Author Archives: Doc

The Burial (2023)

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June 30, 2024

The June Swoon 3: A Cinematic Flashback draws to a close for this year with a film on Amazon Prime that I had on my radar for several months at the end of 2023, but one that I simply did not find the time to watch. I am glad that the June Swoon gave me the opportunity to see The Burial as it was an engaging and dramatic court movie.

Starring Jamie Foxx and Tommy Lee Jones, The Burial is based on a true story of a small business owner’s struggle to save his business in the face of a greedy corporation.

According to IMDB, “Inspired by true events, when a handshake deal goes sour, funeral home owner Jeremiah O’Keefe (Academy Award® winner Tommy Lee Jones) enlists charismatic, smooth-talking attorney Willie E. Gary (Academy Award® winner Jamie Foxx) to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice in this inspirational, triumphant story.“

I really loved the character played by Jones in this. He went against just about every convention you would have in a film, especially from a character played by Tommy Lee Jones. Nary a sign of a gruff, growly man. My favorite scene of the film was when Jones and Foxx were on Foxx’s plane and they played some music.

The best parts of the film were between Jones and Foxx as they had a tremendous chemistry on screen. They felt like true friends despite the natural differences between them.

The court scenes were also very well done as Jones gave an excellent person for whom the audience could relate to.

The Burial runs for over two hours but it did not feel like that. Nicely paced and brilliantly acted, The Burial was a wonderful way to wrap up the June Swoon 3.

The X-Files S5 E16

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Spoilers

“Mind’s Eye”

Season five X-Files episode number sixteen is next up for the X-Files rewatch and it was titled “Mind’s Eye.”

Lili Taylor appeared as blind woman Marty Glenn who seemed to be the main suspect of a murder of a drug dealer. She had blood on her, but that did not convince Mulder that she was guilty.

Mulder and Scully are called in to help out on the case. Despite the evidence that seemed to be loading up against Marty, Mulder believed that there was more going on than what we could see.

Marty Glenn was one of the most sarcastic and snarky characters we have had on the X-Files in quite a long time. I’m not sure why Mulder liked her. He does say that he admired her, overcoming her disability, having trained the remainder of her senses to be able to be anything but a hinderness.

It was a decent episode. Nothing special, but enjoyable.

The Bear S3 E3

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Spoilers

“Doors”

Another absolutely tense and stressful episode as we see several days at the Bear and how the conflicts are driving everyone nuts.

Carmy, Richie and their baggage exploded at least once and threatened to do so several other times. The stress of having to do everything perfect is pushing the chefs to their breaking point. Oliver Platt made another guest appearance raving over the cost of what was being purchased. He said the restaurant was filled every night, but why was their no money?

And after every intense scene, someone hollers “doors” indicating that everything is starting over again.

Things are at a high level of intensity at The Bear and it is clearly leading to trouble.

By the way, Carmy had another round of flashbacks during a particularly stressful moment in the kitchen, making me wonder if that PTSD comment I made from episode one was right on the money. How these flashbacks are triggers for Carmy when the PTSD is getting to high.

Need to take a break from this show for a little bit. It is so anxiety-filled that I feel the same way. It is amazing, but I just do not like the binge method for this show. Needs some down time with it.

The Bear S3 E2

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“Next”

Man.

I was going to say that the scene in the back of the restaurant was amazing, but it kept going, adding more people to the scenes and, eventually, basically became the entire episode. It was astounding.

How do you go about filming a scene like that? I mean, a scene with so much back and forth, rapid fire dialogue and consistently increasing tension among the actors. It felt like a one take, but it couldn’t possibly be one. This featured relationships between all of our main characters, with the relationship between Carmy and Richie absolutely ripping through the entire conversation.

This episode was total fire and I think it is really setting up the conflict for the remainder of the season and I feel as if Carmy may have some major results of these conflicts heading his way. He is a ticking bomb in this episode and how much more can he absorb?

