Category Archives: Genre-ary

Girl in the Picture (2022)

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January 31

January 31st is here and the 2025 Genre-ary comes to a close with a Netflix documentary called Girl in the Picture, which was based on the books A Beautiful Child and Finding Sharon by Matt Birkbeck.

According to IMDB, “A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity and the murderous federal fugitive at the center of it all.“

This was an excellent documentary covering the tragic story of a young girl named Sharon Marshall. Or at least, it was a young girl who was known as Sharon Johnson. She had been abducted as a child and then raised as the daughter of Franklin Delano Floyd, a kidnapper, murderer and sexual abuser.

Sharon suffered years of abuse at the hands of her “father.” He would use her to make money by making her strip and offering her for sex to other men.

The story also included a boy named Michael, who had been kidnapped by Floyd as well. The boy disappeared and the question about what had happened to Michael was part of the film.

One of the best things about this doc is that all of the mysteries surrounding these people are solved. A lot of times these docs do not have a sense of closure because mysteries are left unsolved. Here though, thankfully, everything is revealed.

It is such an emotional story of pain and loss, but it also gives a great story about how people can help by doing whatever you can.

Girl in the Picture is available on Netflix.

And with this, the 2025 Genre-ary comes to a close.

Invasion on Chestnut Ridge (2017)

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January 30

Today, the penultimate day of the 2025 Genre-ary, I watched a documentary from the series Small Town Monsters. I have seen other episodes from Small Town Monsters before and they are usually a fairly well done look at these unexplained phenomenon. Invasion on Chestnut Ridge is yet another solid doc dealing with the paranormal.

Chestnut Ridge is an area of Pennsylvania where there have been numerous unexplained reports of everything from bigfoot to UFO sighting to giant birds with massive wingspans.

According to the doc, it seemed as if there were a rush of reports during 1973/74 with all kinds of weird things going on. The doc had witnesses giving their stories, including things like UFO sightings and bigfoot encounters, all of which are sufficiently unnerving. One wonders what these people actually saw. Many of them seemed to be reasonable and decent people (Admittedly, there was the one guy with a 2nd Amendment shirt on where the number two was a snake).

I have always been more willing to believe in many things. I do think there is (or was) something called a bigfoot. I am not opposed to people from outer space (though I am not sure if they are able to travel here), but above all else, I enjoy the stories. Small Town Monsters does an excellent job of presenting these “out there” accounts in a enjoyable way.

There was one funny moment. They were interviewing a witness who had seen a thunderhawk and they were blurring out the wording on his shirt. However, the man bent down to describe how the bird had been sitting, and the blur did not go with him. We saw that it was a Steelers shirt. I laughed out loud at that. I wonder why they couldn’t get the blur to follow him down. I know that was a minor thing in the doc, but I thought it was funny.

The doc also detailed the Kecksburg UFO crash in 1965. Something crashed in the woods near Kecksburg, Pennsylvania and witnesses went to see. It was a metallic object shaped like a walnut and that the military showed up and removed it. Of course, specifics are shaky and, like all UFO sightings, it is hard to determine what it was that these people saw.

Admittedly, the doc does not provide any concrete evidence of any of the stories they tell about, outside of the eye witness accounts from many year prior. I still found these stories intriguing and entertaining at least. Are any of them real? Who knows. It is one of those unsolved mysteries.

Capturing the Friedmans (2003)

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January 29

With just three days remaining on the Genre-ary for 2025, I watched an Oscar-nominated doc called Catching the Friedmans, another tough watch because it centered around a teacher and his son who had been accused of sodomy and sexual abuse of kids.

Director Andrew Jarecki, who was the director behind the amazing docu-series, The Jinx, was the driving force behind this documentary.

According to IMDB, the “Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.”

There are plenty of scenes in this movie that came from home video recordings taped by the Friedman family themselves. Most of these scenes were really tough to watch considering the way some of this was portrayed. It painted a horrible picture of most of these people. There was a dramatic scene taped at Jesse Friedman’s trial of a parent chasing after him screaming that he had raped his son. Unbelievable.

