Tag Archives: news

Shōgun S1 E1

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“Anjin”

Shōgun has dropped on FX and I was able to watch the first episode on Hulu. I have not had the chance to watch episode two, which also dropped. I do thin that this is something that I will continue to watch.

Easily my favorite part of the episode was the arrival of Vasco Rodrigues, played by Néstor Carbonell, Richard himself from LOST. I loved him on LOST and Bates Motel, so it was great to see him once again.

This is a new take on the novel of 1975 and the mini series from the 1980s.

According to Wikipedia, “Shōgun follows “the collision of two ambitious men from different worlds and a mysterious female samurai; John Blackthorne, a risk-taking English sailor who ends up shipwrecked in Japan, a land whose unfamiliar culture will ultimately redefine him; Lord Toranaga, a shrewd, powerful daimyo, at odds with his own dangerous, political rivals; and Lady Mariko, a woman with invaluable skills but dishonorable family ties, who must prove her value and allegiance“

John Blackthorne is played by Cosmo Jarvis, and he does a good job filling the role made famous by Richard Chamberlain. Lord Toranago is played by another LOST alum, Hiroyuki Sanada. Lady Mariko is played by Anna Sawai.

I did not watch the mini series back in the 1980s, but I was aware of it. I was only around 11 years old and not interested in feudal Japan. Many decades later, I am more intrigued by the story.

This is beautifully shot and looked great. I am excited to keep watching the series. I should get to see episode two later this week and then I will be following along on Hulu as it releases weekly.

American Nightmare

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Unbelievable.

I have had this three episode true crime documentary on my list at Netflix for a few weeks now and I found a time to binge it tonight. What an unbelievable story. Shocking and outrageous in many ways.

Honestly, even the manner the show presented the story messed with the emotions and the comprehension of the audience. What actually happened? It laid out the story in a definite manner that was meant to have audience members draw their own conclusions… and then they flipped the script.

In 2015, Denise Huskins was the victim of a home invasion that led to her kidnapping. Her boyfriend Aaron Quinn reported the abduction the next day, claiming that he had been instructed that the kidnappers were watching him on a camera and that they would hurt Denise if he called the police.

The Vallejo Police investigated but the story of the kidnapping was so out there that they switched gears and began to believe that Aaron was responsible for Denise’s disappearance.

Then, she returned.

At this point, the police began thinking that this is a real-life case based on the Ben Affleck movie Gone Girl, and that this kidnapping was a hoax.

Except, it wasn’t.

This was amazingly compelling. The first episode focused on Aaron’s story and how the police were looking at the case. the POV of law enforcement was a major theme throughout all three episodes. I was shocked when Denise came strolling to her father’s house at the end of the first episode.

Episode two dealt with her story and the horrors that she went through. Again, her story was so wild that it was difficult to believe and it was much easier for the police to believe that a hoax was a much more likely scenario.

I really liked this doc because it had quite a bit of finality to it. A lot of these true crime docs that I have seen have an air of uncertainty to them, perhaps a mystery that is still unsolved. This may have had some unanswered questions (in particular, the kidnapper had told Denise that he had intended to kidnap Aaron’s ex instead of her), but there was a very definitive result which I truly appreciated.

It is a resounding accusation against police forces in the area that did not believe the stories of the women victims and instead, chose to relate it to a fictionalized movie. It also showed that there were police officers who took their jobs seriously and were dedicated to finding the truth, in particular Misty Carausu, a police officer with the Dublin Police Department in Dublin, California, who found the kidnapper, found goggles and a strand of long blonde hair that she eventually tied to Denise. It was the efforts of Misty Carausu that led to the arrest and conviction of the kidnapper/rapist, Matthew Muller.

This was an amazing documentary series, shocking and a powerful watch. I am very pleased that I decided to watch this compelling story.

The Greatest Night in Pop

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A great new documentary arrived on Netflix that featured the story of the recording of the classic 80’s song, We are the World.

There was a lot of recorded sections of the actual archive recordings with all of the artists involved in the amazing night. Starting after the American Music Awards were done, the recording session went the rest of the night and into the morning hours. 

Lionel Richie was one of the first interviews the doc had as he was a major factor behind the creation of the song. He and Michael Jackson wrote it, despite trying to get Stevie Wonder to be a part of it.

The artists interviewed for the doc included Richie, Bruce Springsteen, Kenny Loggins, Huey Lewis, Cyndi Lauper, Smokey Robinson, and Dione Warwick.

