Black Widow #2 (of 5)

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Black Widow #2 (of 5)

Writers:  Jen & Sylvia Soska

Artist:  Flaviano

Cover Art: Clayton Crain

 

The new Black Widow limited series is at issue number two and it continues the top notch work from issue number one.  I must say though, since Natasha has returned from the dead, she has really stepped up her brutality.  There is some really hardcore violence here as Natasha is searching in Madripoor for an organization called No Restraints Play, a site where players can bid/watch/partake in live torture.  Natasha has dedicated herself to the complete decimation of this organization.

And she does not care what she does to accomplish that goal.

I will say that a couple of the scenes made me a bit uncomfortable.  I know Natasha was a spy and, because of her background in Russia, has done such things before, but I have always been one of the “my heroes don’t kill” type of fan.  Still, I am interested in the story as a character study on Natasha and what she is willing to do to bring down this horrible group.

Natasha has also assumed an identity of Lady Patch, much like Logan did in his old days in Madripoor.  There were a group of villains who made cameos in this issue that might just raise the stakes.

I enjoyed the issue even though I am unsure about the way they have taken Black Widow.  I am definitely in for the rest of the series.

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EYG Top 10 Culturally Important Black Movies

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February is Black History Month and in honor of the month, Matt and John had a new topic that they were a bit uncomfortable with so they brought in a third.  African American Chris Burns was brought in as the “specialist.”

They chose to do the Top 10 Culturally Important Black Movies.

Before I start, I will immediately say that I have not seen Do The Right Thing so it will not be making my list.  Of course I know the significance of the film, but I have not seen it so I cannot include it.

Here I go…

Image result for spider-verse#10. Spider-man: Into the Spider-Verse.  Miles Morales makes his debut in this Sony animated movie and becomes the first Black/Puerto Rican Spider-man.  The best part of this fact is that there is absolutely no mention of the fact about this.  It is not an issue, of race at all.  Anyone can wear the mask.  Miles immediately becomes one of the top characters to all young African American children.

 

Image result for malcolm x movie#9.  Malcolm X.  I have only seen this movie once when I was much younger which is why it is so low down the list.  Denzel Washington is amazing as the historical figure of Malcolm X.  Malcolm X was a controversial figure in the sixties, but he developed his opinions over the years.  The movie does a great job showing about this complex man.

 

Image result for in the heat of the night movie#8.  In the Heat of the Night.  They call me Mister Tibbs.  Sidney Poitier was one of the biggest African American actors in Hollywood and the film played on the tense racial divide alive fully during the 1960s.  In the Heat of the Night was selected by the Library of Congress for preservation in the National Film Registry for being “culturally, historically, or aesthetically significant”.  Sounds as if it fits on this list.

 

Image result for moonlight movie#7.  Moonlight.  The debut feature film from Barry Jenkins pulled an upset in the Oscar race by knocking off La La Land.  Moonlight is a beautiful coming of age story of a young black teen coming to grips with his sexuality as a gay man and how the world around him shaped his life.  Mahershala Ali won an Oscar for the film despite only appearing in the first act.  It is beautifully shot and written and extremely tender in many ways.

 

Image result for guess who's coming to dinner#6.  Guess Who’s Coming to Dinner.  The second appearance of Sidney Poitier on this list, Guess Who’s Coming to Dinner dealt honestly and straightforwardly with the issue of mixed marriage and how difficult of a life it could be during the uncertain times of the 1960s.  In the film, Spencer Tracy and Katharine Hepburn are meant to be progressive people, but they showed a side that their daughter did not expect when she brought Sidney Poitier home for dinner as her fiance.  I loved how the question of race was dealt with so head on.  That is a lesson we could all learn.

 

Image result for black k klansman#5.  BlackKKlansman.  Spike Lee’s most recent film featuring a story of an African American cop who infiltrated the Ku Klux Klan by getting on the phone and talking to the people in charge.  He even talked to the leader of the Klan, David Duke himself.  This true story found a great performance from Denzel’s son, John David Washington, as the police detective, and Adam Driver, as another police detective who had to play the part of the black detective when meeting the Klan face to face.  This is more of a political film than some on this list, as there are clear hints toward the Trump America.

