Dirty Rotten Scoundrels (1988)

January 27

I had thought that I had seen Dirty Rotten Scoundrels before, but I do not think I have. Certainly not all the way through to the end though I have seen clips of it. I always believed that I was not a fan and that it was not something that I would find funny. I guess this is a lesson to make sure that you have watched something before judging it, because I thought Dirty Rotten Scoundrels was fantastic.

According to IMDB, “Two con men try to settle their rivalry by betting on who can swindle a young American heiress out of fifty thousand dollars first.

The Dirty Rotten Scoundrels were Michael Caine and Steve Martin and they were absolutely perfect together. The chemistry between the two con men carried the film. Glenn Headly added a nice touch of apparent innocence to the group with her portrayal of Janet Colgate.

I was rooting for Steve Martin in the beginning of the movie, but Michael Caine became someone better than you would expect. It was a fun ending which fit perfectly in with the story.

It had great comedy and showed the quick-wits of both characters. The rivalry between them was so believable, even if some of the things that they pulled off was out there.

This is a remake of the 1964 movie Bedtime story. This new version was directed by Frank Oz, who was well known as a Muppet performer (he did Miss Piggy and Fozzie Bear), the voice of Yoda, as well as director of other classic comedy hits such as Little Shop of Horrors, Bowfinger, and What About Bob?

I was sure that I had seen this before, but I had not seen the full film. It was very entertaining and full of Martin and Caine’s comedy chops and timing. I was very pleased to include this one in the Genre-ary for 2026.

The Beauty S1 E1, E2, E3

Spoilers

“Beautiful Pilot”

“Beautiful Jordan”

“Beautiful Christopher Cross”

Ignition Press released a comic a few months ago called The Beauty, written by Jeremy Haun. I was unaware that there was a series before this one from Image Comics. I am enjoying the book from Ignition Press so I was intrigued when I heard that Ryan Murphy was adapting it to a FX series. The first three episodes dropped this past week and there will be a weekly drop on Wednesdays after that.

There is a virus that is transmitted sexually. When you get the virus, you become beautiful (in a horribly painful and gross way). Admittedly, there are some people who just explode in a big bloody mess. Not sure the difference at this point.

Evan Peters stars in the show as Cooper Madsen. The show also featured Rebecca Hall, Anthony Ramos, Ashton Kutcher, and Jeremy Pope.

FBI Agents Cooper and Jordan were investigating the mysterious deaths of several super models, including one that went crazy, killing a bunch of people before she exploded in a bloody splash. Meanwhile, out-of-shape and pathetic young man named Jeremy went to a plastic surgeon with the hope to make himself more attractive. The plastic surgeon worked on him, and it seemed to be successful. Jeremy went to a club where a group of women gave him some attention. However, they were just scamming him for free drinks.

Jeremy, in a rage, went to the surgeon’s office with a gun, killed several staff members, and threatened the doctor. The doctor, however, had another suggestion and hooked him up with a mysterious woman. Jeremy and the woman had sex and Jeremy wound up transforming into a more handsome, in shape person.

This series has a lot of body horror in it, and that is not one one of my favorite types of horror, but I am interested in the series so I will certainly be giving it a chance. I have been disappointed with Ryan Murphy lately (hated American Horror Story: Delicate and Grotesquerie). I did love early AHS and American Crime Story, so he has a hit-or-miss run for me. We’ll see how this goes.

Sunday Morning Sidewalk #53

Spoilers

Death By Lightning

“Destiny of the Republic”

I have been simultaneously looking forward to and dreading the fourth and final episode of the Netflix mini-series, Death by Lightning. Looking forward to because I have been thoroughly enthralled by this historical drama about James Garfield and dreading it because I have grown to admire and love the character of James Garfield and I knew what his fate held.

The Sunday Morning Sidewalk came this morning and I watched the final episode.

It was so powerful.

It made me wish for a man like James Garfield who could step up and face the corruption of the current political setting. What I wouldn’t give for an honest man, one who did not play the games, like James Garfield. Seeing how his presence and kindness transformed Chester A. Arthur was amazing.

