Category Archives: Genre-ary

Sherlock Jr. (1923)

Posted on by

January 7

Going back over 100 years for today’s Genre-ary film, I picked up a rental on Fandango at Home for Sherlock Jr., a classic black and white, silent film starring Buster Keaton.

When I was doing the DailyView, I watched some Buster Keaton films, but I found that I preferred the Charlie Chaplin ones. Both were similar in their silent, comedic slapstick manner, but I just found Chaplin more appealing, more charming overall. However, after watching Sherlock Jr., I may have to reassess my opinion.

Buster Keaton was gold in this movie, giving a magnificent performance in both physical comedy and remarkable stunt work.

According to IMDB, “A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend’s father’s pocket watch.”

Some of the things that this film accomplished in 1923 was simply astounding. Some of the stunts were superior to what I thought it could be done.

The dream sequence of the projectionist was sensational. The dream sequence where Keaton was the amazing detective Sherlock Jr. and it was funny, it had amazing choreography and slapstick comedy.

Of course when we say silent films, we mean that there is no one we can hear speaking. The is a constant musical score playing over the imagery of the movie. The soundtrack was composed by Timothy Block and his score was perfect for the speechless film. It was light-hearted when it needed to be, it was silly at times, and it was dramatic at the appropriate moment. The score truly helped to make this a classic film.

I thought Buster Keaton was special in this movie and the film was so much fun. I can see why it was selected for preservation in the United States National Film Registry by the Library of Congress in 1991.

Alan Partridge (2013)

Posted on by

January 6

I went back to HBO Max for today’s Genre-ary film and it was considerably better than yesterday’s. Alan Partridge was hilarious, clever British style humor that truly was a joy to watch.

According to IMDB, “When famous DJ Alan Partridge’s radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.”

Alan Partridge is played by Steve Coogan and this film featured his brilliant wit and great dialogue that was as funny as it was intelligent. Colm Meaney co-starred with Coogan as Pat Farrell, one of the DJs that got canned when the new media conglomerate took over the radio station. Little did Pat know, Alan Partridge had a hand in helping to make the decision.

Alan was being put into so many crazy situations with this siege that you could tell what a fantastic character this guy was… and that was with him being a jerk in much of the film. Even though he was selfish and putting himself first, I could not help but love Alan.

Apparently, Alan Partridge was a character originally on a television program in England. It would be an interesting thing to see, just to compare the comedy with the film.

I really enjoyed this movie and I loved the character of Alan Partridge.

Miss Pinkerton (1932)

Posted on by

January 5

We head back to 1932 today for the Genre-ary to a film called Miss Pinkerton. The 1932 film was viewed on HBO Max.

To be fair, it is labeled as a comedy/mystery/thriller, which is why it made its way on to the list for this year’s Comedy Genre-ary. Thing is…. there is not much of a comedy to it.

According to IMDB, “A hospital nurse is recruited by the police to watch a household where a suspicious death has occurred.“

Joan Blondell played the titular character, Miss Pinkerton, which was an alias she took on to help the police with their case. She was actually a nurse named Miss Adams. Blondell had some good presence as the lead of the film, but there was not a ton to the film.

The story of this movie is fairly convoluted and messy. I am not sure what was going on here.

Office Space (1999)

Posted on by

January 4

The Genre-ary continued on today with a classic comedy from the late 90s called Office Space. I had heard of this film before, but I can honestly say that I really had no idea what the film was about.

According to IMDB, “Three company workers who hate their jobs decide to rebel against their greedy boss.“

This film is a satirical look at big business and corporations, and the people who work mindlessly within the structure of said business. The ridiculousness of some of the situations did not feel totally made up. I could easily be convinced that things like this actually happen in the offices across the country.

Ron Livingston does a great job as Peter. He is very relatable and you can feel his frustration over his life and his job. Jennifer Aniston appeared as Joanna. David Herman and Ajay Naidu were part of the office staff and friends to Peter. Stephen Root was very invested in his eccentric character and made every minute on screen worthwhile. Diedrich Bader was another standout and his character was hilarious. Another character who maximized his screen time.