 

Image result for the hate U give#4.  The Hate U Give.  I found this movie unbelievably powerful and impactful.  Just the scene where actor Russell Hornsby had to sit his children down to explain to them how they needed to act when they were pulled over by the police… it was shocking to me.  I am sure it is a scene that has been played over by black families all across the country and that is just tragic.  This is a wonderful story of overcoming the hatred and the expectations to become something special. Amandla Stenberg played Starr and she was absolutely amazing.

 

Image result for get out#3.  Get Out.  Jordan Peele’s horror masterpiece really took a new look at race relations and turned it upside down.  In his directorial debut, Peele tells the story of a young black man who goes with his white girlfriend to visit her family and strange things begin to happen.  The film is frightening and funny.  It deals with deep themes that you may miss upon first viewing.  It dives deep into the racism that exists in the world and it takes no prisoners.  Great performances and thrilling storytelling make Get Out one of the most original films of any year.

 

Image result for coming to america#2. Coming to America.  I wasn’t going to include this on my list at first, and then Matt, John and Chris made it their number one film.  Because of this, I figured it was okay to include it on my list. Coming to America is Eddie Murphy at the height of his powers.  This is one of the best comedies of any decade and it brings a message of true love as well.  I am also concerned with the talk of a sequel to this movie, but no matter what happens with that, this film is always here to enjoy.

 

Image result for marvel studios black panther#1.  Black Panther.  Wakanda Forever!  There is no denying the cultural importance of this Marvel Studio film.  Black Panther, a character who is well known in the comic book community, but not necessarily among typical movie going public, absolutely crushed the box office last year, crossing $1.3 billion worldwide, which included over $700 million domestic (which beat even the juggernaut known as Avengers: Infinity War).  Not only did this show a black super hero (the first black super hero form the comics), but also showed how the black community was successful and more advanced than any place on the earth.  This was a film about black success, not about black failure, but there is also another side to the film.  With Killmonger coming to Wakanda with the message of why Related imagedid Wakanda let other black people suffer, turning a blind eye to the world.  Black Panther is deceptively deep and a wonderfully acted film.  It became the first ever super hero movie to be nominated for an Academy Award and will certainly bring some Oscar back to Marvel Studios on Oscar night.  It is such a culturally significant film that Congresswoman Maxine Waters gave the Wakanda Forever crossed arms salute at Aretha Franklin’s funeral.  Wow.

 

Honorable Mentions:  I don’t have a ton of these, but I considered Dope, which was a really good film, but may not be that culturally important.  I liked If Beale Street Could Talk, but it is another one that may not be that impactful.   I saw 12 Years a Slave and that effected me a great deal, but it is certainly not a film I want to go back to revisit.  The story of Selma was interesting as was the true story of Detroit, the last one not very successful of a film though very powerful.  Straight Outta Compton got bumped at the last cut.

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Isn’t It Romantic

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I have never been a huge fan of rom-coms, but the promotional materials for Rebel Wilson’s new project, Isn’t It Romantic, seemed to take the genre and satire it.  The trailers were fun so I thought I would give this one a chance.  And I am really glad I did, because this was a lot of fun and an enjoyable time at the cinema.

It does a weird thing too.  It makes fun of romantic comedies, all the while, being one.

Natalie (Rebel Wilson) was an architect who was down on love and her life and was lacking confidence in herself.  When she hit her head during a mugging, Natalie woke up in a New York City that was right out of a rom-com.  Everything was perfect and her life and job were way better than she remembered.  It was not long before she realized that she had been caught, somehow, inside a romantic comedy and she started looking for a way to escape back to her own dirty and grimy world of NYC.

The idea here is very clever and creative.  Rebel Wilson is the perfect lead character for this type of genre satire, as she delivered all the tropes and the cliches normally found in a romantic comedy and called them out as they were happening to her.  She did it in a charismatic and funny way and it helped create a bond with her and the audience.  The cynicism she showed truly masked her true feelings and they were on display.  There was a fourth wall-esque breaking without actually breaking the fourth wall.

The writing was also very clever, as it threw in allusions to many of the classic rom-coms of all time, from Pretty Women to When Harry Met Sally to Jerry Maguire.

There were also several musical numbers that were used here that were so cheesy and over-the-top that they turned out wonderfully and fit right into the tone being set.

