Another big week of covers this week. I have a ton of variant covers, especially from Marvel. It is the third time where I had to have a tie for the bronze medalist. I even wished that I had more medals available because the also-ran section will be large this week.
Also-Rans: SpaceQuest #2, Be Not Afraid #2, Be Not Afraid (Virgin Variant Cover) #2, Red Sonja vs. the Army of Darkness #3, Robin & Batman: Jason Todd #2, Red Sonja Noir #1, Krypto the Last Dog of Krypton #2, This Ends Tonight #1 (aka Let It Stand #1), They Choose Violence #2, Godzilla Destroys the Marvel Universe #1 (Foil Variant), Pinupocalypse #4, and Past Time #4.
TIE
Bronze Medalist
Teenage Mutant Ninja Turtles #10
Cover Art by Jorge Fornes
This is a wonderful cover with Raphael staring down to the street with the police showing up. The colors of the lights standout extremely well and illuminates the cover beautifully. This was one of the two that wound up tied for the bronze medalist. The other one was….
TIE
I Was a Fashion School Serial Killer #4
Cover art by Daniel Hillyard and Michelle Madsen
These “Fashion School Serial Killer” books’ covers have been sensational, and I love the image of our character slowly ascending from the pool of blood. I love the red with the black background. Just beautiful cover.
Silver Medalist
Gargoyles: Demona #1
Variant Cover D
Cover art by Mark Spears
Our leader in the clubhouse for 2025, Mark Spears is back again, doing a specialty cover for Dynamite This is not a book I would have picked up if it had not been for the Spears cover. Shout out to Todd for picking this one up for me (he always complains when I don’t give him credit.)
Gold Medalist
Spider-Girl #2
Variant Cover C
Cover Art by Nogi San
Love this Spider-Girl variant cover. The black and white imagery on the cover is so great. There is just a little touch of red. I saw this on the shelf today and I grabbed it immediately.
Here are the nominees for the EMMY Awards. These were given out this morning with some sad omissions. For me, I was hoping for Kathryn Hahn to be nominated for Agatha All Along. I would have liked for Patti LaPone to get a nom too, as her episode was one of the best of the year. I am thrilled that Agatha All Along received a nomination for Outstanding Original Music and Lyricswith “The Ballad of the Witches Road.” That should really win. There was no song that was more intricate to the plot than this one.
Nothing for Squid Game is shocking, despite season 2 being a lesser season.And despite getting 14 nominations, there was nothing for Diego Luna or Stellan Skarsgård in acting categories.
Way too man nominations for The White Lotus, which was, at best, an average show this season. That show dominated the acting categories and should probably only should have had about half of the noms it got.
I love Martin Short, but I really thought Steve Martin had a better season on Only Murders in the Building this year with all the stuff he had to do with Jane Lynch’s character Sazz Pataki’s murder.
Outstanding drama series
“Andor” (Disney+)
“The Diplomat” (Netflix)
“The Last of Us” (HBO Max)
“Paradise” (Hulu)
“The Pitt” (HBO Max)
“Severance” (Apple TV+)
“Slow Horses” (Apple TV+)
“The White Lotus” (HBO Max)
Outstanding comedy series
“Abbott Elementary” (ABC)
“The Bear” (FX)
“Hacks” (HBO Max)
“Nobody Wants This” (Netflix)
“Only Murders in the Building” (Hulu)
“Shrinking” (Apple TV+)
“The Studio” (Apple TV+)
“What We Do in the Shadows” (FX)
Outstanding limited or anthology series
“Adolescence” (Netflix)
“Black Mirror” (Netflix)
“Dying for Sex” (FX)
“Monsters: The Lyle and Erik Menendez Story” (Netflix)
“The Penguin” (HBO Max)
Outstanding television movie
“Bridget Jones: Mad About the Boy” (Peacock)
“The Gorge” (Apple TV+)
“Mountainhead” (HBO Max)
“Nonnas” (Netflix)
“Rebel Ridge” (Netflix)
Outstanding reality competition program
“The Amazing Race” (CBS)
“RuPaul’s Drag Race” (MTV)
“Survivor” (CBS)
“Top Chef” (Bravo)
“The Traitors” (Peacock)
Outstanding talk series
“The Daily Show” (Comedy Central)
“Jimmy Kimmel Live!” (ABC)
“The Late Show with Stephen Colbert” (CBS)
Outstanding scripted variety series
“Last Week Tonight with John Oliver” (HBO Max)
“Saturday Night Live” (NBC)
Outstanding variety special (live)
“The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar” (Fox)
“Beyoncé Bowl” (Netflix)
“The Oscars” (ABC)