But, it was not just James Garfield who changed Arthur. He had help from a force of nature that we got to witness in this episode: Crete Garfield. The First Lady spent the episode bringing forth the vengeance.

Betty Gilpin got her moments in this episode and she was tremendous.

There were no shortage of villains in this episode. Starting off with Charles Guiteau, who wound up shooting the president in the back. The joy he showed at his actions, despite how demented he was, was obscene. I took a lot of satisfaction in the confrontation with Crete and Guiteau’s eventual hanging. The moment just before he is hanged where he finally realized what was going to happen was best. I also found a strange satisfaction in seeing his brain removed from his dead body for research at the end.

Another villain in the episode was Roscoe Conkling. He was horrendous in his response to the shooting of Garfield. His machinations being turned back on him was great, and seeing how Chester Arthur finally stood up to him.

Then, there was Doctor Bliss. The bullet was not what eventually killed Garfield. He was killed by infection brought on because Bliss did not sterilize his instruments when he was probing for the bullet. The arrogance of this doctor came through clearly in this episode.

This was one of the most compelling four episode mini series I have seen in a long time. Great performances and amazing true stories highlighted the show. I did not expect to love this as much as I did. If you have time, binge this series on Netflix. You will not be disappointed.

Next week, the Sunday Morning Sidewalk switches to another Netflix mini-series: three episodes of a show called Agatha Christie’s Seven Dials. I can only hope that it is as excellent as Death By Lightning.

Mercy

A new “Screen Life” film is out this weekend featuring Chris Pratt and Rebecca Ferguson, directed by Timur Bekmambetov, who was a producer on last year’s classic War of the Worlds. That should have been the first hint.

However, to be fair, this is better than War of the Worlds because, of course, it had to be, right?

I actually liked the premise of this film. It was a lesser version of Minority Report (much lesser), but there were some ideas here that were going to work.

Chris Pratt was fine as the lead actor, playing Chris Raven, the police officer who was on trial for his wife’s murder. All of the videos and internet stuff made him look real guilty.

Thing is.. the near future world this movie was set in had done something new. It placed AI in charge of the justice system, setting the AI up as judge, jury and executioner. It gave the accused 90 minutes in which to prove his/her innocence or else they would be executed. So the whole trial was on a counting clock, which created some tension in the tale.

The AI judge was Judge Maddox, played by Rebecca Ferguson, and I feel like I missed out on something here. Was she supposed to be all AI or was she meant to be somehow human, because the AI judge kept being influenced by Raven and gave some seemingly emotional responses, which seemed to go against the whole set up. This was one of my biggest problems with the movie as I just did not understand what the AI judge was meant to be.

I also picked out the killer immediately. I do not think it was a huge pull for me as it was painfully apparent and predictable.

I thought the beginning of the film wasn’t bad, but the last act or so was aggressively dumber than it should have been. Things happened that made zero sense and played against what the film had spent time setting up.

There was a drone scene too, but at least they did not have to go to Amazon Prime to order it before they use it.

2.6 stars

Bamboozled (2000)

January 19

In honor of Martin Luthor King Day, I scheduled Spike Lee’s film Bamboozled for the Genre-ary. It was quite the satire.

According to IMDB, “A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.

The idea of this movie was used recently in the film American Fiction starring Jeffrey Wright. The thing is that this was so much more satirical than I ever expected.

Damon Wayans played Pierre Delacroix, a highly educated and uptight TV writer whose pitches were being rejected by his boss, Thomas Dunwitty (Michael Rapaport). Delacroix decided to provide a protest by presenting a minstrel variety show embracing all of the negative stereotypes associated with blacks. He intended on the show being rejected and leading to his own firing to escape the contract that he signed.

The problem was that the show became a huge hit by the public and the critics. Delacroix became enthralled by the success, losing himself in the racism.

There are so many shocking moments throughout Bamboozled that it is a difficult movie to watch. It is a powerful dismissal of the manner of television and its portrayal of African-Americans over the years. Admittedly, Bamboozled is not subtle in its satire, which may make it too cartoonish at times.

