Infinity Pool (2023)

June 27, 2023

I avoided this movie not only when it was in the theaters, but this month during the June Swoon 3. I had a feeling that this would not be a film that I would enjoy. Infinity Pool was a Brandon Cronenberg directed film. Brandon’s father is David Cronenberg, who was renown for his body horror films. I am not big on the body horror.

Despite my hesitancy, I gave Infinity Pool a chance on Hulu.

Boy, was I right.

I did not enjoy this movie at all.

According to IMDB, “While staying at an isolated island resort, James (Alexander Skarsgård) and Em (Cleopatra Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi (Mia Goth), they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror

I will start with the positive. Mia Goth is a star. She has been amazing in other films such as Pearl and X and she is just as frightening here. I look forward to seeing her career move on.

That was about it. I had no character in this movie that I could support or root for. They were all just horrific people. I think I was meant to cheer for Alexander Skarsgård’s character, but I found him unlikable in just about every way.

The bizarre sequences of the film were not enjoyable to watch for me and just did not engage me with the story.

It was unsatisfying and I was right to skip it last year. I wish I had skipped it this year too.

A Disturbance in the Force (2023)

June 24, 2024

A Long, Long Time Ago… in a Galaxy far away… Well, maybe not that far away.

Few fandoms are as currently as toxic as the Star Wars fandom. Not to put down the entire group of people for the divisiveness of some, but there is no denying that Star Wars fans lean towards hyperbole. One only needs to look at the discourse surrounding the new Disney + series, The Acolyte, to understand it.

However, the Star Wars universe had something once that is both beloved and reviled unlike anything else. It was something that George Lucas himself wanted to see banished from the canon of his creation. It was something that Star Wars fans desperately tried to see for decades… a badge of honor among those who truly called themselves Star Wars aficionados.

The Star Wars Holiday Special.

So today’s June Swoon focused in on a documentary from Jeremy Coon and Steve Kozak all about the creation of and response to on of the most infamous TV specials of all fandom.

Between the release of Star Wars and Empire Strikes back, the CBS network wanted a Star Wars special to broadcast over the holiday season and they turned it into a variety show, featuring Chewbacca’s family as well as Bea Arthur, Harvey Korman and Art Carney. It aired once and then disappeared, only to be seen by those who could find a bootleg copy.

This documentary included clips of all of the Star Wars performers, including Mark Hamill, Harrison Ford, and Carrie Fisher with their thoughts on the special. Harrison Ford’s responses are always the most entertaining as he is clearly hoping the special would disappear forever.

There were also interviews of a ton of famous people in the geek community giving their comments and thoughts on the special including such notable stars as Kevin Smith, “Weird Al” Yankovic, Bobcat Goldthwait, Seth Green, Paul Scheer, Donny Osmond, Gilbert Gottfried, and Patton Oswalt. There were a lot of interviews with people involved in the creation of the special including Bruce Vilanch, Mick Garris, Bob Mackie among others.

Though the doc certainly says that this special was bad, there was items included that show how some people, particular those who may have seen the special as a child, loved the show. Jon Favreau is an unapologetic fan of the special and they showed how he included Easter eggs from it in The Mandalorian. The clips from the animated section of the special was shown as the first place we saw Boba Fett.

The documentary was very funny and gave real opinions of people who were desperate at the time for content in the Star Wars community. One wonders what the fandom today would do if something like the Star Wars Holiday Special were to be released on Disney +. The review bombing that would happen would be generational.

All Star Wars fans should be looking for this documentary, which I rented on Amazon Prime. If you are interested in how something like this able to be created, you should check this out. It was highly entertaining and an easy watch.

The Exorcism

I wonder what the producers have on Russell Crowe? They must have something for him to appear in this train wreck.

Russell Crowe played Tony Miller, an actor with his share of personal problems, takes a job playing a priest in an exorcism/possession movie, and the role is bringing up all kinds of past troubles. Meanwhile, his estranged daughter Lee (Ryan Simpkins) is trying to get past her own problematic history with her dad.