“SNL50: The Anniversary Special” (NBC)
“SNL50: The Homecoming Concert” (Peacock)
Outstanding variety special (pre-recorded)
“Adam Sandler: Love You” (Netflix)
“Ali Wong: Single Lady” (Netflix)
“Bill Burr: Drop Dead Years” (Hulu)
“Conan O’Brien: The Kennedy Center Mark Twain Prize For American Humor” (Netflix)
“Sarah Silverman: Postmortem” (Netflix)
“Your Friend, Nate Bargatze” (Netflix)
Outstanding game show
“Celebrity Family Feud” (ABC)
“Jeopardy” (ABC)
“The Price is Right” (CBS)
“Wheel of Fortune” (ABC)
“Who Wants to Be a Millionaire” (ABC)
Outstanding lead actress in a drama series
Kathy Bates, “Matlock”
Sharon Horgan, “Bad Sisters”
Britt Lower, “Severance”
Bella Ramsey, “The Last of Us”
Keri Russell, “The Diplomat”
Outstanding lead actor in a drama series
Sterling K. Brown, “Paradise”
Gary Oldman, “Slow Horses”
Pedro Pascal, “The Last of Us”
Adam Scott, “Severance”
Noah Wyle, “The Pitt”
Outstanding lead actress in a comedy series
Uzo Aduba, “The Residence”
Kristen Bell, “Nobody Wants This”
Quinta Brunson, “Abbott Elementary”
Ayo Edebiri, “The Bear”
Jean Smart, “Hacks”
Outstanding lead actor in a comedy series
Adam Brody, “Nobody Wants This”
Seth Rogen, “The Studio”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”
Jeremy Allen White, “The Bear”
Outstanding lead actress in a limited or anthology series or movie
Cate Blanchett, “Disclaimer”
Meghann Fahy, “Sirens”
Rashida Jones, “Black Mirror”
Cristin Milloti, “The Penguin”
Michelle Williams, “Dying for Sex”
Outstanding lead actor in a limited or anthology series or movie
Colin Farrell, “The Penguin”
Stephen Graham, “Adolescence”
Jake Gyllenhaal, “Presumed Innocent”
Brian Tyree Henry, “Dope Thief”
Cooper Koch, “Monsters: The Lyle and Erik Menendez Story”
Outstanding supporting actress in a drama series
Patricia Arquette, “Severance”
Carrie Coon, “The White Lotus”
Katherine LaNasa, “The Pitt”
Julianne Nicholson, “Paradise”
Parker Posey, “The White Lotus”
Natasha Rothwell, “The White Lotus”
Aimee Lou Wood, “The White Lotus”
Outstanding supporting actor in a drama series
Zach Cherry, “Severance”
Walton Goggins, “The White Lotus”
Jason Isaacs, “The White Lotus”
James Marsden, “Paradise”
Sam Rockwell, “The White Lotus”
Tramell Tillman, “Severance”
John Turturro, “Severance”
Outstanding supporting actress in a comedy series
Liza Colón-Zayas, “The Bear”
Hannah Einbinder, “Hacks”
Kathryn Hahn, “The Studio”
Janelle James, “Abbott Elementary”
Catherine O’Hara, “The Studio”
Sheryl Lee Ralph, “Abbott Elementary”
Jessica Williams, “Shrinking”
Outstanding supporting actor in a comedy series
Ike Barinholtz. “The Studio”
Colman Domingo, “The Four Seasons”
Harrison Ford, “Shrinking”
Jeff Hiller, “Somebody Somewhere”
Ebon Moss-Bachrach, “The Bear”
Michael Urie, “Shrinking”
Bowen Yang, “Saturday Night Live”
Outstanding supporting actress in a limited or anthology series or movie
Erin Doherty, “Adolescence”
Ruth Negga, “Presumed Innocent”
Deirdre O’Connell, “The Penguin”
Chloë Sevigny, “Monsters: The Lyle and Erik Menendez Story”
Jenny Slate, “Dying for Sex”
Christine Tremarco, “Adolescence”
Outstanding supporting actor in a limited or anthology series or movie
Javier Bardem, “Monsters: The Lyle and Erik Menendez Story”
Bill Camp, “Presumed Innocent”
Owen Cooper, “Adolescence”
Rob Delaney, “Dying for Sex”
Peter Sarsgaard, “Presumecd Innocent”
Ashley Walters, “Adolescence”
Outstanding guest actress in a drama series
Jane Alexander, “Severance”
Gwendoline Christie, “Severance”
Kaitlyn Dever, “The Last of Us”
Cherry Jones, “The Handmaid’s Tale”
Catherine O’Hara, “The Last of Us”
Merritt Wever, “Severance”
Outstanding guest actor in a drama series
Giancarlo Esposito, “The Boys”
Scott Glenn, “The White Lotus”
Shawn Hatosy, “The Pitt”
Joe Pantoliano, “The Last of Us”
Forest Whitaker, “Andor”
Jeffrey Wright, “The Last of Us”
Outstanding guest actress in a comedy series
Olivia Colman, “The Bear”
Jamie Lee Curtis, “The Bear”
Cynthia Erivo, “Poker Face”
Robby Hoffman, “Hacks”
Zoë Kravitz, “The Studio”
Julianne Nicholson, “Hacks”
Outstanding guest actor in a comedy series
Jon Bernthal, “The Bear”
Bryan Cranston, “The Studio”
Dave Franco, “The Studio”
Ron Howard, “The Studio”
Anthony Mackie, “The Studio”
Martin Scorsese, “The Studio”
Outstanding directing for a drama series
“Andor,” Janus Metz (“Who Are You?”)
“The Pitt,” Amanda Marsalis (“6 P.M.”)
“The Pitt,” John Wells (“7 A.M.”)
