Tag Archives: movies

Under Paris

Posted on by

There have not been a lot of shark movies. Obviously, there is Jaws. Jaws II was decent. The Shallows had it moments. The Sharknado series can give some stupid fun. And then there is Deep Blue Sea. After that, the shark films usually are not very good.

We have another entry into the awesome end of these movies.

Under Paris is a French language film that tells the story of a specific shark that had evolved in ways that are never explained and that winds up in the Seine, a river that runs through Paris, France right at the time of an Olympic triathlon.

The shark, nicknamed Lilith by Sophia Assalas (Bérénice Bejo), a scientist whose team were tracking sharks that they had tagged. In an attempt to check in on Lilith, Sophia’s entire team is killed by the shark in an uncharacteristic attack.

Three years later, Lilith finds her way into the Seine and into the catacombs beneath the city. A young environmental activist name Mika (Léa Léviant) had found a way to track Lilith, but wants to save the shark and help the female shark to get back out to the ocean.

Sophia and Mika’s paths cross with the Paris Police, including police officer Adil (Nassim Lyes) who does not believe that there is a shark in the Seine at first, until undeniable evidence faces him.

This is a brutal shark movie with some really awesome moments. The tension of the film is off the charts and you can really feel it. Sure, the premise itself requires some serious stretching of credibility, and the film does not try to explain how this is happening. Sophia is constantly saying things like ‘this shouldn’t be happening’ or ‘it is not possible’ and the discoveries of the evolution of this shark is not scientifically sound, yet that does not bother me either.

Why are all mayors in shark movies jerks? Much like Jaws, whose mayor insisted on keeping the beaches open on the July 4th holiday, the Paris mayor (Ann Marivin) is likewise as blind when it came to the danger the shark posed the triathlon.

The sharks look pretty decent, though some of the CGI is questionable at times. My guess is that there is not a ton of budget on this, and I feel as if what we got was substantial enough for what they were going for. I was not taken out of the film by any of the special effects and that can not always be said about shark movies (hey there The Meg).

There were a couple of moments when I gasped out loud or cried something out in shock and that means that the film is doing its job. It is nowhere near Jaws quality, but it is much better than most of the shark attack movies out there. Under Paris is currently available to stream on Netflix.

4.1 stars

The Retirement Plan (2023)

Posted on by

June 14, 2024

Today’s June Swoon 3 entry is an action film featuring Nic Cage in all his Nic Cage-ness, and it is a a lot ridiculous fun.

According to IMDB, “In The Retirement Plan, when Ashley (Ashley Greene) and her young daughter Sarah (Thalia Campbell) get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help – her estranged father Matt (Nicolas Cage), currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie (Jackie Earle Haley) and his lieutenant Bobo (Ron Perlman). As Ashley, Sarah and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.”

Is this movie more convoluted than it needed to be? Absolutely. It felt pretty messy in a lot of ways. Does it require a suspension of disbelief? 100%. Perhaps more than most movies. None of that ruins this film from being a hoot. It knows the type of movie it is and Nic Cage is totally in for a ridiculous good time.

I did like the little girl Sarah, played by Thalia Campbell, and her relationship with her kidnapper Bobo, played by Ron Perlman. I really thought this was going to go in one direction, but it takes a different path, which I found refreshing.

The action is great, if not difficult to believe. There just felt as if there were too many threads getting pulled and it was unnecessary.

I am not sure I liked the way the film wrapped up either. I think I would have preferred for the end of the third act to feel less like it was nothing more than a deus ex machina.

Still, if you love Nic Cage, this will be fun. I wish Thalia Campbell’s role would have been more in the second half of the movie because she was one of the standouts in the first half.

Reptile (2023)

Posted on by

June 13, 2023

Reptile is on Netflix and is a mystery/thriller starring Benicio Del Toro and it is the entry for the June Swoon 3.

According to IMDB, “Tom Nichols (Benicio Del Toro) is a hardened New England detective, unflinching in his pursuit of a case where nothing is as it seems and it begins to dismantle the illusions in his own life.”