David Hyde Pierce is here too, playing Father Conor, and being a huge distraction as he just looks too much like Niles Crane. Sam Worthington is in the movie, but he is totally underused, and Chloe Bailey is here too for some reason.

I found this to be trash. The first two-thirds of the film was dull and then the final act of the film was so off-the-track that had there been any goodwill generated previously, it would be spent completely. The story was ridiculous. The characters were wasted. The backstory of Tony was jumbled and not delivered in a manner in which it could be understood. Poor Niles was there looking for Frasier.

The acting was not very good. I mean, I believe that Russell Crowe was giving it his all, but I felt as if the director of the film in the film, played by Adam Goldberg, was constantly berating Tony’s performance and it made me question what Crowe was doing too.

There was a potential story that was here that could have been different and potentially fascinating, but this was not it. This was another terrible movie this year, which seems to be packing them up all over the place.

1.3 stars

Shortcomings (2023)

June 19, 2023

The directorial debut by Randall Park is today’s entry in the June Swoon 3. It is an unconventional rom-com called Shortcomings.

According to IMDB, “Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.”

This was an interesting film. Usually, I have problems when the protagonist is such an unlikable character, and Ben (Justin H. Min) is absolutely in that category. He is opinionated, mouthy, rude and arrogant. It seems like every scene he is in, all I want to do is yell at him to shut up. Yet, there was something about Ben that was appealing. Don’t get me wrong, I was cheering actively for him to understand what a jerk he was being, but I was also ready to support him learning from the events of the film and adjusting his behavior.

I have to say, I did like this conclusion to the movie. It felt real and played with all of the conventions of the rom-com.

The movie had some great laughs in in, although nothing that was going to be over the top hilarious. The situations are where the humor came from and they all worked very well. Probably the one moment that stood out was when actor Jacob Batalon joked about loving the Spider-Man movies, considering he played Ned in the MCU Spider-Man movies

Sherry Cola played Alice, Ben’s friend, and she was the standout performance for me in the movie. She had an Awkwafina type vibe about her and she was both funny and an excellent ‘straight-man’ character.

I found this to be very entertaining and a creative way to take the rom-com genre in a new way.

Flamin’ Hot (2023)

June 17, 2024

This is another Oscar nominated film from 2023 that I missed. Flamin’ Hot received an Oscar nomination for Best Song, which was quite an accomplishment for this biopic about Richard Montañez and the beginning of the Flamin’ Hot Cheetos.

I will address the controversy off the top. As I was researching the film, I discovered that a report from the LA Times indicated that Richard Montañez did not have any direct involvement in the creation of Flamin’ Hot Cheetos, and that the film was inaccurate. I won’t lie, when I first saw this, it did affect my thoughts on the film, but, the more I thought about it, the more I let that go. This is not a documentary. I know plenty of biopics that have exaggerated or downright made things up. So the accuracy or lack thereof of Flamin’ Hot, as a movie, will not go into my consideration of the film.

And, when it comes to my consideration of the movie, I loved it very much.

This was the first time directorial feature from director Eva Longoria, well known actor from Desperate Housewives among other shows. Longoria does a tremendous job of telling this story with a very distinct voice and a humorous touch.

Some of the scenes of Richard’s narration, which remind me of Luis (Michael Pena) from Ant Man, are very funny and show how the mind works in many ways.

Jesse Garcia played Richard Montañez and he has a natural charm in doing so. You can’t be help to root for him as an underdog, looking to escape the life of crime that threatened to ruin his life.

Two distinguished actors had supporting roles in Flamin’ Hot that gave the movie even more credibility. Bennis Haysbert played Clarence Baker (whose middle name is Charisma) as one of Montañez’s co-workers, and Tony Shalhoub, the star of Monk, appeared as Roger Enrico, the CEO of Frito Lays. Both actors are excellent as always and their roles do a great job of elevating the performance of Jesse Garcia.

The tone of this movie was very light and engaging, as Richard told the story of his life. The film’s focus was on the character of Richard Montañez, not specifically on the Cheetos.

This was an easy, enjoyable watch and worth the time. It is currently streaming on Hulu and Disney +.

