National Gratitude Month- EYG November 7

My favorite fictional character of all time is Peter Parker, Spider-Man. Not just super hero, but my favorite fictional character from any medium available, and it is not even close. I have loved him as long as I can remember. I learned what it meant to be a hero from Spider-Man. Not just a hero, but a decent person.

Injustice

I do enjoy these DC Animated movies. It is nice how they are able to adapt versions of important comic story arcs into stand alone animated movies. They tell stories that do not interlink. They can have characters that could die at any moment without affecting the ability to use the character in a future film.

In Injustice, the Joker comes to Metropolis, kidnapped Lois Lane (after killing Jimmy Olson), and tricks Superman into accidentally killing Lois (and the unborn baby she just realized she was pregnant was). Because of this, Superman kills the Joker by putting his fist through the Joker’s chest. Superman then decides that he was going to start changing the world by stopping the violence and the wars.

Members of the Justice League split to different sides. Wonder Woman backed Superman’s potentially Fascist tendencies. Batman, Green Arrow and Nightwing wanted Superman to stop.

I was expecting not to like this movie, but I have so say, I enjoyed most of this. It worked so much more than expected. The voice acting is spot on. The animation was okay. The animation on the DC Animated films has never been a strength. They maybe could have expanded on the time provided for the story. That would allow the story to breathe a little bit. Maybe if this was a two part film like the Dark Knight Returns or The Long Halloween, it would have felt more complete. It could have helped Superman feel less like he was doing things that went against his character.

However, for what we had, the story of the film worked well enough to make it interesting.

I did not like one big thing… Deadwing. While the idea and use of the character is fine, the use of that name was laughable.

The ending ends a bit too fast and could have wrapped up things some more, too.

I did think this was better than I anticipated and I was happy that I watched it. Using these films to be like Elseworlds stories is a fine use of them. Good cast and lots of characters help to balance out some of the structural issues of the film.

3.4 stars

The Harder They Fall

Western. Real life historical figures. Fictional story.

Netflix’s new Western dropped this weekend on the streaming service and it is fire. Filled with an astounding cast and a hot tale of revenge, The Harder They Fall is stylish, exciting and energetic.

Outlaw Nat Love (Jonathan Majors) learned that the man who had killed his parents and carved a cross on his forehead, Rufus Buck (Idris Elba), was being released from prison with a full pardon, and Nat Love set his sights on exacting his revenge on the infamous killer.

Jonathan Majors continues his remarkable streak recently with an amazing performance as our protagonist. From Lovecraft Country to He Who Remains, Majors is showing himself to be a fantastic actor and everything that he starts in is something to pay attention to.

The interactions between Nat Love and Rufus Buck in the movie are just powerful and full of emotion. The chemistry between Majors and Idris Elba is off the charts and drives much of the film. Both men are fully invested in the material and the final scene with them is really strong.

Zazie Beets as Stagecoach Mary Fields and Regina King as Treacherous Trudy Smith brought serious rivalry to the screen and their knock-down battle in the third act is totally earned over the course of the film. Both of these actresses are dominant in their presence on the screen and bring a special touch to their characters.

The rest of the cast is solid too. We had LaKeith Stansfield as Cherokee Bill, Delroy Lindo as Sheriff Bass Reeves, RJ Cyler as Jim Beckworth, Danielle Deadwyler as Cuffee, Edi Gathegi as Bill Pickett, and Damon Wayans, Jr as Monroe Grimes. It is a cast of who’s who among black actors today.

The soundtrack of the movie was tremendous and really brought a new energy to the straight-forward story. The blend of period music and rap is original and some of the best of the year.

There is a ton of violence in the film, perhaps too much. It certainly does not shy away from some of the more graphic moments of bloodshed or teeth loss. There was a grit that the film was shot with that really made it feel down in the dirt. A lot more of the violence worked than did not, but I could have done with a little less. Then, much of the third act felt too produced, in contradiction to the violence up to that point. It was all shiny and ordered.

It is also perhaps a little long. The film clocks in at 2 hours and 10 minutes and could have shaved off about 15 minutes or so. Still, the film does a good job living with the historical figures in the fictional location.

Stylish to a fault, The Harder They Fall is an excellent revenge Western and boasts some great performances. It looked top notch and sounded better than most movies. The story may have been simple and the violence graphic, but The Harder They Fall is an enjoyable watch.

3.9 stars

Charade (1963)

DailyView: Day 192, Movie 274

Audrey Hepburn and Cary Grant are involved in a mystery about stolen money and a group of men who were trying to recover that money under any circumstances. But how involved is Cary Grant? And did he kill to retrieve it?

The 1963 film spun a really good mystery with a group of characters and a good conclusion.

