The Daily Zone- The Twilight Zone s1 e35 & 36

After a very strong season of episodes, I am afraid that season 1 ended with a couple of clunkers for me.

Spoilers

“The Mighty Casey”

A terrible baseball team from New Jersey holds try outs and they wind up with a new pitcher. Casey is a left handed master who was as dominant as he could be. There was only one problem.

Casey was a robot.

When the league found out about the truth, they insisted that Casey was suspended. However, Casey’s creator, Dr. Stillman, said he could give Casey a heart, thus making him human. The surgery was a success, meaning that Casey could continue to pitch. Unfortunately, Casey’s new heart turned him into a pitcher who could not get anyone out.

Jack Warden played manager “Mouth” McGarry.

I found this episode to be my least favorite episode of the season so far. It was a silly premise and the execution was worse yet. When Casey was pitching, they added stupid sound effects to his fastball, slowball and curve ball. The whole episode was just a joke and was a huge step down from anything that I had seen before.

“A World of his Own”

I had always thought that I had seen my share of the episodes of The Twilight Zone, but as I have watched the first season, I did not recognize or was familiar with any of them. That is, until this episode. I remembered parts of this episode as I was watching it so this is the first of the Twilight Zone episodes that I had seen before. It would have been decades ago though.

This was also not a favorite of mine, though better than the baseball one I just watched.

Gregory was a writer who had the power to bring to life characters that he created. All he had to do was speak into his tape recorder and the characters would come to life.

This led to a conflict with his wife Victoria, who came upon Gregory snuggling up with a blonde woman (called Mary). When Gregory explained that she was just a creation of his, Victoria was ready to have him committed.

Gregory could take the tape, cut it out with his scissors and toss it into the fire, which caused the person to disappear.

The end of the episode did help save it a bit. Victoria was shown to be a creation as well and she, not believing it, tossed her own tape into the fire. She disappeared. That was fairly obvious as it was happening. The best part was when Rod Serling appeared in the room to narrate the events and Gregory tossed his tape into the fire too, cause Rod to disappear. That was the best part of the episode.

“Leaving Mr. Gregory West—still shy, quiet, very happy… and apparently in complete control of The Twilight Zone.”

This ends the first season of The Twilight Zone. The Daily Zone will be continuing into the second season soon.

The Daily Zone: The Twilight Zone s1 e32-34

June 10, 2023- numbers 32, 33, 34

Spoilers

“A Passage for Trumpet”

Jack Klugman stars in the thirty-second episode of The Twilight Zone and he carries the episode on his back. Klugman is very strong here, delivering several monologues and playing off other actors that can not or will not respond to him.

Joey Crown, musician with an odd, intense face, whose life is a quest for impossible things like flowers in concrete or like trying to pluck a note of music out of the air and put it under glass to treasure. Joey Crown, musician with an odd, intense face, who, in a moment, will try to leave the Earth and discover the middle ground – the place we call The Twilight Zone.”

Joey Crown is a depressed trumpet player with an alcohol problem. Life was getting him so down that he decided to commit suicide by stepping in front of a speeding truck. That was when things got weird.

Joey found himself walking around the area, but unable to interact with anyone. Everyone he came across reacted as if they could not see Joey. Joey made the reasonable assumption that he was dead… that he was a ghost.

However, he comes across a man playing the trumpet that lets him know that is not the case. In fact, he says that Joey was in a limbo state and he could choose to go back or remain in the land of shadows. Joey goes back and things get much better.

Klugman was the reason to enjoy this episode. Joey did not seem to mind being in limbo so his choice to return to a world where he tried to leave by suicide did not make much sense. Still, the acting was strong and the message of stick with life is a good one.

“Mr. Bevis”

…with Butthead nowhere to be seen.

This was a second episode in a row that depended on the lead performance of the actor. This was Orson Bean and his semi-comedic role as Mr. James B.W. Bevis was excellent stuck into an episode that was strange and that had a message that did not feel very well done.

“In the parlance of the twentieth century, this is an oddball. His name is James B. W. Bevis, and his tastes lean toward stuffed animals, zither music, professional football, Charles Dickens, moose heads, carnivals, dogs, children, and young ladies. Mr. Bevis is accident prone, a little vague, a little discombooberated [sic], with a life that possesses all the security of a floating crap game. But this can be said of our Mr. Bevis: without him, without his warmth, without his kindness, the world would be a considerably poorer place, albeit perhaps a little saner.”

Loved the word ‘discombooberated.’

Mr. Bevis is a carefree, kind-hearted, fun-spirited man who could not hold a job because of his idiosyncrasies. We see him go through a day where he loses his job, has his car ruined and ends up in a bar getting drunk.

He is approached by his guardian angel, J. Hardy Hempstead, who has been guardian angelling Mr. Bevis’s family for years.

He told Mr. Bevis that he could redo the day and everything would turn out differently, but he would have to change the way he lived. No more funny suits, no more weird car, no more sliding down the bannister, no more playing on the street with the kids.

When he went through this day with the new way of acting, Mr. Bevis realized that he did not want to have a life where he could not do those things, even if it meant he would not be successful.