The ending was extremely tough to watch as everything came to a head. The idea that this movie had times that were difficult to watch was clearly done on purpose. It was meant to shake up the idea of racial stereotypes and racism inside the entertainment industry as well as throughout history, and Spike Lee definitely reached that level.

This is one of those movies that I enjoyed, but will probably never want to watch again. I do think it is a worthwhile show and some of the big ideas are necessary to today’s world.

Polite Society (2023)

January 15

Polite Society has been on my queue over on Peacock since the 2024 June Swoon. I had just never gotten around to watching it. It was not that appealing for me.

However, when I came across it on my queue a few days ago and it listed it as a comedy, I thought this would be the perfect chance to put this one to bed. The Rotten Tomatoes score was strong and I thought I would finally give it a chance.

According to IMDB, “Ria Khan believes she must save her older sister Lena from her impending marriage. After enlisting her friends’ help, she attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.

I had a hard time getting into the movie at first. It did not grab my attention to really intrigue me. However, I have to say that about halfway through the film, I started to get into it and was much more engaged.

I do think the wilder the plot became for the film, the more interested I was.

I enjoyed the performance of Priya Kansara as Ria, the sister whose behavior did seem out of control. She was very funny, even if she was hard to like at first. She seemed so over the top that it made her a bit abrasive. However, once the shoe dropped, things took off.

I loved the performance of Nimra Bucha, who played Raheela. She became a devastating villain and an amazing foil for Ria. Bucha, who also appeared in Marvel Studio’s Disney + series, Ms. Marvel, showed exactly what she could have been on that show with her big time villain turn. She was sinister in the very best possible way. I would have loved to have seen this side on Ms. Marvel more. Even though the plot became exaggerated, she made it work with everything about her.

The film had a definite Bollywood feel to it, mixed with a martial arts film. It was very original and I wound up very much enjoying it, even after the slow start for me.

Superbad (2007)

January 13

When I scheduled Superbad for the comedy Genre-ary, I was really not looking forward to it. It has typically been the type of movie that I hate. I was pushing it off as long as I could.

And then…

I really liked this.

I’m as surprised as anyone.

According to IMDB, “Two co-dependent high school seniors are forced to deal with separation anxiety after their plan to stage a booze-soaked party goes awry.”

I found this surprisingly entertaining, with some excellent writing and witty dialogue. The lines were sharp and hilarious and the situations were over the top, and yet not so much that you roll your eyes.

Jonah Hill, who I have never been a big fan of, was really great as Seth, and he was actually quite deep in this loud and obnoxious character. Historically, this is the type of loud character that irritates me, but, for some reason, this was much better than other films with the same type of character. Hill had great chemistry with Michael Cera, who played Evan. His balance against Hill’s loudness worked well.

The film was also debuts of both Emma Stone and Christopher Mintz-Plasse. Both actors had solid characters and I do think Mintz-Plasse’s run as McLovin was easily the best running joke of the film.

I do think it was too long. I would have liked to have seen about 10-15 minutes trimmed from the film as the middle dragged on a bit. However, the ending of the film was truly charming and hinted at more than just surface story.

The most over-the-top aspect of the film was the police officers, played by Bill Hader and Seth Rogen. I liked them, but there may have been too much of them over the course of the film. Some of these scenes would be the ones I would trim, but they had a wonderful scene near the end of the film with Mintz-Plasse, as that relationship had been built up during the middle.

This is the style of movie that I usually hate. Crude. Drug and alcohol jokes. Sex jokes. It just goes to show you that a film that is intelligently written, with strong characterization and plot that is legitimately funny even without the crude parts, can still be entertaining and well done. With quality, any style can be fun.

To Be or Not to Be (1942)

January 12

It was 1942 when this movie came out and it was a brutal satire of Adolf Hitler and the Nazis in an extremely funny, dark comedy, To Be or Not to Be.

According to IMDB, “During the German occupation of Poland, an acting troupe becomes embroiled in a Polish soldier’s efforts to track down a German spy.

I was surprised to see the opening credits include Jack Benny, who I knew of as a comedic performer from his radio and television show. I did not know that he was also an actor starring in movies. Benny was truly excellent in this film, and he played against Carole Lombard. The pair worked well together, having a wonderful charm and surprisingly solid chemistry. Their comedic timing was spot on and the dialogue of the film was remarkably clever and entertaining.