The Bear S3 E1

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Spoilers

“Tomorrow”

WTF was that?

I have to say that the first episode of season three of FX’s series The Bear (which is listed as a comedy for awards consideration, but there are not very many laughs inside), was a visual trip. About half way through the episode I had to stop and go back to read a synopsis of the final episode of season two to try and remember exactly what happened to see if I could determine what was going on.

I did not succeed.

I am guessing that this flashback episode, which jumped between moments from Carmy’s distant and recent past, was designed as a consciousness of thought. In my research, I found a site that mentioned that flashbacks could be a sign of PTSD, or perhaps dissociation (Tully, verywellmind). I found that intriguing since the final episode of season two certainly put Carmy through the ringer, being trapped in his freezer, breaking up with his girlfriend all on the night of his big opening for the restaurant The Bear, albeit friends and family night.

Could this first episode be a mental response from Carmy for the trauma from the first night?

Some of the moments we saw in the flashbacks we had already seen, such as the flashback to the family dinner from season two episode “Fishes” and we saw scenes that I either did not remember or that we new. I do not remember seeing the phone call from Sugar to Carmy dealing with their brother’s suicide.

This first episode absolutely required the viewers to stop and give the show its complete attention because there was no straightforward narrative structure to the episode, but it provided some deep investigation inside the mind of Carmy.

The Bear is currently streaming on Hulu and on Disney +.

Reality (2023)

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June 29, 2024

It is the penultimate film in the 2024 June Swoon today on June 29th and it was one on Max called Reality.

I was not sure why the title of the movie was Reality, but soon I learned that it was named after the main character, Reality Winner, a real life American intelligence leaker from 2017. The film itself is based on the recordings from the real life interview of Reality Winner by the FBI as they searched her home for any evidence that she had sent classified materials to an online publication.

Sydney Sweeney played Reality and she did a fantastic job. This was one of my favorite performances for Sweeney and from this you can see why she is considered one of the up-and-comers in the world of entertainment.

The dialogue of the movie reportedly came directly from the recordings of the day, including a bunch of the small talk that ensued between Reality and the FBI agents, specifically with agents Garrick (Josh Hamilton) and Taylor (Marchánt Davis). Some of the dialogue was uncomfortable and could be considered cringe, but you could feel the tension of the moment with every word.

The film does a cool thing when it comes to parts of the questioning that needed to stay confidential. The film does a glitch type thing and reappears after the part is done. This is a clever way to conceal info that needed to remain hidden.

Tina Satter directed the film, which she also co-wrote. She had originally adapted the transcript into a stage play entitled Is This a Room. Reality was Satter’s first directorial debut.

The film was well done and highlights the talents of Sydney Sweeney. It is available for streaming on HBO Max.

EYG Comic Cavalcade #104

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June 28, 2024

Another big comic week. Todd brought me a bunch of Amazing Spider-Man Vol. 2 issues. I mean… a bunch. I also was able to finish up my New Warriors Vol. 1 collection as issues #70 and 72 arrived from eBay. It was a big week from eBay again as I got some of the original Tick series, some Peter Parker Spectacular Spider-Man original issues and the one issue of Spider-Man/Deadpool that I was missing.

I finished the rebagging/reboarding/reboxing of the collection. It was a major goal that I had set for this summer, and I was able to complete it early because I had started early. It was also the first week in awhile that I did not buy bags or boards at Comic World. Ah… freedom!

Next up is the organization of the collection. I started that this week too and discovered that it is going to be an even biggest task. Books are scattered all over the place. All in boxes, but it might take even longer to organize than it did to rebag etc.

Anyway, new books this week:

Animal Pound #4. “Titan’s Bad Day” Written by Tom King and illustrated by Peter Gross. Variant cover art by Yuka Shimizu. Piggy’s power play of rabbit-eating has led to even more control. The political metaphor going on here is very obvious and filled with thrill.

