Category Archives: 2024 Movie Reviews

Smile 2

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The original movie Smile was a surprising hit a couple of years ago. With it making a lot of money, you knew that there would be a sequel. This weekend brought us Smile 2.

Skye Riley (Naomi Scott) is a hugely loved pop star who was preparing to make a return tour after being involved in a tragic accident the year before. When she was trying to get pain killers from her drug dealer friend, he brutally killed himself in front of her, transferring the parasitic demon to her. This demon goes into the victim’s head and slowly drives them crazy.

Naomi Scott does a fantastic job in this lead role. She carries so much of the movie on her shoulders, with so much fear and confusion and anger. She is easily the strength of the film.

The film keeps the audience on the edge of their seats, filled with anxiety as you want Skye to get through the problem. There may be too many jump scares in the film, but a lot of them are effective.

The film does feel too long at 2 hours and seven minutes. I think it could easily have shaved off 15-20 minutes of playtime and it would have helped the movie. However, the finish of the film was just horrifying. I really thought the final shot of the film worked very well.

Smile 2 was a worthy sequel to the huge hit. Is it better than the original, I’m going to say no, but this is very solid. Naomi Scott does tremendous work and the effects are great. The film will keep you thinking.

3.75 stars

We Live in Time

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I do love Florence Pugh and Andrew Garfield so I had planned on seeing this movie after seeing a trailer for it. However, the title was not recognizable so as I was looking at the Cinemark movie list this week, I almost missed it. I saw the title and thought, “What is that?”

After seeing the movie poster, I realized that this was the Pugh-Garfield film, and I knew I wanted to go to it.

According to IMDB, “Almut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. Through snapshots of their life together — falling for each other, building a home, becoming a family — a difficult truth is revealed that rocks its foundation. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley’s decade-spanning, deeply moving romance.”

Starting off, the film’s narrative structure is told in a non-linear manner. It was as if time is not a line, but a flat plane. The film leapt around from all parts of this relationship, from where they meet to where they are giving birth. It did make following the story a little challenging for awhile until Florence Pugh cut her hair (thanks, Florence!)

The chemistry between Andrew Garfield and Florence Pugh was absolutely off the chart and this is the main reason this movie worked as well as it did. Both showed their acting chops in these roles and I loved them together. Every scene with them in it was wonderful.

The story was very emotional at several times and it worked well. The melodrama of the film was over-the-top at times, but it worked because of Garfield and Pugh. Perhaps the time jump storytelling technique kept the emotion in check.

This was a solid film with great performances.

4 stars

Saturday Night

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Live from New York, it’s Saturday night!!!!

Jason Reitman directed this biopic of the 90-minutes before the debut of Saturday Night Live (called NBC’s Saturday Night) and the chaos that was ensuing.

Of course, as with most biopics, not everything is exactly as it happened as many details are switched or moved around for dramatic purposes.

The film follows Lorne Michaels (Gabriel LaBelle), the producer of SNL, as he moved around the studio putting out fires (both figuratively and literally), managing talent, and desperately trying to get the show ready to go at 11:30.

This is a fun film with a frantic pace leading up to the debut. It was very possible that the show was never going to happen as there was a reel of a Johnny Carson repeat waiting to roll if the show was unable to overcome the myriad of troubles.

The cast is the strongest part of the show. Gabriel LaBelle does a great job as the eyes of the audience. Corey Michael Smith is fantastic as Chevy Chase. Dylan O’Brien loses himself in the role of Dan Aykroyd. Matt Wood was very entertaining as John Belushi. Lamorne Morris was great as Garrett Morris. Rachel Sennott had a strong performance as Lorne’s wife, Rosie. Several of the cast did not have the amount of screen time as it seemed as if they deserved, in particularly the women SNL cast members.

While we see a lot of Lorne, there is an issue with the rest of the cast. If you are not aware of who these people are, there is not a lot of time spent with them. The film seems to depend on the audience knowing who Chevy Chase, John Belushi, George Carlin, Jane Curtin, Gilda Radner are coming into the film. If the viewer does not know much about SNL, they do not go into detail about these people. It does work at one level, but I did have knowledge going in.