It is sad to note that this was the final film in the career of Carole Lombard as she was killed in a plane crash one month after the release of the film.

The film, having been released in the middle of World War II, took its shots at the Nazis and the Gestapo, as well as Hitler himself. It was very funny when the head of the Gestapo kept yelling for Schultz, as it brought me memories of Hogan’s Heroes.

It was very funny as well with all of the “Heil Hitlers” going on when everyone would meet. Such ridiculous fun I had to join in.

It did have several moments where it felt like the movie was going to abandon the comedy and turn into a more action centered film, but it never completely gave up the witticisms. Every moment Jack Benny was on screen, the film was hilarious.

Robert Stack was great as Lt. Stanislav Sobinski, which kicked off the entire story. Other actors in the film included Felix Bressart, Lionel Atwell, Sig Ruman, Stanley Ridges, Tom Dugan, Henry Victor, and Charles Halton.

This is an amazing movie, especially when considering when it was made, and I enjoyed it very much. I watched it on HBO Max.

Agents of Shield S1 E18, E19, E20, E21, E22

Spoilers

“Providence”

“The Only Light in the Darkness”

“Nothing Personal”

“Ragtag”

“Beginning of the End”

Season one of Agents of Shield was wrapped up tonight as the storyline with Hydra and Shield came to a conclusion.

The truth behind Ward being part of Hydra came to light and he teamed up with Garrett, Raina and Deathlok to try and recreate the GH-325 that was used in TAHITI.

Lots of cool stuff in these episodes:

  • A sort of Absorbing Man came into play as we meet the cellist that was connected to Coulson.
  • Melinda may returned after leaving the team
  • We got to catch up with Maria Hill.
  • We met Eric Koenig, played by Patton Oswalt, an agent of Shield in Fury’s secret hidden base.
  • Eric was murdered by Ward. Ward was trying to get Skye to decrypt the file she fixed.
  • The show hinted at a storyline for season two, dealing with Skye’s past and the truth that she is an Inhuman.
  • It was revealed that Coulson left a message saying TAHITI “must be shut down because of horrific side effects the drugs had on test subjects, which could only be mitigated by erasing the victim’s memory of what happened.”
  • Raina made a sample of GH-325 and it ended up being given to Garrett, who was revealed as the first test subject in the Deathlok program.
  • Ward trapped Fitz and Simmons in a pod and ejected it into the ocean. They sank to the ocean floor.
  • Nick Fury makes an appearance and rescues Fitz and Simmons.
  • The magic drug started to cause Garrett to go mad.
  • We see where Garrett recruited and trained a young Ward, by leaving him alone in the woods for six months.
  • Skye and Ward had a big showdown at Cybertek.
  • Samuel L. Jackson’s Nick Fury has a cool cameo in the finale.
  • Fury made Coulson the new Director for a new, rebuilt Shield.
  • We see Billy Koenig at the end of the finale show up. He is also played by Patton Oswalt.

Greenland 2: Migration

I remember being unbelievably shocked with how much I enjoyed Greenland back in 2020. I think it even won the Year in Review Award for the Best Surprise (That is called the Gomer). I had not expectations that a Gerard Butler end-of-the-world film would be good at all, and I loved it.

Which meant that I had more expectations for the sequel, Greenland 2: Migration. While it was not a bad movie, the sequel was considerably lesser than the original and has several problems.

John Garrity (Gerard Butler) had gotten his family, wife Allison (Morena Baccarin) and son Nathan (Roman Griffin Davis), to the bunker in Greenland just before the comets struck the earth. This movie started by letting us know that the comets wiped out 75% of the human race and destroyed much of the planet. However, the bunker that they had been living in for the last five years was beginning to crumble and the survivors had to scatter to try an escape the dangers of the environment.

They had heard rumors that the impact crater of the original comet was a location where life had sprung forth and that it was where people could restart their lives. John and Allison decided to attempt to find their way to the crater, which was in France.