“Severance,” Jessica Lee Gagné (“Chikhai Bardo”)
“Severance,” Ben Stiller (“Gold Harbor)
“Slow Horses,” Adam Randall (“Hello Goodbye”)
“The White Lotus,” Mike White (“Amor Fati”)
Outstanding directing for a comedy series
“The Bear,” Ayo Edebiri (“Napkins”)
“Hacks,” Lucia Aniello (“A Slippery Slope”)
“Mid-Century Modern,” James Burrows (“Here’s To You, Mrs. Schneiderman”)
“The Rehearsal,” Nathan Fielder (“Pilot’s Code”)
“The Studio,” Seth Rogen & Evan Goldberg (“The Oner”)
Outstanding directing for a limited or anthology series or movie
“Adolescence,” Philip Barantini
“Dying for Sex,” Shannon Murphy (“It’s Not That Serious”)
“The Penguin,” Helen Shaver (“Cent’anni”)
“The Penguin,” Jennifer Getzinger (“A Great or Little Thing”)
“Sirens,” Nicole Kassell (“Exile”)
“Zero Day,” Leslie Linka Glatter
Outstanding writing for a drama series
“Andor,” Dan Gilroy (“Welcome to the Rebellion”)
“The Pitt,” Joe Sachs (“2 P.M.”)
“The Pitt,” R. Scott Gemmill (“7 A.M.”)
“Severance,” Dan Erickson (“Cold Harbor”)
“Slow Horses,” Will Smith (“Hello Goodbye”)
“The White Lotus,” Mike White (“Full-Moon Party”)
Outstanding writing for a comedy series
“Abbott Elementary,” Quinta Brunson (“Back To School”)
“Hacks,” Lucia Aniello, Paul W. Downs and Jen Statsky (“A Slippery Slope”)
“The Rehearsal,” Nathan Fielder, Carrie Kemper, Adam Lock-Norton and Eric Notarnicola (“Pilot’s Code”)
“Somebody Somewhere,” Hanna Bos, Paul Thureen and Bridget Everett (“AGG”)
“The Studio,” Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez (“The Promotion”)
“What We Do in the Shadows,” Sam Johnson, Sarah Naftalis and Paul Simms (“The Finale”)
Outstanding writing for a limited or anthology series or movie
“Adolescence,” Jack Thorne and Stephen Graham
“Black Mirror,” Charlie Brooker and Bisha K. Ali (“Common People”)
“Dying for Sex,” Kim Rosenstock and Elizabeth Meriwether (“Good Value Diet Soda”)
“The Penguin,” Lauren LeFranc (“A Great or Little Thing”)
“Say Nothing,” Joshua Zetumer (“The People in the Dirt”)
These final two episodes of season four show exactly why The Bear is constantly nominated for Best Comedy Series at the Emmys.
That is sarcasm. This is not a comedy series for me. It is a full on drama that might have some comedic aspects at times.
Nothing showed that more than these final two episodes which were full of amazing moments and performances that were off the charts.
First, in “Tonnato,” we get an amazing set of scenes with Carmy and his mother, Donna. Jamie Lee Curtis may as well make some room on her mantel for another Emmy because this was unbelievable. The performance was so raw and powerful and brought a tear to my eyes. She was as vulnerable as you could be in this scene while expressing her overwhelming guilt and regret over her behavior and choices. Jeremy Allen White was an exceptional scene partner as he pillowed her performance while not taking away from it. Both of these characters felt on the precipice of an emotional breakthrough, though at any second, it could fall apart. It was a tremendously powerful scene.
Then, in the finale of the season, Carmy, Sydney and Richie (with Natalie eventually joining) spent the episode out back of the restaurant screaming at each other over the impending departure of Carmy from The Bear. Carmy’s decision to “retire” has been forming over the last few episodes as he realized that he did not love what he was doing anymore and that he was only serving as a roadblock for the restaurant’s success.
With the backdrop of the ticking clock, Carmy’s decision may have felt like a betrayal to Sydney and Richie, but he seemingly was able to convince them that he was not just dropping them. The ownership agreement, half for Jimmy, half for Sydney, Natalie and Richie, was something that Sydney insisted on (including Richie).
Carmy’s confession that he had attended Michael’s funeral, even though everyone thought he had not gone, was massive for Richie. You can see why these three actors in particular have been so in demand lately for other projects. They are truly some fantastic performers (no pun intended as Ebon Moss-Bachrach, who played Richie will be Ben Grimm, the Thing, in Marvel’s Fantastic Four in a couple of weeks).
I thought the fourth season of The Bear was far superior to season three, which felt like a down year to me. I loved the way Carmy was going on the self-improvement trip. I really wanted to see the scene where he gave the green sweater (which he found at his mother’s in episode 9) back to Claire, but hopefully that scene will make it into a future seasson.
This season left plenty of plot threads dangling, as the ticking clock struck zero at the end of the final episode. Was that the end of the restaurant or will it be able to be saved as they were starting to put things together, albeit slowly.
It has been well known that the WWE has some of the greatest women wrestlers in the world today. I have sat watching RAW or Smackdown thinking about the sheer number of awesome female performers the company could put out.
They only solidified that by having their all-female PLE Evolution on Sunday night. They had done an all-women PPV (at the time) in 2018 and it was a fun night, but this was at such a level that some are claiming that it is the best show of 2025 so far for the WWE.
There were complaints about the build to the show as the WWE only had two weeks of build and nothing of real note had happened. The WWE was also building to Saturday Night’s Main Event, The Great American Bash and SummerSlam during this stretch so the time was limited.
It just goes to show how remarkable the women of the WWE truly are that they can put on arguably the best event of the year with little background.
Lots of credit goes to the Atlanta crowd because they were hot all night long and that is a key to having a great event.
Show kicked off with a triple threat match for the Intercontinental Championship with champion Becky Lynch defending against Bayley and Lyra Valkyria. It was the match that had the best story behind it and I had even heard some people say that this should main event the show. The three wrestlers had amazing chemistry with each other and it was a spectacular match. All three of them delivered and the first match on the card threatened to steal the night. Becky did this amazingly smooth roll-up finish that I had never seen before. It was so good.