Under Paris

There have not been a lot of shark movies. Obviously, there is Jaws. Jaws II was decent. The Shallows had it moments. The Sharknado series can give some stupid fun. And then there is Deep Blue Sea. After that, the shark films usually are not very good.

We have another entry into the awesome end of these movies.

Under Paris is a French language film that tells the story of a specific shark that had evolved in ways that are never explained and that winds up in the Seine, a river that runs through Paris, France right at the time of an Olympic triathlon.

The shark, nicknamed Lilith by Sophia Assalas (Bérénice Bejo), a scientist whose team were tracking sharks that they had tagged. In an attempt to check in on Lilith, Sophia’s entire team is killed by the shark in an uncharacteristic attack.

Three years later, Lilith finds her way into the Seine and into the catacombs beneath the city. A young environmental activist name Mika (Léa Léviant) had found a way to track Lilith, but wants to save the shark and help the female shark to get back out to the ocean.

Sophia and Mika’s paths cross with the Paris Police, including police officer Adil (Nassim Lyes) who does not believe that there is a shark in the Seine at first, until undeniable evidence faces him.

This is a brutal shark movie with some really awesome moments. The tension of the film is off the charts and you can really feel it. Sure, the premise itself requires some serious stretching of credibility, and the film does not try to explain how this is happening. Sophia is constantly saying things like ‘this shouldn’t be happening’ or ‘it is not possible’ and the discoveries of the evolution of this shark is not scientifically sound, yet that does not bother me either.

Why are all mayors in shark movies jerks? Much like Jaws, whose mayor insisted on keeping the beaches open on the July 4th holiday, the Paris mayor (Ann Marivin) is likewise as blind when it came to the danger the shark posed the triathlon.

The sharks look pretty decent, though some of the CGI is questionable at times. My guess is that there is not a ton of budget on this, and I feel as if what we got was substantial enough for what they were going for. I was not taken out of the film by any of the special effects and that can not always be said about shark movies (hey there The Meg).

There were a couple of moments when I gasped out loud or cried something out in shock and that means that the film is doing its job. It is nowhere near Jaws quality, but it is much better than most of the shark attack movies out there. Under Paris is currently available to stream on Netflix.

4.1 stars

The Retirement Plan (2023)

June 14, 2024

Today’s June Swoon 3 entry is an action film featuring Nic Cage in all his Nic Cage-ness, and it is a a lot ridiculous fun.

According to IMDB, “In The Retirement Plan, when Ashley (Ashley Greene) and her young daughter Sarah (Thalia Campbell) get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help – her estranged father Matt (Nicolas Cage), currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie (Jackie Earle Haley) and his lieutenant Bobo (Ron Perlman). As Ashley, Sarah and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.”

Is this movie more convoluted than it needed to be? Absolutely. It felt pretty messy in a lot of ways. Does it require a suspension of disbelief? 100%. Perhaps more than most movies. None of that ruins this film from being a hoot. It knows the type of movie it is and Nic Cage is totally in for a ridiculous good time.

I did like the little girl Sarah, played by Thalia Campbell, and her relationship with her kidnapper Bobo, played by Ron Perlman. I really thought this was going to go in one direction, but it takes a different path, which I found refreshing.

The action is great, if not difficult to believe. There just felt as if there were too many threads getting pulled and it was unnecessary.

I am not sure I liked the way the film wrapped up either. I think I would have preferred for the end of the third act to feel less like it was nothing more than a deus ex machina.

Still, if you love Nic Cage, this will be fun. I wish Thalia Campbell’s role would have been more in the second half of the movie because she was one of the standouts in the first half.

Reptile (2023)

June 13, 2023

Reptile is on Netflix and is a mystery/thriller starring Benicio Del Toro and it is the entry for the June Swoon 3.

According to IMDB, “Tom Nichols (Benicio Del Toro) is a hardened New England detective, unflinching in his pursuit of a case where nothing is as it seems and it begins to dismantle the illusions in his own life.”