So I guess the message is that it is best to be yourself, but get used to failing if you do. The only way to success is by being something you are not, suppressing your true nature. That does not seem like a very positive message.

This was clearly inspired by “It’s A Wonderful Life” but it fails to reach that level of entertainment. Orson Bean does everything he can with what he is given and nearly pulls it off. Unfortunately a disappointing message and a lackluster story derailed this performance.

“The After Hours”

This is probably the most frightening episode of The Twilight Zone to date. There were some really anxiety creating shots as poor Marshal White struggled to remember what was going on.

“Express elevator to the ninth floor of a department store, carrying Miss Marsha White on a most prosaic, ordinary, run-of-the-mill errand.

Miss Marsha White on the ninth floor, specialties department, looking for a gold thimble. The odds are that she’ll find it—but there are even better odds that she’ll find something else, because this isn’t just a department store. This happens to be The Twilight Zone.”

I immediately spotted that there was no 9th floor on the elevator that Marsha White got on and I knew something was going on. What happened from here on out was weird.

Marsha White was here to buy a gold thimble for her mother (which at the end is strange considering the twist). After purchasing the thimble, she realized that it was scratched and dented and tried to return it, but the manager told her there was no 9th floor in the store.

This started Marsha’s psychological problems, afraid of what she saw… especially when she saw the woman who sold her the thimble… as a mannequin.

The twist at the end I did see coming, but that did not make everything around it less creepy. The strong performance by Anne Francis made up for any problems that might have been in the episode and the twist, the fact that Marsha was a mannequin too, was creative and probably very effective for the time.

Transformers: Rise of the Beasts

I loved the Transformers as a kid. I loved the TV cartoon and I remember buying Transformers toys. Then the Michael Bay movies came along and I was excited. Unfortunately, they turned out to be some of my least favorite films ever. Legitimately, I believe Transformers: The Last Knight might be my least favorite movie of all time.

The last Transformers movie was Bumblebee, which was the first one without Michael Bay’s fingerprints all over it, and it was one of the best. Sadly, it did not do well at the box office so I was afraid that the film series would head back to the giant stupidity of the previous films instead of the solid work of Bumblebee.

Here come Transformers: Rise of the Beasts. This included characters from the 1990s animated TV show Beast Wars along with a low number of the Autobots. While I do not think this new Transformers movie was up to the level of Bumblebee, this was way better than any of the first five in the franchise and presented a breath of fresh air for the Robots in Disguise.

Set in 1994 after the events of Bumblebee, Rise of the Beasts featured Noah (Anthony Ramos), a down on his luck former soldier who was struggling to find employment to help his mother and his ill brother Kris (Dean Scott Vazquez). After failing to get an honest job, Noah succumb to criminal activity and tried to steal a car. Of course, his luck is terrible as he tried to steal the Autobot, Mirage (Pete Davidson).

Meanwhile, Elena (Dominique Fishback), a young museum intern, studied a falcon statue with weird markings on it. When she accidentally broke the statue, it revealed the Transwarp Key, an object that was taken by the group of Maximals, led by Optimus Primal (Ron Perlman), years before from their home planet when forces of the planet-sized Unicron, who consumed planets, tried to find the key. The key would open portals around the universe and allow Unicron unfettered access to any planet of his choosing. Unicron’s led henchman was named Scourge (Peter Dinklage), who had been searching for the key since. When Elena activated it, the signal alerted Scourge to its location.

The signal also brought Optimus Prime (Peter Cullen) and the few other Autobots to it, trying to find the key which would allow them to go home to Cybertron.

Okay, so… that is a lot of synopsis. And I just scratched the surface. Though it feels convoluted when I am writing the plot out, the film does a decent job of explaining things for the audience so they were not lost. At least, I was not lost, though I have a knowledge of the lore so perhaps someone not as familiar with the Transformers may be more confused.

There have been several issues I have had with the previous Transformers movies. The first one is the human characters. In previous movies, the human characters were terrible characters that simply took up time that should have gone to the Transformers. Here, Anthony Ramos and Dominique Fishback do a very good job of being vital and not ridiculous like in previous films (The film had Mirage make a great joke about Marky Mark…aka Mark Wahlberg, who was in previous Transformers movies).

Second issue I have had before was the fact that I could never tell which giant robot was which. All of the Autobots looked the same except for Optimus Prime and Bumblebee. The rest were dull and poor characters that were undistinguishable from the others. This is much better since they keep the Autobots to a limited number including Prime, Bumblebee, Mirage, Arcee and Wheeljack. The Maximals were much more original in their designs so they stood out better (although when they transformed into their robot forms, they were much less so). Optimus Primal and Michelle Yeoh’s Maximal character Airazor are the two Maximals that standout in this film. However, the villains were absolutely interchangeable, even Scourge not standing out of the crowd.

Previous franchise films had just stupid humor/jokes that were not funny. The humor in this film was kept to a minimum and usually worked well.

The writing has been truly stupid over the previous movies and, while this film’s writing isn’t remarkable, it is much better. There are several cringeworthy moments in the third act though that bothered me. The third act was decent enough as not to have ruined what they were going for, though it did feel like too much of a step back.