Benicio Del Toro is always great and this is no exception. He is well cast in this murder mystery and you buy everything that he does. Justin Timberlake stars along side Del Toro as a scummy real estate agent whose girlfriend is murdered. Interestingly enough, I buy him in that role very much too.

The acting is excellent. The story is less so. Honestly, there were times when I would start losing focus on what was happening and it felt as if the story became too messy as it continued. The film is well over two hours and you feel that run time. I think this could have been tighter with 20 minutes cut out of the film.

However, there were some good points, especially Del Toro’s performance. He is the later actor to take what is an average script/film and elevate it with what he does. In the hands of a lesser actor, Reptile would be a sub par film. What makes this watchable is Del Toro and his connections with the other actors around him.

One of those actors is Alicia Silverstone, who played Tom Nichols’ wife, Judy. The relationship between them was one of the best parts of the film and more of it would have aided the story.

I’m not sure how I feel about the resolution of the mystery, but I did think the final scene was strong and very tense.

In the end, Reptile has its moments, but feels too long and is unnecessarily complicated.

Origin (2023)

Posted on by

June 11, 2024

The format of today’s June Swoon 3 is one unlike I have seen before and it takes a revolutionary director in order to make this work. Ava DuVernay is just such a director.

Origin adapts the book Caste: The Origins of Our Discontents by Isabel Wilkerson, a book that laid out the idea that racism in the United States is a part of the concept of caste system, connecting racism in America to the attempted extermination of Jewish people by the Nazis, the caste system of India as well as other atrocities across the globe.

Such an undertaking was going to be difficult to attain, but DuVernay skillfully weaves the information, at times, in a documentary style, while mixing it with the drama of Isabel Wilkerson’s life during this stretch of working on the book when she lost her husband, mother and cousin.

The combination of docudrama is a difficult one to reach, but DuVernay does a masterful job of making this fully engaging while providing ideas that challenge the thoughts of a generation.

The lead role of the film was played by Aunjanue Ellis-Taylor, showcasing an emotional arc for Isabel Wilkerson from early on in the film when she lost her husband, Brett (Jon Bernthal). The use of flashbacks and memories throughout the movie helped us see important aspects of Wilkerson’s life and relationships with her family and friends. Ellis-Taylor made these life moments extremely relatable and touching as we see her deal with loss and pain, as well as a love of life.

The film may be a little long, but there are so many great moments throughout that help us see the central point being made by the film. There are stories that are told such as the tale of Al Bright, a young boy whose baseball team just wanted to swim together as a celebration for a big win, but who was denied because he was black. Another story told the tale of a German Nazi and a Jewish woman’s relationship that broke all the rules of Nazi Germany and led her her eventual encampment at a concentration camp. These stories are important to the overall narrative of the piece and help highlight the concept of the book being written.

You wouldn’t think that a film could be made about a journalist writing a book about the caste system, but Ava DuVernay accomplished just that and it was compelling and amazing, even if it could be tough to watch at times.

You can watch Origin currently on Disney +/Hulu.

The Book of Clarence (2023)

Posted on by

June 10, 2024

It was Netflix again for this June Swoon as I pulled up The Book of Clarence, a retelling f the story of the crucifixion through the eyes of a down-on-his-luck loser named Clarence.

According to IMDB, “Struggling to find a better life, Clarence (LaKeith Stanfield) is captivated by the power of the rising Messiah and soon risks everything to carve a path to a divine existence.“

This movie was very up and down for me. The biggest issue I had with it was that it lacked a consistent tone. There were deadly serious scenes that were well done, particularly with the strength of LaKeith Stanfield’s performance, but other scenes that felt like it was pulled right out of a Monty Python skit. I was not sure if this was meant to be a serious movie or a satire. Or was it meant to be some kind of amalgam between the two? This uncertainty hurt this film in my eyes.