Liam Hemsworth and Adam DeVine were both solid as Rebel Wilson’s love interests.  I’d even go as far as to say that this was one of my favorite movies featuring the “other Hemsworth.”

The people who created this movie clearly loves romantic comedies and have made a film that not only points out the genre’s flaws, but also lovingly includes them in their story.  The movie is a quick watch and is entertaining.

3.7 stars

The Boggy Creek Monster: The Truth Behind the Legend (2016); The Bray Road Beast (2018)

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Two documentaries from Amazon Prime for a snowy early Sunday afternoon.  I love the stories of Bigfoot and the other mysterious monsters that people believe they have seen and I tend to believe more than I disbelieve.  These two documentaries from the company Small Town Monsters can make you a believer if you let them.

First one I watched was about the Bray Road Beast, which was something that I had never heard of before. Interestingly enough, this is a wolf/werewolf type creature people claim to see in the Elkhorn, Wisconsin area. Originally seen in 1916, a rash of sighting in the 1980s and 1990s led to the investigation by newspaper reporter Linda Godfrey.  She discovered enough details to write a book on the monster, and she appears throughout the documentary.

There were all kind of possible solutions to the mystery of the Bray Road beast, including that of Satanism.  It is a fascinating watch, especially for some of the Wisconsin color shown from the locals.

The second documentary was Boggy Creek Monster: The Truth Behind the Legend.  The world was introduced to the Boggy Creek Monster from the independent film of 1972 called The Legend of Boggy Creek.  It is dubbed as a true story, and the film apparently feature several real life people from Fouke, Arkansas who had encounters with the monster.  This movie spends a good deal of its run time looking at the true story of the parts of that docudrama film from 1972.

The documentary features discussions with many of the local residents who have seen the monster and who were willing to share their stories.

Though mentioned, the film does not do much to encourage the idea that this is simply some more Bigfoot sighting, but sightings that were given its own monster a name.

Little is shown on either of the documentaries n the other side of the debate.  Nothing is shown to make one think that these eye witness reports were anything but honest people who saw something.  Yet there has been some suggestions, especially for the Boggy Creek Monster, that the recent sighting were hoaxes.

Both of these docs are fun to watch and to amaze at the possible mystery of what might be out there.  However how unlikely it may be, the fact that these legends keep popping up tells you that humans need something mysterious in their lives.

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How to Train Your Dragon 2 (2014)

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I’m not crying… you’re crying….

The second movie in the How to Train Your Dragon trilogy goes deeper into some serious emotional moments that you do not see in too many animated movies.

When we return to Berk, we find that the Vikings and the dragons are living together in an almost Utopian society.  When they discover that the evil Drago Bloodfist (Djimon Hounsou) was coming with his dragon army, the community was sent into panic mode. Chief Stoick wanted to hide and batten down their land, but his son Hiccup (Jay Baruchel) wants to change the mind of Drago about the ways of the dragon.  Stubborn Hiccup takes Toothless and they fly off to try to talk sense to Drago.

However, on the way, Hiccup finds someone that he did not expect to find… his mother Valka (Cate Blanchett).  Valka had been rescuing dragons for the twenty years since she was believed to have been killed and the reunion with Hiccup is short and sweet, because the dangers of Drago is real and on the way.

This is a wonderful sequel to the original movie.  This film has some real deep, mature ideas and messages that you do not normally see in animated movies.  Another idea that you rarely see in animated movies is the passage of time.  It has been five years since the original movie and Hiccup has grown into a young man who is on the verge of being given the position of Chief of Berk.

The animation continues to be awe-inspiringly gorgeous.  Everything has been upped in this area from the first film, which was a beautifully animated masterpiece.  The scenes of Valka moving form dragon to dragon as they fly through the sky is visually stunning.  The set pieces are consistently as good as you are going to get.

There is tremendous action in these movies, creatively executed and wonderfully shot by returning director Dean DeBlois.  The voice cast continues its excellence from the first film, this time adding the alluring Cate Blanchett as the slightly crazed Valka and Kit Harrington as Eret, one of the dragon hunters working for Drago.

