I like Neil Diamond. I was never a huge fan, though. At first, I thought this was going to be a biopic about Neil Diamond, however, it was not. It was about a Neil Diamond tribute act called Lightning and Thunder.
According to IMDB, “Lightning and Thunder, a Milwaukee husband and wife Neil Diamond tribute act, experience soaring success and devastating heartbreak in their musical journey together.“
Hugh Jackman played Mike, aka Lightning, and Kate Hudson played Claire, aka Thunder. They do a spectacular job in these roles. I believe they do all their own singing and this movie does a tremendous job of using music to create an amazing tone for the film.
I was so into this movie. It had me emotional throughout as the story progressed. I was surprised how impacted I felt with everything that was going down.
This was a true story, but I am not sure how much of the drama that happened actually happened. It was an extremely powerful story and the performances were wonderful.
I don’t want to go into any specifics to avoid spoilers, but there are some shocking moments throughout.
Greta performances, great music, great storyline. I really loved this movie which took me on an emotional journey that I did not expect to go on. Song Sung Blue was fabulous.
Lyrics: Martin Cohan and Blake Hunter, the show’s creators.
Performed: Larry Weiss: Seasons 1–2; Steve Wariner: Seasons 3–6; Jonathan Wolff: Season 6–8
Musicians: Notable features included Larry Carlton on guitar and Jeff Porcaro on drums.
The ABC sitcom, Who’s the Boss, had one of those catchy themes that stuck in your head after you hear it. I enjoyed the show and the theme helped with it.
Previous winners: Stan Lee (Big Hero 6*, Deadpool, Spider-Man: Into the Spider-Verse* ), John Cena (Daddy’s Home), Chris Evans (Thor: The Dark World, Free Guy, Deadpool & Wolverine), Sigourney Weaver (Cabin in the Woods), Hugh Jackman (X-Men: First Class), Yoda (Star Wars: The Last Jedi), J.K. Simmons (Spider-Man: Far From Home), Harrison Ford (Star Wars Episode IX: The Rise of Skywalker), Rudy Giuliani (Borat Subsequent Moviefilm), Val Kilmer (Top Gun: Maverick), Rhea Perlman (Barbie)
SPOILERS
I am adding a spoiler tag to this award because the winner of The EYG Stan Lee Movie Cameo of the Year Award came from a movie that I just saw and has not been out for a long time. So if you are wanting to see this certain movie and you do not want this cameo spoiled, please skip this award for the moment.
Stan Lee was the master of the cameo. He is a three time winner of this award and, of course, had it named after him. A cameo can be a great thing. It can be a sudden surprise, something that you couldn’t believe. It could be something that made the scene perfect. It could be an amazing Easter egg. It could be an inside joke that only some of the audience may get. Or it could be the appearance of a celeb or a character that shows how much respect or love they have for the content in which they are appearing.
I actually was not anxious to do this award, despite it being one of my favorites and one of the oldest we had. The reason is I do not have a great deal of cameos in movies this year. There are actually several big ones in TV (which we’ll give out with the More TV Awards later this weekend), but the movies were light for me.
Naked Gun had a couple of good ones. Dave Bautista appeared in a fun joke, replacing Liam Neeson for a bit of the film. Weird Al was in that film too. I considered giving it to Al because he has been in so many of the Naked Gun films over the year. Bradley Cooper appeared in Superman as Jor-El, which was unexpected. John Cena’s Peacemaker was also in Superman. Sarah Michelle Geller appeared in the reboot of I Know What You Did Last Summer, but that film was such a mess that I wouldn’t want to give this award for that. Then there was William Zabka at the very end of the Karate Kid Legends, which was a fun shout out to Cobra Kai.
None of these were very impactful overall. I take nothing away from any of them, but I am not sure these were going to deserve this award, in the name of Stan Lee.
Then I saw Anaconda today.
Again, SPOILERS ahead. If you do not want to be spoiled by this… I’ll give you a countdown.
10
9
8
7
6
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4
3
2
1
The EYG Stan Lee Cameo Award goes to…
Ice Cube as himself (Anaconda)
Star of the 1997 film Anaconda, Ice Cube makes a shocking return to the screen in 2025’s Anaconda. In the film, Jack Black and Paul Rudd are filming a reimaging of the film Anaconda, and they make plenty of references to the original film. Ice Cube pulls a Deus ex machina near the end of the film to show up and save the guys from certain death. Ice Cube strolls in as bad ass as they come. J-Lo makes an appearance later in a post credit scene, but Ice Cube gets this nod for being indispensable to the story itself.
