Category Archives: 2024 Movie Reviews

Oddity

Posted on by

A new horror/suspense film opened this past week, and I wanted to make sure that I had a chance to see it. I was hoping to see it on Thursday before Deadpool & Wolverine, but there was only one showing for Oddity on that day and it would overlap with D&W.

That meant that I made time today to go see the film.

According to IMDB, “A psychic medium attempts to uncover the truth behind her sister’s murder at the site of the crime.” There is not much for the synapsis here, but it is generally what happened.

This was a new version of a haunted house type story and it was very successful in creating a creepy feel.

I did have some trouble following the story at first as there were a lot of details that were difficult to grasp, but as it moved along, things got much clearer and helped with the enjoyment of the film.

Carolyn Bracken did a nice job as both of the sisters in the movie, Darcy and Dani. She provided the spooky tone to both characters and kept the tragic aspects of the film for the audience to see. There were plenty of other frightening characters involved including ones played by Tadhg Murphy, Johnny French and Steve Wall.

Gwilym Lee played Ted, the husband of the murdered sister, Dani, and he did an excellent job as well.

The film was amazing with the sound design and music cues. These helped manage that mood and kept the audience on edge as the film progressed.

Overall, I thought this was pretty decent, though I did have some initial problems with it. I did like the manner in which the film wrapped itself up. This is an unexpected gem in the horror genre, directed by  Damian McCarthy.

3.75 stars

Twisters

Posted on by

I was not a fan of the original Twister film with Helen Hunt. I had only watched it once so I decided to give it another viewing about a month ago and I found out that I still did not like the film. So continuing the series with a new Twisters felt unneeded for me.

So imagine my surprise, I thought Twisters was way better than that original film and it was a film that I really liked.

According to IMDB, “As storm season intensifies, the paths of former storm chaser Kate Cooper, lured back to the open plains after a devastating encounter years prior, and reckless social-media superstar Tyler Owens collide when terrifying phenomena never seen before are unleashed. The pair and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.“

Why does this work more for me than the original. Fact is there is not too much different between these two stories. The actors are all decent in those roles.

I think part of reason is that I felt more for these new characters, especially Kate Cooper, played by Daisy Edgar-Jones, who I really liked. She had a truly tragic past that I felt that they used during the film. I do think they could have gone into more of this tragedy than they did, but I felt like Kate was a deeper character than anyone from that first Twister movie.

Glen Powell continues his run as a huge star in movies today. I liked this character a lot too though he felt more like Glen Powell playing himself than anything else. I liked the relationship between Powell and Edgar-Jones and I thought the movie did a good job of taking it slowly between them.

The action in the film was solid and the tornados looked great. The tension of the situation was well built and the anxiety of seeing individuals being pulled away into the tornado was always effective.

It is not a perfect film by any stretch. There are holes in the story and some weaknesses in the characters, but none of them were major issues for me. This was a fun, summer movie watch with some good action, some exciting special effects and a couple intriguing characters. I like this more than I expected to.

3.8 stars

Longlegs

Posted on by

This was a film that I really did not know much about. I knew it was a horror film. I knew it had been receiving decent reviews and that it had Nicolas Cage in a role. Outside of that, I did not know anything about Longlegs.

Coming out of Longlegs, I felt fairly disturbed and unsettled because the tone and mood of the film intended for me to feel that way. It did its job well.

According to IMDB, “FBI Agent Lee Harker (Maika Monrow) is a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.“

This film allowed Nicolas Cage to go full, crazy Cage, and he is wonderful. Some may believe that he took it too far and went too over the top, but I did not feel that way. The look of Cage in this film was so distinctive that his wild monologues worked in synch. It is amazing that Cage has such a wide swath of roles to play in his career.

The tone of this film is absolutely trying to keep you off balanced, and uncomfortable. It uses the music of the scene, the performances of the actors, the imagery of the film to do this effectively.

There is a feel of Silence of the Lambs here as there are many points that could be connected, but I don’t think that is a bad thing necessarily. I have heard claims from some online that this is the best horror movie of 2024, and, while that feels hyperbolic, there is no doubt that this is very stylish and should be in the conversation when discussing the best of the recent genre.