NXT has claimed that they have the best Women’s division in all of wrestling, and they got a chance to show it with NXT Champion Jacy Jayne defending against Jordynn Grace. They had a banger of a match that ended with a heel turn from the newly arrived Blake Monroe. I saw that one coming from the pre-show, by the way. I smelled the heel turn.
The four way tag team title match saw the Judgement Day retain their titles against the Kabuki Warriors, Charlotte Flair & Alexa Bliss and Sol Ruca & Zaria. This was a lot of fun too. The Atlanta crowd was hot for Charlotte, even chanting “We Want Charlotte” at one point. That was amazing considering how hated Charlotte Flair had been since her return. It was a wonderful moment for sure.
This tag match also had one of my favorite sequences of the night as Sol was holding Alexa so Zaria could spear her only to wind up getting speared herself when Charlotte pulled Alexa away at the last moment. The timing on that was impeccable and it looked so great. I also loved how Charlotte held Alexa in the corner and mouthed “I got you” to Alexa even though their gimmick has been that they were not friends. The Charlotte and Alexa pairing has been sensational so far and has helped get Charlotte cheered.
Tiffany Stratton defended her WWE Women’s Championship against the Hall of Famer Trish Stratus in a solid match. Tris is almost 50 years old and she looks amazing. She still has it to as these two put on a really entertaining title match.
Anything went in the next match between Jade Cargill and Naomi. This feud had been going for months and this felt like a blow off. There were a bunch of cool spots in this match including the ending sequence of Jade putting Naomi through a table from a top rope Jaded. It looked great.
Battle Royal followed this and it was fine. The best part was the win by Stephanie Vaquer, who now gets a title match at Clash in Paris. Vaquer is one of the newer stars in WWE, but she is known worldwide and she is one of the best going.
Then, what has a chance to be the Match of the Year. Iyo Sky defended her WWE World Championship against Rhea Ripley. We have seen this match several times, but, honestly, it never gets old and this match was brilliant. These two have such chemistry together and are so special in the ring that they stole the entire weekend that had been loaded with wrestling.
Then, after a beautiful Spanish fly maneuver, the big shock happened. Naomi, fresh off of getting beaten up badly in the match with Jade, came down with her Money in the Bank contract and cashed in, making the match a triple threat. Iyo and Rhea had killed each other so much that they were easy picking for Naomi and she became the new Women’s World Champion.
An unbelievable moment with a shocking cash in. I, like many, figured Naomi was cashing in on Tiffany or Jade after their match at SummerSlam, but instead, she cashed in on Iyo and made a historic moment.
There should be no doubt that the WWE women could put on a show like this. Their amount of riches they currently have is an embarrassment of riches. This was even without the currently injured Liv Morgan, who is one of the best of the division.
WWE Women’s Division has come a long way from the Bra and Panties matches of the past. They are now the main events and the bangers that were once exclusively the male’s area. Congrats to the WWE Women’s Division on a massively successful show that exceeded expectations.
Several storylines that have been running all season continue to move along in a simple, but entertaining episode of The Bear.
Sydney has a nightmare and ends up deciding to stick with The Bear instead of going to the new restaurant. This arc has been going all season long and feels a little anticlimactic here. Perhaps there is another twist coming on this. Plus, there is a shot with Ayo Edebirion the phone with Chef Adam Shapiro that was perhaps the worst looking green screen I have ever seen. It was so distracting. Sydney looked as if she was floating on air in front of Lake Michigan.
Carmy continued his personal growth as he prepared himself to take a photo album to his mother’s house. This was very tough for Carmy and the episode ended with him knocking on her door. My favorite scene of the episode included Carmy talking on the phone with Claire. There was so much hope in that scene. Carmy, you have to find that green sweater!
Richie was having great scenes at the restaurant throughout the episode. He is so much more likable of a character than he was in the early seasons.
Sugar and Computer made looking at restaurant data compelling. Again, there is some hope for the Bear, but it is still a longshot.
Two more episodes for season 4 are available on Hulu. I should be able to get this show finished over the next few days.
Today marks the end of a journey that I started here at EYG in September 2023. I had just finished watching the five seasons of Twilight Zone and I needed something new to do as a rewatch. Despite being a little intimidated by eleven seasons of episodes, I decided to watch The X-Files, which was one of my favorite shows when it was on TV. Now with just about two months away from two years since starting, I watched the final episode of the series.
The finale was the fourth piece of an over-arching storyline about the Cigarette Smoking Man trying to release an alien virus and cause a planet-wide pandemic. It was a pandemic that we all lived through in the finale of season 10. We started season 11 with taking the results of that episode and having it be a vision Scully saw of the future and part of the idea was this was a chance to stop it. In order to stop it, they needed to find William.
We met William earlier in the season, setting up his powers. We also learn that William is not Mulder’s son, but was created by CSM in a lab. This was a horrible truth that everyone hated.
We are back to trying to find William in the finale and I wonder why Mulder and Scully spent this whole season ignoring this arc and doing all those individual episodes instead.
This episode was basically Mulder chasing after William, trying to catch up with him. There was a lot of running, some driving and so on. Then, Mulder and Scully was too far apart for most of the movie. I liked this much more when they got back together at the end.
Mulder FINALLY shot the CSM. He did not shoot him in the head though. How much of the pain would have been prevented had Mulder just shot him in the head when he first had a chance? CSM was shot in this manner to allow him to pull another “I’m not dead” moment had the show returned. It was finally CSM’s shooting of William (in the head, btw) that pushed Mulder past the point.