The only drawback was in a major SPOILER scene.  After a mind controlled Toothless attempts to kill Hiccup and, instead, kills Stoick, I found Hiccup’s forgiveness to be a tad too quick.  Sure they were best friends, but Toothless had killed his father.  Whether he was in control of the situation or not, you would think there should have been a bit more of a damage to their relationship.  When I first saw the movie, I felt that way and I felt the same tonight.  The trust between them should have been affected, even if it were just a scene more.  Maybe there was no time in the story to fit another scene because they did move quickly into the final battle, but I feel like this would have helped show that the friendship had faced a real stake.

I think this movie is just a step behind the first one, but not too much behind.  It dealt with some truly major life and death type themes and How I Trained Your Dragon 2 packed a real emotional wallop.

Bring on How to Train Your Dragon: The Hidden World!

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How to Train Your Dragon 2 Movie Poster

How To Train Your Dragon (2010)

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In just a week or two, the third film in the How to Train Your Dragon trilogy is scheduled to be released and the first word of mouth is extremely positive.  In order to get ready for The Hidden World (#3), I decided that I would re-watch the first two films.  Hard work, I know.

What a wonderful movie this is.

I remember when it first came out, this film was so surprising, so magical.  It took the well-known trope of a boy and his dog movie and upped the ante big time.  From dog to dragon.

Hiccup (Jay Baruchel) was unlike the other Vikings.  He was small, soft-hearted and lacked the killer instinct shown by the others, including his own father, Stoik the Vast (Gerard Butler).  Stoik, obsessed with the Viking war against the dragons, was embarrassed that his son was the local laughing stock.

When Hiccup luckily shoots down the rare and vilified night fury dragon, no one believes him.  When he goes to finish the injured dragon off, Hiccup realizes that he in not capable of killing the beast.  Instead, he goes about forming a friendship with him and helping to mend his injured tail.  Naming the dragon Toothless, Hiccup becomes close friends with the dragon and learns a lesson about the creatures.

The animation is stunning.  Absolutely spectacular.  The flying scenes with Hiccup on Toothless’s back is stuff of legend and the final battle with the giant dragon and the flames could not be rendered in a more perfect way.  This animation holds up to today’s standards and only makes me even more excited to see what the next film will look like.  Full of amazing color and creative designs, this movie is an epic mosaic of pigmentation.

The relationship between Hiccup and Toothless is front and center, but not the only relationship that is given time in this narrative.  Hiccup and his father have a fully understandable and relatable relationship and the sweet first love connection in the world of Vikings is shown between Hiccup and Astrid (America Ferrera).

The voice cast, led by the great work by Jay Baruchel and the others already mentioned, include such top line voices as Craig Ferguson, Jonah Hill, Christopher Mintz-Plasse, Kristen Wiig and T.J Miller.

This first film starts the trilogy off on an epic journey and you wonder how they could possibly match the strength and emotionally powerful debut.  #2 is next.

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Happy Death Day 2U

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Horror and comedy are a really great mix and the original Happy Death Day was a prime example of that combination.  It came from nowhere to surprise the movie going audience and turned into a sleeper hit for the horror studio aficionados Blumhouse.

However, this sequel to that movie does something odd and unexpected.  It really switches genre.  Oh, it is still comedy, but the horror aspects, while there in small bits, are pushed aside for a more of a science fiction feel.  And I think it works.

One of the top reasons why it works is the great performance from lead Jessica Rothe, returning as Tree Gelbman, the college student who, in the original, gets stuck in a loop repeating the same day that always seemed to end with her death.

She was able to break the loop in the original, but, who knew, she would wind up back in another loop, repeating the same day, once again. This time, however, there are some subtle and some not-so-subtle differences from the previous time.

The film goes into some explanation about why this was happening to her, and, at first, it felt a bit dubious in trying to explain what was happening, and the whole science fiction part was a bit iffy to me.  They made references to a certain 1980s movie that the film really is similar to.

However, after a little while, once the stage is set for Tree to be back front and center in the story, the film took off and it became great again.  Jessica Rothe is absolutely on fire here and she is the main reason this film works at all.  She is intense, angry, upset, emotional and ticked off, many times all at the same time, and pulls it off totally.  She emotes everything she is feeling and she also drives much of the comedy, most of which works well.

