Deep Water (2026)

I do love me some shark movies. Even the bad ones, which there are a lot, have their share of fun and wild moments. Deep Water, which is a return to form for Finnish film director Renny Harlin, has its share of moments and scares.

According to IMDB, “A group of international passengers en route from Los Angeles to Shanghai are forced to make an emergency landing in shark-infested waters. Now they must work together in hopes to overcome the frenzy of sharks drawn to the wreckage.”

There were a group of superficial characters that meant little to me, but there were some intriguing characters that I liked very much. Finally, there was at least one jerk who I wanted to become a shark-burger. Most of the characters were kind of dull, but I still found myself rooting for most of them.

I was shocked to see both Aaron Eckhart and Sir Ben Kingsley in this cast, as I felt as if this film was a B-level film at best. I still think that is the case, but it is always great to see Kingsley in anything.

There were enough interpersonal relationships between the characters to keep them from being more than juts chum for the sharks. Yes, the characters are not Martin Brody, Matt Hooper or Quint, but you can’t expect that type of writing in every shark movie.

I did think many of the shark attacks were silly at times, especially the one involving the helicopter, but their presence did create a sufficient amount of tension to keep the thin story afloat.

Harlin was unafraid to kill off characters in many different ways, and it did feel as if any of them were ripe for being eaten (or drowned). The stakes are absolutely off the charts.

Sure, there are basic story beats that you see over and again in shark movies, but they do work overall here and the plane crash that led before the sharks, was excellent.

I enjoyed this movie and the film hit me in the feels at the end, which is really should have. I think this is a solid shark movie and I am happy to have rented it on Fandango at Home.

3.75 stars

Ash (2025)

June 16

Day 16

Today kicks off the second half of this year’s June Swoon 5 with a sci-fi/horror film on Hulu called Ash. Directed and scored by Flying Lotus, a DJ, rapper, filmmaker and record producer, Ash feels like a mixed bag.

According to IMDB, “A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events.

The good parts of Ash included the lead performance from Eiza González as Riya, the woman who wakes up and is confused by the gore and death around her. González did a very strong job of expressing her confusion and fear of the situation that she found herself in.

Another positive is the look and the sound of the film. The score made the film standout from some of the other entries in the subgenre of space monster/horror. The score kept the audience on their toes and uneasy as the mysteries unfurled around Riya. The film’s special effects and imagery was also top notch as everything, especially the body horror aspects of the film, looked specifically frightening or horrendous.

The biggest problem is that this movie, story wise, does not even try to attempt something different than what we have seen before. There are scenes that feel as if they were taken directly out of Alien or The Thing or Event Horizon or Cloverfield: Paradox or many other space monster films.

The film leaned hard on cliches throughout the entire movie. Riya had amnesia at the beginning after awakening to find everyone dead. I mean… was there ever any question about what had happened here? Aaron Paul’s character Brion was very cliche as well. The only thing not cliche about him was that he spelled his name with an “o” instead of an “a.”

The film was only 1 hour and 35 minutes long, but it felt much longer than that. It dragged through the first two thirds of the movie before a fairly spry final act helped pick up the action. I am not opposed to slow burns, but there needed to be something more entertaining during that slow burn to engage my mind. This did not have it.

The film looked great, sounded great and had a decent lead performance, but there is just not enough of anything else to make this anything but a forgettable flick.

Mr. Nobody Against Putin (2025)

June 15

Day 15

Today’s June Swoon 5 film is another Oscar winner that I had not seen prior to today. It won the Academy Award for the Best Documentary Feature in 2026 and it was entitled Mr. Nobody Against Putin.

My initial thoughts were that this was about the war in Ukraine, and, while the Ukraine War was a major theme of the film, the center of the doc was different.