Void Rivals #10. Written by Robert Kirkman and art by Lorenzo De Felici. Variant cover art by Cory Walker. Darak and Solila seem like they were making it after round two between Springer and Proximus. However, it looks like things are only getting worse.

X-Men: Heir of Apocalypse #2. Written by Steve Foxe and penciled by Netho Diaz. Cover art was by Dotun Akande. The war for the right to replace Apocalypse as the Earth’s mutant ascension moves on with Apocalypse’s son Genocide’s arrival. Some of the contenders are not going to make it.

Superior Spider-Man #8. “Superior Spider-Man, No More” Written by Dan Slott and penciled by Mark Bagley. Mark Bagley & Edgar Delgado did the cover art, which was an homage to Amazing Spider-Man Vol. 1 #50 (one of the most iconic covers of all time). The final issue of this series sees the end of Doc Ock’s plan to take over the world thanks to Spidey, Spider-Boy and Anna.

Rook Exodus #3. Creators: Geoff Johns and Jason Fabok. Cover art by Jason Fabok and Brad Anderson. Rook and Dire Wolf are coming together with other wardens to face off with the bear warden, Ursaw. Sides are being drawn and trouble is here.

Midnight Sons: Blood Hunt #2. Written by Bryan Hill and art by German Peralta. Cover art was done by Ken Lashley & Juan Fernandez. Tulip, Johnny Blaze, Victoria Montesi and Ghost Rider are teaming up trying to find out why Blade has become the head of all vampires. Blade is here to let them know.

Jackpot & Black Cat #4. Written by Celeste Bronfman and art by Emilio Laiso. Varian cover art by Betsy Cola. The final issue of the latest team up between Felicia and Mary Jane see them taking on the Owl and his men as well as Felicia’s girlfriend, Amelia. I do like the friendship between MJ and Cat, even if I wish MJ would not be a super hero.

Vengeance of the Moon Knight #6. “Under the Same Moon” Written by Jed MacKay and art by Devmalya Pramanik. David Paratore did the cover art. Reese, Soldier and 8-Ball are trying to bring as many bystanders they can to the Midnight Mission. And everywhere they turn…vampires. Of course, two of them are also vampires. With no Moon Knight in this series, the side cast has done a great job of keeping it going until things get straightened out.

Spider-Gwen: Ghost-Spider#2. “Haunted Part Two” Written by Stephanie Phillips and drawn by Federica Mancin. Mark Brooks did the cover art. Peter, Miles and Silk are trying to find out what Gwen Stacy is doing in the 616 universe. She’s not telling. And the Chameleon is here to cause trouble.

Union Jack the Ripper: Blood Hunt #2. “Blood Ties” Written by Cavan Scott and penciled by Kev Walker. Rod Reis did the cover art. A more brutal and bloody Union Jack than we are used to before. Union Jack has come into his own fighting vampires in Blood Hunt.

No/One #9. Written by Kyle Higgins & Brian Buccellato with art by Geraldo Borges. Nicoletta Baldari did the virgin variant cover art. Prop 87 has passed and chaos ensued. Violence has broken out across Pittsburg and even No/One is not sure what is going to happen.

Something is Killing the Children #38. “Road Stories Part Three” Written by James Tynion IV and art and cover art by Werther Dell’edera. Another single issue story of Erica Slaughter and her past. She has been injured and is hiding out in a treehouse. It’s not as calm as that sounds. I’m really liking these stand alone issues for now.

Plastic Death & Dolls #1. Written by Doug Wagner and art and cover by Daniel Hillyard. What an interesting first issue this was. Two pages in and we have a decapitation. And it looks like our protagonist is the one who is doing it. Is he a serial killer? I am excited to find out. I am pleased to finally get this first issue which was actually out a couple of weeks ago.

