Tron: Ares

So there was probably few major blockbusters this year that I was looking forward to less than Tron: Ares. I was not a fan of either of the previous films, Tron and Tron: Legacy, though, to be fair, I would be hard pressed to tell you much of anything about those previous movies because it has been a long time since I watched them. I did walk into the movie with as open of a mind as I could, but I was not anticipating it.

I disliked this movie a lot.

There were two things that I thought were really great. First, the soundtrack/score of the film, done by Nine Inch Nails, was sensational and worked so well for the world of this movie. I had questioned the choice of Nine Inch Nails, but they absolutely ruled here.

The second thing that I can say positively about Tron: Ares is the visual effects are amazing. It looks great, although perhaps there were some scenes when the visual effects were too much because it overpowered what was happening in the scene. For the most part, the action with these effects were top notch.

That is where I draw the line for my positives.

The story of the movie was so basic that it was as if it weren’t even there. Jared Leto was fine, but he did not have to do anything really challenging. The rest of the actors felt as if they were not necessary. So many of the other actors had virtually nothing to do, including Greta Lee and Even Peters, who I usually love. Peters, especially, felt like nothing more than a one note villain that could have been so much more.

There were nothing that really tied this movie to anything that happened in previous films, outside of a forced cameo from Jeff Bridges. That is fine, but it felt as if it went out of the way to avoid the previous films.

I was bored for much of the film and, if I did not have the score to entertain me, I may have fallen asleep. There were no characters worth my time and the story was nothing more than searching for the latest MacGuffin.

I was anxious for this movie to get over with for much of the two hour run time. I did not enjoy my time in the theater with Tron: Ares.

2 stars

The Roses

The War of the Roses was a 1989 movie starring Michael Douglas, Kathleen Turner and Danny DeVito about a married couple who have fallen out and go to desperate lengths over the ownership of the house in the divorce.

Now we have a rebooted version of the film, The Roses, featuring Benedict Cumberbatch and Olivia Colman. It is difficult to review The Roses without thinking about the original film from the late 1980s.

According to IMDB, “Life seems easy for picture-perfect couple Ivy (Colman) and Theo (Cumberbatch): successful careers, great kids, an enviable sex life. But underneath the façade of the perfect family is a tinderbox of competition and resentments that’s ignited when Theo’s professional dreams come crashing down.”

What made me the most excited about this remake was the lead actors. I really like Benedict Cumberbatch and I love Olivia Colman. I do not think that I have seen a bad performance from Colman in any films she had appeared in. Some of the films are not very good, but she always brings the goods. This is no exception and these two are easily the standout of the film.

The Roses spends a lot more time building the relationship between Theo and Ivy than the War of the Roses did with Oliver and Barbara. We see the tensions building between them and how it poisons their love slowly, over years. At first it seemed as if it was going to be mostly Theo who caused the rift, but the film definitely came back around to balance out the fault.

The only problem with the slow build in the movie was the finale felt more rushed and may have lacked some overall oomph, especially when compared to The War of the Roses.

I did like the way the film ended though some may not appreciate the manner in which the movie closes.

I thought the film was dark (though nowhere as dark as the first one) and it did have some funny moments that sprung out of character and, in particular, dialogue. I thought this was well written and worked with the tone it had been setitng.

I was not as much of a fan with some of the side characters, especially Kate McKinnon’s Amy. This joke seemed to be pushed too far in the film and was not as funny as it was at the first mention. Andy Samberg was basically the Danny DeVito role, but did not get much to do. It was fun to see The Doctor from Doctor Who, Ncuti Gatwa on the screen as one of Ivy’s employees at the restaurant (the name of which is one of the best jokes of the early part of the film).

I did enjoy The Roses, mainly because of Cumberbatch and Colman. It is not as good as the original film from 1989, but it is complimentary to it.

4 stars

Sketch

I saw one of the biggest surprises of the year today when I went to the family-friendly comedy/adventure/fantasy film, Sketch. When I saw that the movie company Angel Studios was behind it, I had a sinking feeling that this would not be my cup of tea.

Was I wrong about that.