I am very pleased for Ice Cube here after the disaster that was War of the Worlds.
When I first saw a trailer for this movie, I thought to myself, “This is like the Hand that Rocked the Cradle.” I said this to a friend of mine and she said that it was not anything like that. She mentioned that it was originally in a novel by Freida McFadden, which I did not know. I decided that I would give this a chance. My friend was right, this was not in that subgenre of horror film where the babysitter tries to do crazy things for reasons.
According to IMDB, “A struggling young woman is relieved by the chance for a fresh start as a maid for a wealthy couple. Soon, she discovers that the family’s secrets are far more dangerous than her own.”
This one has its ups and downs for me. I am not sure how I feel about it. I think the three main cast members, Sydney Sweeney, Amanda Seyfried and Brandon Sklenar, do a fantastic job with what the story asks of them. They have great chemistry with each other and are very believable in everything that they do.
One of my problems though is I hate it when people do stupid things in a thriller. There are several things that Sweeney’s character Millie does that makes me want to yell at the screen. Couldn’t she see this coming? Maybe at first, but as the film moved on, why are you not recognizing what is going on? I hate it when the characters do really stupid things.
The end of the movie was fun, but I did see it coming. There was something that, when mentioned in the beginning of the film, I knew was going to come back around as a major piece later in the film, and sure enough, I was right.
There was also a section near the beginning of the third act of the film where suddenly we were doing a ton of exposition, explaining what had gone down. I thought this was a weak point of the movie.
The Housemaid feels like Hollywood camp, but in a glorious way. It feels as if everyone involved understands the assignment in this story and are ready to give it their all. There are weaknesses in the film, but I think I came out of it more positive than negative.
Back in 1997, a horror film about a giant snake appeared. Anaconda, starring Ice Cube, J-Lo, and Jon Voight, was a terrible movie, but it survived the years and became an iconic cult classic film. In 2025, we now got a meta-sequel to the film starring Jack Black and Paul Rudd which debuted this weekend.
According to IMDB, “Four childhood friends are going through a midlife crisis so they decide to remake their favorite horror movie from the 1990s in the Amazon Forest When a real giant anaconda shows up, they get more than what they bargain for and their comically chaotic movie making turns into a life-or-death situation. The movie that they’re dying to remake? It might just kill them, literally.“
I heard some negative things about the new film before I went into it, which made me nervous because I had thought the trailers looked good and I was excited to see it. The negative comments made me feel much more tentative about the movie.
I can understand why some people might not have been a fan of this, but I enjoyed it a lot. I found this funny, the characters likable and entertaining, and the meta qualities of the film worked so well.
I thought there was a lot of clever writing involved in this movie. The humor is solid. There were a couple of jokes that I usually do not like, but, for me, even those worked well.
No spoiler here, but there was a great cameo in the film too.
There are some negatives to the film too though. I do think it started fairly slowly and the film really took off when the characters get on their boat. I do think that I wish the trailer hadn’t spoiled some of the best laughs in the film because I think it would have been so much better.
I am happy that I liked this movie more than what some were saying. I found it funny and engaging. I do enjoy a film with as many meta jokes and Anaconda falls right into that.
Christmas night saw the second volume of the final season of Strange Things came out with three episodes that will lead directly into the finale, next week on New Year’s Eve.
These three episodes do a tremendous job setting up that finale. We got plenty of answers about what has been going on these last five seasons, and they really fit together nicely. I am impressed with the writing of the Duffer Brothers.
I love the way that they worked the Wormhole into this story, recontextualizing the Upside-Down and what it actually is. The whole moment when Nancy shot the wormhole was so tense and scary with the vacuum outside of it. I loved how Dustin was on the outside of the situation and found the answers in Bremmer’s journal.
Speaking of Dustin, he and Steve went through it in these episodes. They dealt with the way they were treating each other in the first volume and it was extremely dramatic as they handled the deep pain that they were facing.