Gary Cole is one of the most unlikable characters in the film, and he does a great job with it.

I found this movie very funny and I enjoyed it. There is not a ton of story involved with it, but the characters are fun and the bits are funny.

The Jerk (1979)

Posted on by

January 3

The Genre-ary continued today with The Jerk, a movie that, when I was compiling the possible list of comedies for the Genre-ary, I realized that I had not seen the entire film. Of course, I had seen parts of the movie. The “The new phone book’s here” scene is iconic. However, I could not recall much of anything else, so if I had seen it as a youth, this would be like a whole new movie.

And, as I said, I did not remember most of this movie, telling me that I had not seen the film all the way through.

Steve Martin is one of my favorite comedic actors, especially recently with his turn as Oliver on Only Murders in the Building. I was a fan of his from the early 80s with his song King Tut and some of his other films such as Roxanne, Parenthood, Planes, Trains and Automobiles, and Little Shop of Horrors.

In The Jerk, directed by comedy legend Carl Reiner, Martin played a slow-witted, innocent guy, Navin, who was raised as a poor black kid in a sharecroppers family. That very idea, considering Martin is as white as a person could be, was hilarious. It also was not as insulting as I first thought it might be.

After discovering his own life rhythm, Navin left home to try to find out who he really was. He then embarked on a wild ride that found him becoming a huge success and losing it all.

Martin’s performance reminded me of an actor who is always loud and over the top. I typically am not a fan of this type of role, but Steve Martin brought something extra to it that made it enduring. I can only guess that this film was an inspiration to actors such as Jim Carrey, Kevin Hart, Adam Sandler, and Chris Farley, as they all have made a career of the loud, obnoxious type character that Steve Martin was showing in this film.

The film’s title is not accurate to me though as Navin was not really a jerk, but more of a simpleton. There was an innocence about him that helped make him appealing to the audience.

The film featured several other actors in important roles including EYG Hall of Famer Bernadette Peters, Carl Reiner (as himself), Bill Macy, Mabel King, Richard Ward, M. Emmet Walsh, Jackie Mason, Dick Anthony Williams, Catlin Adams, and Dick O’Neill. Several of these key character actors add a perfect flair to the cast, playing off the ridiculousness of Martin’s Navin.

The Jerk is a classic and I am happy that I finally did take the time to watch the entire film. The plot itself is a little lacking, but it is more of a comedy sketch to see where Navin is at any time during his life.

Eddie Murphy: Raw (1987)

Posted on by

January 2

It is Genre-ary time and today’s comedy is a stand up film featuring Eddie Murphy. Eddie Murphy’s Raw is a hilarious film that probably couldn’t work in today’s environment.

It is interesting that this concert film started off with a scene featuring famous black actors including Samuel L. Jackson, Tatyana Ali, Damien Wayans, Basil Wallace, Leonard Jackson, and Gwen McGee. It was a scene of a family night at home with a talent show among the kids. Little Eddie Murphy (Deon Richmond) did some comedy, setting the tone for the rest of the film.

Eddie Murphy showed a remarkable energy on the stage and his routines were very funny. There were a couple of them that made me cringe a bit (aka the homosexual jokes) but most of the show was entertaining. Murphy’s rapid fire delivery and pacing was an impressive demonstration of his comedic skill. He had the full audience enraptured with his words.

There was an ironic section too as Eddie did an imitation of a phone call he received from Bill Cosby about all the profanity Murphy would use on his stage show. In retrospect, a little swearing should not have bothered Cosby a much as some other things he was doing.

The stage section of the film was filmed in front of a live crowd in New York City.

Who Done It? (1942)

Posted on by

January 1

January is here and that means that it is time to start our annual tradition, the Genre-ary. We have done Sci-fi, Musicals, Documentaries and this year, we will be doing comedies.

I wanted to start off with one of the top comedy duos who I watched a lot as a child. I know there were great comedy duos/team like the Marx Brothers, Laurel and Hardy, but Bud Abbot and Lou Costello were my favorite ones.

Of their list of movies, I picked out one I did not remember at all called Who Done It? Bud and Lou get themselves involved in a murder investigation on the set of a radio broadcast of a murder mystery show.