I absolutely loved this movie. It was thrilling, exciting, had tremendously deep characters and strong performances. It had humor as well as wonderful themes and concepts.

It was very creative too, which I love.

We meet young Amber (Bianca Belle) as she was drawing pictures that concerned her teachers. Bringing in her father Taylor (Tony Hale) for meetings, they showed him the bloody, violent art that Amber had been drawing.

Taylor’s wife, Ally (Allie McCulloch), had died recently, and Amber was dealing with her grief and loss through her art. Her father was not dealing with it at all, as he simple never talked about Ally and took all the pictures of her out of their house. This led to Amber being upset and Amber’s brother Jack (Kue Lawrence) over correcting in an attempt to fix things.

When Jack discovered a magical pond that seemed to be able to fix things, he decides to try something rash. Instead, Amber’s drawing wound up falling into the water which brings the monsters that she had drawn to life, terrorizing the town and her family. The chaos surrounding everything forced the different characters to face their grief in order to get together to stop the monsters.

This was so great. I thought both Bianca Belle and Kue Lawrence did an amazing job as brother/sister. I believed everything these two were going through and they did it in, at times, a very subtle way. When you toss in a third child actor playing the obnoxious Bowman Lynch (Kalon Cox), the three kids truly brought out some of the best scenes from each other. Kalon Cox was hilarious with his b-hole kid.

Tony Dale is always great and he brought a lot to this role. He was worried about his kids, but he also had to deal with the grief of losing his wife and the knowledge that his own repressive actions led directly to the chaos that was going on.

The monsters were really cool looking and the way they would be stopped was such a fun way, with colors everywhere.

There are moments of true horror as well, including some jump scares tossed in for the heck of it. The tension would build through the whole film and you were never quite sure if or how Amber was going to deal with her own feelings. I loved Jack and his efforts to help his sister as a way to deal with his own loss.

The writing of this is tremendous as the kids are allowed to deal with their deep seeded emotions while still trying to deal with each other and with the dangers of the world around them. The emotion is not restricted to the adult characters here as Amber and Jack handle some strong feelings.

I did not know what to expect when I went to this as a way to kill time between Nobody 2 and the RiffTrax Live: Time Cop that I was going to. Where I expected just to pass time, I was thoroughly engaged and entertained by this fun, emotional, colorful, well-acted jewel of a film. I think it is one of my favorite movies of the year and that was quite the surprise.

5 stars

The Friend

June 21

The second film of the June Swoon today was one I rented off Fandango at Home and I rented it because they had Bill Murray on the cover and had a decent Rotten Tomatoes score. We are under ten days now left in the June Swoon and the 2025 movies have been tough to find to watch.

According to IMDB, “Novelist and creative writing teacher Iris (Naomi Watts) finds her comfortable, solitary New York life thrown into disarray after her closest friend and mentor (Bill Murray) commits suicide and bequeaths his beloved Great Dane to her. The regal yet intractable beast, named Apollo, immediately creates problems for Iris, from furniture destruction to eviction notices, as well as more existential ones, his looming presence constantly reminding her of her friend’s choice to take his own life. Yet as Iris finds herself unexpectedly bonding to the animal, she begins to come to terms with her past, her lost friend, and her own creative inner life.

I had no idea what this movie was about. I did not know that this was going to be a story about a girl and her dog. I’ve never been a big fan of dog movies that try to tug on the heartstrings. However, this added more to the story than just the dog. The story of Walter (Bill Murray) having committed suicide and how that affected the people around him was very interesting for me.

Naomi Watts is always great. There could have been more Bill Murray for my tastes, but I understand why that is the case with the story.

I am not a dog person, but this was a nice film. I liked the balance between the guilt and sadness of one aspect of the story and the bonding between a very charismatic dog and a human.

3 stars

The Surrender

June 20

So I did a second Shudder movie this morning for the June Swoon. It seemed like a good double feature with In a Violent Nature, and the fact that I am going to 28 Years Later this afternoon. The Surrender fit nicely into the schedule.

According to IMDB, “When the family patriarch dies, a grieving mother and daughter risk their lives to perform a brutal resurrection ritual and bring him back from the dead.

