Preparing for 20 Years Later which will be released later in the month of June, I wanted to rewatch the first two films of the franchise. I was up to 28 Weeks Later, the sequel to 28 Days Later.
28 Weeks Later was different than the first film, but it was still very intense and anxiety-filled. The second film listed Danny Boyle and Alex Garland as producers, but the direction was done by Juan Carlos Fresnadillo.
Then, 28 Days Later featured a cast with not very many big stars, where as 28 Weeks Later would be considered an all-star cast. The cast of 28 Weeks Later included Jeremy Renner, Idris Elba, Robert Carlyle, Harold Perrineau, Rose Byrne, Imogene Poots, Catherine McCormack, Amanda Walker, and Mackintosh Muggleton.
According to IMDB, “Almost six months after London was decimated by the unstoppable Rage Virus in 28 Days Later (2002), the U.S. Army has restored peace and repopulated the quarantined city. However, the deadly epidemic reawakens when an unsuspecting carrier of the highly transmittable pathogen enters the dead capital with the first wave of returning refugees. This time, the horrible virus is more dangerous than ever. Has the next nightmare begun?“
This was a solid sequel to the first film and this brought a serious vibe to it. The desperate struggle to survive was even more in effect here as our protagonists faced so many more obstacles than just the return of the “Rage” virus. The military brought yet another level of threat to our characters.
Robert Carlyle, who played Rumpelstiltskin in Once Upon A Time, is amazing in this film. He kicked things off making a choice that gives us a glance at his character, but you can understand where he was coming from. It did not make him look any better even if you do understand. I loved Jeremy Renner in this movie, even if I had a hard time thinking about him as anyone other than Hawkeye.
There were some scenes that really stretched credibility here. These scenes add tension to the story, even if they are unbelievably unlikely to actually happen.
I do believe the first film was a tighter story and the second one is a little messier. Some of the scenes of the infected attacking others remind me of scenes when Killer Bob would attack someone on Twin Peaks Still, the shots did feel more artistic than just gory.
I do not expect any connection between these two films and 28 Years Later, outside of the “Rage” virus because of the length of time. I am still pleased that I was able to watch these two films before 28 Years Later comes out.
Later this month, 28 Years Later will be released in theaters. The trailers to that movie look sensational so I decided to look back on the previous two films in the franchise both of which I have only seen once before. First up was 28 Days Later.
Directed by Danny Boyle and written by Alex Garland, 28 Days Later sets up the world as we see a group of animal right activists free a group of monkeys that, according to the scientists, had been infected with the “Rage” virus. The activists ignored the warnings and immediately discovered that they had made a serious error. The virus spread across Great Britain leading to the collapse of society.
Jim (Cillian Murphy), a bicycle courier who had been involved in an accident prior to the outbreak, awoke from a coma to find the world a much different and more violent place. London seemed deserted as Jim walks through the city in search of anyone.
This beginning reminded me of the beginning of the Walking Dead, with Rick awakening in a deserted hospital only to find the world had changed while he was unconscious. Obviously Robert Kirkman took inspiration from this movie for the idea for the comic book.
Cillian Murphy was excellent as the desperate Jim, struggling to survive in this savage world. Naomie Harris, Christopher Eccleston, Alex Palmer, Toby Sedgwick, Brendan Gleeson, Noah Huntley, Christopher Dunne, and Megan Burns filled out the cast of the film.
The tension built through the film and, as we see in many of these films, the theme of man being the real monster comes through strong in this. The second half of the movie was as nerve-wracking as you are going to find.
Despite the horrendous world around them, the film ends with a great message of hope.
This was another movie that I wanted to see in the theater, but it would just never fit into the schedule. I do enjoy Led Zeppelin, though I do not know if I would call myself a fan. I was happy to see this documentary pop up on Netflix.
Led Zeppelin was Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. They came out of the sounds of the late sixties in Britain with powerful rock that helped inspire heavy metal of the 70s and 80s.
This documentary featured interviews from the members of the band, mixed with unseen concert footage.
Some of this documentary actually reminded me of This is Spinal Tap, the mockumentary of the fictional band Spinal Tap, particularly the concert they played early where the crowd was clearly not the target audience for Led Zeppelin: older people and kids holding their fingers in their ears.