Pavel Talankin was the main character of the doc, and he was a teacher/teacher organizer/school videographer at a school in the Russian city of Karabash, a town known as the most toxic and poisonous town in Russia. Pavel began filming in earnest after the Russian invasion of Ukraine in 2022, when the Russian government required schools to have regular “patriotic displays” and use state-written curriculum.

Pavel was always one for openness and freedom, proving what he called a safe space for the students to express themselves. These governmental requirements became such an opposition to what he believed that he went as far as to resign. However, when he was contacted by  director David Borenstein about a response Pavel had made to an Instagram post, Pavel rescinded his resignation to compile more film for a documentary on how the war was affecting the school he worked at.

There were some amazing moments in the doc, none more shocking than when, prior to a Russian flag ceremony at the school, Pavel played the “Star-Spangled Banner” as performed by Lady Ga Ga. I was shocked that he was allowed to get away with that and that did not get him arrested or removed from the school.

The doc featured several other intriguing characters such as “Pavel Abdulmanov, a pro-Putin history teacher; a student named Masha, whose brother fights and later dies in the war; and former students who are drafted into the army“-(Wikipedia)

I was completely fascinated by this powerful, first person film and the perspective it brought to the situation that the school found itself in. As a teacher myself, I could not comprehend how I would react to the same situation and I pray that I never have to find out. Mr. Nobody Against Putin is a tremendous work with some extreme emotional moments.

Agents of Shield S5 E8. E9, E10, E11, E12

Spoilers

“The Last Day”

“Best Laid Plans”

“Past Life”

“All the Comforts of Home”

“The Real Deal”

The Agents of Shield finished up their adventure in the future with some major battling, found Robin, the little girl (now older woman) who could see the future, killed the Kree, including Kasius and Sinara and had Flint create a monolith so they could return to their own time.

Very busy.

I was not 100% in love with the future stuff, but it did provide us with some major storyline bits including:

  • Yo Yo meeting herself (without arms) and she revealed about Coulson’s sickness.
  • Deke, who seemed to sacrifice himself, arrived back in the present with Shield- and had a surprising familial connection.
  • The Lighthouse is one awesome HQ.

Once back, things got wild as the team learned of Coulson’s impending death, and they got made that he did not tell them about it. Deke was taking in all of the wonders of the earth he had never seen…including Zema. Fitz and Simmons gets married.

The Fitz and Simmons wedding led to a major reveal… that Deke is their grandchild, though no one is aware.

Deathlok came back for back up to close a dimensional riff in a lower level of the Lighthouse. It was manifesting fears from a “Fear Dimension” that was trying to kill them.

General Hale is a horrendous character. She was a clear antagonist for our team, but it does get a little old to have the generals always being the antagonists. Plus, her daughter is a weird assassin of some sort who cut off Yo Yo’s arms.

The whole earth gets blown up plotline is still active and unsolved as of yet, but I know that the series does deal with that story before the end of season 5.

Sunday Morning Sidewalk #73

June 14

Spoilers

The Boroughs

“Welcome to the Boroughs”

There are times when I am not happy with the concept of the Sunday Morning Sidewalk. The idea was one episode every Sunday morning for TV shows that I have not seen. Every once in awhile, I come across a show where I desperately want to watch the next episode. The Boroughs is the latest example.

The Boroughs is an 8-episode series on Netflix from the Duffer Brothers (of Stranger Things fame) and when episode one ended, I was wishing it was next Sunday right now.

Taking all of my willpower, I shut off the show, preventing myself from binging it all day long on this lazy Sunday where my schedule is fairly open.

The show centers around a retirement community called The Boroughs and a group of older characters who live there. However, there is some kind of weird, supernatural aspect to the show and, as Ed Bagley Jr. said, “There are owls in the walls.”

If you know about me, I love the evil owl metaphor. On Twin Peaks, the Owls were not what they seemed, and this certainly hooked me immediately.