Colby Minifie (who plays Ashley on The Boys) starred as Megan, whose mother Barbara (Kate Burton) was helping her ailing husband Robert (Vaughn Armstrong). Robert was stricken with cancer and was in terrible shape, in pain and agony.

Colby Minifie and Kate Burton did a tremendous job together in this film, which was, at times, very difficult to watch. Their performances stood out among the best parts of the film.

In fact, I would say the first two acts of this movie were excellent. There was deep issues between the mother and daughter and the grief over what was happening to Robert, as well as his ultimate fate, were creating high levels of stress and anxiety.

However, the third act of this movie really went off the rails. The first two acts dealt with the difficulty of caring for a loved one who was desperately sick and dying and another act handled the relationship between the family members. However, it is when the supernatural things start to happen that the film ceases to work. The character development that was alive in the first two acts of the film really take a back seat to the body horror or scary circumstances that are nowhere near as intense.

With the arrival of The Man (Neil Sandilands), the film still is working because of the uncertainty and the mysterious nature of everything that he is doing with the grieving wife and daughter. After that, things just get weird and there are no explanations for what happened or why things went as they did.

This started strong but ended with a very disappointing result. I still was impressed with Colby Minifie and Kate Burton and their work in their roles. I just wish they would have been given something better to wrap the story up with.

2.6 stars

Rust

June 17

The second June Swoon film of the day is one that had quite a tragic lead up until release. There was an accidental shooting with a gun with blanks that led to the death of the cinematographer of the film that caused a ton of negative press and a controversy in the political world. After charges were dropped against star Alec Baldwin, the decision was made to finish the film for release.

According to IMDB, “An orphaned boy of 13 left to fend for himself and his younger brother in 1880s Wyoming is sentenced to hang for the accidental killing of a local rancher. His estranged grandfather breaks him out of jail and they go on the run to Mexico.”

Ignoring the backstage drama and tragedy that engulfed the movie prior to its release, I thought Rust was a pretty decent Western. Starring Alec Baldwin as Harlan Rust and Patrick Scott McDermott as Harlan’s grandson Lucas, Rust was beautifully shot and featured some solid performances from the cast.

Alec Baldwin and Patrick Scott McDermott had a nice pairing, working very well with one another. The strength of the grandfather/grandson relationship was at the heart of this film. Harlan was a notorious criminal and killer across the Western parts of the United States during the 1880s. He arrived to save Lucas from being hanged for the accidental shooting of a man.

Lucas did not know who Harlan was and their slow development of their relationship was well done and well acted. Throw in the constant pressures and dangers of being pursued by bounty hunters and the law and Harlan and Lucas had to face plenty of obstacles.

In the genre of the Western, Rust is not going to provide anything new and special, but had everything that a Western should have.

The imagery of the Old West looked spectacular in the film and the landscapes of the time were portrayed beautifully by the filmmakers.

Over all I thought this was a decent film. It took some time to set up and would be considered a slow burn, but I was never bored and I did enjoy the central relationship at Rust’s core.

3.85 stars

My Dead Friend Zoe

June 11

The film for today on the June Swoon is film I saw on Fandango called My Dead Friend Zoe. It was a film that I had never heard of before, but the timing fit for today so I gave it a chance.

The film deals with grief, loss, PTSD and the military as well as the challenges of a family dynamic between people who struggle to relate.

According to IMDB, “MY DEAD FRIEND ZOE is a dark comedy drama that follows the journey of Merit (Sonequa Martin-Green), a U.S. Army Afghanistan veteran who is at odds with her family thanks to the presence of Zoe (Natalie Morales), her dead best friend from the Army. Despite the persistence of her VA group counselor (Morgan Freeman), the tough love of her mother (Gloria Reuben) and the levity of an unexpected love interest, Merit’s cozy-dysfunctional friendship with Zoe keeps the duo insulated from the world. That is until Merit’s estranged grandfather (Ed Harris) — holed up at the family’s ancestral lake house — begins to lose his way and needs the one thing he refuses… help. At its core, this is a buddy film about a complicated friendship, a divided family, and the complex ways in which we process grief.

