The Munsters’ theme is a blend of spooky sounds and a 60’s style surf song. Jack marshall also arranged the theme, which may not be as well known as the Addams Family, but was still a perfect fit in tone for the Munsters.
Series creator Matt Groening approached Elfman and asked him to compose a theme to the new show. Elfman has said that he was looking for something like The Flintstones theme or other Hanna-Barbera classic cartoons.
The opening sequence of the show changed a little over the years, specifically with Bart writing something different on the chalkboard as a punishment and the family having something different happen to them hen thye jumped on the couch.
The animated version of the Tick introduced me to one of my favorite characters. The Tick was special in the world of superheroes… a satire of the genre that showed how much it loved it as well.
The theme of the animated series was catchy and stuck in your head. Kicking off with an alarm clock, the scatting done by composer Doug Katsaros was intriguing and fun. The horns in the theme were in your face, much like the character of The Tick.
This series was on Netflix and was actually pretty good. The theme just really rocked and provided the perfect tone for this series set inside a prison for women. It never failed to get my head a bobbing and set up the mood for this comedy/drama.
Performed: Originally sung by Dennis Tufano and Mindy Sterling, it was later replaced by the iconic duet version by Johnny Mathis and Deniece Williams.
Musicians: Jeff Porcaro (drums), David Hungate (bass), Richard Tee/Greg Phillinganes (keys), Lee Ritenour (guitar), and Paulinho Da Costa (percussion).
To be honest, this theme was placed one spot ahead of #81. Growing Pains because they are constantly getting mixed up. I am not sure if I could pick out which one was which, typically. I put Family Ties ahead of Growing Pains because I liked that show a little better, but it these could be tied at 80.5 each.
Composer (season 2-5): Hugo Montenegro (Season one composer was Richard Wess. The season 2-5 theme is the one on this list. It is the one that everyone knows)
And everyone knows this theme. I did not watch a lot of I Dream of Jeannie as a kid, but I watched enough to know how iconic this theme is.
One Day at a Time is another of those catchy, 70s/80s themes that sticks in your head after you see it. I watched One Day at a Time, but I did not love it. It was fine. The theme sticks with me more than the show did.
Lyrics: Martin Cohan and Blake Hunter, the show’s creators.
Performed: Larry Weiss: Seasons 1–2; Steve Wariner: Seasons 3–6; Jonathan Wolff: Season 6–8
Musicians: Notable features included Larry Carlton on guitar and Jeff Porcaro on drums.
The ABC sitcom, Who’s the Boss, had one of those catchy themes that stuck in your head after you hear it. I enjoyed the show and the theme helped with it.
Composed by Dave Grusin. Lyrics written by Alan and Marilyn Bergman. Performed by Donny Hathaway.
Maude was a TV show that I never watched regularly. Heck, I do not think that I even watched it a little bit. I may have seen a few episodes here and there. However, I saw Bea Arthur appearing on the Rosie O’Donnell talk show and Rosie sang the theme song to Bea Arthur’s face. I enjoy the clip and it helped place “And Then There’s Maude” at #85.
Here is the YouTube clip from The Rosie O’Donnell Show.
The original theme for the Transformers animated series was written by Ford Kinder and Anne Bryant.
The line “More than meets the eye” is a line that I will use to this day. The theme was adjusted and changed over the different iterations of the franchise, but “Robots in Disguise” found its way into most of them.
The original theme also gave us the Transform sound that would become iconic in the world of entertainment. When you hear the sound, you know what it is. It is like the starting up of a light saber. Everyone knows what that sound means.
Entitled “Angela”, it was originally intended as background music for episode three and a character named Angela. It was so liked by the producers that it became the shows permanent theme.
The song was jazz-fusion and used Rhodes electric piano, a soft, high-pitched recorder (or flute/oboe) lead melody, and a smooth rhythm section.