Benicio Del Toro is always great and this is no exception. He is well cast in this murder mystery and you buy everything that he does. Justin Timberlake stars along side Del Toro as a scummy real estate agent whose girlfriend is murdered. Interestingly enough, I buy him in that role very much too.

The acting is excellent. The story is less so. Honestly, there were times when I would start losing focus on what was happening and it felt as if the story became too messy as it continued. The film is well over two hours and you feel that run time. I think this could have been tighter with 20 minutes cut out of the film.

However, there were some good points, especially Del Toro’s performance. He is the later actor to take what is an average script/film and elevate it with what he does. In the hands of a lesser actor, Reptile would be a sub par film. What makes this watchable is Del Toro and his connections with the other actors around him.

One of those actors is Alicia Silverstone, who played Tom Nichols’ wife, Judy. The relationship between them was one of the best parts of the film and more of it would have aided the story.

I’m not sure how I feel about the resolution of the mystery, but I did think the final scene was strong and very tense.

In the end, Reptile has its moments, but feels too long and is unnecessarily complicated.

Origin (2023)

June 11, 2024

The format of today’s June Swoon 3 is one unlike I have seen before and it takes a revolutionary director in order to make this work. Ava DuVernay is just such a director.

Origin adapts the book Caste: The Origins of Our Discontents by Isabel Wilkerson, a book that laid out the idea that racism in the United States is a part of the concept of caste system, connecting racism in America to the attempted extermination of Jewish people by the Nazis, the caste system of India as well as other atrocities across the globe.

Such an undertaking was going to be difficult to attain, but DuVernay skillfully weaves the information, at times, in a documentary style, while mixing it with the drama of Isabel Wilkerson’s life during this stretch of working on the book when she lost her husband, mother and cousin.

The combination of docudrama is a difficult one to reach, but DuVernay does a masterful job of making this fully engaging while providing ideas that challenge the thoughts of a generation.

The lead role of the film was played by Aunjanue Ellis-Taylor, showcasing an emotional arc for Isabel Wilkerson from early on in the film when she lost her husband, Brett (Jon Bernthal). The use of flashbacks and memories throughout the movie helped us see important aspects of Wilkerson’s life and relationships with her family and friends. Ellis-Taylor made these life moments extremely relatable and touching as we see her deal with loss and pain, as well as a love of life.

The film may be a little long, but there are so many great moments throughout that help us see the central point being made by the film. There are stories that are told such as the tale of Al Bright, a young boy whose baseball team just wanted to swim together as a celebration for a big win, but who was denied because he was black. Another story told the tale of a German Nazi and a Jewish woman’s relationship that broke all the rules of Nazi Germany and led her her eventual encampment at a concentration camp. These stories are important to the overall narrative of the piece and help highlight the concept of the book being written.

You wouldn’t think that a film could be made about a journalist writing a book about the caste system, but Ava DuVernay accomplished just that and it was compelling and amazing, even if it could be tough to watch at times.

You can watch Origin currently on Disney +/Hulu.

The Book of Clarence (2023)

June 10, 2024

It was Netflix again for this June Swoon as I pulled up The Book of Clarence, a retelling f the story of the crucifixion through the eyes of a down-on-his-luck loser named Clarence.

According to IMDB, “Struggling to find a better life, Clarence (LaKeith Stanfield) is captivated by the power of the rising Messiah and soon risks everything to carve a path to a divine existence.

This movie was very up and down for me. The biggest issue I had with it was that it lacked a consistent tone. There were deadly serious scenes that were well done, particularly with the strength of LaKeith Stanfield’s performance, but other scenes that felt like it was pulled right out of a Monty Python skit. I was not sure if this was meant to be a serious movie or a satire. Or was it meant to be some kind of amalgam between the two? This uncertainty hurt this film in my eyes.

As I mentioned, the performance of LaKeith Stanfield was excellent, as he went from a disbeliever to one who exceeded belief. Stanfield was believable in every moment he was on screen and he gave the film a credibility that I do not think it would have had if it were another actor in this potentially divisive role.