As I mentioned, the performance of LaKeith Stanfield was excellent, as he went from a disbeliever to one who exceeded belief. Stanfield was believable in every moment he was on screen and he gave the film a credibility that I do not think it would have had if it were another actor in this potentially divisive role.

There is an excellent cast in this movie including Benedict Cumberbatch (whole role felt as if it were one of the most satirical of them all), Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Alfre Woodard, Caleb McLaughlin, James McAvoy, Nicholas Pinnock, Marianne-Jean Baptiste, Teyana Taylor and Michael Ward.

I can see this film stirring up the audience, depending on who was watching. For me, there are some good ideas in here, but the film can’t decide what exactly it wants to be, and that demeans the positives that are here.

Run Rabbit Run (2023)

Posted on by

June 9, 2024

Another horror movie highlights today’s June Swoon as I watched the Australian film Run Rabbit Run on Netflix.

Run Rabbit Run is more of a psychological thriller than it is a horror film as there are not many scares and it really does focus on the mental state of the characters involved. It was effective in this manner as I felt a connection with the two lead characters as they went through their memories of tragic events from the past.

However, it does take a while to get rolling. The film seemed a bit long and the pacing was not the best. Some of the beats felt as if they were repeated during the story and it seemed that this could have been a tighter film with some of this narrowed down.

The lead performances are the reason to watch Run Rabbit Run. Sarah Snook played Sarah, the mother whose past was coming back to cause trouble with her daughter. The daughter, Mia, was played well by young actor Lily LaTorre. She provided many of the film’s creepiest moments as she was seemingly being possessed by the spirit of Alice, Sarah’s missing sister.

These performances overcame the weaknesses in the plot, which included a predictable outcome, and made this a film I would say that I enjoyed watching. It is not a perfect horror movie, but it does enough things well that make it interesting.

Rustin (2023)

Posted on by

June 8, 2024

I have yet another Oscar nominated film for the June Swoon 3 today. This nomination went to Colman Domingo for Best Actor in Motion Picture. He did not win the Oscar, but he gave an electric performance that carried an average film to new heights.

There have been a lot of examples of an amazing lead performance elevating a movie before. Rustin is just the latest example in a long line. Many of these tend to be biopics. This is yet another.

Bayard Rustin was a leader in the Civil Rights movement and a driving force behind the 1963 March on Washington. He was also an openly gay man. His leadership and charisma shone through the struggles his life presented to him.

Colman Domingo is absolutely amazing in this film and he overshadows the rest of the movie. Without him, this movie would be considerably lesser. The way the film is present is fairly pedestrian outside of the main performance.

There is a solid cast supporting Domingo including Chris Rock, Gus Halper, Jeffrey Wright, Ami Ameen, Glynn Turman, Johnny Ramey, CCH Pounder, Michael Potts, Jordan-Amanda Hall, and Lilli Kay.

But Domingo leads the way, bringing to life this man who had such a hand in creating this seminal point in history. He is a name that is not as well known as Dr. King or John Lewis, but he should be.

Hell House LLC Origins: The Carmichael Manor (2023)

Posted on by

June 7, 2023

As I was searching for movies to put on the possible list for this June Swoon, I came across this horror film on Shudder. It sounded interesting and so I placed it on the list. I had no idea that this was the fourth film of the series, with the first Hell House LLC being released in 2015. I guess I have some films to watch during The October 13 this year.

Hell House LLC Origins: The Carmichael Manor looks to have built on the previous installments (though I can’t say that for sure) and provided a found footage horror film that was extremely creepy and had its share of effective scares.

According to IMDB, “A group of cold case investigators stay at the Carmichael Manor. After four nights, the group was never heard from again. What is discovered on their footage is even more disturbing than anything found on the Hell House tapes.”

The three main characters that went to stay at the Carmichael Manor did a great job of selling the mysterious feel and the fright that this situation would entail inside a person. The story of the events really work well here, as Margot (Bridget Rose Perrotta) ties the story into her background. The film does this in a very strong manner, not bashing the audience over the head with it. In fact, it is possible that some may miss the connection to Margot if they are not paying attention.