The mid-credit scene was great and looks to take the franchise into a very intriguing path that I would be all for. No spoilers here.

As someone who hated the Michael Bay Transformers movies, I am on board with this new path the franchise is on. This movie is not a brilliant film, but it easily clears the bar set by previous entries in the series. While not as good as Bumblebee, keeping the number of Autobots down helped this film and it is always cool to hear Peter Cullen voicing Optimus Prime. This film kept the really stupid things at a minimum and avoided most of the traps that ruined previous movies. I am cautiously optimistic about the future of the Transformers movies.

3.5 stars

Living (2022)

June 9, 2023

Day: 9, Movie: 9

The June Swoon 2 this morning features a movie that was utterly beautiful.

Bill Nighy gave an Academy Award nominated performance as Mr. Williams, a grim and humorless bureaucrat whose life changed after receiving a diagnosis giving him just a few months to live.

Mr. Williams decided to do something worthwhile will the few months he had remaining and he took up the fight for a local playground.

Bill Nighy is absolutely transcendent in this role. He is subtle and powerful with every glance and every slight word. He is never over-the-top, even though the situation could call for it. He was reserved yet determined to not fail in his final effort.

He had become withdrawn and callous within his job before the diagnosis altered his thinking. He spent some time with a former co-worker, Margaret Harris (Aimee Lou Wood), whose energy and willingness to embrace life attracted the old man. He wanted to remember how to engage in the daily joy of being alive while he still had the opportunity.

The film started off making it seem as if the leading protagonist would be Mr. Williams’s newest co-worker, Mr. Peter Wakeling (Alex Sharp), but he ended up as a supporting player in the story. Through his eyes, we get the chance to see the results of what Mr. Williams was able to accomplish.

Living was directed by Oliver Hermanus and the film is an adaption of a 1952 Japanese movie Ikiru which had been directed by EYG Hall of Famer Akira Kurosawa.

I have not seen the original film from Kurosawa, but this new adaptation is lovely, life-affirming and filled with a zest for life that is too easily lost. Bill Nighy is spectacular in his reserved and measured performance that will no doubt break your heart while inspiring you to do better. Living was a wonderful experience.

The Daily Zone: The Twilight Zone S1 E31

June 9, 2023-number 31

Spoilers

“The Chaser”

Strange when you think about it, this whole episode happened because someone needed to use the phone.

“Mr. Roger Shackelforth. Age: youthful twenties. Occupation: being in love. Not just in love, but madly, passionately, illogically, miserably, all-consumingly in love – with a young woman named Leila, who has a vague recollection of his face and even less than a passing interest. In a moment, you’ll see a switch, because Mr. Roger Shackelforth, the young gentleman so much in love, will take a short, but very meaningful journey into the Twilight Zone.”

Roger Shackleforth was desperately in love with Leila. She couldn’t be bothered. Roger was in the phone booth, trying to get Lelia to answer. To get him out of the booth, a man offered him the card of a man whom would be able to fix everything for him. That would make the man desperate to make a phone call the inciting incident. Weird writing.

The man whose card was given to Roger was for a man named “A. Daemon,” a professor who was reading and working in what appeared to be a library. The professor tried to get Roger to buy “glove cleaner” but eventually offered him a love potion to help with his troubles. He warned Roger that this potion would make Leila fall hopelessly in love with Roger, and she would dote over him forever.

Roger went to see Leila and immediately gave her the potion in some champagne and, sure enough, she became breathlessly taken with him.

They would marry and she would do everything for him, constantly gazing upon him, back rubs, anything for him. And he was becoming tired of the mindless obsession.

He tried to return to the professor and he purchased the “glove cleaner” to “take care” of the problem. However, Roger could not bring himself to give Leila that potion and he committed to live his life in this way.

I was not a fan of this episode. Leila was quite annoying, but Roger’s use of the love potion is the same as forcing someone to do something that they did not want to do. The idea that he would then murder her to get away from her is a horrible thought.

The Daily Zone: The Twilight Zone s1 e30

June 8, 2023- number 30

“A Stop at Willoughby”

This was Rod Serling’s favorite episode from the first season of The Twilight Zone, and I can definitely see why.

An ad exec Gart Williams was struggling at his job, getting more stressed and anxious over everything.

This is Gart Williams, age thirty-eight, a man protected by a suit of armor all held together by one bolt. Just a moment ago, someone removed the bolt, and Mr. Williams’ protection fell away from him, and left him a naked target. He’s been cannonaded this afternoon by all the enemies of his life. His insecurity has shelled him, his sensitivity has straddled him with humiliation, his deep-rooted disquiet about his own worth has zeroed in on him, landed on target, and blown him apart. Mr. Gart Williams, ad agency exec, who in just a moment, will move into the Twilight Zone—in a desperate search for survival

While heading home on a train after a particularly problematic day, Mr. Williams fell asleep and dreamed of a long ago town called Willoughby. A town where everything was peaceful and tranquil, Boys went fishing. Carriages were pulled by horses. Everything seemed to go slower.