Blood Hunt #4. Written by Jed MacKay and drawn by Pepe Larraz. Larraz & Marte Gracia did the cover art. The big crossover series continues to make exciting action. We discover why Blade has done what he has done…and we get a return from Moon Knight. Marc Specter is alive once again as Khonsu finally is free from his Asgardian prison. Blood Hunt has been a lot of fun so far as it is down to about a month remaining.

Zatanna: Bring Down the House #1. “Book One” Written by Mariko Tamaki and drawn by Javier Rodriguez. Variant cover art was by done by Stanley “Artgerm” Lau and Jorge Jimenez. Todd made me buy this DC book. He was right. This was very good and I enjoyed the take on Zatanna. I was different and had a mystery behind it.

Universal Monsters: Creature of the Black Lagoon #3. Written by Dan Watters & Ram V with art and by Matthew Roberts. Cover art by Matthew Roberts & Dave Stewart (Bronze Medalist). This has been an excellent use of the Creature of the Black Lagoon and there is quite a twist at the end of this issue, the penultimate one for the mini series.

Department of Truth #23. Written by James Tynion IV and drawn and cover art by Martin Simmonds (Silver Medalist). YES! It is the return of Department of Truth! I did not think this was going to happen, and as I caught up with the series during the EYG Comic Catch-Up, I was sad when issue 22 seemed to be the final one. After a long intermission, this is back again and this was a great issue. There was some member-berries involved here, but it was awesome. This was a big week for James Tynion IV as this came out, there was a new Blue Book 1947, W0rldtr33 and Something Killing the Children.

The Spectacular Spider-Men #4. “Chapter Four: The Pitch” Written by Greg Weisman and penciled by Humberto Ramos. Cover art by Humberto Ramos and Edgar Delgado (Gold Medalist). Arcade and Mentallo are showing off their new technology by screwing with Peter and Miles. Peter and Miles are preparing to square off against each other.

Redcoat #3. Geoff Johns & Bryan Hitch are the creators. Bryan Hitch & Brad Anderson did the cover art. Todd told me to read this one right away. It was okay. I do like the way this book has been using the historical figures in the story. This has been my favorite of the Ghost Machine books.

Daredevil #10. “Introductory Rites Part Ten” Written by Saladin Ahmed and art by Juann Cabal. Cover art was done by John Romita Jr., Scott Hanna & Richard Isanove. When one of the kids of Father Matt’s home finds the Daredevil costume, all things go wrong. But Matt can’t focus in on that because Kingpin is here… and possessed by one of the demons that Daredevil has been battling recently.

Wolverine: Madripoor Knights #5. “Heroes Rise Again” Written by Chris Claremont and art by Edgar Salazar. Phillip Tan & Sebastian Cheng did the cover art. The final showdown between Cap, Wolvie and Black Widow and the Hand happens here. There was some decent character development for Cap this week.

Thanos Annual #1. “The Infinity Watch” starts. This is a storyline that is going to go across some of the annuals as Thanos, with the newly formed Death stone, is in search of the stone bearers of the other infinity stones. We also learn who the new Death stone bearer is… and it was Phillip Coulson! Welcome Back Phil!

W0rldtr33 #11. Words by James Tynion IV and art and cover art by Fernando Blanco. The internet is down and the world is in a chaotic situation. The W0rldtr33 crew is on it, but Gregory seems to be opposite that. Everything is coming together into an intriguing sotry. It has been tough to follow at times, but I enjoyed this issue quite a bit.

Magik: Blood Hunt #1. Written by Ashley Allen and drawn by Jesus Hervas. Rod reis did the cover art. This one shot includes some excellent story involving Illyana Rasputin. Magik has always been one of my favorite New Mutants/X-Men so it was cool to see her featured in this one shot.

Black Widow & Hawkeye #4. “Broken Arrow Part IV” Written by Stephanie Phillips and art by Paolo Villanelli. Stephen Segovia and Jesus Aburtov did the cover art. This series wrapped up as the symbiote is shared around by Natasha and Clint. Clint as the symbiotic archer was a pretty cool sight, even if I am not a huge fan of having so many symbiotes running (slithering?) around the Marvel Universe.