Then, I enjoyed the way the film kind of makes this found footage/haunted house film into a sort of documentary, with a couple of people commenting about the footage that was found of these missing people.

The film goes to great lengths to build a mythology, which I can only assume included a bunch of Easter eggs from the previous three movies.

I found this extremely creepy and a little unnerving as I watched it this morning in the dark. That means this horror film did its job. I was entertained and I look forward to going back and seeing some more of this franchise.

The Boys in the Boat (2023)

Posted on by

June 6, 2024

Today’s June Swoon 3 movie was one that I actually had tickets for this past year, but I left the theater after seeing another movie first because I was not feeling well. After being unable to see this (Along with Ferrari too), I decided that I would wait for the June Swoon to watch this movie directed by George Clooney.

The Boys in the Boat is the true story of the Washington Huskies rowing team’s unlikely ascension to the 1936 Olympics with a junior team that lacked experience. Led by their coach Al Ulbrickson (Joel Edgerton), the group of eight young men exceeded all expectations in quest for an Olympic medal.

I enjoyed the actual rowing competitions filmed during this movie as they brought some real dramatics to a sport that might not have as much as some others. The races were well filmed and created suspense in scenes that were fairly predictable.

The film lacked a lot of characterization for the cast, focusing on Coach Ulbrickson and Joe Turner (Callum Turner), one of the crew. The rest of the crew of the row team were fairly simplistic, one-note characters, with a few minor traits tossed their way. Ironic how a sport that is so much about the team does not spend much time with the parts of that team.

The story itself was basic, taking most of the sport movie cliches into play. This was a basic, by-the-numbers sports flick that did not stray from the pattern much.

Having said that, I would be lying if I said that I wasn’t inspired by the finale of the film, especially the final Olympic race. There was one final conflict that was tossed in at the end that felt rushed and did not pay off in the end.

If you come into The Boys in the Boat with the idea that this is a basic formulaic sports movie and that it does not go above that, there are things to enjoy here. I think this story could have been more than what was here, but there is something to say for formula.

Justice League: Warworld (2023)

Posted on by

June 4, 2024

The fourth day of the June Swoon 3: A Cinematic Flashback brought me to HBO Max and the first animated film of the month. It is also the first disappointment of the month.

At first, I felt that Justice League: Warworld was an intriguing concept. Seeing Wonder Woman in the old West was a neat concept and watching her square off with Jonas Hex opened a lot of possibilities. I was thinking this was much like Westworld and seeing the Justice League involved in this setting would be cool.

However, it was not just the old West. After her short bit was done, we came across Batman in the world of Warlord. Wonder Woman was there too. I did not understand what was happening and, if this was the case, why was Batman not in the old West. and where was Superman?

Eventually we came to Superman as an agent of the government in a black and white alien invasion film where both Batman and Wonder Woman would appear as would King Faraday. It also borrowed heavily from a Twilight Zone episode I saw last summer during the Daily Zone rewatch.

All of these side bits seemed to be nothing more than time wasters as the real plot started up in this episode as they came across Mongul, with Lobo, who has some weird sci-fi storyline. Apparently, Warworld is a massive weapon against the multiverse and he was in search of a key. Why he brought the Trinity into the story made no sense, but that was not unlike most of the rest of this movie.

J’onn J’onzz was here too and played a role in the end of the film, but the movie made the entire thing feel unnecessary as it was being used simply to introduce the idea of Crisis on Infinite Earths. The movie brought in what I assume was Harbinger at the very end to rescue the Trinity and set up the next animated film. I am only guessing that this is Harbinger since the look of the character is nothing like I remember. She looked more like Marvel’s Frankie Raye aka Nova than she did the Harbinger from Crisis on Infinite Earths.

