Time is short tonight, so I went searching for a comedy short to watch, and did I find one!
The Audition was directed by Martin Scorsese and featured Leonardo DiCaprio and Robert DeNiro competing against one another for a lead role in the next Scorsese film.
Scorsese also stars, along with Brad Pitt. The four icons had come together to make this short as an advertisement for Studio City in Macau and City of Dreams in Manila.
This was a lot of fun with these superstars playing against their own reps in a very meta short. These talented actors are able to deliver the comedy as well as their typical dramatic roles.
Reportedly, the short/ad cost an estimated $70 million dollars.
I had thought that I had seen Dirty Rotten Scoundrels before, but I do not think I have. Certainly not all the way through to the end though I have seen clips of it. I always believed that I was not a fan and that it was not something that I would find funny. I guess this is a lesson to make sure that you have watched something before judging it, because I thought Dirty Rotten Scoundrels was fantastic.
According to IMDB, “Two con men try to settle their rivalry by betting on who can swindle a young American heiress out of fifty thousand dollars first.“
The Dirty Rotten Scoundrels were Michael Caine and Steve Martin and they were absolutely perfect together. The chemistry between the two con men carried the film. Glenn Headly added a nice touch of apparent innocence to the group with her portrayal of Janet Colgate.
I was rooting for Steve Martin in the beginning of the movie, but Michael Caine became someone better than you would expect. It was a fun ending which fit perfectly in with the story.
It had great comedy and showed the quick-wits of both characters. The rivalry between them was so believable, even if some of the things that they pulled off was out there.
This is a remake of the 1964 movie Bedtime story. This new version was directed by Frank Oz, who was well known as a Muppet performer (he did Miss Piggy and Fozzie Bear), the voice of Yoda, as well as director of other classic comedy hits such as Little Shop of Horrors, Bowfinger, and What About Bob?
I was sure that I had seen this before, but I had not seen the full film. It was very entertaining and full of Martin and Caine’s comedy chops and timing. I was very pleased to include this one in the Genre-ary for 2026.
I am not sure where I got this film for the Genre-ary. It must have been on one of the lists that I was searching through. This is a British black comedy called Withnail and I, which featured the feature film debut of Richard E. Grant. I typically like British humor. Unfortunately, I could not get into the film.
I had a very difficult time engaging in the narrative of Withnail and I.
According to IMDB, “Two sloppy actors spend a weekend holiday at an uncle’s country cottage.“
Maybe it is not fair of me, but I just was not into this movie. Did I give it enough of a chance? Maybe not, but I was just not grabbed by the film. Maybe I should give this a rewatch at some time in the future, but right now, I struggled with this movie.
Billy Crystal is a personal favorite of mine. He created a stand up comedy concert film that was based on a book that he wrote about his childhood and his family. It originally aired on HBO and I watched it on HBO Max.
It reminded me of the Charles Nelson Reilly film Life of Reilly, although that movie was darker than 700 Sundays. Both comedians talked about their childhood and their eccentric families with an honesty that you might not usually hear. They included the best of their lives, but also the tragedies that made them who they were.
Billy Crystal’s film was entitled 700 Sundays which was the count of Sundays that Billy had to spend with his father, Jack Crystal, before he died when Billy was 15.
Billy Crystal was remarkably funny, bringing out laughter between the tears in his stories. The set up for each tale brought the humor to the front, even with the deep loss that might also be present.
There were parts of the act that I recognized from previous stand up performances from Crystal. However, everything really fit together well. The stage featured a image of the old house that Crystal grew up in. This house became a important structure in the stories that he would tell.
The show was poignant, powerful and touching. Billy Crystal moved through everything with a flow that kept things moving and kept everyone laughing.
Charlie Chaplin has been a staple of several of my DailyViews and watches. I have truly enjoyed many of his shorts and movies, including most recently The Great Dictator during this year’s Genre-ary. So when I noticed that this biopic on Chaplin, starring Robert Downey Jr., was listed as a Comedy/Drama, I added it to the list for this month.
I had watched some of this film when I was younger, but I remember stopping it because I was not interested. I was too young to truly appreciate the artistry of the story.
According to IMDB, “An elderly Charlie Chaplin discusses his autobiography with his editor, recounting his amazing journey from his poverty-stricken childhood to world-wide success after the ingenious invention of the Little Tramp.”