Blue Book 1947 #5. Written by James Tynion IV and art and cover art by Michael Avon Oeming. The second volume of Blue Book ends its run with the story of Project Blue Book and its eventual end. It is a continually fascinating book and I am hoping we see more of the UFO storytelling in the future.

Other books this week: Grimm #18, Drawing Blood #3, Rare Flavours #6, Project: Cryptid #10, X-Men ’97, Ultimate Black Panther #5, Nights #8, and Blood Squad Seven #2.

A Quiet Place: Day One

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The original A Quiet Place was one of the best movie experiences I have had in a theater. The tension in the theater, with everyone being just as quiet as the actors were on screen was an amazing atmosphere. It has not been rivaled in that manner since.

That does not mean that this new film, a prequel to that first film was not good. On the contrary, I found this new film, A Quiet Place: Day One, starring Lupita Nyong’o and Joseph Quinn was a very engaging and intense film.

A woman named Sam and her service cat Frodo found herself trapped in New York City on the first day of an alien invasion. The aliens responded and attacked with their amazing hearing forcing everyone to be as quiet as they could be.

I am reminded just what an exceptional actor Lupita Nyong’o is. Her portrayal of Sam was exceptional, displaying every bit of anxiety and stress with the most limited dialogue possible.

And early on during the film, I thought to myself, “If that cat dies, we riot.” Maybe that was an exaggeration, but the cat had some great moments in the film as well.

I did not realize that the other actor playing against Nyong’o was Joseph Quinn, who has been cast as the next Johnny Storm, the Human Torch in the upcoming MCU film Fantastic Four. I found this performance from Quinn as Eric to be very solid and working extremely well with the nearly silent Sam. Johnny Storm seems to be in capable hands with Quinn.

The film also had Djimon Hounsou as Henri, but he was not used to the level that one would expect. I wonder if this is intended to be the same character that he played in A Quiet Place Part II as IMDB only lists him as “Man on Island” in that film. Overall, Hounsou felt more wasted than anything else.

One of the few nitpicks that I had with this film was it sure seemed as if the whole ‘sound attracts these monsters and that you can avoid them if you are really quiet’ concept was figured out too quickly. I kept wondering how they figured that little tidbit out in such a rapid manner. It did not pull me out of the film, but I did think about it several times throughout.

The relationship between Sam and Eric was very original and strong, again because so much of their interactions came sans dialogue, I was connected to them, and it was not just because of the cat.

The sound design of this series of films has been sensational, and Day One joins in with them beautifully. The little sounds that were suddenly amazingly loud because of the way the aliens hear it was anxiety-creating and built amazing tension.

Of course, in the first couple of films, the focus was on a major character who was deaf. Here, Nyong’o had something else that I won’t spoil, but you learn about in the first ten minutes that really set the stakes for her character in an unexpected way.

Admittedly, the gimmick of the aliens who are attracted to sound has been played out a bit, but this film makes it work with the way it created a new group of characters and made us care for them. Then, by casting some excellent actors in the roles, you elevate what could have been just another monster movie into more than that, while still maintaining the aura of the original and sequel. I am not sure that I wanted another A Quiet Place movie, but I am glad that I got one.

4.2 stars

You Hurt My Feelings (2023)

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June 28, 2024

Julia Louis-Dreyfus starred in today’s June Swoon 3, a film called You Hurt My Feelings, an A24 film that follows her life as writer.

Louis-Dreyfus played Beth, a writer who overheard her husband Don (Tobias Menzies) telling his friend that he really did not like the new book that she was writing. This bit of honesty sent Beth on a spiral, doubting everything in her life and putting her marriage under a scrutiny that she had never had before.

The film was fine. Julia Louis-Dreyfus is funny and she delivered her performance in the slow, real life tone. The film builds a series of events together, showing a full picture of her and her family’s life.