The film depends on its energy and the nostalgia of the audience to craft together a hectic ninety minutes prior to the debut of Saturday Night. There are some very funny moments and some amazing character bits for these people whom we know as celebrities. Roles for Willem Dafoe and J.K. Simmons are exceptional and the whole cast’s performance was well done. This is a film that fans of SNL will truly appreciate.

4 stars

Super/Man: The Christopher Reeve Story

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EYG Hall of Famer Christopher Reeve, who sprang to fame playing Superman in several movies int he late 70s and early 80s, gets the biographical documentary treatment going into depth about his life, his family and the horrific tragedy that changed his perspective for the remainder of his life.

The doc interviews Reeve’s children and his ex-wife, revealing the deep relationship that Reeve had and how his time as Superman affected his career and how people’s POV changed him.

There are some amazingly personal scenes and imagery of Christopher Reeve struggling post-accident that was difficult to watch at times. The emotions were in full example and heartstrings were pulled as the story moved from pre-accident to post-accident. There were plenty of times that I teared up watching the powerfully poignant moments.

Some of the toughest scenes for me was the parts including Robin Williams. Williams and Reeve were roommates during their time at Julliard, forming a lifetime friendship. The relationship had several vital moments and it nearly broke me when it was said that had Christopher hadn’t died, Robin would be alive today. Heart-breaking.

Directors Peter Ettedgui and Ian Bonhôte painted a moving portrait of the actor and how he was able to overcome his adversity to help many individuals with their own handicaps.

4.6 stars

Joker: Folie à Deux

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I appreciate those films that take a big swing. However, big swings lead to big misses, and that is what Joker: Folie à Deux is… one big musical miss.

Joker: Folie à Deux picked up after the end of Todd Phillip’s Joker, with Arthur Fleck (Joaquin Phoenix) in Arkham awaiting his trial for the multiple murders that he committed at the end of the previous film. With a swelling support from the streets of Gotham, Arthur met his soul mate Lee (Lady Ga Ga) who encouraged him to embrace the Joker side of his personality.

Let me kick off with the positives. Joaquin Phoenix does an excellent job as Arthur Fleck and he has great chemistry with Lady Ga Ga. Both actors are very good here, even if some of the storytelling pieces of the film did not do them any services.

There are some great shots in the film. There is one in particular where Lady Ga Ga had drawn a smile on the glass with lipstick. There are several shots like this. Anytime we see Arthur and Lee dancing, the shots are impeccable.

Unfortunately, that is about where it ends for positives. I was actually fairly bored through the first hour or so of the movie. The music was more of a distraction than it was an effective piece for the narrative storytelling. The songs were fine, but none of them felt as if they needed to be in the movie.

There are some things that I cannot mention without spoiling what happened. Let me just say that the ending of the film took away from the first film and did nothing to advance the character of Arthur Fleck.

In fact, it feels as if Todd Phillips wanted to rebut the last movie with something else. I mean, it did win an Oscar. I am sure this was not just a way to stick it to the fans, but I can understand someone who may think so.

Overall, this was a bad movie with some great performances. Joker: Folie à Deux just does not reach the levels of the first one, and I did not even love the first one.

2 stars

Monster Summer

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Monster Summer has a feel to it like this is an 80s film, a mixture of Monster Squad, Hocus Pocus and The Sandlot, but without taking any of the good parts.

From IMDB, “When a mysterious force begins to disrupt their big summer fun, Noah and his friends team up with a retired police detective to embark on a monstrous adventure to save their island.“

I had heard almost nothing about this movie. and you can see why. Mel Gibson appears in the film as former detective Gene, who is almost a recluse. Gibson did not feel like he fit in this type of a role.

The main protagonist of the film is Noah, played by Mason Thames. Thames starred in The Black Phone, but I spent the entire movie trying to place him. I swear he looked like he has so many traits of Omri Katz, the star of Eerie, Indiana and Hocus Pocus, that I kept thinking that he could be Katz’s son. It was distracting, even though Thames was fine in the role.

The writing of this movie was really weak. It had several moments that were just too hokey or poorly executed that even a few of the moments that were not bad were overshadowed by the poor parts.