The film included Walter Matthau, James Coburn, George Kennedy, Ned Glass, and Jacque Marin along with Grant and Hepburn. The strong cast made work the mystery component of the story.

A man is thrown from a train. The man turned out to be the husband of his unhappy wife, Regina Lampert (Audrey Hepburn). Turned out that the man had stolen a large sum of money from his collection of crooks and they wanted the money back, and they assumed that Mrs. Lampert had it. However, she was still reeling from the discovery that her husband was not whom he said he was.

Mrs. Lampert was approached by a man named Peter (Cary Grant) who turned out to be involved in the case somehow. He actually had several names, giving her a different one every time.

Honestly, the mystery was cool, but the whole Cary Grant-Audrey Hepburn romance within the mystery did not work as well for me. It painted Hepburn’s character in a fickle light. I know that the role would have been typical of Hollywood during the era, but it still did not make it great. Hepburn’s character was too into this liar and changed her mind about him multiple times. Every time he told her another fake name, she wound up playing it off as it were nothing.

I would have liked to have seen Hepburn more in control of the situation and not be a basic damsel in distress. I know the movies of the time did not have this type of heroine involved, but Audrey Hepburn was a huge name in the movies.

Still, the film worked more than it did not for me. I did enjoy the mystery (even though I had figured out the truth earlier). Cary Grant and Audrey Hepburn are charming and entertaining with their bickering and their banter.

Finch

This is the second Tom Hanks film to debut on Apple TV + over the last two years. In 2020, we saw Hanks in a World War II naval film called Greyhound. Now, we follow Hanks into a post apocalyptic world with Finch.

No matter where Tom Hanks heads, he is as charming and engaging as ever and he makes everything better around him, even a moderate, middle-of-the-road post apocalyptic film about a man, his dog and a robot.

Devastating solar flares caused rampant destruction to the earth, leading the human race to destroy itself. There are a few exceptions. Tom Hanks, playing Finch, is one of them. He was a knowledgeable engineer who could construct robots and use remaining technology to protect himself and his dog, Goodyear, from the dangerous UV rays that could cook you from even a few seconds of exposure.

Finch, with a understanding that his life would be changing soon, built a new robot, with the capability of speech and thought, and a prime directive to protect the dog above all else.

Eventually named Jeff (Caleb Landry Jones), the robot and the man learned about humanity, life and friendship when forced to leave Finch’s bunker because of a terrible storm.

Finch is a similar movie to Castaway, as Hanks is the only main actor, though this time, the volleyball Wilson, can speak back to him. And there is a dog.

This is one of the fluffiest post apocalyptic movies you are ever going to see, which makes it one of the more original one too. They cover some of the general topics that most post apocalyptic movies do, but the real focus of the movie is the relationship between the three characters: Finch, Jeff and the dog.

As mainly a Man (and robot and dog) vs. Nature conflict, it frames the characters into a small box and allows them to interact and discover more about each other. Jeff developed into more than just a robot, as he learns and makes errors along the way. Finch’s overall motive for constructing Jeff is eventually revealed and it make more sense than at first.

I am not sure that the story would hold up if there were any other actor in the lead role than Tom Hanks. However, since he is our protagonist, Finch worked considerably better than it had a reason to be.

3.75 stars

Mark Twain and Me (1991)

DailyView: Day 191, Movie 273

I have always been a fan of Mark Twain and I had wanted a proper biopic of the author for a long time. When I found the former TV film Mark Twain and Me on Disney +, I was excited to take a look.

Jason Robards played Samuel L. Clemens, aka Mark Twain after he met the young girl Dorothy Quick (Amy Stewart) on a cruise during the last few years of his life. The old man and the young teen formed a close bond and they spent many days together, breaking out of the morose and regrets that Clemens’ life had become filled with.

This is a true story based on the memoirs of novelist Dorothy Quick, published originally as “Enchantment.” I have always believed that the best biopics were the ones that took a section of the person’s life and focused in on in instead of covering the entire lifespan. This biopic does a wonderful job of that.

Robards was fantastic as Samuel Clemens (or SLC as he is referred to throughout the film by Dorothy) and Amy Stewart was solid in her first major role as Dorothy. The two of them had chemistry and had a natural surrogate father-daughter relationships. Dorothy was able to help Clemens reunite and appreciate the relationship he had with his actual daughter Jean (Talia Shire).

Though the film relied heavily on the positive messages of the story, it did not shy away from the tragedy that had filled Clemens’ life during this time, including the death of Jean and his aversion to Christmastime.

I would still like more biopics with Mark Twain at the center, but this one was a pleasant surprise tonight.