I would recommend that you go into the film with as little knowledge as you can. My own lack of knowledge helped my viewing experience.

3.75 stars

Fly Me to the Moon

Posted on by

I was not excited to go see this movie. It did not resonate with me with the trailers and any sort of comments that I had heard of it. Then, with it being around two hours and fifteen minutes long, I just was not anxious to see it.

Boy, was I wrong.

I loved this movie. This film, starring Scarlett Johansson and Channing Tatum, featured a great story of these two characters mixed in with the story of the launch of Apollo 11 and the eventual moon landing.

Scarlett Johansson played Kelly Jones, a marketing master, is brought in by the government, particularly shadowy agent Moe Berkus (Woody Harrelson), to help sell the idea of the NASA program to the public. Kelly ran into a conflict at the beginning with Cole Davis, launch director, as she did several things that Cole did not want to happen. As they continued their story, the pair grew closer though a secret from Kelly’s past threatened to tear them apart.

The film included the conspiracy theory that the moon landing was faked, and it blended this in with the real situation that was going on. This use of this legend was really well done and provided some of the romantic comedy’s best comedic moments. (I do not think this was a spoiler since the trailers did included this detail).

I loved the performance of Johansson in this movie. Kelly was strong and intelligent, able to manipulate those around her to get what she was after, and yet had a softness that told you that something tragic had happened in her past. Johansson and Tatum had good chemistry, but there could have been a scene or two more that focused on their relationship. It did seem as if Tatum went from trying to get her fired to being all in with her too quickly.

Woody Harrelson’s character was great too. I enjoyed the sleaziness of his character and how he was able to use his power to convince people to do what he wanted. He was an antagonist that was not exactly an antagonist.

The film was very clever and charming and flew by, making my doubts about the runtime bleed away. Fly Me to the Moon was a lot of fun and I had a blast with it.

4.5 stars

The Last Stop in Yuma County

Posted on by

I rented a film tonight called The Last Stop in Yuma County at the site formerly known as Vudu, which is now referred to as Fandango at Home. I had seen this listed on a few lists of great movies so far in 2024 and I wanted to give it a try. After watching this violent crime thriller, I wholeheartedly agree in that assessment. This was fantastic.

The basic set up was that a knife salesman (Jim Cummings) stopped for gas at a station in Yuma county in Arizona. The gas station was dry, waiting for the gas truck to arrive to fill up the pumps. The knife salesman was told that he could wait in the diner next door.

There was a bank robbery earlier in the day and, unfortunately for everyone involved, the bank robbers (Richard Brake, Nicholas Logan) also stopped for gas and were told they had to wait.

The diner, whose waitress Charlotte (Jocelin Donahue) was working by herself, started to fill up with people waiting for the absentee gas truck. When the knife salesman identified the bank robbers’ car (which had been one of the items identified on the radio), tensions began to rise inside the diner.

The idea of this movie was very simple, and yet brought out some exciting moments and some black comedic bits featuring a group of people who made some terribly tragic choices along the way. The film was remarkably violent but with some great scenes that tied everything together. The film was directed by first time feature director Francis Galluppi, who show a real flair for the filming of this (for the most part) single setting in which a lot of anxiety and tension was on display, starting slow and building to a point where everything exploded. There were some excellent shots of the area both inside and outside of the diner.

The actors all did a great job developing characters without a ton of time to do so. I found myself feeling connected to several of the characters without really even knowing much about them.

The story progressed quickly with some very clever writing keeping things moving even in the slow parts. It also did not turn out anywhere what I expected it to as the story took a turn that I did not see coming.

The Last Stop in Yuma County shows how effective storytelling and direction can create a tense tale with minimal time and budget. This is one of my favorite films of 2024 so far.

4.8 stars

Maxxxine

Posted on by

I would not define Maxxxine as a horror movie. The third film in Ti West’s trilogy featuring actor Mia Goth is more of a crime story set in the world of Hollywood of the 1980s.

According to IMDB, “In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past..“

Mia Goth is great. She is a star and she shines brightly in this role. Maxine Minx is such an original character that has gone through a lot of problems in her life that we saw in the film X.

The first two thirds of this movie was fantastic. It was tense and you were never sure what was going to happen. I love how when Maxine needed to step up, she did so. She had such confidence and strength that she was an inspiration.

