Viva Las Vegas (1964)

How could you do a musical list without an entry from the King?

I have not seen very many of Elvis Presley’s movies, despite the fact that he made dozens of them. However, Viva Las Vegas worked as the musical for the Genre-ary DailyView and so we take a trip around the race track with the King.

Lucky (Elvis Presley) was in Las Vegas for a Gran Prix race, but he had yet to purchase the motor for his car. In an attempt to earn the money gambling, Lucky was very successful. Unfortunately, trying to woo a woman he met at the hotel named Rusty (Ann-Margret), he lost the money in the swimming pool. 

Since he had no money to pay off his hotel bill, Lucky had to start working as a waiter to work it off. He spent the rest of the movie either dating Rusty, singing, or working on his car. 

There was a conflict in the film that Rusty did not want him to race because she thought it was dangerous. Nothing came from this conflict, except that Lucky just ignored her and dismissed her. This only seemed to make her more agitated. 

There was a conflict with a romantic rival for Rusty’s affection, another driver who wanted Lucky to drive for him. This guy died in the race, I think. I’m not sure.

The story was thin and nonsensical. This movie survived solely on the chemistry and charisma of its two lead stars. Elvis and Ann-Margret we great together and their scenes, especially of the music and dancing, were very entertaining. The music was excellent, with Elvis performing several songs including the title track of the film. Of course, Elvis’s lip synch of the song during the Talent Show was one of the worst lip synchs I have ever seen. He had absolutely no expression as he sang that song. It really pulled me out of the movie.

It was not the worst film ever by far, and there were definitely entertaining parts to it. The thing is, there is just not enough to justify watching it. 

The Best Little Whorehouse in Texas (1982)

Happy New Year to everyone. We start the new year off around EYG with our second annual Genre-ary DailyView. This year, the genre we are watching will be musicals, and we are starting off the month with The Best Little Whorehouse in Texas, starring Burt Reynolds and Dolly Parton. The movie was an adaptation of the stage play that came before it.

The Chicken Ranch was a legendary place in the county of Lanville, in Texas. It had been open for decades with nary a problem. When its iconic madam passed away, Miss Mona Stangley (Dolly Parton) took over. She had been in a side relationship with Sheriff Ed Earl Dodd (Burt Reynolds) for years. He would protect the Chicken Ranch and make sure things went well for Miss Mona.

When consumer advocate and television personality Melvin P. Thorpe (Dom DeLuise) started to investigate the Chicken Ranch, things got more troublesome for the ladies of the night. 

There is an overall silliness to this movie that, I think at times, overwhelms the film as a whole. Dolly Parton and Burt Reynolds are no doubt charismatic figures and carry a heavy load of the film. When they are on screen, everything is working. 

Dom DeLuise added an antagonist that you can really root against without being a true villain. He seemed to be doing what he believed was right, even if some of the things he did would not be considered right. Charles Durning had a memorable turn as the Texas Governor and provides one of the best, most ingenious songs of the film.

I did enjoy the duet between Dolly and Burt, “Sneakin’ Around” even if Reynolds’ voice could not necessarily match that of Parton. 

Jim Nabors was the narrator, Deputy Fred Wilkins, speaking directly to the camera as the film would go on. Nabors played the basic character he did in his other TV appearances.

While there is nothing amazing about the film, The Best Little Whorehouse in Texas does have some fun scenes and some decent music and dance routines. It may not be a standout of teh Genre-ary, but it was a fun way to start the month off.

2023 Music in Cinema

Music is such an amazing feature in cinema. The use of music can make the entire experience all that much better. 

Before I jump into the movie music awards, I wanted to give a special shout out to the best music on TV this year. It came from the Hulu series Only Murders in the Building. Oliver was planning out a musical for Broadway and we get to hear and see several numbers from the show. My favorite from the four really exceptional ones was the Steve Martin song “Which of the Pickwick Triples Did It?”

Moving on to the Movies…

I want to start with the Best Song from a Movie. Honestly, some of the ones that I have chosen are not necessarily those that the Oscars may choose. I know that the one I am choosing as the winner did not make the Oscar short list. It’ll have to settle for the EYG Award. 

Songs from Movies

6. ”What Was I Made For?” Billie Eilish from Barbie.

5. ”It Never Went Away” Jon Batiste American Symphony

4. ”Scrub Scrub” Cast from Wonka

3. ”Hell No” Danielle Brooks from The Color Purple

2. ”I’m Just Ken” by Ryan Gosling from Barbie

Winner: ”Peaches” by Jack Black from Super Mario Bros.

Next up is Movie Scores

#6. Anthony Willis ”Saltburn”

#5. Kris Bowers ”The Color Purple”

#4. Jon Batiste ”American Symphony”

#3. Joe Hisaishi ”The Boy and the Heron”

#2. Ludwig Göransson ”Oppenheimer”

and the winner of EYG Score of the Year 

Daniel Pemberton ”Spider-Man: Across the Universe”

2023 Movie Musicals

In honor of the upcoming Genre-ary DailyView starting on New Year’s Day 2024, I added a New Year in Review category: Movie Musicals.

I have always enjoyed a good musical, and there feels as if the genre has taken a turn back up over the last few years so this seems to be a good time to introduce this new award.

What is a musical? Well, I find this to be a little iffy of a definition that maybe everyone would not agree with, and that is okay. This is my site. To me, there is a difference between a movie that is a musical and a movie that features music. To me, a musical should have songs that just happen during scenes. This is Spinal Tap has a lot of music, but I do not consider that a musical. It is a movie with music. 

Having said that, a film like This is Spinal Tap could conceivably get this award, but I would consider any of the ‘pure’ musicals first. It is possible that there may be some years where there are no great musicals and I have to acquiesce to a movie with music instead. There are some examples below…

As a celebration of the musical genre, I have retrofitted the last ten years with honorary award winners (much like I did for the Christopher Reeve Comic Book Movie Award). These retro musical award winners are here:

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022)

To be fair, a few of these retro-winners would not necessarily fall into the “Movie Musical” category such as Whiplash, Inside Llewyn Davis and Pitch Perfect 2, but there were no standout musicals in those years that I could fine. Then, Mary Poppins Returns probably was selected because it was a more traditional musical over some much better Movies with music from that year. 

Anyway, for 2023:

Runners-Up: I had intended on giving this award to Wonka, but it got dethroned. It was a lot of surprising fun. Disney has a couple of entries here with Wish and The Little Mermaid, both solid musicals. Trolls back Together falls into the category and Leo was one I just watched and was surprised how much I enjoyed the music in that.

And that brings us to the winner, a film I saw TODAY…

Winner: The Color Purple

I loved this movie. It was so well done, with amazing acting across the board and some vey engaging music that had me bobbing my head and tapping my foot throughout. It came up to the final moment of my movie viewing for 2023 and ran away with this new award.