Much like most Abbot and Costello movies, the plot is tangential to the comedy of the film. The comedy comes from the slapstick of Lou Costello physically throwing himself around, bashing his head into things and flopping his body around. There are also plenty of word plays and puns throughout. This film even goes as far as to include some allusions to Abbot and Costello’s most iconic bit, Who’s on First.

You are not waiting for a lot of sense to be made. It is truly ridiculous. But the lengths Abbot and Costello will go to get a laugh is really impressive. It seemed that their very presences would make the other characters around them be dumber, in a good way.

This film also included Mary Wickes, who was Mary Lazarus in the Sister Act films as well as Emma Allen in White Christmas. Her distinct voice and facial image made her stand out among the craziness associated with Bud and Lou.

The film was fast-paced, tangent-inducing, slapstick fun. Yes, Lou Costello was loud and acted in a chaotic, if not insane, manner. It all added to the fun of the pair. They kicked of the Genre-ary in a positive light.

Girl in the Picture (2022)

Posted on by

January 31

January 31st is here and the 2025 Genre-ary comes to a close with a Netflix documentary called Girl in the Picture, which was based on the books A Beautiful Child and Finding Sharon by Matt Birkbeck.

According to IMDB, “A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity and the murderous federal fugitive at the center of it all.“

This was an excellent documentary covering the tragic story of a young girl named Sharon Marshall. Or at least, it was a young girl who was known as Sharon Johnson. She had been abducted as a child and then raised as the daughter of Franklin Delano Floyd, a kidnapper, murderer and sexual abuser.

Sharon suffered years of abuse at the hands of her “father.” He would use her to make money by making her strip and offering her for sex to other men.

The story also included a boy named Michael, who had been kidnapped by Floyd as well. The boy disappeared and the question about what had happened to Michael was part of the film.

One of the best things about this doc is that all of the mysteries surrounding these people are solved. A lot of times these docs do not have a sense of closure because mysteries are left unsolved. Here though, thankfully, everything is revealed.

It is such an emotional story of pain and loss, but it also gives a great story about how people can help by doing whatever you can.

Girl in the Picture is available on Netflix.

And with this, the 2025 Genre-ary comes to a close.

Invasion on Chestnut Ridge (2017)

Posted on by

January 30

Today, the penultimate day of the 2025 Genre-ary, I watched a documentary from the series Small Town Monsters. I have seen other episodes from Small Town Monsters before and they are usually a fairly well done look at these unexplained phenomenon. Invasion on Chestnut Ridge is yet another solid doc dealing with the paranormal.

Chestnut Ridge is an area of Pennsylvania where there have been numerous unexplained reports of everything from bigfoot to UFO sighting to giant birds with massive wingspans.

According to the doc, it seemed as if there were a rush of reports during 1973/74 with all kinds of weird things going on. The doc had witnesses giving their stories, including things like UFO sightings and bigfoot encounters, all of which are sufficiently unnerving. One wonders what these people actually saw. Many of them seemed to be reasonable and decent people (Admittedly, there was the one guy with a 2nd Amendment shirt on where the number two was a snake).

I have always been more willing to believe in many things. I do think there is (or was) something called a bigfoot. I am not opposed to people from outer space (though I am not sure if they are able to travel here), but above all else, I enjoy the stories. Small Town Monsters does an excellent job of presenting these “out there” accounts in a enjoyable way.

There was one funny moment. They were interviewing a witness who had seen a thunderhawk and they were blurring out the wording on his shirt. However, the man bent down to describe how the bird had been sitting, and the blur did not go with him. We saw that it was a Steelers shirt. I laughed out loud at that. I wonder why they couldn’t get the blur to follow him down. I know that was a minor thing in the doc, but I thought it was funny.

The doc also detailed the Kecksburg UFO crash in 1965. Something crashed in the woods near Kecksburg, Pennsylvania and witnesses went to see. It was a metallic object shaped like a walnut and that the military showed up and removed it. Of course, specifics are shaky and, like all UFO sightings, it is hard to determine what it was that these people saw.