This is a very deep character study about life after loss and how individuals need help getting through the pain of life and loss. There is a bit of a twist at the end of the movie that recontextualizes the idea of the story, but the fact is that it is still dealing with the loss of an important person in your life.

There are strong performances in the film, especially that of Sonequa Martin-Green and Ed Harris. Two veterans, both with their own pain from loss, trying to get through their lives. Morgan Freeman is always a great addition to a cast, even if he may not have as much to do in this one.

My Dead Friend Zoe may be a touch long, but the character study of Merit, in particular, is full of important little steps and that is a realistic tale. This was based on a true story and it was a very powerful film that lets you think about other people in a different light.

Screamboat

June 4

When I saw this for rent on Vudu, I expected it to be another film in the same vein as Winnie the Pooh: Blood and Honey. It had two movies and both were in the top 5 worst movies of their respective years. Taking the Steamboat Willie cartoon from public domain felt like the same kind of sad and pathetic attempt.

Make no mistake, this is a terrible movie….

But…

I don’t know… I guess I came in with the expectations of Winnie the Pooh: Blood and Honey, but Screamboat was better than that. It’s not good. Just better than Blood and Honey.

According to IMDB, “A seemingly routine late-night ferry ride in New York City descends into chaos when an ordinary mouse undergoes a terrifying transformation. This mutated creature unleashes a reign of terror upon the unsuspecting passengers, forcing them to fight for their survival. As the body count rises, the remaining survivors must band together to find a way to escape the deadly vessel and confront the monstrous threat

The piece that felt better than Blood and Honey was this had a satiric side to it. The Steamboat Willie character itself had some funny parts. He would whistle just before killing his victim, much like Mickey would in the original Steamboat Willie animated movie. I kind of liked the backstory of Steamboat Willie, involving the man known as Walt. Some of the kills were sufficiently gross. There were a couple of characters that I wanted to survive the trip on the ferry.

What was bad about the film? Oh, let’s see… the acting, the dialogue was horrendous. Most of these characters were one-dimensional and there were these “bad girls” that I really wanted to get killed by the mouse. I was cheering for Willie when they did. The characters did some really stupid things and made some really stupid choices. Plenty of the choices made no sense. Of course, stupid characters are not uncommon for some horror films, especially the slasher ones. A couple of the deaths of our main characters felt underwhelming.

If I am being honest, there are some funny moments in the movie and they actually felt like they were intended it to be funny. There was one line of dialogue that made me laugh out loud. One character fired a flare gun at Willie and said “Say cheese, mother f@#$%.” I thought that was exceptionally funny.

This is nowhere as bad as either of the two Winnie the Pooh: Blood and Honey movies and if you want a stupid movie to watch that has some dumb laughs and a murderous version of Mickey Mouse, you could do worse than this movie. Just know what kind of movie this is and do not expect much, and you might even have a passable time.

2.1 stars

Into the Deep

June 2

I have been a fan of shark movies. Sadly, most of them are terrible. There are some exceptions. So when I spotted Into the Deep on Disney +, I thought this would be a good option for the June Swoon 4: Two A Day.

It gave me hope when I saw that Richard Dreyfuss was among the cast of this movie. Dreyfuss starred in the greatest shark movie of all time (heck, one of the greatest movies of all time) Jaws. How could we go wrong?

We could go wrong in so many ways.

Into the Deep was horrible. Just a waste of an hour and a half. After the first five minutes, I had an idea of what kind of movie this was going to be.

According to IMDB, “Pirates on the hunt for sunken drugs kidnap a boat of tourists and force them to dive into shark infested waters to retrieve the contraband.”

That sounds exciting. That was not the basis behind this story. I mean, it was there, but the execution of that storyline was so inept that it was laughable.

The acting was just bad. The dialogue was unnatural. It made no sense. The story was so coincidental and haphazard that it could not be believed. None of the characters felt like real people.

The shark attacks looked ridiculous. It looked like a shark just shaking a hunk of bloody meat. The images of the sharks in the water were impressive as they just swam around. Other than that, there just was not much of anything.