Jonathan and Nancy dealt with their relationship in a strong manner. The scene where they finally told each other the truth was a really great scene.
I do not like how they are setting up the ending of this with the implication that Eleven is going to need to die for everything to finally be over. I really dislike the sister.
I love how the group is basically back together in the seventh episode, preparing for the big finish. They have not all been back together in a long time, and seeing the team come back together was great.
Vecna truly is terrifying. The use of the redesigned Vecna is really well done and how they use it along with the Henry form. Henry was every bit as scary when dealing with his little cult-like kids. I needed more Dipshit Derek in these episodes.
Max coming back was very satisfying too, as was Will’s admitting about being gay. Both of these moments gave a strength to the ensemble and allowed these characters to show how important they were to each other. It was a lovely way to do this, especially with the Will reveal. Will was still very nervous and awkward during the entire time, hem-and-hawing around the topic. Watching the group embrace him was a beautiful moment.
And we are set up with a crazy plan to save the world and prevent the crashing together of two worlds via the wormhole. A final showdown certainly with Eleven and Vecna (hopefully with Will there too. He deserves to be in the final showdown).
They have actually made me reconsider my New Year’s Eve routine. I usually watch Infinity War and Endgame to midnight, but now, I might have to readjust my tradition.
Composed by Dave Grusin. Lyrics written by Alan and Marilyn Bergman. Performed by Donny Hathaway.
Maude was a TV show that I never watched regularly. Heck, I do not think that I even watched it a little bit. I may have seen a few episodes here and there. However, I saw Bea Arthur appearing on the Rosie O’Donnell talk show and Rosie sang the theme song to Bea Arthur’s face. I enjoy the clip and it helped place “And Then There’s Maude” at #85.
Here is the YouTube clip from The Rosie O’Donnell Show.
This was another great year in horror. Not perfect, of course. There is a nice balance between good films and bad ones.
Again, we have not been keeping track of the “Worst” film, but the “Best” is in the records:
Best Horror Movie
Previous Winners: A Quiet Place, It, Don’t Breathe, It Follows, The Conjuring, As Above So Below, Cabin in the Woods, Doctor Sleep, Black Box, Fear Street trilogy, The Menu, A Haunting in Venice, Nosferatu
Runners-Up: Final Destination: Bloodlines was a surprise for me. At this point, I had never seen any of the Final Destination movies (I saw the first one in the October 13), and I loved this new one. The new Conjuring movie, Conjuring: Last Rites, put that franchise to bed (or so we are told). Guillermo Del Toro’s Frankenstein is a stylish, engaging new version on Netflix. A film I did not expect to like was Dangerous Animals, but it was extremely awesome. It was a shark movie that did not make the shark the villain. So it came down to two choices… and the one that did not make it was Weapons. I loved that movie, but I think it was a little less of a horror movie than the one that turned out to be the winner.
Best Horror Movie
Sinners
Michael B. Jordan starred in this Ryan Coogler directed film. Coogler wanted to do his vampire film and what he did was Sinners. This was a fantastic film and it was something we hadn’t seen before. Jordan played dual roles and he did it so well.
Worst Horror
Runners-Up: Until Dawn was such a bad movie. It was a disappointment as it had a decent premise. Lots of people loved Together, but I hated it. I hated it so much. Fear Street: Prom Queen was such a downgrade from the awesome trilogy from a few years ago.
“Winner”:
That film is not from Jordan Peele, no matter how much the movie wanted it to be true. This football film is truly one of the worst MOVIES of the year… not just horror.
One of the leading candidates for multiple Academy Award nominations, the Norwegian film, Sentimental Value popped up on Fandango at Home this past week. I rented the film and watched it this Christmas afternoon.
Directed by Joachim Trier, Sentimental Value is a serious drama that starred Stellan Skarsgård, Renate Reinsve, Inga Ibsdotter Lilleaas, and Elle Fanning.
According to the plot synopsis on Fandango, “Gustav (Stellan Skarsgård), an estranged father and once-celebrated director eager to reclaim his former glory, reconnects with his daughters Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas). When Gustav offers Nora the lead role in his new film, she refuses and learns he has given the part to a Hollywood star (Elle Fanning).”
The movie is very slow and I had some difficulty in the first hour or so of staying engaged with the film. I had to keep reading the subtitles for much of the film, but I did have some challenge. The performances were solid in the beginning of the movie, but the slow burn was tough to watch.