This has a remarkable cast, led by RDJ, who would receive an Oscar nomination for his brilliant performance. Other cast members included Paul Rhys, Anthony Hopkins, Dan Aykroyd, Marisa Tomei, Moira Kelly, Kevin Kline, Penelope Ann Miller, Milla Jovovich, Kevin Dunn, James Woods, Diane Lane, Nancy Travis, David Duchovny, and Geraldine Chaplin.
The definitely strongest aspect of the film is Robert Downey Jr. He is amazing with his physical performance as well as his Chaplin replica. It was said that Charlie Chaplin’s actual daughter was in the film and she was impressed and unnerved by his creation of Chaplin.
The film ended with the Academy Award night where they gave him an honorary award and they showed the actual clips from the real movies with the real Charlie Chaplin. It was very powerful.
I thought this movie was really great, led by Robert Downey Jr. I would have liked maybe more about some of the controversies that were brought up during it. Still, I liked this a lot.
On a no school day because of the frigid temps, I got to watch the Genre-ary film early this morning. I pulled up HBO Max and watched a film starring Alexander Skarsgård and Michael Peña called War on Everybody.
Skarsgård and Peña are crooked cops that seem to flaunt authority at every turn. After returning from yet another suspension, Terry Monroe (Skarsgård) and Bob Bolaño (Peña) discover a heist that is about to be done. This led them to all kinds of trouble with two powerful and dangerous criminals (Theo James, Caleb Landry Jones).
During the investigation, Skarsgård is paired up with Tessa Thompson, and they are one of the best parts of the film. Thompson’s character, Jackie, fits right in with the damaged Terry Monroe. Some of their scenes together are fun and loose.
I think Skarsgård and Peña do a great job of creating these extremely unlikable characters and make them someone whom we want to root for. They are horrible people, but yet they are strangely charming and people you want to see do well. Anti-heroes have been around for years, but these two almost do not fit into that category. The skill of these tow actors is why the characters work so well.
The story is fairly skimpy. The two villains are cardboard cutouts. The action is, at best, okay. This film succeeds or fails on the strength of its lead actors. That is a good thing for this movie.
I do love Steve Martin. One of the first films of this Genre-ary was Steve Martin in The Jerk. That was really funny. Cheaper by the Dozen, not so much.
According to IMDB, “With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.”
Wow. These kids were brats. That might be harsh, but why not try some discipline? They can’t have all suddenly turned into evil little harpies because they moved away. Both Steve martin and Bonnie Hunt also showed they couldn’t have been good parents because good parents do not just become selfish ones.
There is really not much of a plot in this movie and these kids were acting like a nightmare. None of it made much sense to me, and the idea of this many kids is just insane.
There were a couple giggles during the movie, but the most laughs I had were from the end credit bloopers.
Steve Martin and Bonnie Hunt led the cast which included Tom Welling, Hilary Duff, Alan Ruck, Richard Jenkins, Kevin G. Schmidt, Piper Perabo, Jacob Smith, Morgan York, Liliana Mumy, Forrest Landis, Blake Woodruff, Brent Kinsman, Shane Kinsman, Wayne Knight, and Ashton Kutcher. There was a cameo from Regis Philbin and Kelly Ripa as well.
This felt more like a sitcom than a feature length film. I was also not sure about the message of the film… outside of the “Do you really want children?” one.
I did not hate the film, but there were so many things about it that made me wonder.
I needed a film short tonight and so I went to YouTube to search up something and I found just the thing. I have had Abbott & Costello, Buster Keaton, Charlie Chaplin and the Three Stooges so far in this Genre-ary, but a comedy month is not complete with a little bit of Laurel and Hardy.
Stan Laurel and Oliver Hardy are comedic geniuses in the early days of film. Their slapstick performances rivaled the very best of the genre, and their characters were even more developed than some of their contemporaries.
In this short, Laurel and Hardy are trying to get to sleep on a cold, wintry night, but Laurel’s hiccups kept Hardy awake and was causing the dog to bark. They knew that they were not supposed to have a dog, and so they were panicking when their dog-hating landlord came knocking on their door.
Their physical comedy was tremendous as they were trying to get back into the house with the dog. It is an impressive feat with how they worked together.
The short ended with a shocking event that caught me off guard. Something that might have been considered funnier at the time than it is today.
With the exception of the ending, this was a hoot. These old short films concentrated on the laughs and never fail to provide them.