Some could consider the pace of this film to drag on, but I liked the simplicity of the presentation. The film takes its time it spends with each character to really reveal what they were like. Nothing major would happen to any of them, but these seemingly unimportant moments all had a powerful impact on each person.

The film does take time with Don as well, looking at his job as a therapist, a job that the film seems to be implying that he is not very good at. He has several clients that come in to air their problems with Don, to little success. Amber Tamblyn, David Cross, and Zach Cherry are standouts among the therapy sessions.

This had a definite independent movie feel to it. It is not flashy but it was an entertaining film with some thoughts on the little white lies and their effects.

Horizon: An American Saga-Chapter One

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A three hour, chapter one Western?

Kevin Costner’s epic Western Horizon: An American Saga debuted this weekend. At least, the first part of the movie debuted this weekend while Chapter Two will arrive in August.

This film looked beautiful. There were some decent performances. However, the film has its share of problems that outweigh the positives.

What are the problems? Well, there are a bunch of characters and storylines and it feels as if there are too many. Even for three hours, they bounced around to these different storylines, all that were interesting to be fair, and it never got a good feel for any of them. There were so many characters that half the time, I was never sure who was who and what each one of them were doing.

It did feel as if Kevin Costner wanted this film to be sweeping, with multiple plots going on at once, and it felt as if some of them should have been tightened up or removed to make it more cohesive.

The last five minutes of the film featured, I assume, scenes put to music from the next film. This montage was confusing and felt silly.

There were scenes that were enjoyable, but I just do not think it matters because the story is so scattered and the characters are not as developed as they should be.

2.8 stars

The Boys S4 E5

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Spoilers

“Beware the Jabberwock, My Son”

I never thought a chicken flying through someone’s chest would be as scary as it was.

And monstrous, flying sheep tearing people apart?

Sheep that are able to tear apart a Compound V-riddled bull?

Okay. The Boys ending with “Old MacDonald” over the closing credits.

This show is something else.

Stuck in with the crazy killer animals hopped up on V, you had a beautiful send off with Hughie’s dad (after he butchered a bunch of innocents, of course), the return of Giancarlo Esposito, Butcher being Butcher (which means horrendous betrayal and lies, I guess), and Frenchie’s guilt driving him to a new level.

The Boys is crazy.

Oh, and I forgot about Homelander and his new way of manipulating Ryan. One way that really seems to be working. Again, Antony Starr deserves an Emmy nomination (if not win) for his performance. This year has seen even a deeper psychological depth to Homelander than we have seen previously. He continues to be one of the most frightening things on this show.

Has Butcher finally taken it too far? His obsession has turned him into a MFer with a heart of gold to a monster. He would be happy to see Starlight and Kimiko fall to this virus as well as any other supe.

I am afraid for A-Train. His redemption arc this year has been awesome, but does he stand a chance?

I also loved the shade tossed at the MCU with the Vaught movie announcements. That was funny.

Infinity Pool (2023)

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June 27, 2023

I avoided this movie not only when it was in the theaters, but this month during the June Swoon 3. I had a feeling that this would not be a film that I would enjoy. Infinity Pool was a Brandon Cronenberg directed film. Brandon’s father is David Cronenberg, who was renown for his body horror films. I am not big on the body horror.

Despite my hesitancy, I gave Infinity Pool a chance on Hulu.

Boy, was I right.

I did not enjoy this movie at all.

According to IMDB, “While staying at an isolated island resort, James (Alexander Skarsgård) and Em (Cleopatra Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi (Mia Goth), they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror“

I will start with the positive. Mia Goth is a star. She has been amazing in other films such as Pearl and X and she is just as frightening here. I look forward to seeing her career move on.

That was about it. I had no character in this movie that I could support or root for. They were all just horrific people. I think I was meant to cheer for Alexander Skarsgård’s character, but I found him unlikable in just about every way.