Admittedly, the doc does not provide any concrete evidence of any of the stories they tell about, outside of the eye witness accounts from many year prior. I still found these stories intriguing and entertaining at least. Are any of them real? Who knows. It is one of those unsolved mysteries.

Capturing the Friedmans (2003)

Posted on by

January 29

With just three days remaining on the Genre-ary for 2025, I watched an Oscar-nominated doc called Catching the Friedmans, another tough watch because it centered around a teacher and his son who had been accused of sodomy and sexual abuse of kids.

Director Andrew Jarecki, who was the director behind the amazing docu-series, The Jinx, was the driving force behind this documentary.

According to IMDB, the “Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.”

There are plenty of scenes in this movie that came from home video recordings taped by the Friedman family themselves. Most of these scenes were really tough to watch considering the way some of this was portrayed. It painted a horrible picture of most of these people. There was a dramatic scene taped at Jesse Friedman’s trial of a parent chasing after him screaming that he had raped his son. Unbelievable.

Elaine Friedman seemed to be a spiteful woman, but it is hard to imagine the situation she found herself in daily. Her husband was a pedophile. Her sons hated her. A lot of the recordings by her kids had her screaming like a banshee. She did not come off looking well. Then, the final scene of the doc seemed to go against everything that the doc had shown us up until that point.

The doc sheds plenty of question on the case overall, especially when it came to Jesse. Arnold, the father who was an admitted pedophile, said that he had committed sexual abuse on two kids, but not the countless number at school.

I’m not sure how I felt about this doc because the voice seemed to be all over the place. I’m not sure what the doc was telling me about this story and it felt as if details changed throughout. I do not have a better understanding of what the truth was in this case or to what level these people were guilty or innocent. Maybe that is the idea with the doc… that truth may be elusive and that you may never know for sure what is happening in the heart of a family.

There’s Something Wrong with Aunt Diane (2011)

Posted on by

January 28

Today’ documentary for the Genre-ary was a doc from HBO MAX called There’s Something Wrong with Aunt Diane.

According to IMDB, this documentary looked at… “The accident made national headlines: a suburban mother drove the wrong way on the Taconic State Parkway in New York and crashed head-on into an SUV, killing herself and seven others. In the aftermath, Diane Schuler was portrayed as a reckless drunk and a mother who cracked. But was she the monster the public made her out to be…or the perfect wife and mother that many say she was? Investigating the case six months after the accident, this documentary searches for answers to a mysterious and senseless tragedy.”

This was an interesting documentary. The story of Diane Schuler was an odd one. It looked as if she had just been drunk and high and wound up in a tragic accident that killed eight people. Moat of the doc featured Diane’s husband, family and friends and their POV of the situation. They were all certain that there was no way that Diane could be a drunk who drove her car into another vehicle. They were all very determined that this was not possible.

The problem was that all of the evidence of the case pointed to Diane Schuler was drunk and high at the time of the accident. The family of Diane did not provide any possible evidence outside of their denials.

Through the entire documentary, it felt as if some piece of information was missing. The motivation of Diane is questionable. I do not understand why she may have been drinking vodka and smoking marijuana. There was a point of contention about a possible tooth that abscessed, but that did not feel like the overall answer.

There is also another weird event involving an investigator hired by the family who had Diane’s specimens retested, but never got back in touch with the family. This was a truly bizarre aspect of the story. Near the end, Diane’s sister spoke with the investigator who said that he had sent the results and that they were the same as the original one. This was strange.

Some of the images of the accident was just tough to watch. There was a warning at the beginning of the film, but they still caught me off guard.

There seems to be something missing in this story, and sadly, we will never know what it was. Such a tragedy that cost the lives of several humans, including four children.

Last Breath (2019)

Posted on by

January 27

As we enter the final five days of January, we are coming down to the last documentaries in the Genre-ary. The doc I selected for tonight was a harrowing tale of survival under the most unlikely of circumstances. I watched the doc called Last Breath on Netflix.

This doc was released in 2019, and there is actually a big budget movie set to release at the end of February starring Woody Harrelson about this very story.