Oh, and… did Skinner die? He got run over by CSM? What a bitch way to go out for one of our longest running characters. Jump up on that hood of the other car, Skinner. Skinner did shoot Monica in the head, which I truly appreciated. I never liked that character.
I did enjoy the final scene with Mulder and Scully where she told him that she was pregnant. However, Scully did not seem to react to William’s death in the way that she would have. I know she learned about William’s origin but would that have affected the way she perceived this boy for all of these years? It is nice to have Mulder and Scully together with a possible happy ending.
William returning to life out of the water was a tag that felt like they wanted to continue, but the series needed to be done.
I feel like this is an accomplishment finishing the series after such a long time. I do love David Duchovny and Gillian Anderson because of these characters and this show.
Win or Lose’s final two episodes were the Sunday Morning Sidewalk this week and these episodes wrapped up the season long storyline.
Episode seven featured Kai and her overbearing dad who pushes her hard. Kai and her dad James moved into the neighborhood a year before and the softball team helped Kai become part of the community. She was really great at baseball, but the atmosphere of the Pickles made Kai want to play softball. James jumped in with both feet.
We see the drive of her father show itself in Kai as she was pushing herself to get better and wound up hurting her ankle, though she never told anyone she was hurt.
The episode ended with the championship game, getting a little further than we did last week. We see Kai at the plate after Laurie got hit by the pitch and Kai hit a big shot into the outfield, only to see that injured ankle become a problem again.
The final episode had to bring everything together that has been happening all year long and it does so really well. We focus in on Coach Dan for this episode and his own problems. Living out of his car, he spent his time at the field, grooming it for game time. There was a lot here that I could relate to as a former coach myself. As Coach Dan was watering the field, I remembered days doing the exact same thing.
Kai’s big hit split the outfield and Kai ran the bases, behind Laurie, who clearly had not done that before. Laurie scores to tie the game but Kai ends up in a run down and gets called out at home by Frank.
This set off a massive chaotic event as the crowd went wild, Coach Dan loses his temper and gets accidentally knocked into Frank the umpire. Frank throws Dan out of the game, which only caused Dan to lose it more. Dan was feeling the pressure of the parents who want to replace Dan with James next season.
Then we get:
Laurie trying to help calm her father down (with a remarkable imagery/metaphor)
Ira stops the Bleacher Creatures from stealing the cash box from the concessions. He does that by grabbing it and running away.
It was actually Ira’s calling for help that caused Taylor to leave the game, not the trouble with Yuwen
Rochelle and Vanessa finally got to the game in the middle of the chaos and jumped in to help.
Vanessa and Frank bond after Frank saved Vanessa’s baby from choking.
Taylor prevents the Bleacher Creatures from getting Ira and they return the cash box.
James found Kai, who was hiding after the play at home and they talk through their troubles.
After the baby was saved, this got back to reality and the chaos left the park. Dan had calmed down and apologized to Frank. Taylor, Kai and Yuwen all made up. The game moved on into extra innings.
After this we see a Pickles pizza party celebrating the end of the season. We do not know what the result of the championship game was and no one mentioned it again.
The show ended with Laurie telling her dad that she did not want to play softball any more.
This was such a wonderful show with so much heart. It gave us a ton of human emotion, wrapped within the concept of a softball game. The imagery of the show really spoke to me and the way certain emotions were displayed was remarkably creative.
This is truly some Pixar magic in a series where I did not expect that magic to be.
This ends Win or Lose for the Sunday Morning Sidewalk. Next week, we start the two episode documentary series called Kisstory, about the band Kiss. It is two episodes, both about an hour and a half long. It can be found on Hulu or Disney +.
We have reached the penultimate episode of the X-Files series, and it was one of the grossest of the whole run.
Blood, internal organs, blenders… ugh, gross.
Eating these fresh organs and blood help keep a couple of cult leaders young and beautiful. Fiona Vroom played Barbara Beaumont, a former child star actress who is obsessed with her appearance. She was over 80 but looked as if she were 30+. It still would not be worth it with the gross looking substances that they would have to consume.
The episode added a religious aspect for Scully and Mulder, and they ended the episode with a really strong one on one conversation that was separate of the rest of the show. It felt as if this was kind of setting up the finale next episode.
Jere Burns was in this episode as a creepy doctor/part of the cult leader. He is a solid actor and he made the horrific stuff in this show make a lot of sense.
Last week, after watching Poker Face S2 E11, things just did not make sense. The whole storyline with the Iguana setting up Charlie to lead him to Beatrix Hasp in witness protection seemed so full of coincidences and impossibilities that it was tarring what I had been enjoying. I had hoped, I even think I wrote it in the post, that the writers would have something in the finale to make it all work.
Boy howdy, did they.
They then tossed in the twist of all twists for this show. A twist that they had been setting up for several episodes now. See, last episode when we saw the Iguana killing that guy to go to the wedding and making his prosthetics, it wasn’t the Iguana. This was another hitman….
The Iguana was Charlie’s friend, Alex.
Patti Harrison played Alex, and we thought she had been set up by the real Iguana as a patsy in the murder of Beatrix Hasp’s adopted son in episode 11, but, in truth, this was the Iguana. The Iguana had grown tired of the assassin game, because it lacked any sort of challenge. Then, when someone was trying to hire her to kill Beatrix, the name of Charlie Cale was brought up. A woman who was like a human lie detector and who was infallible presented the challenge for the Iguana. Could she lie to the lie detector?