Mr. Williams could not get Willoughby out of his mind and, a second time he had the dream on the train, he nearly got off, only to be awakened by the jolt of the train.

His wife had little empathy for him. His boss kept on his back to “PUSH, PUSH, PUSH.” Everything was flying past him. He made the decision to get off the train the next time he dreamed of Willoughby.

And that is exactly what he did. Everything seemed to be peaceful and lovely.

However, this is The Twilight Zone so we were going to get a twist. It seemed that, in reality, Gart Williams, when he thought the train was stopped at Willoughby, in reality, jumped off the moving train, killing himself.

The mortuary company of Willoughby and Son picked up the body.

Great ending to this episode. I expected something magical to happen. Kind of like the Apple TV + series Schmigadoon. Instead, we get a sudden switch to tragedy and we take a sharp turn to the dark. Or is Mr. Williams still there in Willoughby, happy as he could be?

Wonderful episode.

“Willoughby? Maybe it’s wishful thinking nestled in a hidden part of a man’s mind, or maybe it’s the last stop in the vast design of things—or perhaps, for a man like Mr. Gart Williams, who climbed on a world that went by too fast, it’s a place around the bend where he could jump off. Willoughby? Whatever it is, it comes with sunlight and serenity, and is a part of The Twilight Zone.”

The Daily Zone: Twilight Zone s1 e27-29

June 8, 2023

Spoilers

“The Big Tall Wish”

“In this corner of the universe, a prizefighter named Bolie Jackson, 183 pounds and an hour and a half away from a comeback at St. Nick’s Arena. Mr. Bolie Jackson, who, by the standards of his profession is an aging, over-the-hill relic of what was, and who now sees a reflection of a man who has left too many pieces of his youth in too many stadiums for too many years before too many screaming people. Mr. Bolie Jackson, who might do well to look for some gentle magic in the hard-surfaced glass that stares back at him.”

Aging boxer Bolie Jackson looked to get his career back on track against some younger fighters. He was encouraged by a young boy who lives in the same building as he did. They were close and the boy told Bolie that he would wish for him to be able to win.

Things looked badly for Bolie, as he lay on the mat, staring up at the lights, the ref counting to 10. However, the little boy’s wish made everything right, flipping the script.

And all Bolie had to do was believe in magic.

Similar to some ideas found in Peter Pan, magic required that Bolie believed in it, but he couldn’t do it. This sent everything back to the way it was supposed to be.

This was a straight-forward episode that told a basic story. However, the all-black cast was anything but basic at the time of broadcast.

“A Nice Place to Visit”

“Rocky” Valentine was a thief. During a robbery, he wound up in a shoot out with the police and was shot. He awakes with a man who called himself Pip standing over him. Pip insisted that he was there to help him do anything he wanted, and gave him $700 dollars from his pocket.

Pip took Rocky to a hotel room, helped him win at gambling and brought him some beautiful women. Rocky realized that he had been shot to death by the cops and he guessed that he was in heaven and Pip was a guardian angel.

After awhile of never losing at gambling or never failing with the women, Rocky became bored and pressed Pip to find out how he could change things up. Rocky even said that he did not want to be in heaven any longer and wanted to go to the other place. Pip laughed and told Rocky that he was not in heaven, but was already in the other place.

Be careful what you wish for because you might get it feels like the moral of this story.

“A scared, angry little man who never got a break. Now he has everything he’s ever wanted – And he’s going to have to live with it for eternity – In The Twilight Zone.”

I found Rocky extremely annoying and he was difficult to watch. I figured the twist very early as if was obvious that Rocky wasn’t going to heaven. Heck, even Rocky wondered how he was in heaven.

Pip was definitely the highlight of the episode, but I found myself more irritated with the character and even the ironic ending did not rewcue that for me.

“Nightmare as a Child”

So this was the best of the three I watched for this post. I loved the psychological aspect of this episode.

“Month of November, hot chocolate, and a small cameo of a child’s face, imperfect only in its solemnity. And these are the improbable ingredients to a human emotion, an emotion, say, like—fear. But in a moment this woman, Helen Foley, will realize fear. She will understand what are the properties of terror. A little girl will lead her by the hand and walk with her into a nightmare”

When Helen met Markie, things felt odd. Little did we know that Markie was just a figment of her imagination. Something there to help Helen Foley remember the traumatic event of her mother’s murder.

Everything was triggered when she had seen the killer (off screen) by her school where she worked. This led to Markie and those memories returning.

Mr. Seldon, who was the killer, came by her apartment to see what she was remembering. He knew that she was the loose end, the person who witnessed his murder.

I really liked the fact that they did not make something supernatural or magical about this. Instead, they played the little girl as a psychological symptom.

Mr. Seldon did fall into the villain who just explains his plans trope. The audience did not have to have it laid out as such. At least, I figured that he was the killer. I could have had a better wrap up of the episode, but overall, this was decent.

Sr. (2022)

June 8, 2023

Day: 8, Movie: 8

A Netflix documentary featuring Robert Downey Jr and his father Robert Downey Sr. has been on the streamer for awhile now, existing on My List since it came out. The June Swoon 2 allows me the chance to actually watch this.

