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2025 EYG Year in Review: Best and Worst Horror Movies

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This was another great year in horror. Not perfect, of course. There is a nice balance between good films and bad ones.

Again, we have not been keeping track of the “Worst” film, but the “Best” is in the records:

Best Horror Movie

Previous Winners:  A Quiet Place, It, Don’t Breathe, It Follows, The Conjuring, As Above So Below, Cabin in the Woods, Doctor Sleep, Black Box, Fear Street trilogy, The Menu, A Haunting in Venice, Nosferatu

Runners-Up: Final Destination: Bloodlines was a surprise for me. At this point, I had never seen any of the Final Destination movies (I saw the first one in the October 13), and I loved this new one. The new Conjuring movie, Conjuring: Last Rites, put that franchise to bed (or so we are told). Guillermo Del Toro’s Frankenstein is a stylish, engaging new version on Netflix. A film I did not expect to like was Dangerous Animals, but it was extremely awesome. It was a shark movie that did not make the shark the villain. So it came down to two choices… and the one that did not make it was Weapons. I loved that movie, but I think it was a little less of a horror movie than the one that turned out to be the winner.

Best Horror Movie

Sinners

Michael B. Jordan starred in this Ryan Coogler directed film. Coogler wanted to do his vampire film and what he did was Sinners. This was a fantastic film and it was something we hadn’t seen before. Jordan played dual roles and he did it so well.

Worst Horror

Runners-Up: Until Dawn was such a bad movie. It was a disappointment as it had a decent premise. Lots of people loved Together, but I hated it. I hated it so much. Fear Street: Prom Queen was such a downgrade from the awesome trilogy from a few years ago.

“Winner”:

That film is not from Jordan Peele, no matter how much the movie wanted it to be true. This football film is truly one of the worst MOVIES of the year… not just horror.

Sinners

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Ryan Coogler has been hugely successful as a director. From his debut with Fruitville Station to his forays into the MCU with Black Panther to his entries in the Rocky franchise with Creed, Coogler has been a winner. Coogler decided to tackle the vampire genre with his new film Sinners, but there is so much more than just a vampire flick.

Conceivably, you could call this a Vampire musical. I was not expecting that.

According to IMDB, “Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.”

I can see some people feeling that this movie is slow, and there is no doubt that the film takes the first hour or so of the run time to do lots of background. It absolutely takes its time to get to the vampire, and, while I was sitting in the theater, it did feel its length at times, what came after was worth it, and that first hour or so did make a difference with the deaths that followed.

Michael B. Jordon was wonderful in this dual role, as Smoke and Stack. You felt the connection between the twin brothers and Jordon does such a good job that there were a couple of times I questioned that it was him doing both parts.

What I did not expect was how much this was tied in with music, particularly with the Blues. Some of the musical numbers were amazingly complex and choreographed and a couple of them were downright surreal. I watched the one dance routine with spirits from the past, present and future with a shocked disbelief.

One of the best performances came from the debut of Miles Caton, who played Sammie. His character really made me think about Robert Johnson and the legend surrounding his life and career. Sammie was a phenom on the guitar, but his music seemingly brought forth the vampires. Caton was an impressive actor in this film.

The story was brutal and emotional, pulling on heartstrings of the different characters, providing pain and anguish as well as some joy of the music and being together.

Sinners is a challenging watch, but it is a worthwhile one, marking yet another win for Ryan Coogler.

4.3 stars