There is an excellent cast in this movie including Benedict Cumberbatch (whole role felt as if it were one of the most satirical of them all), Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Alfre Woodard, Caleb McLaughlin, James McAvoy, Nicholas Pinnock, Marianne-Jean Baptiste, Teyana Taylor and Michael Ward.

I can see this film stirring up the audience, depending on who was watching. For me, there are some good ideas in here, but the film can’t decide what exactly it wants to be, and that demeans the positives that are here.

Run Rabbit Run (2023)

June 9, 2024

Another horror movie highlights today’s June Swoon as I watched the Australian film Run Rabbit Run on Netflix.

Run Rabbit Run is more of a psychological thriller than it is a horror film as there are not many scares and it really does focus on the mental state of the characters involved. It was effective in this manner as I felt a connection with the two lead characters as they went through their memories of tragic events from the past.

However, it does take a while to get rolling. The film seemed a bit long and the pacing was not the best. Some of the beats felt as if they were repeated during the story and it seemed that this could have been a tighter film with some of this narrowed down.

The lead performances are the reason to watch Run Rabbit Run. Sarah Snook played Sarah, the mother whose past was coming back to cause trouble with her daughter. The daughter, Mia, was played well by young actor Lily LaTorre. She provided many of the film’s creepiest moments as she was seemingly being possessed by the spirit of Alice, Sarah’s missing sister.

These performances overcame the weaknesses in the plot, which included a predictable outcome, and made this a film I would say that I enjoyed watching. It is not a perfect horror movie, but it does enough things well that make it interesting.

Rustin (2023)

June 8, 2024

I have yet another Oscar nominated film for the June Swoon 3 today. This nomination went to Colman Domingo for Best Actor in Motion Picture. He did not win the Oscar, but he gave an electric performance that carried an average film to new heights.

There have been a lot of examples of an amazing lead performance elevating a movie before. Rustin is just the latest example in a long line. Many of these tend to be biopics. This is yet another.

Bayard Rustin was a leader in the Civil Rights movement and a driving force behind the 1963 March on Washington. He was also an openly gay man. His leadership and charisma shone through the struggles his life presented to him.

Colman Domingo is absolutely amazing in this film and he overshadows the rest of the movie. Without him, this movie would be considerably lesser. The way the film is present is fairly pedestrian outside of the main performance.

There is a solid cast supporting Domingo including Chris Rock, Gus Halper, Jeffrey Wright, Ami Ameen, Glynn Turman, Johnny Ramey, CCH Pounder, Michael Potts, Jordan-Amanda Hall, and Lilli Kay.

But Domingo leads the way, bringing to life this man who had such a hand in creating this seminal point in history. He is a name that is not as well known as Dr. King or John Lewis, but he should be.

Hell House LLC Origins: The Carmichael Manor (2023)

June 7, 2023

As I was searching for movies to put on the possible list for this June Swoon, I came across this horror film on Shudder. It sounded interesting and so I placed it on the list. I had no idea that this was the fourth film of the series, with the first Hell House LLC being released in 2015. I guess I have some films to watch during The October 13 this year.

Hell House LLC Origins: The Carmichael Manor looks to have built on the previous installments (though I can’t say that for sure) and provided a found footage horror film that was extremely creepy and had its share of effective scares.

According to IMDB, “A group of cold case investigators stay at the Carmichael Manor. After four nights, the group was never heard from again. What is discovered on their footage is even more disturbing than anything found on the Hell House tapes.”

The three main characters that went to stay at the Carmichael Manor did a great job of selling the mysterious feel and the fright that this situation would entail inside a person. The story of the events really work well here, as Margot (Bridget Rose Perrotta) ties the story into her background. The film does this in a very strong manner, not bashing the audience over the head with it. In fact, it is possible that some may miss the connection to Margot if they are not paying attention.

Then, I enjoyed the way the film kind of makes this found footage/haunted house film into a sort of documentary, with a couple of people commenting about the footage that was found of these missing people.

The film goes to great lengths to build a mythology, which I can only assume included a bunch of Easter eggs from the previous three movies.

I found this extremely creepy and a little unnerving as I watched it this morning in the dark. That means this horror film did its job. I was entertained and I look forward to going back and seeing some more of this franchise.