I was also impressed with how quickly I was able to connect with the characters. They were all so great that, even those that did not get a lot of details, were ones I felt tied to. Such an amazing cast with Alfred Molina, Bill Pullman, Alfre Woodard, Denis O’Hare, Geena Davis, Jane Kaczmarek, Clarke Peters, Dee Wallace, and Eric Edelstein.

The supernatural mystery was not the main component of episode one. It was the introduction of Sam Cooper, played by Alfred Molina, the widower whose wife had signed the contract to move to the Boroughs. The gruff and grizzled man did not want to be in this community, and he was looking for a way out.

I have to say that I loved Bill Pullman’s Jack Willard. He was such a wonderful breath of fresh air in the episode and his kindness toward Sam was very inspiring. I really hope that the creature that was seemingly feeding off Jack at the end of episode one did not kill him.

What is going on in this community? Is there something sinister with the people who organized the community or is there something about the land? Anything is possible, and I am so in with this. As I said, if this was not the Sunday Morning Sidewalk, I’d be well into episode two by now.

Can’t wait for next Sunday.

Arco (2025)

June 13

Day 13

Last year when the Academy Award nominations came out, there was one film among the Best Animated Feature category that I had never heard of before. It was a French film called Arco. I placed it on the list for the June Swoon 5 immediately.

I found it streaming on Hulu and watched it this morning with the English dubbed version. I typically am not a fan of the dubbed version, preferring the original voices. However, since it was an animated film, I decided it would not be as jarring as a live action dubbed film would be. Plus, the voice cast seemed very impressive with Will Farrell, Juliano Krue Valdi (who played young Michael Jackson in the biopic film, Michael), Mark Ruffalo, Natalie Portman, Andy Samberg, Flea, and America Ferrera.

According to IMDB, “In 2075, a girl witnesses a mysterious boy in a rainbow suit fall from the sky. He comes from an idyllic far future where time travel is possible. She shelters him and will do whatever it takes to help him return to his time.”

The voice of Iris, the young girl who discovered Arco, was done by Romy Fay, a talented voice actor and singer-songwriter.

The film has several underlying themes in the story that kind of take a back seat to the lost in time aspect for Arco and iris. Some of the characters do not have the depth that they required, but they do seem to work together to form a tapestry of color and creativity. The imagery of the rainbows are lovely and the friendship between Arco and Iris is sweet, even if the backdrop of the world is horrific.

The oddball trio, led by the voice of Will Farrell, feels like something right out of anime. In fact, this reminded me of a Studio Ghibli film, only considerably shorter.

Arco was an enjoyable enough film that had a good message with some amazing visuals. I can see why it received an Oscar nomination.

Merrily We Roll Along (2025)

June 12

Day 12

I repeat what I said earlier this week, I wish there were more examples of films like this. Not just adaptations of Broadway plays into film versions, but the actual play recorded live and put on the screen.

Earlier in the June Swoon 5, I watched Good Night, and Good Luck: Live From Broadway, which was starring George Clooney and it was awesome to see it in the way that it was shown on the Broadway stage. Today, I added another stage play filmed as it was to the list.

Merrily We Roll Along was a Tony-winning Broadway musical from Stephen Sondheim, including Tony-winning performances from Jonathan Groff and Daniel Radcliffe. It was available on Netflix and it has been waiting on my queue for June to begin.

According to IMDB, “Spanning three decades, the turbulent relationship between a composer and his two lifelong friends, a writer and a lyricist and playwright.”

The story is told in reverse chronological order, as we start at the point where the relationship between Franklin (Groff), Charley (Radcliffe) and Mary (Lindsay Mendez) was collapsing and we travel back over two decades through the play. It was a remarkable technique as it would make every scene from the past both hopeful and sad at the same time.

Jonathan Groff was sensational as the lead role of Franklin Shepard. His voice, as we have known from his roles in Frozen and Hamilton, is sublime. I did not know, however, that Daniel Radcliffe, our forever Harry Potter, could sing like he does here. In fact, one of my favorite songs was early in the play and I thought to myself, “Well, there’s why he won the Tony.”