This was a much more common post-apocalyptic film than the original one was. As the family worked their way toward France, the surrounding were the typical backdrop you would see in The Walking Dead (without zombies) or The Last of us (without any creepy critters). The idea that humans would be the worst things about a post-apocalyptic world is once again at the center of the themes of Greenland 2.

I kept feeling bad during the film for Nathan as it seemed like there would be no young girls his age for him, but the film nicely took care of that.

There were some good moments in the film, though many of them felt too coincidental or forced. Everything kept happening to this family on their trip. Still, it could have been much worse. It is nowhere near as good as Greenland, but I did not hate watching it.

3 stars

Primate

Killer chimp. What more do you need?

Primate is a new horror film out in January where a family, who had a pet chimp, gets mauled by it after the chimp, named Ben, gets rabies.

That was about all the story of the film.

There are so many slasher movie tropes in this movie. A group of young people are trapped in an isolated house with their crazed chimp, and the chimp murdered many of them, in very gruesome and gory ways.

We had so many slasher movie tropes here including: cell phones not charged, stupid choices when faced with any decision, car issues with keys, a killer that can make its way around the house easily, the isolated house, and a group of characters that the audience would like to see killed off.

All this was in play in Primate.

The chimp looked pretty good. It was basically a practical effect and the kills were very gory that made sense. There was one involving an obnoxious boy in a bed that was specifically brutal.

Slasher movies always are tough for me because how stupid the characters always seem to be. That bothers me, but if you can get past that, the film was okay. It is certainly a simple film, but that is not a bad thing. It succeeds in what it sets out to be, without being anything deeper than that.

It does have a lot of tension in the execution of the chimp stalking and attacking its victims. There are a lot of white knuckle moments in the film which provides a great mood for the audience.

If you go to see Primate, go in expecting a tense film without anything resembling a plot or deep character depth. It has some fun, gory kills and a good looking chimp.

3 stars

The Other Guys (2010)

January 8

I did not have a review of this movie on EYG, but I know I saw the opening of The Other Guys with Samuel L. Jackson and The Rock. I did not remember anything else about this movie, so it is quite possible that as soon as Jackson and Johnson were done, I stopped watching.

I have never been a huge Will Farrell fan, but I have liked a few of the films he has been in and there has always had great word of mouth.

Sadly, there was just too much garbage in this film for me to enjoy it.

According to IMDB, “Two mismatched New York City detectives seize an opportunity to step up like the city’s top cops, whom they idolize, only things don’t quite go as planned.”

There were some funny bits, but there was so much ridiculousness in here that I just could not get into the story. I did not like either character that was the lead. Mark Wahlberg was nothing more than a yelling and screaming jerk who I had a lot of difficulty getting behind. Will Farrell’s cop was a little different at least, but he also found his moments to be cruel, specifically to his wife, played by Eva Mendes.

I do not know why when we have comedy movies about police detectives, the secondary partners are always gigantic assholes? I know that is about all Rob Riggle can play, as I swear every time I see him in a movie, he is playing the same character. His partner was Damon Wayans Jr. and he was at least not quite as obnoxious.

Why would Michael Keaton take the role as the police chief who is constantly coming down on our lead characters? I do not think you could get more cliche than that.

Why do so many people believe that comedy in this type of film substituted by stupidity in characters is the way to go?

I did enjoy the work of Steve Coogan, but there was nowhere near enough with him. I am also not 100% sure what his character was doing. It was very convoluted and messy.

I had hoped that this would be better than I thought it would be, but unfortunately, it was not. I should have turned it off again after Samuel L. Jackson and Dwayne Johnson were done. That was the highlight of the night.

Sherlock Jr. (1923)

January 7

Going back over 100 years for today’s Genre-ary film, I picked up a rental on Fandango at Home for Sherlock Jr., a classic black and white, silent film starring Buster Keaton.

When I was doing the DailyView, I watched some Buster Keaton films, but I found that I preferred the Charlie Chaplin ones. Both were similar in their silent, comedic slapstick manner, but I just found Chaplin more appealing, more charming overall. However, after watching Sherlock Jr., I may have to reassess my opinion.

Buster Keaton was gold in this movie, giving a magnificent performance in both physical comedy and remarkable stunt work.