Elaine Friedman seemed to be a spiteful woman, but it is hard to imagine the situation she found herself in daily. Her husband was a pedophile. Her sons hated her. A lot of the recordings by her kids had her screaming like a banshee. She did not come off looking well. Then, the final scene of the doc seemed to go against everything that the doc had shown us up until that point.

The doc sheds plenty of question on the case overall, especially when it came to Jesse. Arnold, the father who was an admitted pedophile, said that he had committed sexual abuse on two kids, but not the countless number at school.

I’m not sure how I felt about this doc because the voice seemed to be all over the place. I’m not sure what the doc was telling me about this story and it felt as if details changed throughout. I do not have a better understanding of what the truth was in this case or to what level these people were guilty or innocent. Maybe that is the idea with the doc… that truth may be elusive and that you may never know for sure what is happening in the heart of a family.

There’s Something Wrong with Aunt Diane (2011)

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January 28

Today’ documentary for the Genre-ary was a doc from HBO MAX called There’s Something Wrong with Aunt Diane.

According to IMDB, this documentary looked at… “The accident made national headlines: a suburban mother drove the wrong way on the Taconic State Parkway in New York and crashed head-on into an SUV, killing herself and seven others. In the aftermath, Diane Schuler was portrayed as a reckless drunk and a mother who cracked. But was she the monster the public made her out to be…or the perfect wife and mother that many say she was? Investigating the case six months after the accident, this documentary searches for answers to a mysterious and senseless tragedy.”

This was an interesting documentary. The story of Diane Schuler was an odd one. It looked as if she had just been drunk and high and wound up in a tragic accident that killed eight people. Moat of the doc featured Diane’s husband, family and friends and their POV of the situation. They were all certain that there was no way that Diane could be a drunk who drove her car into another vehicle. They were all very determined that this was not possible.

The problem was that all of the evidence of the case pointed to Diane Schuler was drunk and high at the time of the accident. The family of Diane did not provide any possible evidence outside of their denials.

Through the entire documentary, it felt as if some piece of information was missing. The motivation of Diane is questionable. I do not understand why she may have been drinking vodka and smoking marijuana. There was a point of contention about a possible tooth that abscessed, but that did not feel like the overall answer.

There is also another weird event involving an investigator hired by the family who had Diane’s specimens retested, but never got back in touch with the family. This was a truly bizarre aspect of the story. Near the end, Diane’s sister spoke with the investigator who said that he had sent the results and that they were the same as the original one. This was strange.

Some of the images of the accident was just tough to watch. There was a warning at the beginning of the film, but they still caught me off guard.

There seems to be something missing in this story, and sadly, we will never know what it was. Such a tragedy that cost the lives of several humans, including four children.

Last Breath (2019)

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January 27

As we enter the final five days of January, we are coming down to the last documentaries in the Genre-ary. The doc I selected for tonight was a harrowing tale of survival under the most unlikely of circumstances. I watched the doc called Last Breath on Netflix.

This doc was released in 2019, and there is actually a big budget movie set to release at the end of February starring Woody Harrelson about this very story.

According to IMDB, “A deep sea diver is stranded on the seabed with 5 minutes of oxygen and no hope of rescue. With access to amazing archive this is the story of one man’s impossible fight for survival.“

Diver Chris Lemons had his umbilical cable severed during a saturation dive and he was stranded around 100 meters beneath the sea. Somehow, Chris was able to survive for around 30 minutes on the five minutes of oxygen that he had.

The doc is an absolutely stunning accomplishment as it uses real footage from the moment, collected from body cameras and actual radio audio to tell this story. It spoke with the other crew members who were desperate to find Chris before it was too late, but who were fearful that it was already past time.

It was amazing to see these images of Chris atop the structure in the unlikely position among the blackness of the sea. It was powerful watching them pull Chris into the vessel and giving him two deep breaths. They did not believe that they were going to be able to save Chris, and yet they never gave up in their attempt.

This documentary has made me more interested in the movie coming in February, where I had limited interest before.