Jensen Ackles lead the voice cast which included Stana Katic (formerly of Castle fame) as Wonder Woman, and Darren Criss as Superman. Other actors included Ike Amadi, Troy Baker, Matt Bomer, Roger Cross, Brett Dalton, John DiMaggio, Frank Grillo, Teddy Sears, Kari Wahlgren, and Robin AtkinDownes.

The animation was fine, but did not standout in any instance. The characters did not feel right. Even in Elseworld type stories, the characters needed to feel like the characters we know in order for us to relate to them. Much of the story was convoluted and only felt as if it existed simply to put them in these specific settings. Worse yet, was it simply felt like a commercial for the next DC animation film.

Usually, the DC animated movies are very well done. This was quite a step down.

The Garfield Movie

Posted on by

I have not been looking forward to this movie because the trailers for The Garfield Movie have been truly awful. Still, I went in with the hope that this would be better than I thought it would be.

Sadly, it is not.

I did not like The Garfield Movie at all. There are so many things that I just did not work for a Garfield movie. This was an action movie with a character that had always before spent all his time on the couch eating lasagna. The entire storyline with Garfield’s estranged father, Vic (Samuel L. Jackson), just did not work. It was something that did not work for the character and stood out as a huge problem with the script. Seeing Garfield jumping from drone to drone just should not happen.

The animation was good. I think some kids would like this movie, however, my theater was mostly filled with youngsters, and there was very little responses during the film. Very few laughs. There was no energy in the room. I did not think that was a good sign for the film.

I know there was some controversy with Chris Pratt as the voice of Garfield, but he was fine. I do not think that the voice performance of Chris Pratt was the problem of this movie.

This film did not resemble the classic Jim Davis Garfield character at all. He became an action hero and the relationship story with Vic was both ridiculous and predictable. There was not enough humor and the story was weak. Some youth may find this entertaining.

2.5 stars

Furiosa: A Mad Max Saga

Posted on by

I was one of the people who thought Mad Max Fury Road was just okay. I did not love it like most of the people who saw it. I feel much the same way about the prequel film, Furiosa: A Mad Max Saga, with Anya Taylor-Joy and Chris Hemsworth.

It was fine. I did not love it. It was passable for me.

According to IMDB, “As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.”

There are a lot of good things in Furiosa. To start with, the film looks tremendous. The effects, many of which were practical, were epic. The stunts are wonderful and work very well with the story.

Anya Taylor-Joy does a great job taking the role of Furiosa in this prequel. However I do think the standout performance of the film was from Chris Hemsworth, who just eats every scene away every moment he is on screen as Dementus. He is not just playing Chris Hemsworth nor is he just Thor. He is a fabulous villain in Furiosa.

My biggest problem is the story, which is the same basic problem I had with Mad Max. There is not much to the story, though I did like the background of Furiosa’s life. There is a lot of action, but I would appreciate more story beats to chew on.

So I liked Furiosa. I appreciated the work done by director George Miller and the cast, especially the main two, were top notch. You should see this in the theater. If you loved Mad Max Fury Road, you will love Furiosa too.

3.4 stars

Bates Motel S1 E2

Posted on by

Spoilers

“Nice Town You Picked, Norma”

Man, Freddie Highmore can give some death stares unlike anyone else. His eyes are amazingly creepy and, at times, simply frightening. You can see the insanity inside them, making him a great Norman Bates.

Norma’s first son and Norman’s half-brother Dylan arrived at the beginning of episode, creating tension within the Bates family. He had so much anger directed toward Norma, who he did not call Mom, but by her actual name, and the tension between him and Norman was obvious. Dylan’s anger toward Norma boiled over as Norman tried to defend his mother’s honor.

Vera Farmiga played Norma with such a depth that elevated this character into one of the most compelling character on the show. She is so mysterious and enigmatic. You are never quite sure what she is thinking behind each stare. When she was questioning Emma about her disease, I could not tell if she was interested because she was being empathic or if she was saying it to let Norman hear about the things about her cystic fibrosis because she was jealous of any other girl who might have a connection to Norman.