There are also some real emotional moments that she takes the audience through, much more than what you would expect in a film like this.

I have heard some criticism of the mystery surrounding the killer being weaker than in the first movie and I agree with that, but it is not intended to be.  The killer is a side plot that is there to show you different aspects of the character of Tree.  It is not the driving force of the plot and is really not that important.  It still provides a strong scene near the end of the third act.

There is a mid credit tag that feels as if it is setting up a third film, but it is not near as strong as the rest of the film, though there is a funny joke contained within it.

I enjoyed watching Happy Death Day 2U and feel that it is a strong sequel to a movie I was surprised to like as much as I did.

4.25 stars

 

Alita: Battle Angel

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It has been a long time coming for Alita: Battle Angel.  Based on a Manga graphic novel, the film is directed by Robert Rodriguez and co-written by James Cameron.

I was underwhelmed.

In a futuristic year of the 26th century, Dr. Dyson Ido (Christoph Waltz), a surgeon specializing in cybernetic replacements discovered the torso of a young woman whose brain is still alive.  He took the girl back and gave her a cybernetic body, treating her like the daughter he lost.

In the world, there is a floating city named Zalem which is where the special people live and the planet below is where all of the rest of humanity has populated known as Iron City.  Everyone from the earth wishes they could make it to the city in the sky.

When she awakens, the young girl does not remember anything of her past and is given the name of Alita by Dr. Ido.  It soon is shown that this young girl with the new cybernetic body is a fighter of high level and more than just another pretty face.

I had several problems with Alita.  The biggest one is that I just could not get past the CGI of the characters.  The surroundings of Iron City was amazing and most of the CGI of the action scenes was tremendous, but every time they put the camera on Alita or any of the other cyborgs with human heads, I thought the CGI looked rubbery and fake.  The characters reminded me very much of Steppenwolf from Justice League, and he was my absolute least favorite part of that movie.  I remember thinking immediately how much I noticed that this was CGI and how, during Avengers: Infinity War, I had not thought of Thanos as being CGI until 3/4 into the film.  I thought the distinction was clear.

As I said though, the action CGI was done considerably well and was, for the most part, fun to watch.

Rosa Salazar, who was the motion capture actress of Alita, does a fine job.  I think she delivered as much as you could expect from this film.  I felt as if Christoph Waltz was out of place any time the film took his character outside of the house/lab.  When he ventured out onto the streets of Iron City, Waltz stuck out, and not in a positive way.

The story itself was pretty lacking.  It was long and the film felt long.  There were distinct moments where I found the movie dull and I was wanting more.  I did not buy the relationship between Alita and Hugo (Keean Johnson) and there is one scene here involving Alita’s heart that was downright laugh-out-loud funny when it was supposed to emotionally resonate.

Mahershala Ali played Vector here and he is fine.  I would have liked to have seen him as more of the villain than what he turned out to be.

The film was not a total fail, but I did find myself wishing it was over on more than one occasion.  It certainly sets up for a sequel that, actually, could be more intriguing than this one was.

2.5 stars 

Savage Sword of Conan #1 (2019)

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Savage Sword of Conan #1

The Cult of Koga Thun:  Part One: Shipwrecked

Writer:  Gerry Duggan

Artist:  Ron Garvey

Cover Art:  Alex Ross

I was surprised how much I enjoyed Jason Aaron’s version of Conan the Barbarian.  It has been a really enjoyable read so far.  I was never a huge Conan fan, but the series was strong.  Despite this, I did not anticipate collecting the new upcoming Savage Sword of Conan series.

And then I read it.

I might have liked this number one issue better than the Jason Aaron book.  This issue was so great.  I have been amazed that this current run of Conan has been so entertaining, especially since I have not been a huge fan of the Barbarian.

I liked the art in this issue too, but it is in a different manner.  The art was dark and full of shadows and it seemed to really fit the story being told.

It looks like Savage Sword of Conan is going to be added to the comics to read.  Marvel has done a top notch job so far and I am excited for it.

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Avengers: No Road Home #1

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Avengers: No Road Home #1 (of 10)

Writer:  Mark Waid, Al Ewing, & Jim Zub

Artist:  Paco Medina

Cover Art:  Yasmine Putri

The new weekly limited series featuring the Avengers dropped this week and I enjoyed it a great deal.  This first issue was basically setting up the story and assembling the crew.