According to IMDB, “A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend’s father’s pocket watch.”

Some of the things that this film accomplished in 1923 was simply astounding. Some of the stunts were superior to what I thought it could be done.

The dream sequence of the projectionist was sensational. The dream sequence where Keaton was the amazing detective Sherlock Jr. and it was funny, it had amazing choreography and slapstick comedy.

Of course when we say silent films, we mean that there is no one we can hear speaking. The is a constant musical score playing over the imagery of the movie. The soundtrack was composed by Timothy Block and his score was perfect for the speechless film. It was light-hearted when it needed to be, it was silly at times, and it was dramatic at the appropriate moment. The score truly helped to make this a classic film.

I thought Buster Keaton was special in this movie and the film was so much fun. I can see why it was selected for preservation in the United States National Film Registry by the Library of Congress in 1991.

Agents of Shield S1 E11, E12, E13, E14

Spoilers

“The Magical Place”

“Seeds”

“T.R.A.C.K.S.”

“T.A.H.I.T.I”

This block of four episodes went into deep details about Tahiti, a magical place… or at least, what it truly was.

The information Coulson was able to ascertain about the mysterious magical place showed him some of the horrors that he went through to bring him back from the dead. He learned that he was dead for several days, not several seconds as it had been told to him. We saw the horror-scape imagery of them working on Coulson’s brain, implanting memories to help him forget the time of his resurrection. That image was truly horrific.

We are introduced to John Garrett, played by the awesome Bill Paxton, whom will become a major issue later this season. Garrett was Ward’s former SO and he came to the Bus to take control of the prisoner, Ian Quinn. Coulson did not want to give him up because he had shot Skye twice, leaving her for dead.

The whole Skye gamut was rough as the team tried to find T.A.H.I.T.I. and hope to find a way to save a dying Skye.

Several tense moments. Several of these episodes, especially T.R.A.C.K.S., played with POV and would go back to different groups of the agents, showing what they saw during the same time frame. It was a clever episode that ended with Skye getting shot.

We learned that the drugs that were created to save Coulson (and eventually Skye) came from the dead body of a Kree, hooked up to a machine inside T.A.H.I.T.I.

I’m still finding more and more times where Ward’s actual Hydra roots came in conflict with what he did. I do not remember much about these episodes, but the questions about him actually being Hydra is absolutely not being hinted at yet.

The team is bonding all the more with every episode. Next episode will be the one to feature Lady Sif, as we saw Lorelei arrive in the post credit scene of episode 14.

Sunday Morning Sidewalk #50

Spoilers

Death By Lightning

“The Man from Ohio”

I originally chose “Death By Lightning, the mini series from Netflix, as the next show for the Sunday Morning Sidewalk because it had four episodes and I was not yet ready to commit to one of the longer shows on my list. After watching the first episode of the series, I made an excellent choice.

I was thoroughly compelled by the show. I knew little of James Garfield, outside that he was President of the United States. The way this show set up the amazing, true story was simply brilliant.

In sense, setting Garfield and his would be assassin Charles Guiteau in the same world was a remarkable feat of storytelling, which immediately reminded me of Alexander Hamilton and Aaron Burr from Hamilton.

There was something so hopeful about the way Garfield received the nomination from the Republican Party in 1880. In a world of political discourse that we exist in today, I can not ever see such a thing happen and, the fact that it had happened, was stunning.

The political in-fighting inside the convention was fascinating. Garfield, who did not look for the nomination, received the ground swell among the delegates. Watching it build through the convention brought me a level of aspiration for the process.

Meanwhile, Charles Guiteau was being introduced to us as a manipulator and, perhaps, a mentally ill individual. What his plans are moving forward after robbing his loving sister once again, is compelling.

Great acting in the show so far as Michael Shannon and Matthew Macfadyen lead this talented ensemble. There was also several other amazing actors in the cast including Nic Offerman, Bradley Whitford, Betty Gilpin, Shea Whigham, Alistair Petrie, Laura Marcus, and Paula Malcomson.

I am hooked after this first episode and I am excited to see the remaining three episodes of this mini series from Netflix.