The story itself was woven together beautifully, as it is not just writing the story normally and then reversing it. The foreshadowing from the scene of the past take on a new life in this order, meaning even more to the audience than if it were told in a typical structure.

I want more Broadway plays to be shot on film and shown nationwide, and with the proliferation of the streaming services out there, I wouldn’t think that there would be a lack of a forum for presentation.

Disclosure Day

Steven Spielberg is back in the director’s chair for the new film, Disclosure Day, which brings Spielberg back to a topic that he seems to love… aliens.

Some of Spielberg’s greatest movies of all time have aliens at the center, from Close Encounters of the Third Kind to E.T.: The Extra-Terrestrial to War of the Worlds. Now he is back with Disclosure Day, a film starring Emily Blunt and Josh O’Connor.

This sci-fi film had just about everything that I would have wanted in it. Josh O’Connor played a man named Daniel Kellner, who had been working for the people trying to keep the existence of aliens hidden, but he had a change of heart, stealing away data proving the truth behind aliens and the government’s knowledge and involvement. Daniel was on the run, hoping to be able to show the data to the public.

Meanwhile, Emily Blunt, who played Margaret Fairchild, a weather girl in Kansas City, suddenly begins t show abilities that she had never had before. Speaking languages she did not know and knowing information about people she had never met before. When she started speaking in a strange language on live TV, things got weird for her.

Emily Blunt is absolutely on fire in this film. Her performance might just be arguably the greatest performance of her career, despite having plenty of banger performances to choose from. Emily Blunt takes the story to another level every second that she is on screen and she elevated the whole script. I truly believe that she should be nominated for Best Actress at the Academy Awards next year from this work.

The rest of the cast is great, albeit looking a little less in comparison to Blunt. Josh O’Connor has been doing amazing work recently, including his great performance in the last Knives Out film. We also have Colman Domingo, Wyatt Russell, Elizabeth Marvel, Eve Hewson, and Jeremy Shamos.

Then there was the film’s main antagonist, Colin Firth. Firth played Noah, who was the agent with the top secret government agency trying to keep things under wrap, and he pursued Margaret and Daniel across the midwest.

I would not define this movie as an action movie, but they had some really good action, which included a scene with a train that was as good of an action sequence as you are going to see in any movie.

This film saw Spielberg beg the legendary John Williams, 94 years old, to come out of retirement to score Disclosure Day. Williams provided yet another amazing score for Spielberg, capping off an unbelievable career.

The movie might be a touch too long, but I do like how it took its time to develop the story and not just throw out everything about what was happening. The central mystery is handled well and kept me hooked from the beginning. The ending of the film has had some detractors, but I think it worked well. If anything, I wanted a little more before the screen went to black. I found the ending of the film to be quite an emotional moment.

Steven Spielberg is one of the greatest directors of all time, and a member of the EYG Hall of Fame. His latest film recaptured some of the magic from his earlier filmography, especially feeling connected to films like Close Encounters. I saw this in IMAX and I found that to be a great viewing experience. I would recommend seeing this on a big screen while it is in the theater.

4.6 stars

Bambi: The Reckoning (2025)

June 11

Day 11

I have had a pretty good run with the 2026 June Swoon 5. Ten really good, enjoyable movies so far. It is sad that had to come to an end, but I kind of expected it.

I have three movies I am going to today at Cinemark and so I needed a shorter movie. I just did a short yesterday and I wanted to avoid another right now. I found a film on Peacock that was only 1 hour and 20 minutes, that would work for the schedule. Unfortunately, it was Bambi: The Reckoning.

I have seen several of these movies. Winnie the Pooh: Blood and Honey, Winnie the Pooh: Blood and Honey 2, and Screamboat. Of those, I did not hate Screamboat as much as I hated the Winnie the Pooh movies, but it was not good by any stretch.