Robert Downey Jr. is clearly one of the most charismatic actors we have today and this documentary shows that. It also spends a lot of time with Sr. and we get a good idea where a lot of RDJ’s personality came from.

The best parts of the doc were when we saw Jr. and Sr. interacting, especially when they included RDJ’s son Exton.

The documentary was shot in black and white and it added that gravitas to the film. It was a feel of something special and you get some truly amazing moments between father and son.

One of my favorite moments in the doc was when RDJ was singing a German folk song, “Fischerweise” with Sean Hayes on the piano. It was a request from Sr. and it is apparently something young 15-year old RDJ did in a contest. This section of the doc was hilarious.

Thinking back, I probably should have saved this film for Father’s Day in the June Swoon 2, but it fit today better, time wise. This is a beautiful love letter to a father from a son and from a couple of classic filmmakers.

The Daily Zone-The Twilight Zone s1 e25-26

June 8, 2023- number 25 & 26

Spoilers

“People Are Alike All Over”

Roddy McDowell is on the way to Mars and what he finds is unexpected.

You’re looking at a specie [sic] of flimsy little two-legged animal with extremely small heads, whose name is Man. Warren Marcusson, age thirty-five. Samuel A. Conrad, age thirty-one. They’re taking a highway into space, Man unshackling himself and sending his tiny, groping fingers up into the unknown. Their destination is Mars, and in just a moment we’ll land there with them

Honestly, I have been a fan of every episode of The Twilight Zone so far. Even the ones that were near the bottom of the list had parts that I really enjoyed. That streak is over now. “People Are Alike All Over” is easily my least favorite episode of The Daily Zone so far.

It was just so random. The Martians that appeared before Roddy McDowell were so ridiculous that it was impossible to believe that they were actually Martians. There was nothing that made this feel interesting at all.

That is not to say that Roddy McDowell is a problem. I have always found his work to be great and he does what he can here. It just feels like a slight episode without a lot of worthwhile ideas.

Humans in cages on display will be used better in future moments. From my limited research, it seems as if this episode has its supporters and that it has been an inspiration to many. I am happy for them. I am not one of them.

“Execution”

The second episode in a row that I did not like very much.

I found this premise intriguing. I did not expect to start with an attempted hanging and the set up was solid. When outlaw and killer Joe Caswell disappeared from the noose, I was certainly enthralled.

However, with his arrival in the future, I lost most of that early excitement.

I’m not sure if the sudden appearance of the Professor from Gilligan’s Island (with nary a coconut to be seen) affected my thoughts on what was happening.

Caswell ran around the future with a gun, attacked a juke box and shot up a TV.

Then, at the end, the story stopped being about Caswell and became the story of another guy, a thief named Paul Johnson. Johnson ends up killing Caswell in a fight and somehow gets himself stuck in the time machine and is sent back to take Caswell’s place in the noose.

While I do like the ending, I do not like how the character of Paul Johnson just appears from nowhere and becomes the center of the story in the final few minutes. I did not find it satisfying.

This is November 1880, the aftermath of a necktie party. The victim’s name—Paul Johnson, a minor-league criminal and the taker of another human life. No comment on his death save this: justice can span years. Retribution is not subject to a calendar. Tonight’s case in point in The Twilight Zone.

EYG Comic Cavalcade #30

June 7, 2023

Wow, what a day.

It was NEW COMIC BOOK DAY and it was the first day I was able to go to Comic World early in the afternoon and sit and do some reading. It was a pleasant day, and I got a chance then to talk with my friend Todd.

Todd had attended a convention this past weekend in Minneapolis. He got some books signed for me by Dan Jurgens (more on that later). He also had the opportunity to sit and talk with the 1970s star of Flash Gordon, Sam Jones. Sam Jones was very tall, according to Todd. Todd was standing and Sam was sitting and he was still talker than Todd (Todd may also have been a bit short…)

Comic World received about half of the Marvel comic books in from a few weeks ago when the truck had that terrible accident. That meant that there was a huge lot of books in my box. I also picked up a couple of other books (including a graphic novel that I haven’t gotten to yet). I have read a whole bunch of books this week, but I still have a pile of new books to read that rivals a huge regular week. It is quite impressive.

Starting off with what I have finished reading….

Superman/Doomsday: Hunter/Prey #1-3. Written by Dan Jurgens and drawn by Brett Breeding. Dan Jurgens was at the convention Todd attended so I have purchased this three book series and Todd said he would take it and get them signed by the writer. So cool. Thanks again Todd. The three book mini series was a pretty decent read as well. I liked the psychological issues that Superman had when he was searching for Doomsday. You don’t see doubt creeping in to the Big Blue often, but, of course, after being killed by Doomsday, it makes sense.

The ClanDestine #1. “Apparently Unrelated Events: Family Reunion- Part One” The pretty gold foil cover attracted me to this number one, but the title reminded me of the group of villains from the Ms. Marvel Disney + show from last year. These characters were nothing like those ones. Written and drawn by Alan Davis. It was fine. It did not make me want to search out any more issues, though.