The last act of the film, the final set piece, felt very much out of place among this movie and took a weird turn that slowed the progress the film had made. It threatened to derail the film for me, but thankfully, the corny final scene did not last too long.

By the way, Kevin Bacon was awesome in this film. I forgot to mention that but he was epic and brought some great moments to the beginning part of the movie.

Maxxxine was a solid film with a weak ending. Mia Goth carried the film on her back and she made this a success. I would have liked a better ending, but I did like where the character of Maxine Minx ended up. This was a good conclusion to the trilogy.

3.5 stars

Kinds of Kindness

Posted on by

This was garbage.

The latest film from director Yorgos Lanthimos was not for me. Even a little bit. There were three basic stories with the same actors in different roles. None of them made any sense. It was a pretentious, obnoxious mess that lacked any narrative sense.

The actors involved are tremendous, but they do nothing for this film. Emma Stone, Jesse Plemons, William Dafoe, Margaret Qualley, Hong Chau, and Mamoudou Athie were in the film. They are great performers.

This film was mean-spirited, both objectified women and treated them poorly, and had things happen that (scenes involving abuse, rape, and misogyny) were both offensive and lacking any real meaning to the story.

This movie was way too long. I could not believe when the first story had credits come up on the screen because it felt as if nothing had actually happened. The story beats are scattered and convoluted.

This felt like a director who was hot off the Oscar-winning Poor Things who thought that whatever he would do would be beloved. This is not that. I really hated this movie.

0.9 stars

Beverly Hills Cop: Axel F

Posted on by

My expectations were very low for the fourth film in the Beverly Hills Cop franchise. Axel F was released on Netflix and most of the time, these long stretches between sequels are a bad sign. Beverly Hills Cop 3 came out in the early 1990s and this is over thirty years since. And the franchise’s third film was already bad. All of this added up to my expectations being so low.

I was pleasantly surprised when I watched Axel F that I was enjoying the film, that it felt like an Axel Foley movie featuring the cast that I remembered, and that it was funny and filled with some good action.

Axel Foley (Eddie Murphy) gets a call in Detroit from Billy Rosewood (Judge Reinhold) in Beverly Hills saying that Axel’s estranged daughter Jane (Taylour Paige) was involved in a tricky case that Billy had been investigating. Billy was worried about her and thought that Axel should come and help. Unfortunately, Billy is captured and disappears before Axel could arrive in town.

Axel immediately began causing trouble in Beverly Hills and winds up arrested where he meets young detective Bobby Abbott (Joseph Gordon-Levitt) whose case Rosewood had been interfering with.

I was really pleased with this movie. I thought it was well done and well written. It was not just another cash grab in the Beverly Hills Cop franchise. This felt like it had more on its mind than just Eddie Murphy being funny.

Eddie Murphy fell right back into the role of Alex Foley easily and had his typical charisma in doing so. He had that same flair of being an outsider in the world of Beverly Hills that worked so well in the 80s. Taylour Paige was solid as Foley’s daughter. This could have been a cliche with the adult child and deadbeat dad, but her talents and a well written script kept it feeling fresh and strong.

It was great to see Judge Reinhold back as Billy, as well as John Ashton back as Taggart. They both seemed like old friends that we missed over these years. Their participation was kept at a reasonable level, which I think was a good choice. They avoided being seen as overused and instead worked when they were on screen.

Joseph Gordon-Levitt worked well with Eddie Murphy as a younger partner whose relationship with Jane was a tad hokey. There were some solid scenes with these two actors that worked well in the film.

There were several moments that felt similar to previous installments of the franchise, including the finale, which could be considered too similar to the first film. I would have liked something a little more original in the finale because they had done some very good action throughout the film that felt new and exciting. In particular, there is a scene with a helicopter that was excellent. The lack of originality of the final set piece was a negative toward a film that had been doing very well up until that point.

Kevin Bacon is another actor in the film, as a police Captain whose expensive shoes and watch make Axel suspicious of him. Beverly Hills Cop franchise has a history of showing you the bad guy upfront and not trying to make it a mystery. This falls right in line with the other ones. I mean, the minute you see Kevin Bacon appear, you know what is going on.