Eternals

Eternals is a movie unlike any other Marvel Cinematic Universe movie we have had before. I can see that some critics have taken some shots at the movie, and I can understand why they may have the feelings that they do. The Eternals are not a property that is well-known, even among comic fans. I am a deep comic fan, but I do not have a deep knowledge of the Eternals. I believe that is part of the issue some will have with Eternals. I also believe the fact that the MCU is taking some huge swings with this movie that they may not have done in other films will be divisive to some. I went in nervous about the movie. I came out really enjoying it.

This movie truly is more of a science fiction film than it is a Marvel movie. Sure, they have the superhero beats involved and they have a few casual mentions of the MCU, but Eternals is much more its own thing than we have had before.

Oscar-winning director Chloé Zhao was in charge of this film and she produced an epic that spanned the history of the universe unlike few films before it. She shot an absolutely gorgeous looking film with some massively interesting scenes and imagery. Chloé Zhao was allowed to make a Chloé Zhao movie inside the MCU. This was a huge risk.

In the Eternals, a group of powerful beings arrived on earth with instructions from the Celestial Arishem to protect the humans but to not interfere in their world unless there was an attack by the monstrous creatures known as the Deviants. After the Deviants are all destroyed, the Eternals spread apart, awaiting on earth for Arishem to tell them what was next.

They were around for 7000 years on earth. We get a bunch of flashbacks in the first part of the movie that helped suss out the list of characters in the Eternals. And there were a bunch of them.

Angelina Jolie was Thena. Gemma Chan played Sersi. Richard Madden played Ikaris. Salma Hayek played Ajak. Kumail Nanjiani played Kingo. Lia McHugh played Sprite. Brian Tyree Henry played Phastos. Lauren Ridloff played Makkari. Barry Keoghan played Druig. Ma Dong-seok played Gilgamesh. There was also Kit Harington as Dane Whitman. That is a ton of characters. When the flashbacks were happening in the beginning of the film, I was a little uncertain about these characters. I had very little connection to them and I was not sure how well the flashbacks were working. However, when the characters returned later in the film, without exception, I had a feeling that made me care about all of them. This told me the work the film did early on that might have been considered the iffy part was well worth it for the long run.

The film is utterly beautiful. The spanning shots of the world was amazing. Seeing the Celestial on the big screen is beyond any scope that we have seen to this point. I will admit there were a few moments of CGI that did not look great, but thankfully a lot of the film was shot in practical effects which allowed the CGI to lack here and there and still not derail the look of the movie.

The performances of the ensemble cast were just exceptional. Angelina Jolie was amazing. I loved the characters of Kumail Nanjiani and Brian Tyree Henry, especially. They brought an unbelievable amount of diversity without making it obvious that they were going for it. The diversity was not force. Every minute was earned.

The film is nearly 2 hours and 40 minutes long, but I did not feel the length. Perhaps the first 45 minutes or so dragged a touch, but it was a necessary time to establish the characters that would pay off in the second and third acts.

Eternals will take the MCU in a direction that is unexpected and ballsy. Without spoiling either of them, the two post credit scenes absolutely blew my Marvel-loving mind. Both post credits do some yeoman work setting up important moments for the future of Eternals, but also of the MCU.

This is a movie that demands that you pay attention to or you will be lost. While the film is exposition heavy, it impressively does a lot of its heavy lifting in dialogue between the characters. This is not a movie that talks down to the audience and it requires the audience to keep up, which is refreshing in a lot of ways. There is some humor in it, but, truthfully, some of it does not hit. Most of the humor involving Kumail Nanjiani worked the best. His relationship with the other Eternals and with his valet (Haresh Patel, who is a stand out in every scene he appears in) is great and works on every level.

Some of the music choices were off for me. While I enjoyed the inclusion of Pink Floyd in the early part of the film, some of the other songs, especially The End of the World by Skeeter Davis felt out of place.

I was nervous about Eternals, but I enjoyed it quite a bit. It is not my favorite Marvel movie of the year, but it turned out to hit with those big swings much more than it missed. It is a great cast and I think a second viewing may help me enjoy it even more. There is a lot of hate of Eternals out there, but none coming from me.

4.4 stars

One Week (1920)

DailyView: Day 190, Movie 272

With tonight’s schedule viewing of Eternals, I had to find something short to watch this morning to satisfy the DailyView, so I broke into the list of black and white shorts and found the Buster Keaton short One Week from 1920.

One Week tells the story of a newly married couple who are just starting their lives together by building their dream house. However, their house turned out to be a little more than what they had expected.

While I was not as much of a fan of the first film I watched of Buster Keaton (especially when compared to Charlie Chaplin) One Week was a considerably better effort. It was filled with some great slapstick moments, several impressive practical stunts (apparently the spinning house was built on a turntable to create the visual gag). The gags involving the house and ladders around it were several times inspired.