Captain America: Sentinel of Liberty #13. “Cold War Part 5” Written by Jacoson Lanzing & Collin Kelly with art by Alina Erofeeva. Steve Rogers did not die in the last part of the Cold War saga (I know… surprising, right?). He’s back with Sam Wilson and he has come to his senses. Alina Erofeeva’s artwork in this issue (especially the Sam and Steve stuff in the snow) is beautiful.

Red Goblin #5. Written by Alex Paknadel and drawn by Jan Bazaldua. Honestly, I was a little confused about what was happening since I have not seen the whole part of this Carnage Reigns story. I did like the team up with Normie and Miles Morales, but I skimmed a bunch of this book since I am unclear about the story.

Nocterra #15. Written by Scott Snyder with art by Tony S. Daniel. Emory comes up with a plan to try and get Bailey’s grandpa’s equation to work, stopping the darkness. Problem is… Bill is here and is bringing the trouble. There were some amazing panels of art in this issue and it brought a feel of intensity.

Storm #1. “Blowback. Part 1: Wind-Rider” Written by Ann Nocenti and drawn by Sid Kotian. Alan Davis & Alejandro Sanchez did the cover art. This is yet another book that is set in the past. This one takes place around the time frame of Uncanny X-Men #176. I’m not sure why this has become a trend at Marvel, telling ‘untold’ stories from the past. Most of these feel very disjointed from the regular books since these characters are not acting like the characters act today. The Storm book was okay, but the conflicts within Ororo felt out of date. And I do not remember Kitty Pryde acting like this. I’m not a fan of this book. I would much rather have current in continuity comic starring Storm than setting one in the past.

Phantom Road #4. “Chapter Four: Don’t Look.” Written by Jeff Lemire and featuring art by Gabriel H. Walta. What is Project Jackknife? What does Agent Weaver know about it? How does it tie in with all the things that have happened to her? Lots of questions in a compelling book with a lot of visual storytelling this issue. Phantom Road continues to be strong work each month.

Hallows’ Eve#3. Written by Erica Schultz and including art by Michael Dowling. Janine has a confrontation with Spider-Man in this issue. Spidey is always welcome for me, and I enjoyed this issue more than the previous two. I am starting to feel positively about Hallows’ Eve and her weird mask power. I have liked the originality of the book so far.

Loki #1. “The Liar” Written by Dan Watters and drawn by German Peralta. I love the character of Loki, especially the newer version of the God of the Story. He is still chaotic and not necessarily honest, but not evil. His manipulative ways are put to the test here and the last page of the issue puts Loki’s existence into question. I’m mean… I’m sure he’s fine…

Spider-Man #9. “Maxed Out Part Two: Spider-Sensitivity Training.” Written by Dan Slott and penciled by Mark Bagley. Spidey and his super spider sense is really being pushed to his limit. It gets so bad that Spidey’s spider sense is going off in his head every time he punches a bad guy. Gold Goblin and Spider-Boy have an interaction, once again bringing into question exactly whom this Spider-Boy is. Oh, and there is Electro.

Fantastic Four #8. “If Memory Serves…!” Written by Ryan North and drawn by Ivan Fiorelli. Alex Ross is the artist on the cover. The FF is home at the Fantastic Farmhouse (as dubbed by Sue). They begin a cool mystery in their new little town with a creature that is able to reshape the world’s minds. I enjoyed the first part of this issue with Sue and Alicia and … Flame-O!

Daredevil #12. “The Red Fist Saga Part 12.” Matt Murdock is starting off his plan to bring back Foggy from death and it seems as if it requires Elektra to kill him. As the finale to Chip Zdarsky’s run on DD comes quickly to us, every issue is just better than the last one. Written by Chip Zdarsky and drawn by Marco Checchetto.

Hellcat #3. “The Know-It-All.” Written by Christopher Cantwell and drawn by Alex Lins. Cover art by KJ Diaz and Marte Gracia. I have been loving Hellcat each issue. In fact, this was my favorite comic (so far) this week (it was actually one of the issues that was on the ill-fated shipment). We get more info on Pasty’s past as well as the murder that she is trying to solve. She seems to be scaring Blackheart. Hm. And I do believe that the little stuffed rabbit (aka Damien Hellstrom, Son of Satan and Patsy’s ex-hubby) has something not so right about his motives.

That is not quite half of the books I got this week. It was a massive week and I hope to get some more read as I continue the June Swoon 2, The Daily Zone (Twilight Zone episodes) and the regular movie reviews (Transformers coming this Friday).

Hope you’ll be able to read this soon, Todd. 🙂 Seriously though hope things are better.

The Daily Zone: The Twilight Zone s1 e23-24

June 7, 2023-numbers 23-24

Spoilers

“A World of Difference”

Lights. Camera. Action.

At least, in the Twilight Zone.

You’re looking at a tableau of reality, things of substance, of physical material: a desk, a window, a light. These things exist and have dimension. Now this is Arthur Curtis, age thirty-six, who also is real. He has flesh and blood, muscle and mind. But in just a moment we will see how thin a line separates that which we assume to be real with that manufactured inside of a mind.”