When she was explaining everything to Charlie, we got flashbacks to the last few episodes, placing everything into context, showing that it all would fit. There are some awesome details that were dropped and we see Alex and her ability to lie to Charlie. Alex told her that every time she had to focus on every little thing to prevent Charlie from discovering the truth. She said it was thrilling.
Poor Rhea Perlman. She had to come back for this episode just to play a dead body with a bullet in her skull. Charlie was able to figure out things, but just too late. I wondered why the show chose to focus on the “Big Red” gum Alex had given to Charlie. It was weird product placement, I thought. But it triggered a memory of a lie Alex had told Charlie a few episodes ago and it put Charlie on to the truth.
The chase scene was fun but let’s talk about the “To Be Continued” that flashed up on the screen as Alex seemingly drove Charlie’s car off a cliff into the Grand Canyon Canyon in Indiana, Thelma and Louise style. The screen froze with the car in the air, about to fall to their doom. I literally screamed out in shock. I wonder if anyone immediately shut off their TV in frustration at that point? I had just stared in shock at the unbelievable cliffhanger when everything started to rewind. The car went backwards and we see the POV of Charlie, as she jumped from the car and held on to a branch, dangling over the cliff as the car flew into the canyon and crashed in a fiery explosion.
What a moment that “To Be Continued” was. It felt both awesome and cruel at the same time. Somehow, Alex’s body was not in the car afterwards. Not sure how she escaped but the show is setting Alex up as Moriarty to Charlie’s Sherlock Holmes. The show gave Charlie an arch nemesis and I liked that, even if I had to suspend disbelief that Alex was not dead. However, after questioning the story last episode, I have learned that Rian Johnson has planned things out so when Alex inevitably returns, it will make sense then.
Sadly, Charlie is on the run once again, now from the FBI. Simon Helberg’s Agent Luca Clark giving Charlie a head start, telling her that the next time they met, he’d have to arrest her. I waited for Charlie to say “bullshit” but she did not, so I guess he is telling the truth. I like how this relationship with Charlie and Luca is progressing. Luca clearly is amazed with her and her intelligence and I hope there will be more with these two moving forward.
I know Poker Face has not yet been renewed, but this show has set up plenty of story for a third season so I hope Peacock knows what they have in this show or if they let it go, maybe another streamer like Netflix or Amazon would give it a go.
Natasha Lyonne directed this episode and she did a great job with several creative and original shots and images. Lyonne is also one of the most interesting characters on TV right now and I really want more of her.
Season two was very strong and ended with a big time splash.
Episode 8 of season 11 means that we only have two episodes of the series remaining.
“Familiar” is a classic feeling Monster-of-the-week style episode where Mulder and Scully investigated a mysterious death in a little town where what happened is not exactly what it seemed.
This did feel like an episode that might have aired in season three or four instead of eleven, which is an amazing fact for the show. The local police are always a big problem in X-Files episodes, either being the guilty party or an eventual victim.
Jason Gray-Stanford, who spent many years as Randy Disher on Monk, was one of those local police officers whose son was killed at the beginning of the show. It is always tough to see someone who I have seen as one character for so many years step into another role like Jason Gray-Stanford does.
Mr. Chuckleteeth, a kiddie show character, was running around the town being the evil killer. However, it turned out he was actually a demon that had been summoned by a witch to curse Gray-Stanford and the curse got out of control.
I liked this episode. It was creepy, but the addition of these hellhound/wolf things was a bit too much. Mr. Chuckleteeth would have been good enough, I think.
Happy Friday to everyone. We had some big time storms last night. So much that my house had some leakage and water came in the basement. It nearly got to some of the short boxes of comics, but thankfully, I saw it in time to prevent anything more than a short box with a little damp bottom. I was able to switch the books to another that I had free and then I had to move all the boxes off the carpet to higher ground. Not an easy task and I am still not sure what will happen with them now. It could have been way worse than what happened though.
I went to Superman, the new James Gunn movie that kicked off the DCU at Warner Brothers. It was a tremendous film. It was a lot of fun with a version of Superman that we have not seen in awhile.
Books this week:
Superman Treasury 2025: Hero for All #1. Written by Dan Jurgens and art by Bruno Redondo. Scott Koblish did the variant cover C art. In honor of the new film, Superman gets his own Treasury Edition comic original story with a large scale invasion of the earth. After Superman is sidetracked and held captive, the heroes of earth struggle to defend the planet. I enjoyed this book quite a bit, even though it is difficult to find a bag and a board to fit it. Go see Superman in theaters when you have a chance.
Detective Comics #1098, 1097, 1096, 1094, 1090. Tom Taylor has drawn me into Detective Comics after reading the Nightwing books he wrote. Taylor is one of my top five writers currently writing and this is a great couple of issues with Harvey Bullock and Penguin having to work with Batman. The three earlier books were from the stories that were reprinted last week in the soft cover book I picked up. Tom Taylor is the man.
Wild Animals #1. Written by Ed Brisson and art and cover art by Andy Kuhn (Silver Medalist). This was my absolutely favorite book of the week. The new comic from Mad Cave, who have been doing such great work this last year or so, is just emotional, powerful and I could relate fully with the character. This is a personal tale of retribution and revenge and it goes in ways that I did not expect. Loved this book.