According to IMDB, “A deep sea diver is stranded on the seabed with 5 minutes of oxygen and no hope of rescue. With access to amazing archive this is the story of one man’s impossible fight for survival.“

Diver Chris Lemons had his umbilical cable severed during a saturation dive and he was stranded around 100 meters beneath the sea. Somehow, Chris was able to survive for around 30 minutes on the five minutes of oxygen that he had.

The doc is an absolutely stunning accomplishment as it uses real footage from the moment, collected from body cameras and actual radio audio to tell this story. It spoke with the other crew members who were desperate to find Chris before it was too late, but who were fearful that it was already past time.

It was amazing to see these images of Chris atop the structure in the unlikely position among the blackness of the sea. It was powerful watching them pull Chris into the vessel and giving him two deep breaths. They did not believe that they were going to be able to save Chris, and yet they never gave up in their attempt.

This documentary has made me more interested in the movie coming in February, where I had limited interest before.

Misha and the Wolves (2021)

Posted on by

January 26

My favorite type of documentary is the ones that have a story that it tells you that is totally unbelievable, but it is true. Previous docs that I loved in this manner included Tickled, The Imposter, Three Identical Strangers, and The Jinx. There is a new doc that shocks you with its twists and turns among this harrowing story of a young girl surviving the Holocaust by living with the wolves.

According to IMDB, “Misha and the Wolves is the dramatic tale of a woman whose holocaust memoir took the world by storm, but a fallout with her publisher – who turned detective – revealed an audacious deception created to hide a darker truth.“

I don’t want to spoil much of this tale, so all I will say is that the story told by Misha in her memoir, which became a huge selling book, is compelling enough, and what happened following its release is even more so.

This doc is well told, with some excellent editing and design. It grabs you with the story immediately and then expertly weaves through what remains for the run time.

There are some questions left at the end which made me want to know more, but the doc is truly surprising.

Misha and the Wolves is available to stream on Netflix.

Whitney (2018)

Posted on by

January 25

One of the greatest voices of music has also one of the most tragic stories is the documentary for today’s Genre-ary. Whitney Houston had so many struggles in her short and successful life, from drugs and pressures of her life. The 2018 documentary Whitney was on Netflix (though it is leaving at the end of the month).

Filmmaker Kevin Macdonald used archival footage, some great performances and interviews to give a picture of Whitney Houston’s life.

The music of Whitney Houston is amazing, and that comes through in this documentary, although there could be more about the music. However, the story of what happens and what led to her untimely death is very tough. The relationships in Whitney’s world was shown as a major part of her downfall. That included her marriage to Bobby Brown and the difficult connection with her father.

It was hard to watch the two sides of Whitney Houston that we saw in the doc. It was such a struggle in her life and how the events took such a toll on her.

It is a difficult doc to watch, even if there may not be anything new revealed of her story. Putting it in one spot like this is powerful.

American Tragedy (2019)

Posted on by

January 24

When I saw the synopsis for this documentary for the Genre-ary, I anticipated this film being a difficult watch. Strangely enough, this was not the emotional and gut-punch of a doc that I thought it would be.

This film was about one of the kids who participated in the shootings at Columbine. Surely, this would be a devastating film.

I was not prepared for American Tragedy, which I viewed on Amazon Prime, to be quite as dull as it was.

According to IMDB, “April 20, 1999 Columbine High School was under attack by Eric Harris and Dylan Klebold. Sue Klebold, Dylan’s mother, attempts to reconcile how the son she thought she knew, the son she loved could willingly be a school shooter. ‘If love could have stopped Columbine,’ she says, ‘Columbine would never have happened.’ What would real prevention look like? Is it possible? Is America ready?“

The film spoke to Sue Klebold during the film, but I just did not get the expected feelings from her that I expected. Perhaps it was from years of hardening herself from the anger and the unexpected behavior, but a lot of the sections with Sue felt like the story was being told by someone else. I am sure that is not the way she felt, but it does not translate to the screen in this doc.

There were a few moments that stood out, but they were few and far between.

This is a shame that this doc does not connect with the viewer as much as it should have.