I tend to like these kind of kids adventure films, but this just did not do enough well to recommend this film. Mason Thames is likable enough, but there is just not enough around him to make this worthwhile, even during spooky movie season.

2.4 stars

Wolfs

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When actor David Hyde Pierce got the first script for the TV comedy Frasier, he thought it was terrible because they had written the same character twice. Frasier and Niles were basically the same character and he thought it would be a failure. Of course, Frasier turned out to be a hugely successful show.

The new Apple TV + movie, Wolfs, starring George Clooney and Brad Pitt, debuted this weekend on the streaming service and Clooney and Pitt play extremely similar characters, much like Frasier and Niles.

An accidental death in the hotel room of the DA leads to her calling for help. George Clooney showed up as a fixer (think Mr. Wolf from Pulp Fiction) to take care of everything. However, Pitt showed up too, with the plan of also taking care of everything. When they are forced to work together against their better judgment, they discover that this case has much more to it than they initially thought.

After seeing trailers for this movie, it was one of my more anticipated films of the remainder of the year. Now since seeing it, Wolfs is okay. It has its strengths, but it also has some glaring weaknesses as well.

The biggest strength of the film is easily the chemistry between Clooney and Pitt, whose characters are never named during the film. They have such wonderful comic timing during their interactions and their moments on screen stand out so well. They are basically playing the same character but the auras of both men create something different, unexpected. There is a third actor, Austin Abrams, who plays the kid who adds to the ambiance of the movie.

The biggest weakness of the movie, unfortunately, is the story. It is very messy and convoluted, and not in the good way. Everything that is happening around these two fixers lacks any real context to it and the story is chocked full of fixer cliches that we have seen in other films. The story has too many branches and the final explanation, which is done through exposition, of what was going on just does not work, and makes the film feel somewhat anticlimactic.

The film moves quickly and does have plenty of entertaining moments, especially between Clooney and Pitt. I wish there was a movie where these characters were together but it had a better script. Overall, I did like what was good about the movie more than what was bad bothered me.

3.2 stars

My Old Ass

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My Old Ass is a coming of age movie that tosses some unexplained magic in the story centered around taking mushrooms that provides us with a lovely little movie with some wonderful new actors.

The movie features Maisy Stella as Elliott, a young teen who is preparing to leave home to college, and is anxious to get away from everything. When she and her friends partake in some mushrooms, Elliott is approached by Aubrey Plaza who is playing a 39-year old version of Elliott, and she begins to warn her younger self about things she should avoid.

Somehow, older Elliott is able to put her number into younger Elliott’s phone (listed as ‘My Old Ass’) and they could communicate across time, showing amazing cell service.

Maisy Stella does an amazing job leading this movie, providing us with the emotion and confusion that would go along with this, as well as bonding, in a way, with her older self. Aubrey Plaza is perfect as the older Elliott, but she just is not in the film enough. Aubrey Plaza disappears for a big chunk of time in the middle of the film and you can feel her lack of presence. Still, when she is on screen, she is electric and she has amazing chemistry with Maisy Stella.

There is a real likable character introduced to us named Chad (Percy Hynes White, from Netflix’s Wednesday) who Elliott tries to avoid, but they have amazing chemistry as well and Chad is just such a wonderful character that the crowd is rooting for him despite what the story was telling us.

I do think that this could have been more emotional and I was left wanting more when the screen went to black, but I was entertained throughout the run time of My Old Ass. I would have liked more scenes with the two Elliotts, but what we got were really great.

3.85 stars

The Wild Robot

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Animated movies have been on a roll lately. I have two 5 star animated movies during the summer (Inside Out 2 and Transformers One) and now we have another exceptional animated movie hitting the theaters this weekend.

The Wild Robot is from DreamWorks Animation and tells the story of a robot named Roz that was designed for helping with tasks being stranded on an island with a plethora of animals. When a gosling hatches from an egg that Roz had found, the baby goose imprinted upon the robot, believing her to be its mother. A somewhat helpful fox with possible ulterior motives named Fink befriends the odd couple, they start to train the gosling runt what it will need to survive the upcoming migration.