I gave it my best shot to come into this movie with an open mind, but that was wiped away early on.

According to IMDB, “A car wreck strands a mother and son in the deep woods where a mutated, vengeful deer stalks them. As local hunters and an obsessive grandmother converge, the forest becomes a bloody arena for a grieving creature’s primal rage.”

The writing on this is atrocious. I’m not sure that there is one redeeming character in the film. I was openly rooting for Bambi to kill these miserable excuses for human beings. Funnily enough, Bambi did not directly kill several of them.

The dialogue was basically yelling other characters’ names.

When most of these kills are funnier than scarier, you know you’ve got a problem. My favorite was the guy who got dragged behind a van as they were trying to escape from Bambi. What a completely random death.

There are some unintendedly funny moments and so little made sense. I could not bring myself to give this the “So Bad, It’s Good” ranking because there was just nothing good about it. Maybe if the RiffTrax crew would riff this, there might be something worth the time.

This may not sink to the depths of Winnie the Pooh: Blood and Honey or its sequel, but it was nowhere near Screamboat. That is saying something.

The Pout-Pout Fish

The animated film The Pout-Pout Fish dropped on Amazon Prime recently. It was one of the films I did not see in the theaters, so I streamed it on Prime.

I’ll get this out of the way. The animation was excellent. It looked great, and the designs of the fish were clever and fun.

That was about all I liked about this one.

According to IMDB, “Living on a rundown shipwreck, Mr. Fish one day discovers a hyperactive young sea dragon Pip – who had mistaken his home for a junkyard – pilfering his belongings. The heated argument that ensues leaves both their houses in ruin. But there is hope. Embarking on a seemingly impossible quest in search of the mythical “Shimmer” to grant them a wish, there’s only one problem: someone else is on the hunt.

I am afraid that this movie just never hit with me. I had a lot of trouble with some of the physics of the story. It seemed like they forgot at times that there was water around everyone. Things seemed to fall like they would without water and it bugged me.

Then, the character of Pip was just about as annoying as I have ever heard in animation. I was done with this character very early as well.

The film was very predictable and overall bland. Nick Offerman, who I have always enjoyed, just did not seem to fit the voice of the character of Mr. Fish.

I thought the trio of pink dolphins (voiced by Amy Sedaris) were the best part of the film, because you do not usually see dolphins as antagonists.

This one was a disappointment. I did not enjoy watching it and it felt like it took forever, even though it wasn’t that long time wise. I thought the ending was okay, but by that point, I was checked out.

2.2 stars

John Candy: I Like Me (2025)

June 7

Day 7

Today’s June Swoon 5 film was a documentary on Amazon Prime from last year that looked at the life and career of one of the most beloved actors/comedians of the past forty years, John Candy.

The doc started off with Bill Murray trying to come up with something bad to say about John Candy, and wishing the producers luck in their investigation to find some dirt on the man. It was a real funny kick off to the show and did a great job of pointing out how universally beloved men John Candy was.

There were a litany of stars who had nothing but amazing things to say about John Candy including Tom Hanks, Dan Aykroyd, Catherine O’Hara, Macaulay Culkin, Martin Short, Eugene Levy, Dave Thomas, Andrea Martin, Steve Martin, Conan O’Brien, and Mel Brooks.

The doc does a great job of outlining how the death of John Candy’s father (when John was 5 years old) affected him as an adult, and how his behavior of drinking, smoking, eating led to his early death at 43.

It also showed what a lovely human being John Candy was and how much success he had as an actor, starting off with SCTV and ending as a movie star.

The doc also talked with John Candy’s family, his wife, his brothers, his son, and his daughter. They talked about the close relationship John Candy had developed with John Hughes, and how Candy wound up in 9 films from the director.

I liked John Candy, but I would never say that I was a huge fan of his, but I found myself tearing up at the end of the documentary, which tells you how well director Colin Hanks and the rest did with this doc. The story of them closing down a freeway in LA for John Candy’s funeral procession was amazing.