Archie Meets Jay and Silent Bob #1. Written by Kevin Smith and art by Fernando Ruiz. I picked up A & B cover and both had art done by Fernando Ruiz & Rosario “Tito” Pena. Archie Andrews gets a job at the Quick Stop and meets the cast of Clerks after Dante died (in Clerks 3). Archie then meets up with Jay and Silent Bob, the local drug dealers. Archie gets tickets for them all to go see Josie and the Pussycats. The book has that adult feel of a Kevin Smith movie as well as the silly fun of Archie. Weird and wild crossover event.
Planet Death #1. Written by Derek Kolstad and Robert Venditti with art by Tomas Giorello. Cover art by Tomas Giorello and Sunny Gho. Planet Death #0 was out in May as a preview of this new book from Bad Idea. This is full of action and excitement for a first issue.
Fantastic Four #1. “The Uncommon Era.” Written by Ryan North and art by Humberto Ramos. Mahmud Asrar did the gold foil variant. The Fantastic Four is trying to take advantage of the upcoming MCU film in a couple of weeks by restarting FF with a new number one. It is a fascinating story of time. How many families decide ahead of time what to do if they are lost in time? The FF does. I have become quite a fan of Ryan North over the last couple of years too.
Red Hulk #6. “Traitor” Written by Benjamin Pearcy and art by Geoff Shaw. Variant cover B (Retro Vision) art was done by Michael Allred and Laura Allred. I enjoyed this book, but as I was reading it, I thought to myself, why am I this confused. I thought Red Hulk was in Latveria. I after I finished reading, I checked CLZ and I was missing issue #5. I knew it felt confusing.
The UnChosen #1. Written, Art and cover art by David Marquez. This new Image book is like a fantasy adventure meets anime. There was a lot going on here and I will say that I did not love it. I do think it is interesting enough to give it another issue or so, but I expected to be grabbed more by this first issue than I was.
Ultimate Spider-Man: Incursion #2. Written by Deniz Camp & Cody Ziglar with art by Jonas Scharf. Sara Pichelli & Tamra Bonvillain did the cover art. Miles has arrived in the Ultimate universe and has teamed up with the Ultimates. They head to Wakanda in an attempt to find Miles’s baby sister who has also crossed over from 616. Cool final page of the book for sure.
Return to Skull Island #1. Written by Simon Furman and art by Christopher Jones. Cover art was done by Inityuk Lee. This apparently continues on from an animated series of the same title, btu I had never seen it before. I grabbed it because of Kong’s presence and a cool looking cover. I enjoyed the sotry quite a bit too and I did not find myself confused or lost because I had not seen the animated show.
Magik #7. “Beneath the Veil” Written by Ashley Allen and art by German Peralta. Pablo Villalobos did the cover art. Illyana is attempting to save Cal, who has been taken over by Liminal. Dani took them back to the Society of Eternal Dawn, which does not go as smoothly as it could have. Magik is not sure if there are any of them she could trust.
Doctor Strange of Asgard #5. Written by Derek Landy with art by Carlos Magno. Geoff Shaw & Espen Grundetjern did the cover art. Stephen Strange has gone to Asgard to claim the mantel of Sorcerer Supreme of that dimension. He has faced several issues, including a murder mystery. He made it.
Laura Kinney: Wolverine #8. “Honor Bound.” Written by Erica Schultz and art by Giada Belviso. Elena Casagrande and Edgar Delgado did the cover art. Haymaker returned and Laura helped him to search for a young missing mutant.
Uncanny X-Men #17. “Murder Me, Mutina.” Written by Gail Simone and art by Luciano Vecchio. David Marquez & Matthew Wilson did the cover art (Gold Medalist). There is a new mutant in the spotlight. Her name is Mutina and she stars in the blockbuster movie, Murder Me Mutina. The X-Men are not pleased with the way the mutant community is being portrayed and they go to see Mutina. Fireworks come after that. This would have been my favorite book this week without Wild Animals #1. I love the concept of a big screen summer blockbuster being at the center of this story. Gail Simone has been excellent with this X-Men run. She was great at the beginning and I think she is only getting better.
Uncanny Valley #10. Written by Tony Fleecs and art and cover art by Dave Wachter. This fun comic that sees the combination of human story with cartoons comes to a close with this issue as Oliver takes his destiny and faces off with the First. Uncanny Valley has been creative and consistently entertaining. I like the originality of this series.
Trinity, Daughter of Wonder Woman #2. “A Corgi in the Family” Written by Tom King and art and cover art by Belen Ortega. I also picked up a variant cover B that is an homage to the “Death in the Family” iconic cover. This variant cover was done by Ben Oliver. In her pursuit of the missing Corgis, Trinity winds up with Jason Todd. They were really cute together as it was funny seeing them sitting uncomfortably on a couch. Trinity also wondered what would happen if she let it slip that Jason Todd was going to be killed.
Godzilla: Here There Be Aliens #2. Written by Frank Tieri and art by Angel Hernandez. Cover art was done by Fero Pe. This issue had alien creatures, a giant robot named Jet Jaguar, and Mechagodzilla. It just was missing Godzilla. This book is fun and sets up a future battle well.
Marvel Swimsuit Special: Friends, Foes & Rivals #1. Written by Tim Seeley & Tony Fleecs with art by Nick Bradshaw. Adam Hughes did the cover art. This is not just like the old days with the Marvel Swimsuit Specials. This told a story as well. Roxxon is using AI to show the superheroes off in their scanties, so the heroes decided to do their own instead. Silly book, but a lot of fun.