You also saw footage of Jimmy Page using a violin bow on his electric guitar, which reminded me of solo scene from This is Spinal Tap where Nigel Tufnel used a violin to play his guitar. You can see where Spinal Tap had been inspired by Led Zeppelin.
The music truly is the star of this documentary. The doc spent a great deal of time with the band and the focus was on the first two albums. Looking at the music through the voices of the band is the strength of this movie.
I missed Stairway to Heaven, which I know is on the fourth album, but the doc was solid despite that.
On HBO Max, I was looking at my watchlist and I chose to watch Y2K for today’s June Swoon.
As the Grail Knight from Indiana Jones and the Last Crusade said…
“He chose poorly.”
Y2K is a movie. I regretted picking this movie five minutes into it.
According to IMDB, “Two high-school nobodies make the decision to crash a Y2K party. The night becomes even crazier than they could have ever dreamed when the clock strikes midnight.“
I do like Jaeden Martell (It) and Rachel Zegler (West Side Story and Snow White). They are so much better than this garbage.
You know that you are in trouble when the best moment of the film is Fred Durst singing George Michael’s “Faith.” Yeah, that happened.
I don’t want to waste any more time on this. What a terrible movie.
I watched a series of X-Files episodes during the ninth season this afternoon. I’m hoping to wrap up the rewatch of the X-Files this summer, and this was a big step in that direction.
“Underneath”
I found this episode was similar to many other episodes this season. I realized this watching this episode. This season, Doggett, Reyes and Scully rarely actually investigated an X-Files. The cases that they were investigating coincidentally become X-Files, but they were not brought in because of their expertise in the X-Files. This episode did have a neat story about a serial killer who had a different personality.
“Improbable”
And as soon as I was coming up with my theory about cases not being X-Files, episode 13 had Scully come into the X-Files office and Monica laid out the case on the overhead projector just like Mulder used to do. Burt Reynolds guest starred in this episode as, I guess, God. I found this to be a silly episode involving some numerology. This serial killer was killing people based on this numerology, though that was never really explained.
“Scary Monsters”
I think this was my favorite of the run of episodes, although there were plenty of weirdness and silliness here too. A boy who can project some kind of images, making people believe they were seeing or feeling things that they were not. Agent Leyla Harrison returned from an episode from a previous season trying to recruit Scully first and then Doggett and Reyes to look at a case that she claimed was an X-File. Scully’s end of the case was particularly enjoyable as she was given the comedic aspects of the episode, including an autopsy that she wound up performing on a cat. There were a bunch of allusions made by Agent Harrison to previous X-Files episodes, which were fun little tidbits.
“Jump the Shark”
This felt like a final wrap up of the Lone Gunmen spin-off series that lasted 13-episodes on FOX. The show brought back former Man in Black, Morris Fletcher, played by Michael McKeon, from episode “Dreamland” from season six. This led to the Lone Gunmen sacrificing their lives to prevent a release of a virus. I remember being shocked and angry when the Lone Gunmen died in this episode.
I do hate the term “Jump the Shark” which this episode was named after. The term is based after a Happy Days episode where the Fonz legitimately jumped a shark on water skis. The term has come to mean when a TV show has peaked and is in decline. The reason I hated the term was that people started to use it any time that they did not like something that was on a show. It was one of the first comments that would lead to such a negative discourse on the internet.
If this would be the end of the Lone Gunman, there should have been more Scully in the episode. She only had a small bit at the funeral at the end. She said how important they were to her, and I would have liked to have seen more of that during this episode.
“William”
This episode was directed by David Duchovny and dealt with the baby of Scully, William. There was a burnt man who was captured and Doggett believed that this was Mulder. The show made it seem like this burnt man was Mulder, but Scully never believed that was the truth. It turned out that it was Jeffrey Spender, Mulder’s half-brother and the son of Cigarette Smoking Man who was supposedly killed by CSM. That was a good twist. It was all about getting to William and make him human. That was a bizarre storyline element that did not make much sense.
However, I do think that the idea that Scully put William up for adoption to keep him safe from the aliens and anyone else makes a lot of sense and it put a period on the William story for now. I know William returns later in the newer seasons, but this worked well for this season.
Death of a Unicorn was in theaters earlier this year and it was one that I wanted to go to see. I never got around to seeing it. Anytime I had a chance, there were other films that were ahead of it and it never fit into my schedule. Then, a rotten score on Rotten Tomatoes kept me away from it. With the June Swoon 4 adding a film a day from 2025, this worked out well to finally see it off Fandango at Home.