One of the interesting tidbits in the doc included the section with Sheila E talking about Prince and the desire of the people in charge to have Prince as a part of the song. 

Watching the process of these legends of music trying to put together this epic song in the limited time they had was fascinating. Seeing Bob Dylan struggle to get the line of the song out was amazing. You had Huey Lewis and Cyndi Lauper express their doubts and insecurities over being included with people that they looked up to for their whole lives.

Another awesome moment was when Quincy Jones thanked Harry Belafonte, whose idea led to this night’s work, and the whole crew broke into a version of The Banana Boat Song. That was an excellent moment from the doc.

This was a fantastic peek behind the curtain of one of the most amazing nights in music history. 

4.3 stars

The Best Little Whorehouse in Texas (1982)

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Happy New Year to everyone. We start the new year off around EYG with our second annual Genre-ary DailyView. This year, the genre we are watching will be musicals, and we are starting off the month with The Best Little Whorehouse in Texas, starring Burt Reynolds and Dolly Parton. The movie was an adaptation of the stage play that came before it.

The Chicken Ranch was a legendary place in the county of Lanville, in Texas. It had been open for decades with nary a problem. When its iconic madam passed away, Miss Mona Stangley (Dolly Parton) took over. She had been in a side relationship with Sheriff Ed Earl Dodd (Burt Reynolds) for years. He would protect the Chicken Ranch and make sure things went well for Miss Mona.

When consumer advocate and television personality Melvin P. Thorpe (Dom DeLuise) started to investigate the Chicken Ranch, things got more troublesome for the ladies of the night. 

There is an overall silliness to this movie that, I think at times, overwhelms the film as a whole. Dolly Parton and Burt Reynolds are no doubt charismatic figures and carry a heavy load of the film. When they are on screen, everything is working. 

Dom DeLuise added an antagonist that you can really root against without being a true villain. He seemed to be doing what he believed was right, even if some of the things he did would not be considered right. Charles Durning had a memorable turn as the Texas Governor and provides one of the best, most ingenious songs of the film.

I did enjoy the duet between Dolly and Burt, “Sneakin’ Around” even if Reynolds’ voice could not necessarily match that of Parton. 

Jim Nabors was the narrator, Deputy Fred Wilkins, speaking directly to the camera as the film would go on. Nabors played the basic character he did in his other TV appearances.

While there is nothing amazing about the film, The Best Little Whorehouse in Texas does have some fun scenes and some decent music and dance routines. It may not be a standout of teh Genre-ary, but it was a fun way to start the month off.

2023 Movie Musicals

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In honor of the upcoming Genre-ary DailyView starting on New Year’s Day 2024, I added a New Year in Review category: Movie Musicals.

I have always enjoyed a good musical, and there feels as if the genre has taken a turn back up over the last few years so this seems to be a good time to introduce this new award.

What is a musical? Well, I find this to be a little iffy of a definition that maybe everyone would not agree with, and that is okay. This is my site. To me, there is a difference between a movie that is a musical and a movie that features music. To me, a musical should have songs that just happen during scenes. This is Spinal Tap has a lot of music, but I do not consider that a musical. It is a movie with music. 

Having said that, a film like This is Spinal Tap could conceivably get this award, but I would consider any of the ‘pure’ musicals first. It is possible that there may be some years where there are no great musicals and I have to acquiesce to a movie with music instead. There are some examples below…

As a celebration of the musical genre, I have retrofitted the last ten years with honorary award winners (much like I did for the Christopher Reeve Comic Book Movie Award). These retro musical award winners are here:

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022)

To be fair, a few of these retro-winners would not necessarily fall into the “Movie Musical” category such as Whiplash, Inside Llewyn Davis and Pitch Perfect 2, but there were no standout musicals in those years that I could fine. Then, Mary Poppins Returns probably was selected because it was a more traditional musical over some much better Movies with music from that year. 

Anyway, for 2023:

Runners-Up: I had intended on giving this award to Wonka, but it got dethroned. It was a lot of surprising fun. Disney has a couple of entries here with Wish and The Little Mermaid, both solid musicals. Trolls back Together falls into the category and Leo was one I just watched and was surprised how much I enjoyed the music in that.

And that brings us to the winner, a film I saw TODAY…

Winner: The Color Purple

I loved this movie. It was so well done, with amazing acting across the board and some vey engaging music that had me bobbing my head and tapping my foot throughout. It came up to the final moment of my movie viewing for 2023 and ran away with this new award.