And this group of Avengers looks to be an awesome combination.  The group is brought together by Voyager, the “Avenger” who was involved in the big No Surrender story arc.  The group included Hercules, Rocket Raccoon, Clint Barton (Hawkeye), Scarlet Witch, Vision, Hulk, and Spectrum.  This group has a lot of intriguing interactions between this group of Avengers and I enjoyed the characters.

I have always liked Hercules and the way Marvel has portrayed him.  This story, though, has also showed a different side of Herc.

The final page of this issue looked so awesome.

The art of Paco Medina is top notch here and the combination of writers on this book (Waid, Ewing & Zub) are wonderful.

I am compelled by the beginning of this. The weekly arcs that they have done at Marvel have been inconsistent so far, but this Avengers arc is off to a great start.

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Abducted in Plain Sight (2017)

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I was on Twitter early this morning and I came across the following Tweet from Collider’s Jeff Sneider.

So I went to Netflix and put it into my queue because it sounded fascinating.  Then, of course, I got the call saying that we had yet another snow day from school, so I went back to Netflix to watch the doc.

What an unbelievable story.

In October 1974, a 12-year old girl named Jan Broberg was kidnapped by her next door neighbor and close family friend, Bob Berchtold… affectionately called “B” by all involved.  Berchtold had an unnatural connection to Jan and went about a series of shocking and disturbing machinations to possess the little girl.

What was even more shocking than what ‘B’ did was the reactions, responses of Jan’s parents, Mary Ann and Bob.  The manipulation and brainwashing of Jan was just the tip of the iceberg for Berchtold as he played with both Mary Ann and Bob in ways that made them both, practically, accessories to the kidnapping in a sad and dark manner.

Listening to the story in these people’s own words is amazing, thoroughly emotionally powerful, and it is difficult not to think of these people in such a negative light.  I will admit to yelling at the screen several times during the playing of the documentary because I just could not believe that anyone could be so taken in by a monster like ‘B.’

The story is unthinkable and the emotion is as high as it is going to get.  This provides an absolutely vital message to families everywhere about who they trust and that the signs that are showing must be seen and not ignored.  This was a story that did not have to have happened, but the weaknesses of these people were masterfully exploited by a manipulator with charm and apparent care.

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EYG Top 10 Best Actress Winners

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Another snow day here in Iowa gives me the opportunity to listen to and write up this week’s Top 10 early.  I wondered what this week’s topic was going to be and I really liked the one they came up with.  Top 10 Best Actress Winners at the Academy Awards is topical, with the Oscars coming up in the next few weeks, and it is a topic that they have not done.

There are a ton of performances that I have not seen.  Most of the actresses on my list are more recent because these are the films that I have seen.  There were many choices on my list as well.  It was interesting how some of the greatest actresses of all time were left off my list simply because they won their award in a film I did not see.

And, by the way, there is an epic…absolutely EPIC… argument at the end of the episode with John and Matt over placing their lists.  Amazing.

 

Image result for helen hunt as good as it gets#10.  Helen Hunt, “As Good As It Gets” 1997.  This was up against a second performance and I had to bounce back and forth between them.  In the end, I was more of a fan of As Good As It Gets than the other one.  I love the character of Carol Connelly, who feels so realistic and original.  She was a great mother who loved her son and she had chemistry with every actor in the film.  Her straightforwardness is refreshing and so much fun.

 

Image result for k hepburn guess who's coming to dinner#9.  Katharine Hepburn, “Guess Who’s Coming to Dinner” 1967.  Joanna Drayton is a free-thinking white woman whose daughter has arrived with her new fiance, John Prentice, a black man.  Katharine Hepburn is one of the classic actresses of all time and she is wonderful in this movie as the barrier between her daughter and Spencer Tracy, her husband, who seems to be having concerns.

 

 

Image result for brie larson room#8.  Brie Larson, “Room”, 2015.  I loved this movie.  I sobbed the whole film and Brie Larson is unbelievable in this role.   She has a remarkable relationship with her movie son, Jacob Tremblay and her performance is as emotional as you are going to get.  Plus, Brie was one of the key components in the argument at the end of today’s episode.  I love Room (not THE Room, by the way).