According to IMDB, “A father and daughter accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss seeks to exploit the creature’s miraculous curative properties.“
Surprisingly, I found Death of a Unicorn to be a fairly entertaining movie, featuring unicorns in manners that you do not usually see them. Paul Rudd and Jenna Ortega are wonderful together as father and daughter and they give us a pair to root for among the group of generally unlikable people.
The talented cast included Richard E. Grant, Tea Leoni, Will Poulter, Steve Park, Sunita Mani, Anthony Carrigan and Jessica Hynes.
The film has a message of greed and selfishness, hidden behind the guise of helpfulness. You could easily make an allegory of this movie and the pharmaceutical industry. It also does a good job of taking what is usually seen as a magical creature and turning them into a fearful force.
Admittedly, some of the characters were lacking much depth and the CGI had some moments that were not outstanding. Still, I found most of the drawbacks to the film to be less important and not take away from the overall presentation.
I thought this was much better than I expected and I was pleased with the opportunity to have watched this.
Today’s movie from the June Swoon is on HBO Max and it starred Kristin Stewart.
The film, a dark, erotic crime thriller, is directed by Rose Glass. There are some great scenes of violence and erotica in this movie. The acting is top notch and the shocks are all over the place.
According to IMDB, “Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.”
It started following the relationship between Lou and Jackie as Jackie prepared for a bodybuilding contest. When Lou’s sister ended up in the hospital at the hands of her husband JJ (Dave Franco), Jackie took her own ‘roided-up rage out on him. This forced Lou into a position to try and help her love.
As the film progressed from this love story into a crime thriller, Lou’s criminal father Lou Sr (Ed Harris) got involved, trying to pit Jackie and Lou against each other.
The third act went way off the charts as something very bizarre took place that made you look differently at this film than any other one. It is hard to speak about it without spoilers so lets just say that I think it might be metaphoric at the end.
That final scene or two really threw off my thoughts about this film. It felt like something that was tense and real made, dare I say, silly.
Kristin Stewart was great as Lou. She seems like she has always had great performances since Twilight ended. Ed Harris brings some menace to the film too.
Not sure what happened at the end and why it went this way. Still, most of this movie was strong and the end did not completely waste that good will.
Monica gets involved in a car crash where a drunk driver hit her and she is taken t the hospital. There it appears that she is brain dead, though her body is still functioning. John refuses to accept the evidence before his eyes, despite the fact that everyone, including Scully, does not believe him. Monica is actually in a deserted hospital and she can only see a few other people there.
One of the people in the mysterious hospital was named Audrey and she was able to be in both the mysterious hospital and the real world. Turned out that she somehow created the mysterious hospital (along with a tiny dollhouse type of hospital) in her mind, I guess. The form this takes is not overly clear, nor how or why she was able to do this.
Another issue was the doctor, played by Jack Blessing, who was known as Mr. MacGillicuddy on Moonlighting, was poisoning patients and putting them into these brain dead situations to… I don’t know… help them die after that? MacGillicuddy’s motives were not explored too deeply. However, he did kill off a nurse who saw him give a shot that was not on the charts, and, eventually, Audrey. I don’t know why MacGillicuddy took such a dark turn after Moonlighting went off the air. Heck, if I remember Moonlighting, I think MacGillicuddy died in the last episode. Maybe he was in this mysterious hospital then.
I’m kidding of course. There is just so much unexplained, even for an X-Files episode, that I had some trouble buying it. It also does not help that Monica is one of my least favorite characters on the show. I was impressed with Robert Patrick’s performance. He brought some solid work grieving the woman that he loved.
Admittedly, the love Doggett felt for Monica seemed to be fast tracked here. I got some implication that they had feelings for one another, but nothing to this extent until this episode. Still, I can let that slide. I do have an issue with Doggett not telling Scully what he thought was happening. He said once that Scully would think he was crazy… but he should know by now that Scully always listened to crazy theories and never outright dismissed them. You would think that John would know that by now.
Overall, there were some interesting ideas here, and some solid to great performances. There are just too many things lacking in my opinion for this to be anything but a mid episode.
Duster kicked off the episode with Jim picturing himself in a Looney Tunes cartoon, specifically the Road Runner cartoons.