There are so many wonderful things about this movie. It has a tremendously fulfilling coming-of-age story that included an underdog type story of the runt, soon to be named Brightbill. There are several moments throughout the story that are funny, feel-good and touching. The story does take a turn about halfway through as the migration happens. One would think that the migration would be the big event of the film, bringing the story to a close, but there is much more after that happened.

The story is emotional, and it sneaks up on you. You are just going along and enjoying what the movie is doing and, suddenly, your eyes are misting up because there is something there that touches you unexpectedly.

The voice work is amazing. In particular, Lupita Nyong’o as Roz and Pedro Pascal as Fink do exceptional work. Roz is a machine that finds that there is more than just her programming and Fink is an unlikable sneak who discovers what it means to have friends. Both of these arcs are emphasized by the wonderful voice work of these two top notch actors.

There are other excellent voice cast members including Bill Nighy, Kit Connor, Ving Rhames, Mark Hamill, Catherine O’Hara, Matt Berry and Stephanie Hsu.

The animation is spectacular. It is difficult these days to release an animated film if your animation is not competitive. The background of this film are spectacular and almost makes one think they were actually in the wilderness. There are a couple of times during action beats that the animation gets a little shaky. I know the reason for that, but it stood out in a picture that is such a piece of art otherwise.

However, there are some wonderful action beats in the film too. In the first half of the film, I was gasping in shock over some of the surprisingly dark moments of the movie. Let’s just say that the circle of life is on display in this movie in several moments.

The themes of this movie are wide spread and one of the most relatable of the year. In fact, there are themes here that will appeal to just about any segment of the viewership, from motherhood struggles to overcoming challenges to friendship. I would venture to say that everyone would find something to connect to in The Wild Robot.

I’m not going five stars with this one, but it is close. There are just a couple minor complaints that bring it down, but The Wild Robot is still a magnificent family film that is perfect for both parents and kids. Beautifully animated with exceptional voice acting, this is another huge win for DreamWorks.

4.9 stars

Blink Twice

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This is the second film this weekend that I found on streaming that I had missed while it was in the theaters. Blink Twice is the directorial debut by Zoë Kravitz and it was another film that I wanted to go see in the theater but just could not find the time.

According to IMDB, “When tech billionaire Slater King (Channing Tatum) meets cocktail waitress Frida (Naomi Ackie) at his fundraising gala, sparks fly. He invites her to join him and his friends on a dream vacation on his private island. It’s paradise. Wild nights blend into sun-soaked days and everyone’s having a great time. Nobody wants this trip to end, but as strange things start to happen, Frida begins to question her reality. Something is wrong with this place. She’ll have to uncover the truth if she wants to make it out of this party alive.”

Naomi Ackie was excellent as the lead character in this film. She brought every bit of emotion and you believed her at every turn. She had great chemistry with Channing Tatum and, when it came time for her to be feral, you accepted it easily.

The mysterious nature of the story worked well as the audience were brought along the ride with Frida. Truthfully, when the reality is revealed, I was shocked at the situation. That is always a good sign when a movie can fool me.

Besides Ackie and Tatum, there is a strong cast of actors involved here including Christian Slater, Kyle MacLachlan, Haley Joel Osment, Geena Davis, Alia Shawkat, Adria Arjona, Simon Rex, Levon Hawke, Liz Caribel, and Trew Mullen.

I had no expectations for this film and it was so much more than I thought it would be. I went in without much knowledge of the story and it was worth my time.

3.75 stars

Afraid

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I came across Afraid on Vudu/Fandango this week and it was a movie that I had missed while it was in the theaters. I had intended to go see it, but things just never worked out, so I was somewhat excited to see it show up on streaming.

However, this was a disappointment of a film with an ending that was wholly unsatisfying.

According to IMDB, “The Curtis’ family is selected to test a new home device: a digital assistant called AIA. AIA learns the family’s behaviors and begins to anticipate their needs. And she can make sure nothing – and no one – gets in her family’s way.”

We have seen this type of movie before. It is very much similar to the M3GAN film from a few years ago which was also produced by Blumhouse. Honestly, it was predictable and lacked any originality, although the switch up at the third act was different. Problem is that that same switch up was also really dumb.

