every kill, reminding himself to stick to the plan, and that empathy is weakness.
Fassbender is excellent in this role. It seems to fit him beautifully. Again, he is the standout of the movie because the simplistic plot is only somewhat engaging and the dialogue is nearly non-existent.
Tilda Swinton makes an appearance as one of the eventual targets and her short time on screen was excellent as always. However, we know so little about her character that it does not give us much to feel with her eventual fate.
There is an effective use of tone and mood in this piece, but it is a surprisingly sleight film.
EYG- Embrace Your Geekness 