The doc is available on Amazon Prime and it moves at a brisk clip, moving through his way-too-short life and career. It is wonderful when you can look back on a person’s career and see only the good.

Masters of the Universe

“By the power of Grayskull…I have the Power!”

The new version of He-Man and the Masters of the Universe came out this weekend, an IP that has been redone several times, both in live action and animation.

According to IMDB, “A young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword and return home to protect his kingdom.

I was never a big fan of He-Man, although I did not dislike the IP. I watched the Kevin Smith animated versions on Netflix.

This movie was not my favorite. I had several problems with the film which I will go into later. However, it was not a total loss as there were some things I liked.

First off, I thought Nicholas Galitzine did a great job as Prince Adam. I may not necessarily like how they had him playing the role, but I do think he did a great job in the role. He had a Chris Hemsworth vibe to him.

Jared Leto, whose had some questionable roles, was an outstanding Skeletor. Again, there are some of the writing that did not work well, but Leto stood out among the cast.

There was some good action, especially in the later stages of the film. I enjoyed the finale of the third act, action-wise.

There were a lot of issues though. The biggest one is the tone. This is meant to be too humorous, kind of in the veins of a Thor: Love and Thunder. There were several times when there was a good scene, some times even an emotional scene, but it did not get a chance to settle in because there was a joke coming after.

And for a film that wanted the humor to be so front and center, the film was not very funny. I am not sure I laughed at all, certainly not more than a giggle here and there, and I found myself rolling my eyes more than anything else. I’m not opposed to a healthy dose of humor in my action movies, but the humor needs to be doled out in proper doses and in the correct moments. This film did not do that.

The earth section of this film could have easily been removed, because it did nothing and it was just a way to extend the run time. I really did not like the roommate character in this, and I wonder why people did not have this guy committed with his talk about swords and other planets. And there was a monster that showed up on earth and knocked away by an Amazon truck. This is an Amazon film. Brought me memories of War of the Worlds. Amazon is clearly the biggest heroes in all movies.

And, boy was there an obvious Coca-Cola product placement too. I laughed audibly at this.

There are a ton of secondary characters that were just here to stand in the background and not have any sort of story to them. Alison Brie as Evil-Lyn was a total waste, as was Morena Baccarin as the Sorceress.

It is not the worst movie to watch, but I did find myself bored in a good chunk of the film and very noticeably, not laughing. The last third of the film was better and one would wish it was the style the whole film would have taken.

2.5 stars

Good Night, and Good Luck: Live From Broadway (2005)

June 5

Day 5

I wish we got more of this.

This was originally a live broadcast of the Broadway play, Good Night and Good Luck on CNN and CNN International. I wish that there were more examples of this form, movie recorded as the Broadway play, so we could get more of an exposure to this type of entertainment.

I have been excited to see this since I put it on the Netflix queue and i figured the June Swoon 5 would be a perfect place for it.

This play showed the lead up and eventual confrontation between the junior senator from Wisconsin, Joseph McCarthy and CBS newsman Edward R. Murrow, as well as the journalists and news people behind the scenes at CBS.

I found this to be completely enthralling and totally thrilling. The play used videos of Joseph McCarthy as well as other important people of the time to help illuminate the story.

George Clooney starred as Murrow and he was excellent. A personal favorite of mine was also here, Clark Gregg, who was well known as Agent Coulson in the MCU. He played newscaster Don Hollenbeck. There was a scene in this play between Clooney and Gregg that was just amazing and showed off Gregg’s skills tremendously.

Glenn Fleschler played Fred Friendly and his relationship with Murrow was another part of this story. It was some of the best dialogue you will hear and consistently was both funny and poignant.

The only thing that was distracting for me was that fact that every time the character of Joe Wershba, played by Carter Hudson, spoke, it sounded like John Ratzenberger. That did not take away from his strong performance in the play, but it was something that I thought of every time he spoke.