Sybil Seely co-starred in the short with Buster Keaton as the newlyweds. She had a definite screen presence and is a nice match with Keaton.

I was not a fan of the score though which repetitively repeated the same melody through the entire run of the film. It was one of those scores that burrows into your head and stay there unwelcomed.

In the end, I enjoyed One Week more than the other Buster Keaton film I saw and it worked beautifully for the DailyView today.

The Thomas Crown Affair (1999)

DailyView: Day 189, Movie 271

A remake of a 1968 film brings together Pierce Brosnan and Rene Russo in a romance/heist movie which updates the movie called The Thomas Crown Affair.

Thomas Crown (Pierce Brosnan) was a bored billionaire who amused himself by stealing priceless art just for the challenge. When insurance investigator and art “bounty hunter” Catherine Banning (Rene Russo) joined the case, Crown found a greater challenge than art thievery.

The cat and mouse game between Thomas and Catherine played out in the foreground of the police investigation into the theft of a classic Monet painting. The chemistry between them is apparent and both Brosnan and Russo are tremendous.

If the relationship between Thomas and Catherine does not work, this movie flops big time, but they work extremely well. I did think at first that the relationship was a bit forced, but it developed quickly. It was clear that she was playing him while he was playing her and that the two characters were very much alike.

Denis Leary and Frankie Faison played police detectives and they are great too. They interact with Russo in a fun and engaging way. They both understood what was happening and just going along with her in an attempt to catch Crown.

Faye Dunaway appears as Thomas Crown’s psychiatrist. Dunaway starred in the original The Thomas Crown Affair so adding her was an intriguing casting choice.

This was a lot of fun and enjoyable. Two attractive and engaging actors playing characters that are trying to find the ability to trust one another and to make their relationship work.

National Gratitude Month- EYG November 3

As a Dodger fan, I should be over it.

But I’m not.

So I am grateful that the Atlanta Braves, even though they defeated LA in the NLCS, won the World Series over the Houston Astros, The Astros, who famously cheated in the 2017 World Series, will always be the one team I want to see lose. Their garbage can exploits cost the Dodgers the championship in 2017 and it may be petty, but that is just they way it goes.

Plus Atlanta has Joc Petersen on their roster. So there is that.

Atlanta won the NLCS against LA fair and square. So I am grateful that the Braves won a deserving title.

I am also grateful that it was not Houston vs. San Francisco in the World Series.

Mr. Bean’s Holiday (2007)

DailyView: Day 188, Movie 270

After looking for awhile across several different streaming services, I settled on Peacock for the night’s DailyView and I came across a comedy featuring the well-known British character, Mr. Bean, played vigorously by Rowan Atkinson.

The plot of this film is basically thin. Mr. bean, who had won a trip to Cannes, France, got stranded with a boy Stepan (Max Baldry) who was separated from his father in a train station. Mr. Bean and Stepan try and work their way to Cannes to reunite the boy and his father, while taking some time on the beach.

The rest of the film is practically all hijinks from the slapstick character.

There is a subplot (sort of) with Willem Dafoe filming a movie for the Cannes Film Festival. One of the bit actresses (Emma de Caunes) he had appearing in the film becomes involved in helping Mr. Bean get to Cannes.

The film is truly silly and features very little in story, but the character of Mr. Bean does have his moments of humor and charm, especially in an inspired section where Mr. Bean is performing on the streets, lip synching and dancing for money.

If you were a fan of Mr. Bean, this is probably for you. If you were not (such as me), you may find enough silliness here to justify the hour and a half run time. Mr. Bean’s Holiday feels like a group of bits strung together without too much concern for the story. There is a bit with Mr. Bean on a bicycle chasing a car with a chicken in the back that had Mr. Bean’s bus ticket stuck on its foot. There is a bit of Mr. Bean pretending to be in the army. There is a bit of Mr. Bean driving and trying to stay awake. Several of these are funny, which helps the film out.

I knew of the character of Mr. bean, but I had never seen him before, so his mostly silent/ barely coherent speaking was a shock to me and did take some time to get used to, but once I did, I did not mind it. He had a definite Charlie Chaplin vibe to him as the film progressed.

The connection between Mr. Bean and Stepan was sweet and I was rooting for them to get the boy back to his poppa. There was only really minor conflict, which was mostly from Mr. Bean himself.

I have seen worse comedies, that is for sure. If you like British comedy, this could give you a decent experience. It is fluffy and inconsequential, but does have some laughs.

National Gratitude Month-EYG November 2

So today I am grateful for the one and only, EYG Hall of Famer Edgar Allan Poe. I love his macabre work and the craziness of his life and his death. I spend a good chunk of October and November teaching a unit on Poe and he is so great. So November 2nd gratitude is for Edgar Allan Poe.

Nevermore