Another winner of an episode as we peek behind the camera of a man’s life. Is he Arthur Curtis? Or instead is he actor Gerald Raigan?

This episode shows a man having a nervous breakdown, believing that he is, in truth, the character that he is playing in a movie. Or does that character really need a vacation from work because he has had some delusion. I do like the even balance the show gives us. Although it does feel as if Gerry is the true personality, there is enough uncertainty to warrant debate.

The episode featured David White, most well known as Larry Tate from Bewitched as Gerry’s agent/friend.

“Long Live Walter Jameson”

Walter Jameson is old. Really old.

He has fallen in love with a younger woman. However, her father has discovered the truth of Walter’s age. Walter was old enough to have been friends with Plato.

The idea of immortality is revisited here, and the idea that it would not make a person happy is brought back once again. We saw how things could go bad in the episode, “The Escape Clause” and here it takes a slightly different path, but reaches the same conclusion. That death is what makes life so valuable.

The ending of the episode was very well done as we see Walter, shot by a former wife, died slowly, but aging rapidly as he died. He wound up a pile of dust on the floor after we had seen him age from the man that we knew. It was a neat effect.

Last stop on a long journey, as yet another human being returns to the vast nothingness that is the beginning and into the dust that is always the end.

Glorious (2022)

June 7, 2023

Day: 7, Movie: 7

The June Swoon 2 gets really gross today with the horror/comedy film that can be found on Shudder called Glorious. The film was directed by Rebekah McKendry and featured one basic location, a rest stop bathroom.

Wes (Ryan Kwanten) is traveling with all of his stuff in his car. He was depressed and sad and stopped at a rest stop where he promptly begins to drink and burn items from the car. He could not bring himself to burn the photo of Brenda (Sylvia Grace Crim), the woman he had just lost.

Passed out, Wes laid on the ground all night. In the morning, Wes rushed into the bathroom to throw up. When in there, he was engaged in conversation by a voice form the next stall. Not really wanting to start a conversation, Wes tried to get away, but he realized that the bathroom door could not be opened and that the voice had something to do with it.

The voice told Wes his name was Ghatanothoa (J.K. Simmons), a demigod who was trying to hide from his father, a primordial who had accidentally formed the universe, and Ghatanothoa needed a favor from Wes to avoid its father’s detection and, thus, the destruction of the entire universe.

Glorious was bloody, grimy and darkly funny. The dialogue between Wes and the demigod was both ridiculous and informative. Wes’s constant desperate attempts to escape kept turning out to be failures and he kept flashing back to memories of Brenda.

JK Simmons is, as always, great. His voice was the perfect catalyst for the craziness that was going on in this bathroom. The tale was insane, yet you believed what was happening.

There was a hilarious situation involving a glory hole that has to be seen to be believed. Then, the unexpected twist at the end of the film was shocking and completely out of nowhere, challenging everything that we had known up until that point, and yet, made total sense.

Glorious has a down ad dirty feel to it, much like the setting of a rest stop bathroom, and it keeps you off-balance. The end had that Twilight Zone type feel to it. It is a short film (only 79 minutes) but it uses every second well.

EYG Comic Cavalcade #29

June 6, 2023

It is summer vacation.

One of the issues with summer vacation is that I sometimes lose track of what day is what. Especially on a day like today. I went to Cinemark for a double feature of Guardians of the Galaxy Vol. 3 and Spider-Man: Across the Spider-Verse. I had already seen both of these movies, and they are my two favorites of the year so far. I am not sure which way they are. They feel as if the are 1A and 1B. Guardians was more emotional, but Across the Spider-Verse had more fist-pumping moments.

Anyway, as I was saying, It has been a long time since I went to Cinemark on a Tuesday. The double feature made it feel like a Saturday instead. I have to keep telling myself that tomorrow is not Sunday, it is NEW COMIC BOOK DAY, nd I get the chance to go hang out at Comic World and read some of the new books there. It is always a blast during the summer.

Oh, and by the way, I was FINALLY able to find Where Monsters Lie #1. I had been searching through every box that I had even remotely put something new into recently, but I found it in the pile of books I have yet to box. I did not think it would be there, but right there it was.

Because I was searching for Where Monsters Lie #1, I was going through one of the number one boxes that I keep issue #1s that I do not collect. While in there, I came across a book that I did not remember seeing, and one that was interesting to read.

Damn Them All #1. Written by Simon Spurrier and illustrated by Charlie Adlard. This book from Boom! Studios was one that drew my attention in Previews last week, but it was listed as #7 so I was not sure if I wanted to jump in. However, after finding number one, I went to eBay and bid on the rest of the series. Issue #1 was really engaging and fun with a magic world.

Betsy Braddock: Captain Britain #4. “Earth’s Most Furious” Written by Tini Howard with art by Vasco Georgiev. Erica D’Urso & Matthew Wilson are the cover art team. There are a ton of guest stars in this issue, trying to contain Morgan Le Fey. The Avengers. Dr. Doom. Betsy had a fencing match with Tony Stark. There is some fun to be had here.