I do like John Cho as an actor, even though he is really not given that much to do in this movie. He was considerably better in 2018’s Searching, which deals with an online search to find his missing daughter. This is a considerable step down from that much more intelligent and engaging script.

Even still, the first part of the film was decent enough, but it went off the rails very quickly. AIA became crazy very quickly and became dangerously unbalanced not too much longer after that.

I was not the only person who missed this in the theater (by looking at its box office), but I would not say that anyone needs to find this on streaming. Perhaps it is worth a view when it comes up for free on Netflix or one of the other streamers, because it is short and gets over in a hurry. of course, it does not do much along the way either.

2.45 stars

Transformers One

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Whoever put together the first trailer for Transformers One should be fired.

The first trailer I saw for this animated movie, a return to the world of Cybertron and the Transformers, was one of the worst trailers I have ever seen. I hated it so much that I almost decided to skip this movie. The job of a trailer is to get a viewer more excited to see a movie and this one nearly stunted my viewership.

I have had some terrible Transformer movie experiences, with The Last Knight being one of the worst, so seeing this first trailer filled with some many unfunny moments nearly ended me. However, the second trailer which, I believe, came out of San Diego Comic Con this year was so much better, which confused me. Then, we started getting word of mouth from people who had seen it, some of which, were claiming that it was the best Transformers movie ever. I had a difficult time wrapping my head around that idea with that first trailer still front and center in my mind.

Well, they were 100% right. Transformers One is the best Transformers movie ever put on screen and should be considered as one of the best movies of 2024.

I know… who would have thunk it?

The film dives into the origin of Optimus Prime, called Orion Pax (Chris Hemsworth), and Megatron, called D-16 (Brian Tyree Henry), showing us how these friends became the iconic characters that we know of all these years.

Orion Pax and D-16 were minor bots, who could not transform and who were working mining Energon in the mines of Cybertron. Orion Pax had a vision to reach for more than what life had given him and he caught the eye of the one remaining Prime, Sentinel Prime (Jon Hamm).

There are so many great moments through the movie that I could not believe it. I was not sure that I wanted Optimus and Megatron to have been best friends only to become mortal enemies. That trope feels as if it has been used too much, but it works here way more than I ever thought it would. It helps to bring a real emotional kick the film and the story does a wonderful job of showing how these two characters went from friends to bitter rivals. You believe it. It was well earned.

Scarlett Johansson played Elita-1 and Keegan Michael Key played B-127 (who will become Bumblebee) and they both did a great job. All of the voice actors were exceptional in their roles, especially Chris Hemsworth and Brian Tyree Henry who had the difficult task in stepping into famous and well-recognizable voices. Hemsworth in particular had to follow in the footsteps of Peter Cullen (EYG Hall of Famer) whose work as Optimus Prime has been iconic over the decades. Hemsworth seemed to be able to make the role his own. Perhaps that was because they started him off as Orion Pax and not in the mantel of Optimus Prime.

The film looked great and the action worked so well. The humor, which was so terrible in that first trailer, worked so much better in the context of the film that I was shocked. The film did not feel like a parody of the Transformers as that first trailer had seemed. Even the moments from that trailer that did not work, was so much more entertaining when they came in the film. They were dispersed beautifully and never felt like it was trying to take over the film. Did ever joke work? No, but how many films can say that every joke worked? Very few.

I loved the Transformers when I was younger and they were first on TV. As many others, I was scarred after the 1986 movie made me suffer through the death of Optimus Prime. I hated the Michael Bay movies, which seemed to get worse with every one. I was hopeful with the release of Bumblebee and the fairly likable Transformers: Rise of the Beasts, and the comic from Image Comics, written and drawn by Daniel Warren Johnson is a great hit every month. I really thought Transformers One would send this franchise crashing back to the bottom, but I was wrong. It is one of my favorite movies of the year.

5 stars

The Deliverance

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I was surprised to see the name Lee Daniels attached to this Netflix horror movie. Daniels has directed such films as The Butler, United States vs. Billie Holiday and The Paperboy, none of which moved into the genre of horror. With a great deal of curiosity I went ahead and pulled this up on Netflix.

It started out listed as based on true events.