I did not think that Beverly Hills Cop: Axel F was going to be any good at all, so I am beyond pleased that there was as much humor and action that worked and that Eddie Murphy and a cast of talented actors had a strong enough script to keep them and me involved.

3.85 stars

Despicable Me 4

Posted on by

The fourth film in the Despicable Me franchise (seventh if you count the Minion films in the franchise) dropped today. It has been hit and miss for me over the lifetime of the franchise, so I had no idea what this one would be.

After watching Despicable Me 4 this morning, I did not find that this new film did much for me.

The film was not aggressively bad. I just did not find the film very entertaining. The humor fell flat with just a few exceptions. The story was simple and dull. The Minions were a huge distractions as always.

The positives were the voice cast was solid, if not really great. Steve Carell as Gru is clearly comfortable in this role. Kristin Wiig, Will Ferrell, Sofia Vergara, Stephen Colbert, Joey King all did a strong job.

The animation was fine too. It may not have been unbelievable, but it is certainly watchable.

While the young viewers may like this, the film is much lower level entertainment for the young kids. Especially since there is a considerably better animated movie for kids out there, Inside Out 2. Despicable Me 4 has a lot of stupidity to it and you do not have to lower the level of story just to focus on kids.

I did like some of the finale, but it went too long and ended poorly.

There was nothing that was special with this film and was basically the same things we have seen in previous Despicable Me movies. There was nothing new and it felt dull. As I stated, there was not much that I found funny, and the story was everything that we had seen before.

2.6 stars

A Quiet Place: Day One

Posted on by

The original A Quiet Place was one of the best movie experiences I have had in a theater. The tension in the theater, with everyone being just as quiet as the actors were on screen was an amazing atmosphere. It has not been rivaled in that manner since.

That does not mean that this new film, a prequel to that first film was not good. On the contrary, I found this new film, A Quiet Place: Day One, starring Lupita Nyong’o and Joseph Quinn was a very engaging and intense film.

A woman named Sam and her service cat Frodo found herself trapped in New York City on the first day of an alien invasion. The aliens responded and attacked with their amazing hearing forcing everyone to be as quiet as they could be.

I am reminded just what an exceptional actor Lupita Nyong’o is. Her portrayal of Sam was exceptional, displaying every bit of anxiety and stress with the most limited dialogue possible.

And early on during the film, I thought to myself, “If that cat dies, we riot.” Maybe that was an exaggeration, but the cat had some great moments in the film as well.

I did not realize that the other actor playing against Nyong’o was Joseph Quinn, who has been cast as the next Johnny Storm, the Human Torch in the upcoming MCU film Fantastic Four. I found this performance from Quinn as Eric to be very solid and working extremely well with the nearly silent Sam. Johnny Storm seems to be in capable hands with Quinn.

The film also had Djimon Hounsou as Henri, but he was not used to the level that one would expect. I wonder if this is intended to be the same character that he played in A Quiet Place Part II as IMDB only lists him as “Man on Island” in that film. Overall, Hounsou felt more wasted than anything else.

One of the few nitpicks that I had with this film was it sure seemed as if the whole ‘sound attracts these monsters and that you can avoid them if you are really quiet’ concept was figured out too quickly. I kept wondering how they figured that little tidbit out in such a rapid manner. It did not pull me out of the film, but I did think about it several times throughout.

The relationship between Sam and Eric was very original and strong, again because so much of their interactions came sans dialogue, I was connected to them, and it was not just because of the cat.

The sound design of this series of films has been sensational, and Day One joins in with them beautifully. The little sounds that were suddenly amazingly loud because of the way the aliens hear it was anxiety-creating and built amazing tension.

Of course, in the first couple of films, the focus was on a major character who was deaf. Here, Nyong’o had something else that I won’t spoil, but you learn about in the first ten minutes that really set the stakes for her character in an unexpected way.

Admittedly, the gimmick of the aliens who are attracted to sound has been played out a bit, but this film makes it work with the way it created a new group of characters and made us care for them. Then, by casting some excellent actors in the roles, you elevate what could have been just another monster movie into more than that, while still maintaining the aura of the original and sequel. I am not sure that I wanted another A Quiet Place movie, but I am glad that I got one.