No… really.
Jim was worried that he was being pursued by an assassin, and it translated perfectly into the world of Looney Tunes.
Meanwhile, Nina and Awan head into Navajo country, something that would hit close to home for Awan.
Duster also seems to have a thing for special items. Last week it was Elvis’s blue suede shoes. This week it is Howard Hughes’s car.
That car ends up being a huge piece in a confrontation between Jim and the assassin sent after him as Jim continues to show his creativity and his charm in dealing with people.
Of course, he has lost Hughes’s car and now has to go back to his boss with only an explanation.
I felt bad for Charlie here. She met a man who was the manager of a SuperSave big-box store (played by Corey Hawkins), but he ends up being the dead body.
This episode took a bunch of film genres and crammed them together. It was a rom-com, a heist movie, an action/adventure and maybe some thriller.
There were also a bunch of allusions from movies in this episode. They referred to the “Die Hard is a Christmas movie” argument, a couple different things from Mission: Impossible, Weekend at Bernie’s, and even It’s a Wonderful Life.
This episode felt a tad rushed, as Charlie gets our bad guy (though not a real bad guy… more of a guy who got in over his head) quickly. Everything was just so fun, and helped us understand that, no matter how much we would like it to be, real life is not like the movies.
Even though it felt rushed, I enjoyed this episode very much. It once again played with the format. Last week and this week’s both were directed by Alan Arkin and he seems to have a cool idea for this show.
This past Wednesday was the first NEW COMIC BOOK DAY of the summer months so I got to spend the afternoon at Comic World, reading my books and waiting for the late arriving Diamond order to be divvied out. Good news, Comic World is going to be finally done with Diamond. Here’s hopin’ that Penguin will be more consistent than Diamond has been the last six months or so.
Books this week:
X-Men #17. “Visitor” Written by Jed MacKay and art by Ryan Stegman. Ryan Stegman & Marte Gracia did the cover art. Piper’s twin vs. Magneto (inside and controlling a Sentinel). At least it appeared as if they were able to find Kid Omega and that he was not dead.
Mark Spears Monsters #5. Written, illustrated and cover art by Mark Spears (TIED- Bronze Medalist). Monsters continues to be an amazing series of cover art as well as some of the best interior art around. Mark Spears has been a star this year and this book, which has ties to Monster Squad, is highly entertaining.
Amazing Spider-Man #5. Written by Joe Kelly with art by Pepe Larraz. Cover A art was done by Pepe Larraz & Marte Gracia. I do love it when the cover art incorporates the title in some creative manner. I also picked up cover C, whose art was done by Joelle Jones & Rachelle Rodriguez. The poisoned Peter arc wrapped up as Spidey faces off with the Hobgoblin.
Justice League vs. Godzilla vs. Kong 2 #1. Written by Brian Buccellato and art by Christian Duce. Christian Duce & Luis Guerrero did the cover art. This is a sequel to the previous mini-series featuring an alternate world where the JL fought the big two monsters. Things are back with more trouble for the Justice League.
The Patchwork Girl of Oz #5. Adapted and illustrated by Otis Frampton. I was upset by the end of this book because there was a note inside saying that they were going to have 15 more issues to tell this story, but from now on, it would be only available digitally, or in a trade paperback. I had enjoyed this series through the first five issues and this made me very disappointed. I do not like digital comics. I want to hold it in my hand (as the book called it … a floppy). This made me mad and disappointed.
Ultimate Spider-Man: Incursion #1. Written by Deniz Camp & Cody Ziglar with art by Jonas Scharf. Cover art (foil version) done by Kael Ngu. I grabbed this lovely foil cover featuring Miles Morales fighting the Spot. Miles finds himself in the Ultimate universe. Is he home? What does this mean for the 616?
Be Not Afraid #1. Written by Jude Ellison S. Doyle and illustrated by Lisandro Estherren. Cover art was done by Reiko Murakami. I grabbed both the A cover and the virgin cover for this new Boom! Studios book. This is a dark horror story dealing with a family and a frightening spirit out for something dastardly.
Imperial #1. “One” Written by Jonathan Hickman with art by Iban Coello & Federico Vicentini. Cover art was done by Marco Checchetto & Marte Gracia. Jonathan Hickman brings his sweeping epic to the cosmic world of Marvel. Lots of characters involved including Nova, Star Lord, Hulk, Gladiator and the Shi’ar, the Skrulls & Kree, just to name a few. It feels like another future story, but I was interested so far.