Misha and the Wolves (2021)

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January 26

My favorite type of documentary is the ones that have a story that it tells you that is totally unbelievable, but it is true. Previous docs that I loved in this manner included Tickled, The Imposter, Three Identical Strangers, and The Jinx. There is a new doc that shocks you with its twists and turns among this harrowing story of a young girl surviving the Holocaust by living with the wolves.

According to IMDB, “Misha and the Wolves is the dramatic tale of a woman whose holocaust memoir took the world by storm, but a fallout with her publisher – who turned detective – revealed an audacious deception created to hide a darker truth.“

I don’t want to spoil much of this tale, so all I will say is that the story told by Misha in her memoir, which became a huge selling book, is compelling enough, and what happened following its release is even more so.

This doc is well told, with some excellent editing and design. It grabs you with the story immediately and then expertly weaves through what remains for the run time.

There are some questions left at the end which made me want to know more, but the doc is truly surprising.

Misha and the Wolves is available to stream on Netflix.

Whitney (2018)

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January 25

One of the greatest voices of music has also one of the most tragic stories is the documentary for today’s Genre-ary. Whitney Houston had so many struggles in her short and successful life, from drugs and pressures of her life. The 2018 documentary Whitney was on Netflix (though it is leaving at the end of the month).

Filmmaker Kevin Macdonald used archival footage, some great performances and interviews to give a picture of Whitney Houston’s life.

The music of Whitney Houston is amazing, and that comes through in this documentary, although there could be more about the music. However, the story of what happens and what led to her untimely death is very tough. The relationships in Whitney’s world was shown as a major part of her downfall. That included her marriage to Bobby Brown and the difficult connection with her father.

It was hard to watch the two sides of Whitney Houston that we saw in the doc. It was such a struggle in her life and how the events took such a toll on her.

It is a difficult doc to watch, even if there may not be anything new revealed of her story. Putting it in one spot like this is powerful.

American Tragedy (2019)

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January 24

When I saw the synopsis for this documentary for the Genre-ary, I anticipated this film being a difficult watch. Strangely enough, this was not the emotional and gut-punch of a doc that I thought it would be.

This film was about one of the kids who participated in the shootings at Columbine. Surely, this would be a devastating film.

I was not prepared for American Tragedy, which I viewed on Amazon Prime, to be quite as dull as it was.

According to IMDB, “April 20, 1999 Columbine High School was under attack by Eric Harris and Dylan Klebold. Sue Klebold, Dylan’s mother, attempts to reconcile how the son she thought she knew, the son she loved could willingly be a school shooter. ‘If love could have stopped Columbine,’ she says, ‘Columbine would never have happened.’ What would real prevention look like? Is it possible? Is America ready?“

The film spoke to Sue Klebold during the film, but I just did not get the expected feelings from her that I expected. Perhaps it was from years of hardening herself from the anger and the unexpected behavior, but a lot of the sections with Sue felt like the story was being told by someone else. I am sure that is not the way she felt, but it does not translate to the screen in this doc.

There were a few moments that stood out, but they were few and far between.

This is a shame that this doc does not connect with the viewer as much as it should have.

Heaven is a Traffic Jam on the 405 (2016)

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January 23

I found another Academy Award winning film to watch today for the Genre-ary. This won the Oscar for Best Documentary Short in 2018. The title had caught my attention at first as did some of the artwork that went with the promotion for Heaven is a Traffic Jam on the 405.

The short told the story of Mindy Alper, a 56-year old artist, who had spent years suffering from a variety of mental illnesses including acute anxiety, mental disorder and depression. She had been committed to mental institutions, spending around 10 years institutionalized. During that time, Mindy would receive electro shock therapy in an attempt to get past the mental states she was in.

She spent much of the time unable to speak and scared about everything in life. Much of the struggles could be traced back to a combative relationship with her father. The film does not come out and say it, but there are some implications about the relationship that might be the reason for many of the problems.

The doc short showed the progress Mindy had made and how her struggles with mental illness was something she would have to overcome on a daily basis. It showed how she used her art to really get some of the emotions out, giving them a place to go.