The Boys in the Boat (2023)

June 6, 2024

Today’s June Swoon 3 movie was one that I actually had tickets for this past year, but I left the theater after seeing another movie first because I was not feeling well. After being unable to see this (Along with Ferrari too), I decided that I would wait for the June Swoon to watch this movie directed by George Clooney.

The Boys in the Boat is the true story of the Washington Huskies rowing team’s unlikely ascension to the 1936 Olympics with a junior team that lacked experience. Led by their coach Al Ulbrickson (Joel Edgerton), the group of eight young men exceeded all expectations in quest for an Olympic medal.

I enjoyed the actual rowing competitions filmed during this movie as they brought some real dramatics to a sport that might not have as much as some others. The races were well filmed and created suspense in scenes that were fairly predictable.

The film lacked a lot of characterization for the cast, focusing on Coach Ulbrickson and Joe Turner (Callum Turner), one of the crew. The rest of the crew of the row team were fairly simplistic, one-note characters, with a few minor traits tossed their way. Ironic how a sport that is so much about the team does not spend much time with the parts of that team.

The story itself was basic, taking most of the sport movie cliches into play. This was a basic, by-the-numbers sports flick that did not stray from the pattern much.

Having said that, I would be lying if I said that I wasn’t inspired by the finale of the film, especially the final Olympic race. There was one final conflict that was tossed in at the end that felt rushed and did not pay off in the end.

If you come into The Boys in the Boat with the idea that this is a basic formulaic sports movie and that it does not go above that, there are things to enjoy here. I think this story could have been more than what was here, but there is something to say for formula.

Justice League: Warworld (2023)

June 4, 2024

The fourth day of the June Swoon 3: A Cinematic Flashback brought me to HBO Max and the first animated film of the month. It is also the first disappointment of the month.

At first, I felt that Justice League: Warworld was an intriguing concept. Seeing Wonder Woman in the old West was a neat concept and watching her square off with Jonas Hex opened a lot of possibilities. I was thinking this was much like Westworld and seeing the Justice League involved in this setting would be cool.

However, it was not just the old West. After her short bit was done, we came across Batman in the world of Warlord. Wonder Woman was there too. I did not understand what was happening and, if this was the case, why was Batman not in the old West. and where was Superman?

Eventually we came to Superman as an agent of the government in a black and white alien invasion film where both Batman and Wonder Woman would appear as would King Faraday. It also borrowed heavily from a Twilight Zone episode I saw last summer during the Daily Zone rewatch.

All of these side bits seemed to be nothing more than time wasters as the real plot started up in this episode as they came across Mongul, with Lobo, who has some weird sci-fi storyline. Apparently, Warworld is a massive weapon against the multiverse and he was in search of a key. Why he brought the Trinity into the story made no sense, but that was not unlike most of the rest of this movie.

J’onn J’onzz was here too and played a role in the end of the film, but the movie made the entire thing feel unnecessary as it was being used simply to introduce the idea of Crisis on Infinite Earths. The movie brought in what I assume was Harbinger at the very end to rescue the Trinity and set up the next animated film. I am only guessing that this is Harbinger since the look of the character is nothing like I remember. She looked more like Marvel’s Frankie Raye aka Nova than she did the Harbinger from Crisis on Infinite Earths.

Jensen Ackles lead the voice cast which included Stana Katic (formerly of Castle fame) as Wonder Woman, and Darren Criss as Superman. Other actors included Ike Amadi, Troy Baker, Matt Bomer, Roger Cross, Brett Dalton, John DiMaggio, Frank Grillo, Teddy Sears, Kari Wahlgren, and Robin AtkinDownes.

The animation was fine, but did not standout in any instance. The characters did not feel right. Even in Elseworld type stories, the characters needed to feel like the characters we know in order for us to relate to them. Much of the story was convoluted and only felt as if it existed simply to put them in these specific settings. Worse yet, was it simply felt like a commercial for the next DC animation film.

Usually, the DC animated movies are very well done. This was quite a step down.