Last year, I decided to do a special Saturday where I watched a bunch of Adam Sandler movies that I had not seen before. I am not a fan of Adam Sandler, but I wanted to give it a chance. Most of the films were bad, but there were a couple decent/passable ones. One of the films that I did not hate was Netflix’s Murder Mystery with Adam Sandler and Jennifer Aniston. So with the Genre-ary in full swing, I decided that it would be a good time to watch the sequel, Murder Mystery 2.
This film is comparable to the first film. It had funny moments that I actually laughed out loud. Sandler and Aniston have great chemistry. I wish their chemistry transferred into a better movie. They could be wonderful together. As of right now, I would say that they were …ok.
According to IMDB, “Full-time detectives Nick and Audrey are struggling to get their private eye agency off the ground. They find themselves at the center of international abduction when their friend Maharaja is kidnapped at his own lavish wedding.”
Now, the story is quite silly with ridiculous situations. But after the last film, I came to expect it. This is a film that I can’t take serious but that was kind of stupid fun.
I smiled and laughed a lot during the film. It was similar to the first film and it was worth the time I spent to watch it. It was only 90 minutes and it flied quickly by. It had good pacing and several other characters that were fairly one dimensional, but fun.
This is not a good movie, but it is not bad either. It was okay.
In honor of Martin Luthor King Day, I scheduled Spike Lee’s film Bamboozled for the Genre-ary. It was quite the satire.
According to IMDB, “A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.“
The idea of this movie was used recently in the film American Fiction starring Jeffrey Wright. The thing is that this was so much more satirical than I ever expected.
Damon Wayans played Pierre Delacroix, a highly educated and uptight TV writer whose pitches were being rejected by his boss, Thomas Dunwitty (Michael Rapaport). Delacroix decided to provide a protest by presenting a minstrel variety show embracing all of the negative stereotypes associated with blacks. He intended on the show being rejected and leading to his own firing to escape the contract that he signed.
The problem was that the show became a huge hit by the public and the critics. Delacroix became enthralled by the success, losing himself in the racism.
There are so many shocking moments throughout Bamboozled that it is a difficult movie to watch. It is a powerful dismissal of the manner of television and its portrayal of African-Americans over the years. Admittedly, Bamboozled is not subtle in its satire, which may make it too cartoonish at times.
The ending was extremely tough to watch as everything came to a head. The idea that this movie had times that were difficult to watch was clearly done on purpose. It was meant to shake up the idea of racial stereotypes and racism inside the entertainment industry as well as throughout history, and Spike Lee definitely reached that level.
This is one of those movies that I enjoyed, but will probably never want to watch again. I do think it is a worthwhile show and some of the big ideas are necessary to today’s world.
The first film from silent film legend Charlie Chaplin that included sound was The Great Dictator. This movie was written, directed and starring Chaplin in a dual role. He played Dictator Adenoid Hynkel and a Jewish Barber.
At the beginning of the film, it lists that “Any Resemblance Between Hynkel the Dictator and the Jewish Barber is Purely Co-Incidental.” This is really funny as the film is clearly mocking Adolf Hitler and Benito Mussolini, without even trying to be subtle.
According to IMDB, “Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel’s regime.”
A biting satire, The Great Dictator condemns the ideas of the dictators as well as Fascism, antisemitism and hatred in the world. The final monologue given by Charlie Chaplin is very powerful and fits extremely well in our time as well as the early days of World War II.
Despite the dark tone of much of the movie, there is still some wonderful comedic moments and standout slapstick scenes. There is one where Hynkel is tapping a ball in the shape of the planet in the air around his office. It is a beautifully choreographed scene with plenty of metaphorical importance.
In his 1964 autobiography, Chaplin stated that he could not have done this movie had he known the true terrors and abominations that was being perpetrated by the Nazis during the Holocaust. There was references to concentration camps and ghettos in the film, but as of 1940, when the film came out, there was not the widespread comprehension of exactly what atrocities that had been going on.
This is a truly powerful film from one of the most iconic men of the time period. His work was inspirational to many future directors and creatives.
I had no idea that this was an Oscar winning film when I rented it on Fandango. The film was nominated for Best Picture, Best Director, Best Supporting Actor, Best Supporting Actress, and Best Adapted Screenplay. It actually won Best Adapted Screenplay.