Romero continued to be suspicious of Norma after they found the truck of Keith Summers and a witness had said that Keith was seen arguing with Norma and Norman at the Hotel. Norma is cool as can be during the interactions, hiding the real anxiety beneath the surface. Keith was the man who raped Norma and whom she killed and dumped in the lake. Some of the word play between Norma and Romero was well written and jumped off the screen.

The town that they have moved to is shown to be a darker place than Norma had expected, with a deep criminal underground involved.

After episode number two, the storytelling is excellent. They bring up storylines that continue to service these characters while focusing on the unhealthy relationship between mother and son. A relationship that we know will end up in tragedy.

Kingdom of the Planet of the Apes

Posted on by

The franchise of The Planet of the Apes released its fourth film in the new series of films and its tenth film overall in the franchise. The previous trilogy has been claimed by many pundits as one of the best trilogies of all-time, and some wondered why there was a need for a new film and how it would fit into the story.

Well, the film takes place several generations after the end of the War of the Planet of the Apes and focuses on a new set of protagonists, while still using the legacy of Caesar in the basic plot.

Our new protagonist is named Noa (Owen Teague) and he is trying to find his tribe after the were taken away. He was joined by the elder orangutan Raka (Peter Macon) and a human named Mae (Freya Allen). However, it turns out that Mae has her own motives for tagging along.

Our new antagonist is Proximus Caesar (Kevin Durand) who arrived about an hour into the movie. He is trying to get inside this vault built into a cliffside where there were a bunch of human weapons.

I thought this new film was okay. I did like how they built this new group of characters and starting creating the world around them. I think it has set up for the future films well. The first part of this movie felt kind of dull at times. I did like the character work here, but there felt like too much going on.

The apes continue to look tremendous. The special effects are great. I will say that a few of the time when I would see Raka walking, it looked weird. Other than that, everything looked fabulous.

The third act was a lot of fun. I may have a small criticisms of it, but they are not major problems.

Truthfully, there were some ups and down for this film. I liked parts of it. There were parts that I found boring. It looked awesome. I do think it could have shaved off 10-15 minutes for the runtime. This may be better when you look back on this after the whole trilogy is done.

3.5 stars

Boy Kills World

Posted on by

This was extremely violent and brutally gory. That does not bother me much, but there were more things that did bother me in Boy Kills World.

According to IMDB, “Bill Skarsgård stars as “Boy” who vows revenge after his family is murdered by Hilda Van Der Koy (Famke Janssen), the deranged matriarch of a corrupt post-apocalyptic dynasty that left the boy orphaned, deaf, and voiceless. Driven by his inner voice, one which he co-opted from his favorite childhood video game, Boy trains with a mysterious shaman (Ruhian) to become an instrument of death and is set loose on the eve of the annual culling of dissidents. Bedlam ensues as Boy commits bloody martial arts mayhem, inciting wrath of carnage and blood-letting. As he tries to get his bearings in this delirious realm, Boy soon falls in with a desperate resistance group, all the while bickering with the apparent ghost of his rebellious little sister.”

The positives for me was Bill Skarsgård, who I think was really good as the deaf/mute hero. My only problem with him was my own. When I looked at Skarsgård, all I could see was a combination of professional wrestlers Cody Rhodes and Edge and it distracted me constantly. Again, that is not the fault of the film and I thought Skarsgård was very good as this action character.

The action did not work very well for me. There was a lot of camera movement in the fight choreography that was annoying. The fights and the blood did become a bit dull for me because it was overdone. Too much blood and violence dampened the effect of both of them.

The voice over of Boy’s inner thoughts was hit and miss for me. There were some fun lines with it, and others that just felt like it was out of place. I did like the fact that the internal voice was the voice from Boy’s favorite video game as a youth, but the use of “Finish him” or “Fatality” seemed excessive. Funny at first, then not so much.

I became bored by this movie rather quickly, and by the time the third act came around and there was some movement on the story (predictable as it may have been) I had checked out. Not the worst film I have seen this year by a long stretch, just not very good.

2.6 stars