4.2 stars

Horizon: An American Saga-Chapter One

Posted on by

A three hour, chapter one Western?

Kevin Costner’s epic Western Horizon: An American Saga debuted this weekend. At least, the first part of the movie debuted this weekend while Chapter Two will arrive in August.

This film looked beautiful. There were some decent performances. However, the film has its share of problems that outweigh the positives.

What are the problems? Well, there are a bunch of characters and storylines and it feels as if there are too many. Even for three hours, they bounced around to these different storylines, all that were interesting to be fair, and it never got a good feel for any of them. There were so many characters that half the time, I was never sure who was who and what each one of them were doing.

It did feel as if Kevin Costner wanted this film to be sweeping, with multiple plots going on at once, and it felt as if some of them should have been tightened up or removed to make it more cohesive.

The last five minutes of the film featured, I assume, scenes put to music from the next film. This montage was confusing and felt silly.

There were scenes that were enjoyable, but I just do not think it matters because the story is so scattered and the characters are not as developed as they should be.

2.8 stars

Thelma

Posted on by

I have enjoyed seeing June Squibb in just about every supporting role she has ever had, from the movie Nebraska to the role of Mee-Maw on The Big Bang Theory. She was just recently the voice of Nostalgia in Inside Out 2 as well as voice acting in Ralph Breaks the Internet, Soul and Toy Story 4. She has had a tremendous career so far.

That is extremely impressive for the 94-year old actress. You can add another accolade to June Squibb’s resume. A lead role in a funny and heart-warming movie called Thelma.

Thelma Post (June Squibb) is still living alone, two years after the death of her long time husband, and, as a 93-year old, she is worrying her family who wonder if she can continue to live unassisted. Her grandson Daniel (Fred Hechinger) tries to help her out, but truth be told, he has enough trouble keeping himself moving forward.

So when Thelma receives a scam phone call stating that Daniel had been in an accident and needed her to mail $10,000 to help, Thelma fell for the act and mailed the money.

Embarrassed by her naivety and with the police being no help, Thelma decides to take things into her own hands and starts out to find the scam artists and get her money back.

June Squibb is excellent here. She is so charming and she is clearly a force of nature that I believe every far fetched situation that she is place within. Some of her choices are remarkably dangerous, and you just know that something was going to go wrong with this, but you can’t help but root for her anyway.

It is also great to see Clark Gregg once again. Our beloved Agent Phil Coulson is playing Thelma’s son-in-law, a twitchy, over-protective father married to a neurotic woman, Thelma’s daughter Gail (played by the ever awesome Parker Posey). Gregg and Posey are excellent here as the overbearing parents of Daniel, whose love for their son may get in the way of his development.

Despite some of the credibility-stretching scenes, there is a lot of heart to this movie as well. There are plenty of comments directed toward the aging process and how some have more troubles than others. There are several scenes set at a retirement/old folks home that show the whole gamut of the aging process. It has several jokes directed at aging, but they are done with surprising kindness.

Richard Roundtree had a major supporting role in this film as an old friend of Thelma who owned a scooter that she needed for her own independence. Roundtree was fantastic as Ben and brought a new element to the story.

This was a lot of fun and, despite being far fetched in a lot of things, it was charming enough to overcome any issues it might have.

3.7 stars

The Exorcism

Posted on by

I wonder what the producers have on Russell Crowe? They must have something for him to appear in this train wreck.

Russell Crowe played Tony Miller, an actor with his share of personal problems, takes a job playing a priest in an exorcism/possession movie, and the role is bringing up all kinds of past troubles. Meanwhile, his estranged daughter Lee (Ryan Simpkins) is trying to get past her own problematic history with her dad.

David Hyde Pierce is here too, playing Father Conor, and being a huge distraction as he just looks too much like Niles Crane. Sam Worthington is in the movie, but he is totally underused, and Chloe Bailey is here too for some reason.

I found this to be trash. The first two-thirds of the film was dull and then the final act of the film was so off-the-track that had there been any goodwill generated previously, it would be spent completely. The story was ridiculous. The characters were wasted. The backstory of Tony was jumbled and not delivered in a manner in which it could be understood. Poor Niles was there looking for Frasier.