I wish there were more of these type of films. Not just adaptations of stage plays, but actual stage plays as they are presented on Broadway. I would definitely go see something like this in a theater.

Rental Family (2025)

June 4

Day 4

So the June Swoon film for the day is Rental Family, a film featuring Brendan Fraser. It was one that I thought about going to the theater to see, but it did not work out. I decided that I would save this one for June Swoon.

According to IMDB, “An American actor in Tokyo struggling to find purpose lands an unusual gig: working for a Japanese “rental family” agency, playing stand-in roles for strangers. He rediscovers purpose, belonging, and the beauty of human connection.”

I am torn on this movie. Not because I did not enjoy it, because this was a beautiful movie filled with emotion and lovely exteriors and great performances. The problem I had was with the central concept of the idea of rental family, not the movie but the business that Shinji Tada (Takehiro Hira) was running. He would send actors into situations to play relatives or friends or whatever to people who are emotionally challenged.

For example, in this film, Brendan Fraser played an actor named Phillip who was struggling with his career. He moved to Japan several years before and he joined in the company where he is sent into a situation where he was pretending to be the absentee father of a little girl, Mia (Shannon Mahina Gorman). He was hired by her mother to help her get into a specific school.

The problem is they do not tell Mia that he is pretending and they pretend that he is her long, lost father, and they told Phillip that he needed to not get close to her. How is he supposed to do that, get to know her and not get close to her.

It just felt gross. I felt that these characters were so emotionally manipulated in this that it, as I said, felt gross.

However, so much of the movie is so wonderful that I kind of held my nose and moved along. To be fair, I think that it is gross is meant to be part of the themes of the film.

There is another storyline where Phillip is pretending to be a journalist interviewing a big time former actor Kikuo Hasegawa (Akira Emoto) which was a beautiful tale of friendship and life.

I loved the relationships Phillip developed with both Mia and Kikuo, which made his constant lies all the harder to watch. You can tell from Fraser’s excellent performance how the lies were affecting him as well.

While I had trouble with the concept of the film, everything else was amazing. I loved the story, the characters, the performances, the relationships and the chorography. Rental Family was an outstanding movie that made me feel icky at a few times.

Widow’s Bay S1 E8

Spoilers

“Your Baggage”

With the corpse of Richard Warren officially gone, everything in Widow’s Bay is all peaches and flowers, right?

Maybe not.

Tom went to his house to deal with his son, Evan, who had all the pictures of his mom and wanted answers. Tom gave them to him, even though he did not want to do so. The father and son had some moments together when Tom gave Evan Red Sox tickets, signaling that they could leave the island.

We all knew that last week was too good to be true and, when Wyck showed up at Toms door with the message that it was not yet over, Tom’s face revealed how crushed he was, certainly because he was just making plans with his son to go to Boston for the weekend.

While this was going down, Patricia was being chased by the Boogeyman, the serial killer who killed a bunch of high school girls years before, and who tormented Patricia (though no one believed that this happened).

The Boogeyman pursued Patricia across Widow’s Bay in grand Michael Myers fashion. Patricia eventually dowsed him with gasoline and set him on fire. Unfortunately, the gas station attendant put him out with a fire extinguisher, thinking that he was doing the right thing. He learned his error as the Boogeyman grabbed him by the throat and threw him away violently.

Luckily, Patricia was able to shot him twice with a shotgun, but not before the former sheriff Bechir got slashed with a knife by the killer.

It was hilarious as Patricia kept the gun trained on the Boogeyman’s head the whole time, on the ambulance, in the morgue, as he went into the crematorium, and until he was nothing but ashes. That was really funny, but I would have shot him in the head immediately when he was down. Patricia was dedicated in making sure this killer was not coming back.

There are two more episodes in the first season of this awesome series. All eight episodes so far can be streamed on Apple TV +.