X-23: Deadly Regenesis #3. “The Past Haunts Us All Part 3” Written by Erica Schultz and drawn by Edgar Salazar. Kalman Andrasofszky (whew, what a name) was the cover artist. Laura found herself back in the clutches of her old handler, Kimura. She wanted to make an offer for an assignment for Laura, but she had to go about the process of having her agree… and that was not going to be easy.

Year Zero: Volume 0 #1. Written by Daniel Kraus and drawn by Goran Sudžuka. Another short series that I am ready to jump into this summer. This is a prequel to the first Year Zero book that I enjoyed quite a bit. This book continued its way of jumping around the globe and checking in on how the world is going with this zombie strife. Plus, a grandmother gnawed off her foot. Ooft.

Sleeping Beauties #7. Adapted by Rio Youers and art by Alison Sampson. Based on a novel by Stephen and Owen King. Getting back into this series, which only has a handful more issues to go. There is a plan afoot to launch an attack on the prison in order to get to the woman who can sleep. Meanwhile, all kinds of trippy-dippy things are going on.

Strayed #1. Written by Carlos Giffoni and drawn by Juan Doe. Another short series that has been in my ‘Too Read’ pile for quite awhile. Scientist Kiara Rodriguez developed a device that allows her to translate brainwaves into language and so she communicates with her cat. Lucky for her, her cat can travel the astral plane. It is a bizarre book.

Darkland #1. “Episode One: Stay Awhile.” Written by Nicholas Black and featuring art by Serg Acuna. Darkland was a number one in my pile of books too read so I figured to give it a chance. It was okay. There are some interesting character designs, especially Zed. There was one guy who reminded me of the Unknown Soldier. I did not find myself interested enough to go searching for any more of the series from Scout Comics. This will take its place in my number one box.

The Daily Zone: The Twilight Zone s1 e22

June 5, 2023

Spoilers

“The Monsters Are Due On Maple Street”

I loved this episode.

“The Monsters are Due on Maple Street” was excellent from beginning to almost end. There was no much in this episode, clearly taking shots at the McCarthy hearing and how people were seeing Communists all over the place.

Maple Street, U.S.A., late summer. A tree-lined little world of front porch gliders, barbecues, the laughter of children, and the bell of an ice cream vendor. At the sound of the roar and the flash of light, it will be precisely 6:43 P.M. on Maple Street.

This is Maple Street on a late Saturday afternoon. Maple Street in the last calm and reflective moment –before the monsters came

Something flew over Maple Street. The people who lived on this street thought it might have been a meteor. However, everything stopped working. No lights. No cars. No machinery of any kind. Nothing would start or turn on.

Why? No one was sure and they were nervous. When an imaginative child brought up an idea of the ‘meteor’ was in actuality a space ship and that the child had read a story about how monsters from outer space would infiltrate a community to set up for the landing.

The people dismissed the idea at first, but it got inside their minds and the paranoia of the situation started to rot their attitudes. They began blaming individuals on being guilty, with no evidence and even less reality.

It devolves into violence as one of the people is shot because they thought it was a monster coming out of the darkness.

The accidental death did not calm the tensions. In fact, it only triggered the people into chaos. I loved how this episode showed how human beings can react to rumors and innuendo, becoming mob-like.

Now, I am not sure I loved the very end of the episode where we see that this whole situation was being manipulated by aliens from a space ship, what had actually flown over the street. I would have preferred to have left that reveal a mystery. I don’t think that was necessary.

However, that did not take away from how much I loved this episode. It may be my current favorite episode of the series.

The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices… to be found only in the minds of men. For the record, prejudices can kill… and suspicion can destroy… and a thoughtless, frightened search for a scapegoat has a fallout all of its own—for the children and the children yet unborn. And the pity of it is that these things cannot be confined to the Twilight Zone

Good Luck to You, Leo Grande

June 6, 2023

Day: 6, Movie: 6

It is amazing to think that this is the same actor who played Ms. Trunchbull in last year’s Matilda the Musical.

Emma Thompson is an unbelievable actor and the range that she can show in a calendar year of performances is astounding.

In Good Luck to You, Leo Grande, Thompson played a retired teacher who had recently lost her longtime husband and she wanted to experience some sexual experiences that she never had with him. So she hired a young male sex worker to make those experiences come true.

Thompson, whose character was named Helen, got more than she was expecting. She showed such an amazing amount of nervous energy and uncertainty over what she was planning that everyone could relate to the feelings that this was stirring up.

Daryl McCormack played Leo Grande, the sex worker who is much more than a hired prostitute. He ran his own company and provided services to his clientele that they required. Well-spoken and intelligent, his very nature confounded Helen as she was not expecting someone like Leo Grande.

The dialogue between the two actors was impeccable. The dialogue gave us glimpses into who these two individuals were as people and was sexy and uncomfortable at the same time. There was an undeniable chemistry between Thompson and McCormack that pulled you into the connection between them. The movie becomes much more than just a sexual encounter. It is a character piece between two people who are able to bring the best out in each other.

Good Luck to You, Leo Grande is currently on Hulu and it is a film that gives two outstanding performances in a sexual coming-of-age story for any age.