The overall production of the movie felt cheap. The sound was terrible. With the exception of the beauty of the water shots, there was not much to make this stand out among shark films, let alone other movies.

There are so many better movies on Disney +. Take your time and watch those. This was terrible in every way.

1 star

O’Dessa

Haven’t had a rock opera in awhile.

Well, there is one on Hulu right now starring Stranger Things star Sadie Sink. It is called O’Dessa and it is something. I feel as if I should sit with this one awhile.

Sadie Sink played the titular character O’Dessa Galloway, a young farm girl who takes her father’s guitar and set off to become a rambler, a traveling musician, like her father. Along the way, she met Euri Dervish (Kelvin Harrison Jr) and she fell in love with him. O’Dessa must overcome series of obstacles in the way of their love to play one song for the world.

There are things that this movie does extremely well and things that it does poorly. It is definitely a mixed bag for me. Starting with the positives, Sadie Sink is absolutely the star of this movie and she showed that she has a bright career after her days in Hawkins, Indiana come to a close. She has amazing charisma and displays a lot of talent, elevating the movie above what the script gives her.

That script is one of the weaknesses of the film as there is not much there below the surface area of plot and character development.

As I mentioned in my recent review of Disney’s Snow White remake, the music in O’Dessa is entertaining and, in the moment, I enjoyed it, but I am not sure that I will remember any of the songs and it did not inspire me to go buy it on Apple Music. So that is a push. I enjoyed listening to the music during the film, but it does not occupy a place in my head as great musicals would.

The post-apocalyptic world is an interesting mishmash of styles and imagery. Some areas felt like the world of “Fallout” while others feature technology and neon energy such as Blade Runner. It felt as if there should have been one or the other.

Regina Hall and Murray Bartlett appear as a couple of villainous characters that do not have much more than the villainy that they commit. Both are outstanding actors that bring more to their roles than what was on the page. The ending segment with Sadie Sink and Murray Bartlett was engaging and thrilling even if there was not a ton of depth to the characters. I truly believe that this is because of the skill of these actors.

Overall, I would give O’Dessa a slight positive as the best parts outweighed the weaknesses and the music is passable enough for an under two hour film. I do not think this will be a cult favorite though which is what it should have strived for.

3.1 stars

The Monkey

Horror/comedy movies can be difficult to do. At some times, the tones between the two genres do not mix well and may feel all over the place. However, when they work, you get some highly entertaining moments, and that is what I feel the latest film from writer/director Osgood Perkins (director of Longlegs) accomplished.

The story tells of a winder-up, toy grinder monkey that wound up in the closet of the father of twins Hal and Bill (both played by Christian Convery). It does not take long for the twins to realize that when the monkey’s key in its back is wound, someone near them dies in a shocking and quite gruesome way.

After a close tragedy, the twins decided to drop the monkey down a well to get rid of it forever. Little did they know that this would not be the end of the monkey.

Many years later, the monkey returned to the lives of the now estranged brothers and continued to amass chaos in it wake.

I enjoyed this movie a great deal. I heard some critics claim that the tone was too scattered, but I found the tone to work extremely well. It felt somewhat campy, but I thought that worked for the film.

The design of the monkey was creepy, in particular with the smile that would cross its face just before it started drumming. I thought the creepiness factor was just the right amount to keep this unsettling. I would not call the film scary, necessarily, but the kills of the film absolutely turned in some gory moments. Gore is usually not my favorite type of horror, but it felt like it worked so well with the humorous tone that the gore did not bother me.

Theo James, who played the adult versions of the twins, and Christian Convery did amazing jobs playing the two different characters. They played them with their own original styles that I was not sure they were actually the same actor or if it were just an actor that resembled each other really well.

It was also awesome to see Tatiana Maslany appear as the twins’ mother, Lois. She did not have a long role, but her scenes were very impactful and helped create a feel for this character. Elijah Wood had a brief cameo in the film in a role that really could have been expanded more.