All-New Venom #7. Written by Al Ewing and art by Carlos Gomez. Adam Kubert & Laura martin did the cover art. All-New Venom has to face off with Agent Venom, so it is MJ vs. Flash Thompson. Plus, there is more with Rick Jones who still thinks Robbie is the new Venom.
Marvel Knights: The World to Come #1. “Part One: The Death of Kings” Created by Joe Quesada and Christopher Priest. Cover art by Joe Quesada. We have another possible future story, and this one has created a huge wave of controversy as they have introduced a white man as the new Black Panther. Oh my….. As if Quesada already doesn’t receive enough hate for his Marvel stuff.
Return of the Living Dead #4. Written by S.A. Check & James Kuhoric with art by Andrea Arcari. Cover art was done by Mark Spears (Gold Medalist). This was an explosive finale for this remake of the Return of the Living Dead. This was a fun zombie series from American Mythology Productions.
Daredevil #22. “Rites of Reconciliation.” Part Three. Written by Saladin Ahmed and penciled by Jose Luis Soares and Carlos Nieto. Black armor Daredevil discovered the answer to the dangerous spores that were being sent around by our villain. Too bad Joel and Ellie did not know about it.
Immortal Thor #24. “The Death of the Immortal Thor.” Written by Al Ewing and art by Jon Bazaldua. Cover art was done by Alex Ross (Silver Medalist). It appeared that Thor had made it through the huge battle against the prophecy. Thor expected to die in a heroic sacrifice. He did not. Everyone is happy. Oh… and then Loki stabbed him in the back.
The Terminator #8. Written by Declan Shalvey and art by Colin Craker. Cover art was by Declan Shalvey (Tied- Bronze Medalist). Kind of a review of what has happened so far in the Terminator. It is a very original way to showcase what has gone before.
Laura Kinney: Wolverine #7. “My So-Called Perfect Life, part 2” Written by Erica Schultz and art by Giada Belviso. Elena Casagrande & Edgar Delgado did the cover art. Laura broke out of the “perfect life” she had been trapped in to face off with the Badoon.
Storm #9. “Sinister Schemes of the Stars and Stripes Part Two” Written by Murewa Ayodele with art by Lucas Werneck. Cover art by Mateus Manhanini. Storm is in trouble with the federal government for her aid to Professor X in escaping custody. Jennifer Walters is on the case.
The Slasher’s Apprentice #2. Written by Justin Richards and art and cover art by Val Halvorson. Riley makes a pitch to the Hopton Valley Killer (which she will call HVK, because it is easier to say) to join him and learn from him on how to be a serial killer. This Mad Cave book feels very warped so far.
Pop Kill #4. Story by Dave Johnson and Jimmy Palmiotti with art by Juan Santacruz. Cover art is by Dave Johnson. This is the final issue of the soda pop wars as the twins face off over the formula that would have forever fizz. Dina is struck in the middle.
Ultimate Wolverine #6. Written by Chris Condon and guest art by Alex Lins. Cover art was done by Alessandro Cappuccio & Frank Martin. Logan looks as if he has been snapped out of the mind control forced on him as the Winter Soldier. He is the best at what he does…
Other books this week: Buried Long, Long Ago #2, The Moon is Following Us #10, The Secret Six #4, Plague House #3 and Let This One Be a Devil #4
Quick Hits: Mad Cave comics has another new number one that I picked up. It is called Endless Night #1 and it was okay. I have really liked the Mad Cave books recently and I think it is worth taking a look at them. Godzilla Heist #5 is out this weekend. There are a bunch of Godzilla comics. Almost as many as Batman. I picked up the Dynamite Comics book Giant-Size Wacky Races #1. That was a silly book. I always liked Mumbly from the Laff-A-Lympics from my childhood. I think this was a one shot but I doubt that will be a regular book on my list if it continues. Spider-Gwen: Ghost Spider #14 has Gwen still with King Loki in space. I would like her to get back to earth soon. I do enjoy the Dark Horse book You Never Heard of Me #4. There is one more book in that series. Absolute Superman #8 starts a new story arc and brings Superman into the orbit of Lois Lane and Jimmy Olson. Absolute Green Lantern #3 has some fun things going down with our Lanterns. I am very intrigued by Hal Jordan and his dark hand. The final issue of the series of The Atom Project #6 featured an end to the troubles of the different Atoms.