The acting was not very good. I mean, I believe that Russell Crowe was giving it his all, but I felt as if the director of the film in the film, played by Adam Goldberg, was constantly berating Tony’s performance and it made me question what Crowe was doing too.

There was a potential story that was here that could have been different and potentially fascinating, but this was not it. This was another terrible movie this year, which seems to be packing them up all over the place.

1.3 stars

The Bikeriders

Posted on by

The Bikeriders is a new film from director Jeff Nichols and was inspired by a photograph book by Danny Lyons of the same name that depicted the life of a motorcycle gang in Illinois. Despite the fact that this is inspired by this photo-book, the film itself is a fictional story.

According to IMDB, “After a chance encounter at a local bar, strong-willed Kathy (Jodie Comer) is inextricably drawn to Benny (Austin Butler), the newest member of Midwestern motorcycle club, the Vandals led by the enigmatic Johnny (Tom Hardy). Much like the country around it, the club begins to evolve, transforming from a gathering place for local outsiders into a dangerous underworld of violence, forcing Benny to choose between Kathy and his loyalty to the club.”

The ensemble cast in The Bikeriders is tremendous and they all provide great performances no matter how long they were on screen. Austin Butler is wonderful and the relationship between him and Jodie Comer are the backbone of the movie. Tom Hardy gives a top notch performance as the head of the bike group. Others in the ensemble include Michael Shannon, Boyd Halbrook, Norman Reedus, Mike Faist, Damon Herriman, Emory Cohen, Beau Knapp, and Toby Wallace.

The story is solid as we see how much this motorcycle club means to the individual. Tom Hardy and Austin Baker work very well together. I enjoyed the struggle within the story for Baker.

I also liked the format for the narrative as we see Jodie Comer being interviewed by the character played by Mike Faist, who was a former member of the motorcycle club and returned as the photographer Danny Lyons who would be the person who did the photo-book this was based upon.

I was not looking forward to this movie, but it was better than I expected it to be. Great actors working well together to tell a solid story.

3.85 stars

Under Paris

Posted on by

There have not been a lot of shark movies. Obviously, there is Jaws. Jaws II was decent. The Shallows had it moments. The Sharknado series can give some stupid fun. And then there is Deep Blue Sea. After that, the shark films usually are not very good.

We have another entry into the awesome end of these movies.

Under Paris is a French language film that tells the story of a specific shark that had evolved in ways that are never explained and that winds up in the Seine, a river that runs through Paris, France right at the time of an Olympic triathlon.

The shark, nicknamed Lilith by Sophia Assalas (Bérénice Bejo), a scientist whose team were tracking sharks that they had tagged. In an attempt to check in on Lilith, Sophia’s entire team is killed by the shark in an uncharacteristic attack.

Three years later, Lilith finds her way into the Seine and into the catacombs beneath the city. A young environmental activist name Mika (Léa Léviant) had found a way to track Lilith, but wants to save the shark and help the female shark to get back out to the ocean.

Sophia and Mika’s paths cross with the Paris Police, including police officer Adil (Nassim Lyes) who does not believe that there is a shark in the Seine at first, until undeniable evidence faces him.

This is a brutal shark movie with some really awesome moments. The tension of the film is off the charts and you can really feel it. Sure, the premise itself requires some serious stretching of credibility, and the film does not try to explain how this is happening. Sophia is constantly saying things like ‘this shouldn’t be happening’ or ‘it is not possible’ and the discoveries of the evolution of this shark is not scientifically sound, yet that does not bother me either.

Why are all mayors in shark movies jerks? Much like Jaws, whose mayor insisted on keeping the beaches open on the July 4th holiday, the Paris mayor (Ann Marivin) is likewise as blind when it came to the danger the shark posed the triathlon.

The sharks look pretty decent, though some of the CGI is questionable at times. My guess is that there is not a ton of budget on this, and I feel as if what we got was substantial enough for what they were going for. I was not taken out of the film by any of the special effects and that can not always be said about shark movies (hey there The Meg).

There were a couple of moments when I gasped out loud or cried something out in shock and that means that the film is doing its job. It is nowhere near Jaws quality, but it is much better than most of the shark attack movies out there. Under Paris is currently available to stream on Netflix.

4.1 stars