The more ridiculous it became, the more I embraced the silliness and repelled at the kills. I really found this to work well together. Sure the story itself may not have been as deep as one might expect, but that worked within the context of the film too. Maybe I would have wanted a little more depth to the characters, specifically, why Hal and Billy were never close as children. I understand the anger directed as adults, but why did the twins never have the type of relationship one would expect?

Either way, I was entertained by The Monkey and I thought the performances were all really strong, the film was a hoot, and the kills would be appreciated by any horror aficionado. The Monkey was originally based on a short story by horror master Stephen King.

4.2 stars

An Inconvenient Truth (2006)

January 4th

One of the most well known documentaries of the past 25 years is on the agenda for the Genre-ary DailyView today: the Oscar-winning doc An Inconvenient Truth featuring a presentation by former Vice-President Al Gore.

The term ‘Global Warming’ is no longer used because the opposition forces have jumped on the semantics of the term, pointing to terribly low temperatures that have happened. The term these days is ‘climate change,’ which, as I said, is just semantics.

The science Al Gore presented in this doc is very compelling and hard to argue against. Contrarians might claim this is meant to be a political presentation, but it does not feel that way to me. Gore speaks about misconceptions during the film and how opponents try to build on doubt, and this feels more accurate.

Al Gore is undeniably an engaging speaker on this topic. He has always been presented as being stoic and stuffy, and, while one can see some of that in this doc, he showed himself knowledgeable and effective in providing info on this topic in compelling ways.

I thought the moments where they connected parts of Gore’s life, whether that be his presidential run, his sister’s death to lung cancer or the near death of his son, were very strong parts of the film that were then tied neatly back into the film’s overall narrative.

As a movie, this is a thoroughly entertaining work, but its relevance in the world today is undeniable unless there are motivating circumstances that prevent you from accepting the dangers that climate change can bring. Gore quotes Upton Sinclair in the film who said, “It is difficult to get a man to understand something when his salary depends on his not understanding it.”

I am happy to have finally watched this two-time Oscar winning film (it also won for Best Song) and I wish people would stop looking at this through the spyglass of politics.

2024 Year in Review: Best Documentary

I do enjoy a good documentary. I am going to have a list of top ten documentaries for the year. Nine of them are movie format and one is a weekly series. There were a lot of weekly series that intrigued me, but it is harder to fit those into the schedule than straight movies.

I am also going to officially announce here that in January, for the annual Genre-ary DailyView, where I watch a movie that I have not seen in a certain genre every day for the whole month. This is the third year for the Genre-ary (we have had sci-fi and musicals) and in 2025, the topic for Genre-ary is Documentaries. This starts on Wednesday, January 1st.

Best Documentary

Previous Winners:  Won’t You Be My Neighbor?, My Scientology Movie, Tickled, Finding Neverland, Tiger King, The Beatles: Get Back, Lights & Magic, Still: A Michael J. Fox Movie

Here are the top 10 docs of 2024.

#10. Elton John: Never Too Late. A look at Elton John’s life and his music. Found on Disney +.

#9. Blink. An emotional story of a family who had 3 out of 4 of their children who had a genetic disorder that would eventual lead them to lose their sight. Their family went on a trip across the planet to give the kids experiences they could always remember.

#8. Brats. I saw this on Hulu this year and it was all about the group of young actors from the 1980s called the Brat Pack and how that nomenclature affected their careers.

#7. Music by John Williams. Another Disney + doc on a famous figure, looking at the life of the iconic composer John Williams and all his amazing movie music.

#6. Bray Wyatt: Becoming Immortal. The WWE documentary on Bray Wyatt, who just passed away. The emotional doc spoke to his friends and his family, including brother Bo Dallas.

#5. Beatles ’64. Another Disney + doc, this time looking at the Beatles from 1964, the year they arrived in the United States.

#4. The Greatest Night in Pop. A Netflix doc that details the events of the night where the song “We Are the World” was recorded. Amazing footage from the actual night.

#3. The Jinx: Part Two. The one series on this list, and one that I considered to make the winner. I enjoyed this weekly series on MAX that followed the rest of the story of killer Robert Durst.

#2. Jim Henson Idea Man. This is the fifth doc from Disney + on this list. Ron Howard directed this documentary on the Muppet creator Jim Henson. Very emotional and a great look on one of the most creative men in entertainment.