 

Related image#7.  Julia Roberts, “Erin Brockovich” 2005.  I have never been a huge fan of Julia Roberts, but this is easily my favorite film of hers.  I love the story of the woman who, looking for a job, winds up with a lawyer and they fight for a gigantic lawsuit involving a cover-up of poison water.  Erin has a down-to-earth charm that you wouldn’t think someone like Julia Roberts would be able to portray, but she does a fantastic job.

 

Image result for julie andrews mary poppins#6.  Julie Andrews, “Mary Poppins”, 1964.  I love the movie, Mary Poppins and Julie Andrews is perfect as the magical nanny who appears to help the Banks children by way of helping Mr. Banks.  She sings and dances and does it beautifully.  Mary Poppins is most likely the most iconic role on this list.  I remember a teacher in elementary school put the word “supercalifragilisticexpialidocious” on a spelling list.  She is transcendent. (and another one of the triggers for the Rocha-Knost throw down)

 

Image result for hilary Swank million dollar baby#5.  Hilary Swank, “Million Dollar Baby” 2004.  I was late coming to this movie.  It had never appealed to me that much, but I watched the film on one of the binges and I was astounded how great it was, and the biggest part of the film for me was the performance of Hilary Swank as Maggie Fitzgerald, a female boxer trained by Clint Eastwood.

 

 

 

Image result for fargo mcdormand#4.  Frances McDormand, “Fargo” 1996.  Marge.  Aw geez.  I so love me some Margie.  Oh ya.  Marge is the heart of this dark and unsettling film.  She is what gives Fargo its connection to the audience.  We love her and her exaggerated accent.  The two sides to Fargo is shown through the great performance from Frances McDormand.  Darn tootin’.

 

Related image#3.  Louise Fletcher, “One Flew Over the Cuckoo’s Nest” 1975.  One of the more disturbing characters on the list as Nurse Ratched, Louise Fletcher plays brilliantly against Jack Nicholson.  She is so compelling, sinister, and frightening as this psychiatric nurse who does what she wants to do.

 

 

Related image#2.  Jodie Foster, “The Silence of the Lambs” 1991.  Jodie Foster has her absolutely best performance as FBI Agent in training Clarice Starling.  She is brought into the case trying to capture the serial killer, Buffalo Bill.  They want Clarice to go talk to the captured serial killer, Dr. Hannibal Lecter (played by the fellow Oscar winner Anthony Hopkins) because it is believed that Lecter has some insight into Buffalo Bill.  The work between Foster and Hopkins is what brings this movie to life.  She carries the rest of the movie on her shoulders.

 

Image result for kathy bates misery#1.  Kathy Bates, “Misery” 1990.  Kathy Bates is the most frightening, most imposing figure on this list.  Her performance as psycho fan Annie Wilkes is amazing.  She saves the life of her favorite author Paul Sheldon after his car wreck, but there was more than that.  She kidnapped Sheldon and forced him to “fix” the problem that he had done in the last novel.  And the scene with the sledgehammer was horrendous.  Kathy Bates put the FAN in FANATIC.

 

Honorable Mentions:  The actress I was debating between at number 10 was Jennifer Lawrence from Silver Lining Playbook.  I like that movie a lot, but I went with Helen Hunt instead.  Halle Berry in Monster’s Ball is very powerful.  I enjoyed Emma Stone‘s singing in La La Land, though nowhere as much as Scott Mantz did.  Cher is Moonstruck made my extra list, but there was no way she was going to make the list.  Sandra Bullock in The Blind Side is good.  I was also amazed that Meryl Streep was not on the list, but her winning roles were not my favorite or I had not seen them.

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The Man Who Killed Hitler and Then the Bigfoot

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This was a strange movie.

As I was looking at iTunes, I was attracted to the title of this film under the “Notable Indies” section.  Apparently it is in theaters in limited release right now.  I watched the trailer iTunes had and I was sold.

Then I started streaming the film and it was, as I already mentioned, strange.

The two big things in the title of the film, the killing of Hitler and the killing of Bigfoot, total maybe 5-8 minutes of the entire film.  It really is not about either of these events.  It is about Sam Elliot’s character Calvin Barr and his dealing with the choices that he has made in his life, choices that, despite being a myth and a legend, led to him being a lonely old man, alone with his dog.