According to IMDB, “An Indiana family discovers strange, demonic occurrences that convince them and their community that the house is a portal to hell..“

The Deliverance hooked me right away, with its depiction of this black family from Indiana. Ebony (Andra Day) was rough and troubled, dealing with her issues through alcohol and anger. The fact that there was little redeeming qualities about Ebony made the character and the film more intriguing. Her three children struggled to try and find their own way through the difficulties presented to them by their mother. Ebony’s mother Alberta (Glen Close) moved in with them to try and help them with their troubles while dealing with her own health issues. Each character was angry and expressed it in a variety of manners.

Andra Day and Glen Close were both great with their performances. They brought the deep-seeded frustration and regret to the forefront. Caleb McLaughlin (from Stranger Things) also does a very strong job with his role of one of Ebony’s suffering children, Nate.

After about an hour, I was fully invested. The problem was that, when the film started to transition from the familial problems into the haunted house ones, the film lost a lot of steam and became just another haunted house movie. The final act of this movie was tremendously bad and spent every ounce of good tidings that it spent the first part of the film building up.

I really wish this film had taken a different path because it started with a very compelling group of characters with problematic family issues and slipped into a cliche-ridden, disappointing haunted house film.

2.5 stars

Rebel Ridge

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This was on my queue at Netflix for the last week, but it was a film that I was not sure I was intending on watching any time soon. However, a friend of mine said that he liked it so I decided to give this a chance. I am really happy that I did because Rebel Ridge was an excellent film.

I have heard people refer to this as a Rambo-esque film, and I can see some connections, especially First Blood. However, the feel of these two films differ as does the main protagonist.

According to IMDB, “Terry Richmond enters the town of Shelby Springs on a simple but urgent mission– post bail for his cousin and save him from imminent danger. But when Terry’s life’s savings is unjustly seized by law-enforcement, he’s forced to go head to head with local police chief Sandy Burnne and his combat-ready officers. Terry finds an unlikely ally in court clerk Summer McBride and the two become ensnared in a deep-rooted conspiracy within the remote township. As the stakes turn deadly, Terry must call upon his mysterious background to break the department’s hold on the community, bring justice to his own family– and protect Summer in the process.“

The film provided a potential star-making turn for Aaron Pierre, who played Terry Richmond. He carried himself with a confidence and a force that made you believe that, despite being in what seemed like an unwinnable situation, he would come out of it on top. His screen presence was off the charts and he seemed to match with Don Johnson, who played local sheriff Sandy Burnne.

I really enjoyed the manner in which Terry went about his business. It was not as much about revenge as it was justice. The inclusion of Summer kept him grounded and I was very happy that it did not just devolved into a big gunfight.

This seems to be a thinking-man’s action hero and it makes Rebel Ridge down to earth and intelligent. It started out with that yucky feeling of police dealing with an African-American man, but it became more than just the racism.

I enjoyed this Netflix film quite a bit.

4 stars

Speak No Evil (2024)

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This is the most recent film that showed way too much in its trailers. I wish I had not seen some of them and more was left for a mystery.

However, the new Speak No Evil film starring James McAvoy is an intense film, with some dark tones, but also some strange humor mixed together.

According to IMDB, “A family is invited to spend a whole weekend in a lonely home in the countryside, but as the weekend progresses, they realize that a dark side lies within the family who invited them.“

The darkness of the film is prevalent throughout and James McAvoy embodies that darkness brilliantly. You are never quite sure what he is doing or why he is doing it. His manipulation of the Daltons is amazing and more subtle than you would think.

I was very impressed with young Dan Hough, who played Ant. This character is really tragic and Hough is excellent at portraying this role without the ability to talk. There is such an aura of sadness surrounding Ant that you connect to the boy without any difficulty. Of course, the one scene that is in the trailer really should have been left as a movie surprise.

The tension of the film is built up well as the strange occurrences keep happening. There always feels like a reasonable excuse, but you could tell that there was more under the surface than you think. It felt wrong to be laughing at some of the things that I was laughing at.

The third act of Speak No Evil was wild. I found myself engaged throughout the film and I really found the performances intriguing and the characters interesting.

3.75 stars