The bizarre sequences of the film were not enjoyable to watch for me and just did not engage me with the story.

It was unsatisfying and I was right to skip it last year. I wish I had skipped it this year too.

EYG Favorite Comic Covers of the Week

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Week of June 24

Welcome back to the EYG Favorite Comic Covers of the Week! Another strong week of covers through the BUNCH of books I bought.

Bronze Medalist

Universal Monsters Creature from the Black Lagoon #3

Cover art by Matthew Roberts & Dave Stewart

I believe this is the third cover from this comic that has earned a medal. Impressive since it has only had three issues in the series so far.

Silver Medalist

The Department of Truth #23

Cover art by Martin Simmonds

The Department of Truth returned after a long intermission. I love the look of the cover, featuring what appeared to be the Kennedys with the series’ typical blurred imagery.

Gold Medalist

The Spectacular Spider-Men #4

Cover art by Humberto Ramos & Edgar Delgado

As soon as I spotted this cover, I knew it was going to be gold medal winner this week. I love the visual with the glass shattering, breaking the fantasy worlds of our heroes. The light blue on the yellow background really makes this impressive.

Flora and Son (2023)

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June 26, 2024

How have I never seen anything about this movie before?

What a wonderfully charming movie. From the director of Sing Street, Flora and Son is a story of a single mom Flora (Eve Hewson) who has had trouble connecting with her 14-year old son Max (Orén Kinlan). One day, in an attempt to find something for her son to do, she rescued a guitar from the dumpster. When he rejected it, Flora decided to take online lessons to learn the guitar herself and she found a guitar instructor Jeff (Joseph Gordon-Levitt) who changed her life.

This film is a love letter to music and its power to create, heal or maintaining relationships, even those that feel as if there is no possible way for those relationships to work.

The film has a complicated relationship between Flora and Max at the center, a mother and son who seem to barely stand each other, but their eventual similar love of music started to repair their bond.

The relationship with Flora and Jeff is one of the most fascinating ones of the film as they never meet face to face, only over the internet. However, the film uses some clever ways to show this online relationship that helps create a connection that benefitted both of them.

Ewe Hewson is tremendous as Flora. She is the ultimate standout of the movie and her performance carries most of the film. I found her so appealing that I bought every relationship she had and I rooted for her to be a better mom. Orén Kinlan was solid too, bringing the typical brooding teen more depth than you would think.

I did not expect to enjoy this film as much as I did, but I loved Sing Street and the vibe definitely matches that one.

20 Days in Mariupol (2023)

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June 25, 2024

“Wars don’t start with explosions. They start with silence.”

Today’s June Swoon 3 film is another Oscar winner that absolutely rips at your soul and had me crying within the first 20 minutes. 20 Days in Mariupol won the 2024 Best Documentary Academy Awards this past March with this chilling look at the Russian invasion into Ukraine, specifically into a coastal city called Mariupol.

Three AP journalists, led by Mstyslav Chernov, who wound up writing, directing and appearing in the doc, end up the final journalists inside war torn Mariupol, dedicated to getting their footage out of the country to show the world the atrocities being committed by Russian soldiers.

Absolutely heart-wrenching as the footage showed men, women, children being torn apart by the shrapnel and the bombing of civilian structures. As I watched, I was taken aback by the continued filming of these tragedies and how the Ukrainian people, for the most part, wanted the filming to continue. I guess the desire to show the world what was happening, to be able to record the travesty was vitally important to everyone involved.

The switching to news clips of Russian representatives claiming these images and film was of actors, that it was “fake news” was downright sickening. The use of that phrase to try and minimize the truth and throw shade at the media is obscene, and I am ashamed of how that term has been used in the US as well as abroad.

The film was so raw and painful to watch these innocent people suffer through because of the aggression of an occupying force. As painful as it was, it also was a homage to the power of the human spirit and the dedication to one’s craft in the face of real-world horrors. This was harrowing.