According to IMDB, “Two men reaching middle age with not much to show but disappointment embark on a week-long road trip through California’s wine country, just as one is about to take a trip down the aisle.“
Paul Giamatti led the cast in his role as Miles. He does a sensational job as the struggling, emotionally distraught writer. I think it is sad that Giamatti did not also receive an Oscar nom since there were so many others for the film. He holds the film together.
Thomas Hayden Church did deserve the nomination that he received as Best Supporting Actor. He managed to be both a cheating jerk and a caring best friend with his role of Jack. We knew that Jack was doing some terribly rotten things, but his feeling for Miles helped keep him from being cast aside.
Virginia Madsen was strong as Miles’ love interest Maya. They had a sweet relationship that was on a slow burn as Miles attempted to get past his depression and his baggage from his previous marriage. Miles and Maya had a wonderful relationship that was worth cheering for.
Giamatti and Hayden Church had great chemistry too. You believed that they were best friends despite the fact that they did not seem to be much like the other one.
Sideways was a surprising enjoyable movie that was a much bigger one than I ever knew about. I am glad that I was able to get a chance to see it.
So it is Friday and I thought I would schedule the movie Friday, with Ice Cube and Chris Tucker, for the Comedy Genre-ary. After the surprise I had when I enjoyed Superbad, I had high hopes for Friday.
Sadly, this one was not for me.
I appreciate the efforts of Ice Cube and Chris Tucker. They made for a good pair, part of the buddy comedy that the film was about. John Witherspoon was the best part of the film for me.
According to IMDB, “It’s Friday, and Craig and Smokey must come up with $200 they owe a local bully or there won’t be a Saturday.“
I found this loud, not very funny and filled with the stuff I typically hate: drug, sex and bodily fluid and waste jokes.
There is a solid cast around Ice Cube and Chris Tucker. These actors included Tiny Lister Jr, Regina King, Nia Long, Anna Marie Horsford, Tony Cox, Anthony Johnson, Faizon Love, Bernie Mac, Kathleen Bradley, Vikilyn Reynolds, DJ Pooh, and Paula Jai Parker.
Polite Society has been on my queue over on Peacock since the 2024 June Swoon. I had just never gotten around to watching it. It was not that appealing for me.
However, when I came across it on my queue a few days ago and it listed it as a comedy, I thought this would be the perfect chance to put this one to bed. The Rotten Tomatoes score was strong and I thought I would finally give it a chance.
According to IMDB, “Ria Khan believes she must save her older sister Lena from her impending marriage. After enlisting her friends’ help, she attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.“
I had a hard time getting into the movie at first. It did not grab my attention to really intrigue me. However, I have to say that about halfway through the film, I started to get into it and was much more engaged.
I do think the wilder the plot became for the film, the more interested I was.
I enjoyed the performance of Priya Kansara as Ria, the sister whose behavior did seem out of control. She was very funny, even if she was hard to like at first. She seemed so over the top that it made her a bit abrasive. However, once the shoe dropped, things took off.
I loved the performance of Nimra Bucha, who played Raheela. She became a devastating villain and an amazing foil for Ria. Bucha, who also appeared in Marvel Studio’s Disney + series, Ms. Marvel, showed exactly what she could have been on that show with her big time villain turn. She was sinister in the very best possible way. I would have loved to have seen this side on Ms. Marvel more. Even though the plot became exaggerated, she made it work with everything about her.
The film had a definite Bollywood feel to it, mixed with a martial arts film. It was very original and I wound up very much enjoying it, even after the slow start for me.
Today’s Genre-ary entry is a special documentary hosted by Woody Harrelson that featured the 75th Anniversary of the Three Stooges. It seemed to be a old TV special from 2003.
The doc would show clips from the history of the Three Stooges as well as talking heads of celebrities such as Michael Chiklis, Cheryl Hines, Tom Arnold, Bobby and Peter Farrelly, Tracy Morgan, and Bridget Fonda.
I was unaware how much Curly was actually not with the Stooges. In my knowledge, the Three Stooges were Larry, Moe and Curly, but I did not know about Curly’s big stroke and death in 1951. The Stooges were active until the early 1970s, with others in that third spot, including Shemp Howard, Joe Besser, and Curley Joe (Joe DeRita).
The slapstick is utterly brilliant among these comedic geniuses. Watching the specificity of the way the Stooges would work together, no matter what threesome would be in the ensemble. The Stooges appealed to everyone with their slaps and pokes and bumps, all corresponding with a strange sound effect.
EYG- Embrace Your Geekness 