However, as the story picked up between Gustav and his two daughters, my own engagement picked up as well. No doubt that Skarsgård and Reinsve were special in the film. Elle Fanning gave a very powerful performance as well. As we discovered more about the dysfunctional relationship between them, the more it came off the screen.
The ending was very strong and made me happy that I had continued to watch the film, when I did consider stopping it around the first half hour or so.
Percy Jackson, Annabeth and Tyson were confronted by Clarisse and her crew of dead sailors from the Underworld. After a tense standoff, they decided to work together, with Clarisse taking the role of captain, since it is her quest.
Things do not go well for the quest as they have to face the choice of either Scylla and Charybdis in order to get past them and continue their search for the Golden Fleece.
Clarisse changes the plan in mid-execution, heading off to fight the monsters using her cool on board laser canons (that looked more like something on the Millennium Falcon).
The end of the episode saw the ship starting to tear apart and getting pulled into the vortex.
There are some good flashbacks to Annabeth’s past with Luke and where they met Grover.
There were some really strong special effects for this too. Very impressive for a Disney + show.
Two more episodes from HBO Max’s The Pitt are in the tank now. This show has been exceptional. I do have to turn my head away a few times, including this episode with the burned man and the boy with the blood behind his eye, but the drama is just so intense it is worth a few wiggly feelings in my tum-tum.
When Dana took the punch to the face from a frustrated Doug Driscoll, I was shocked. I had seen a picture of her with a bloody nose when I was searching for pics on Google, but the cruelness of Driscoll was tough. I understand the frustration that he was feeling with the wait that he was having, but that does not excuse the violent response. I sure hope he gets what is coming to him.
Langdon was discovered for stealing medication. He had been leaning on Santos a lot, but she was noticing the discrepancies in some of his patients’ medication. Robby sent him packing at the end of episode 10. It feels as if this is just one more thing that is weighing down on Robby. Stresses are building on him.
We got back to the storyline with the boy and his “hit list.” McKay reported the boy to the police, who came to talk to his grandma. This arc has been slow, but feels like it is starting to build once again.
We are down to six episodes remaining of season one.
It’s not Christmas for me until I watch Muppet Christmas Carol. Of all the Christmas traditions, this is the one that I look forward to the most.
Among the dozens of adaptations, this is my ABSOLUTE favorite version of A Christmas Carol.
Michael Caine is the perfect Ebenezer Scrooge. He accomplished this feat by playing this completely straight. He played Scrooge, as he said, “like I’m working with the Royal Shakespeare Company” and not dancing, singing Muppets. Line delivery was spot on and the facial expressions brought Scrooge to life.
Another reason he is great in this film is that we see Scrooge’s humanity right off the bat. As soon as the Marley Brothers (preformed by Statler and Waldorf) showed up, you could see Scrooge begin to change. I have never liked the versions of Scrooge that feels as if he does not change until he sees his tombstone in the future. That feels insincere. Michael Caine’s work is just fantastic.
The movie is also a surprisingly accurate translation of Charles Dickins’ work. Many lines are exactly as they appear in the novel. I mean, of course, there are plenty of changes and adjustments to the film. It is narrated by a rat and a … whatever… in Gonzo the Great and Rizzo the Rat.
The design of the Ghosts of Christmas Past, Present and Yet to Come are brilliant. The Ghost of Christmas Past is just a child Muppet, but it is, arguably, the creepiest of the three. This Muppet had the perfect touch of the uncanny valley to make her frightening. I love the Ghost of Christmas Present. He always reminded me of Santa Claus. Yet to Come is the classic Grim Reaper version and looked remarkable. The Jim Henson Company was at its best with this puppetry.
I am not ashamed to say that the scene where Kermit and Miss Piggy talk about the death of Tiny Tim breaks me every time I watch it. There is just something about Kermit and Miss Piggy grieving that is just unnatural.
There are some great songs in the film. The “Scrooge” anthem that started the film off is fabulous as is the “One Sleep ’til Christmas” sung by Kermit. Above all of them though, my favorite is the song sung by the Ghost of Christmas Present called “”It Feels Like Christmas.”
I am grateful that I can watch this at any time on Disney +.