#1. Super/Man: The Christopher Reeve Story. The doc on Christopher Reeve is powerful, emotional, and shows us what a hero Chris Reeve was, before and after he played Superman.

The Best Christmas Pageant Ever

It was a strange path to arrive at me watching this movie. After seeing trailers, I had zero interest in going to see this Christmas movie. It looked very much like a Lifetime special and Christmas is down my list of holidays. I had pretty much decided I would not go to this.

Then I started doing the Year in Review and I realized that the only Christmas film that I had seen this year was Red One, and that was, at best, okay. It felt wrong to give it the X-Mas Movie of the Year Award so I watched an animated movie called This Christmas on Netflix. Sadly, it was just around okay too. I then looked at the Rotten Tomatoes score for The Best Christmas Pageant Ever and it was at 91% critics and 97% audience. This made me wonder if I should take this basically open weekend and go see it. It was only an hour and a half. How could that be painful? So even with a doubt in my head, I went to Cinemark this morning for a 9:15 AM showing.

This was really a good movie. I liked this way more than I ever expected.

Historically, I have not been a fan of the faith-based movies, but that is not what this is. This is a movie featuring characters who are being reminded about what Christmas means to them, and how important the Christmas story can be for them. It was about characters. And it was really well done.

Based on a popular novel, we are introduced to The Herdmans, a family of six children who were the biggest troublemakers in the town of Emmanuel. They were feared by children and adults alike.

At this time, the director of the local pageant broke both of her legs, making her unable to continue to do her duties. Grace (Judy Greer) volunteered to take over the job. Unbeknownst to her, the Herdmans decided to come and join the church’s pageant (to get the snacks they were told would come with it). The Herdmans, led by the scary Imogene (Beatrice Schneider), forced their way into the main roles of the pageant, which just happened to be the 75th Annual event.

This was well written, solidly acted and had some genuine funny moments. You can’t but help to like the antics of the Holdman kids, and you can see the diamonds in the rough beneath their surface, especially Imogene. Young Beatrice Schneider does a fantastic job in the role, bringing a humanity to this character that is gruff and unappealing on the surface.

I will admit to getting kind of emotional during the film. I was amazingly impressed with the kindness and unbelievable patience shown by Grace, who could have easily bowed to city pressure and dumped the Holdmans from the play. As a teacher, I was inspired by the way she reacted to these troublesome children and watching the Holdmans respond to the play and trying to answer the questions they naturally had (by a trip to the library) was awesome to me.

You kind of knew what the film’s resolution was going to be, but it was well constructed and still managed to tug on those heartstrings. This was one of those times where predictability was not a negative.

As a Christmas movie, this is much better than much of the sentimental slop that is out there and it gives us a chance to really question if we know the true meaning of Christmas.

4 stars

Piranha (1978)

The October 8 of 13

Piranha, a movie directed by Joe Dante, was a film that I never had any interest in seeing. Those type of B-movies were never in my taste. However, for the October 13, I decided to watch the original Piranha on Prime to see if it was more enjoyable than I thought.

It was pretty much what I expected.

According to IMDB, “An insurance investigator and her local guide search the Lost River Lake area to find too missing teenagers. When stumbling on an abandoned military facility, they release by accident in the river some flesh-eating piranhas that were bred to use in the Vietnam war. The piranhas are heading straight to a nearby summer resort’s lake and its guests.

A Jaws rip-off, Piranha is a low-budget film that had some terrible special effects and the story about as simple as you could get. The acting was not very good either, especially with the secondary characters. The dialogue was atrocious for most of the film.

I have seen reviews of Piranha saying that it is a parody of Jaws or that the film was tongue-in-cheek humor. I didn’t think much of any of this film was funny, and the time when the film tried to add humor, it fell flat.

I can see why this may have become a cult classic, because there is so much awful about this that you can look at it an laugh… not with it but at it.

This would be a perfect film for Rifftrax Live as there is so much comedy to mine around what is on this screen. It was actually worse than I had thought and proved that I was right for avoiding it all these years.