Batman: Dark Patterns #8. “Pareidolia Part 2” Written by Dan Watters and art and cover art by Hayden Sherman. This Dark Patterns book has been consistently engrossing so far and this new arch gives us something I am not sure I have seen before among Batman. Nice work showing us stories from Batman’s past.
Other books this week: Superior Avengers #4, The Power Fantasy #10, It’s Jeff: Infinity Paws #1, The Slasher’s Apprentice #3, Predator: Black, White & Blood #1, The Toxic Avenger #1, Transformers #22, and Life #5.
Quick Hits: Another book released this week to try and take advantage of the upcoming film is Fantastic Four: First Steps #1, which is the title of the film. This is a prequel and it was written in an interesting manner. I am really excited for the film. I picked up the Galactus popcorn bucket at Cinemark this week. It’s gorgeous. Absolute Superman #9 continues to be good. Again, Superman is in theater right now. The book from AWA that had a misprint and led to a recalling, They Choose Violence #1 came out with its corrected copy this week. Miles Morales: Spider-Man #35 (Bronze Medalist) continued their God War arc and I am not really liking it much. Cool cover though. FML #5 is back after several months. It is strange too because this cover, which is listed as cover A is not on my CLZ app. There is a different cover listed on CLZ as cover A. I did not understand why, but I did mark the cover A on the app as the one I have. The James Tynion IV short with Erica Slaughter wrapped up in Hello Darkness #12. That was my favorite in the anthology this month. Buried Long, Long Ago #3 kind of lost me last month, but this issue pulled me back in. Solid work on this one. Conan the Barbarian #22 from Titan Comics really does give me an old time Marvel feel. Todd made me buy Master of Kung Fu #60 this week as a back issue this week. I have always liked Shang Chi. Finally, Blood Type #2 is really a compelling vampire story. We get a lot of those right now, but this book with the main character Ada is different than we usually see.
The DCU is finally here as James Gunn revealed his huge blockbuster to officially kick off the DC Universe films, in a reboot that has been in the planning stages for years. They started off with their classic character, Superman.
I can state, without a doubt, that James Gunn has done an amazing job with a film that soars to remarkable heights and is loaded with a ton of comic book-y fun.
It seems as if you can’t do a comic book movies these days without a ton of controversy, and Superman is not an exception. There have been complaints flying around about the use of the term immigrant in reference to Superman as well as the movie being “woke.” Despite these criticisms and talking points looking to drum up hatred, Superman (2025) is a wonderful movie and a great time in the theater.
No origins here, which is a great thing. We all know where Superman came from and how he wound up in Kansas, so why waste time showing it once again? Gunn is right in that we do not need to see baby Kal-El land, Bruce Wayne’s parents shot or Uncle Ben be killed ever again. We know these stories.
The world of this movie is fully encompassed with metahumans already and the dangers of the world are quite clearly shown.
The opening info tells us that Superman has stopped a war between a couple of countries and this is one of the big sticking points for a lot of people involved. This is the back drop of everything that goes down.
David Corenswet played Superman and he does an unbelievable job at it. He approached Superman with the right amount of heart and joy, even if he seemed to have a bit of a temper. It is really refreshing to see a Man of Steel concerned with saving people around him. There are a bunch of scenes showing that Superman cares for the people of earth, even after they turn on him.
I won’t give away why they turn on him, but it feels like it absolutely could happen in the world we live in today.
Corenswet and Rachel Brosnahan’s Lois Lane are already dating, and she knows about his true identity. There is amazing chemistry between these two and they bring sparks to the screen. Lois Lane is shown as an intelligent and strong woman who will take whatever risk she needs to take for her passions, whether that be the story she is pursuing or the man that she loved.
Superman’s iconic enemy, Lex Luthor, was played by Nicholas Hoult. This is my favorite version of Lex Luthor to ever appear in live action (or animated, btw). Hoult gave him such an evilness, but he did it without creating a cartoon. I understood Luthor’s motivations, even if they were horrendous. Nicholas Hoult was sensational in the role.
There were several other heroes appearing in the film, inside the Justice Gang, which included Guy Gardner, the Green Lantern, played with that slimy perfection by Nathan Fillion. Isabela Merced (from season two of Last of Us) as Hawkgirl, who did not have as much to do, but was pretty cool when she was involved. Mister Terrific, played by Edi Gathegi. Mister Terrific had a major part to play in this movie and he was awesome. I loved how they used these group of heroes instead of pulling out some of the more heavy hitters of the DCU.
The film looked really good, especially any scene with flight involved. The score was decent but James Gunn, who is well-known for his needle drop songs in some of his other movies, did not have many here. That did not distract me. In fact, I did not even think about it until the end credits.
When we first meet them, I was not a fan of Ma and Pa Kent (Neva Howell and Pruitt Taylor Vince), but I have to say they grew on me later in the film.
Krypto the dog was well used, even if I thought maybe he was used too much. Krypto has some solid scenes in the film. He is important and not just there to make everybody “awww” over a cute dog.
Some of the jokes did not land, which made a few scenes a touch awkward, but most of the humor worked fairly well. There were not as many jokes as some of James Gunn’s previous films, but there definitely had some humor in it.
I don’t think there is any other way to look at this other than as a triumph for James Gunn’s new rebooted DCU. Superman was colorful, exciting, dramatic, funny at times, and had so much heart that has been missing from Superman in other recent iterations. Outside of a few nitpicks (such as some of the workers at the Daily Planet… what was up with those characters?), I think this was a smashing success.
EYG- Embrace Your Geekness 