I had seen the trailers for this movie earlier this year, but it never came around to any theaters that were in my area. So when I saw it for rental on Vudu, I was happy to make it part of the June Swoon.
According to IMDB, “An eccentric lottery winner who lives alone on a remote island tries to make his fantasies come true by getting his favorite musicians to perform at his home.”
This is going to be an odd comparison, but this movie made me think of A Mighty Wind. They are completely different films, with A Mighty Wind being an improved film from Christopher Guest, but there was a pair of characters int he film named Mitch and Mickey, played by Eugene Levy and Catherine O’Hara. Mitch and Mickey were a folk singing duo who were also a couple and the split up. Mickey remarried and then they came back together to play the big folk music special at the end of the movie.
This reminded me very much of that movie thanks to the folk music pair McGwyer & Mortimer, played by Tom Basden and Carrie Mulligan. Admittedly, this is a more serious film than the Chris Guest one, but many of the ideas behind these characters feel similar.
Written by Tom Basden and Tim Key (Key played Charles, the eccentric lottery winner), this was based on a short film entitled “The One and Only Herb McGwyer Plays Wallis Island” from 2007. Basden & Key wrote that short as well.
This film was sweet and melancholic tone to it, as Charles tries to get his favorite pair of folk singers together to play a solo gig for him. Charles may not have been straight-up with them in order to get the reunited duo to come.
The music is great. The imagery of Wallis Island is beautiful. There are some really strong character developing going on with the limited cast, and I do like how things do not necessarily go the way you would expect.
Colman Domingo received an Academy Award nomination for this lead role in Sing Sing. He was fabulous as “Divine G.”
While I figured this would be a prison movie, I have to admit, this was not what I was expecting.
According to IMDB, “Divine G (Colman Domingo), imprisoned at Sing Sing for a crime he didn’t commit, finds purpose by acting in a theatre group alongside other incarcerated men, including wary newcomer (Clarence Maclin), in this stirring true story of resilience, humanity, and the transformative power of art, starring an unforgettable ensemble cast of formerly incarcerated actors“
The only thing that I knew about this movie was that Colman Domingo was in it and, going by the title, I assumed it was taking place in the prison Sing Sing. I am glad that I went into this movie as blind as I did because it caught me so off-guard that it really made this a great experience.
I actually compare it in my mind more to Ghostlight than I did to another prison movie. It provided the power of the stage in a manner to help face the troubles of your life.
Finding out that this was a true story was another shock and made it even more impactful. The clips at the end of the film with the real people was powerful.
Colman Domingo was amazing. He has become one of our best actors working today. The rest of the cast was just as solid, as much of the cast was previously incarcerated individuals who played themselves.
Sing Sing was a outstanding film that had some real drama inside the prison without falling into the typical prison tropes that we have seen a million times. This is one of the overlooked films of 2024.
I may be wrong, but I believe this episode of The Sandman was designed as the season finale, and the eleventh episode was a surprise. “Lost Hearts” brought to an end the storyline of the Corinthian and and the Vortex, Rose Walker.
I have to say, the conclusion of these arcs and what felt like a season finale was extremely satisfying. I was very pleased with the end for Rose Walker, as she was able to live after Unity came to her and had her give away the Vortex. It seemed as if Unity was fated to be the Vortex but it happened during Morpheus’s imprisonment and so it passed along to offspring. This was a solid way to save a character that we had come to connect with over the last several episodes.
The Corinthian did go out with little fanfare. Gilbert’s return was great as he came to talk with Rose and Morpheus. The reveal that Fiddler’s Green was a place seemed to make perfect sense.
The tense showdown with Morpheus and Desire hinted at what could have been part of the future of the series, as did the final tag with Lucifer and Lord Azazel in Hell. Lord Azazel sure looked like a group of Venom symbiotes inside a body frame. It was not the best depiction of that character.
My favorite scene was Morpheus recreating Gault as a dream instead of a nightmare and how he now looked upon Lucienne in a different light. I have been critical of the character of Morpheus this season because it felt as if he was anything but the hero of this story. I like the fact that it seemed as if he had some growth too.
EYG- Embrace Your Geekness 