Sam Elliott is exceptional here as he always is as a man who has to sacrifice happiness for an attempt at saving his country.  And the best part of the film is definitely his recount of the events surrounding his killing of Hitler.  The anger and resentment of his success and failure and how that changed the path of his life forever was very powerful and stood out among the laid back tone of most of this movie.

I also found the relationship between Calvin and his younger brother Ed (Larry Miller) fascinating as well.  Larry Miller is excellent here playing off the strong work of Elliott.

I can see people being unhappy with this movie after being drawn in by the fanciful title, expecting something different.  However, if you can get past that, as I did, you should enjoy this smaller, character-driven story of a unknown hero.

3.75 stars

 

Man and Superman#1

Image result for man and superman #1 100 page spectacular

Man and Superman#1

Writer: Marv Wolfman

Artist:  Claudio Castellini

Cover Art:  Claudio Castellini and Alex Sinclair

Now, you are immediately wondering why I am using this DC Comic as my comic of the week.  You know that I am a Marvel die hard and only collect from the Marvel Universe.  However, Ben, my friendly neighborhood comic shop owner recommended the Man and Superman #1 that came out this week, as a one-shot, 100-page spectacular, written by EYG Hall of Famer Marv Wolfman.  He told me that it was originally a four-issue mini series from Wolfman that, when first written, did not fit into the DC Comics continuity (apparently it was around the New 52 era).  Ben told me that it re-imagined the first days of Clark Kent in Metropolis and the arrival of the hero eventually to be dubbed Superman.

To be honest, I am not a huge Superman fan.  His power is too great and that makes him difficult to relate to.  Yet, I did very much enjoy the Max Landis take on the Superman mythos called Superman: American Alien.  When I was assured that this was not the start of a new series and just a one-issue story, I decided to give it a try.

I liked it.

Wolfman presented Clark Kent in a different manner than I have seen him before.  He had this unimaginable power, but his confidence was anything but super.  Ma and Pa Kent were there supporting him, but alone in the big city, the small town boy struggled to take that big step into legend.

I caught a definite Peter Parker-type vibe about this version of Clark Kent.  Perhaps that is the way that Wolfman was trying to overcome the problem with relatability of Superman.  That did help for me.  I also liked the introduction of Lois Lane into the story, how she was always the one to believe in The Flying Man, despite much of the public initially reacting negatively to him.  That was another connection I made wit this version of Superman with Spider-man, as he is always getting the bum rush from the people or the news while all he wanted to do was help people.

I have always liked the roster of DC characters, but preferred the manner in which the stories are written/presented by Marvel.  Still, it goes to show that a talented writer telling a good story can hook anyone into a book.  I’m certainly not going to start buying up all the DC books, but I am glad that I took the recommendation for Man and Superman#1.

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The Prodigy

The Prodigy Movie Poster

Creepy kids can be very scary and that is something that The Prodigy has.

Good old Georgie from the remake of Stephen King’s It, Jackson Robert Scott gets the lead character here, as Miles, an extremely intelligent young boy who seemingly develops a darker side.

I was impressed with Jackson Robert Scott as he did a fine job as the bad seed Miles. Even more distracting was his mother, played by Taylor Schilling from Orange is the New Black.  I could not place her the entire movie and it bugged me the whole film.  I couldn’t believe when I finally saw the actress’s name in the end credits that I wasn’t able to immediately recognize Piper from OITNB.  It did distract me for much of the time she was on screen.  That was my problem, not hers.

The Prodigy was a mixed bag most of the time as there are good scenes and bad scenes. There are some times when you know exactly where the film is going and other times when you think you know, only for it to swerve off course.

Honestly, I found the first part of the movie pretty good.  I was engaged in the story and I was interested in what was going to happen.  Scott was doing his best creepy facial expressions and the jump scares were mostly well done.  I wanted to know more, and not just where I knew that actress from.

Unfortunately, the third act took the film off its rails completely in a sadly predictable and downright dumb conclusion that took away any chance The Prodigy had of being more than a forgettable and disposable horror movie.

2.7 stars