Some of the papier mache statues she had made, in particular one of her favorite psychiatrist, were absolutely stunning. I could not take my eyes off of these pieces of art. Her drawings were used to illustrate much of the doc as well. This art truly told a powerful story.

Mindy was a complete inspiration and, despite her life’s downfalls, she has found something that has allowed her to express her feelings.

I can see the reason why this was an Oscar winner.

MoviePass, MovieCrash (2024)

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January 22

Today’s Genre-ary documentary was found on MAX called MoviePass, MovieCrash, which looks upon the rise and collapse of the movie subscription service MoviePass.

According to IMDB, MoviePass, MovieCrash is…”Exploring the company founding and the implosion of the business by outside investors who took over the company, left it bankrupt and under investigation.”

Stacy Spikes, the founder of MoviePass, took his idea and made it a phenom. For a limited fee monthly, you could go to a movie a day at any theater. It was a revolutionary concept that helped movie theaters. Hamet Watt was a board member of the company and was a co-founder with Spikes.

As they were trying to build their business, two other men came into the orbit of MoviePass. Mitch Lowe, who became CEO of MoviePass, and Ted Farnsworth, Helios and Matheson’s CEO. Helios and Matheson purchased the company in 2017. In 2018, Spikes and Watt were fired from the company that they had founded.

It was at this point where the company started to pull shady deals because they were hemorrhaging money and they were trying to find a way to bring down costs. The problem was they did not keep the consumer, their customers, in the loop.

They worked it so one of the massive movie releases of the summer, Mission Impossible: Fallout, would be unavailable for their users to go to, despite still taking their money. More and more error messages would come up when attempting to use the MoviePass card and the business was being driven into the ground. Finally the company had to declare bankruptcy.

There is an air of racial tint to this story as well. Spikes and Watt were both African American and, at the time that they were forced out of MoviePass, the rest of the board was all white. The doc touched upon this aspect, which was some of the more fascinating pieces of the story. One would wonder how it would have gone if Spikes and Watts were white.

The story of MoviePass is a remarkable one, a company that took off like a rocket, creating a huge success in the business of theaters only to be brought down by a couple of con artists looking for an easy score. It is an amazing story.

The Thin Blue Line (1988)

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January 21

The Genre-ary for today is the oldest of the documentaries I watched for this DailyView so far. It was from 1988 and it was called The Thin Blue Line. It documented the case of wrongfully convicted cop killer Randall Adams, who had always claimed that he was innocent. After the release of this documentary, the case against Adams was reexamined and he was set free.

Randall Adams had run out of gas and had been picked up by a 16-year old runaway named David Harris. Adams and Harris hung out for the night, drinking, smoking marijuana and going to the movies. Adams claimed that he then returned to his motel and went to sleep. Harris claimed that they went out again and were pulled over by the police and that Adams shot the cop and drove off, leaving the officer to die in the street.

Apparently, the prosecutors and investigators targeted Adams as their killer, even going as far as to give Harris immunity to be their eyewitness. There were other eyewitnesses whom had driven past the pull over before it turned deadly. These witnesses claimed to have seen Adams too. However, these witnesses were dubious to say the least.

The documentary interviewed both Adams and Harris in an effort to tell the story that had happened. There were also interviews from the defense attorneys, the judge, and several of the police involved before and after.

Another thing that this doc did was to use recreations to show the events of the night through a variety of POVs. At the time, most documentary films did not use this technique in its story telling methods and it gave The Thin Blue Line a different feel. In 2025, some of these recreations were cheesy, but I did get used to them as the film went on. The film also used a soundtrack, scored by Phillip Glass, that was very memorable and created a mood for the film.

This was extremely influential in the world of the documentary. Many true crime style docs take concepts and storytelling techniques from The Thin Blue Line. It was a compelling story at the heart of the doc, with interviews with everyone involved.

MLK/FBI (2020)

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January 20

January 20th is Dr. Martin Luther King Jr. Day and, in honor of that, I watched MLK/FBI documentary on Amazon Prime for the Genre-ary.

According to IMDB, “The first film to uncover the extent of the FBI’s surveillance and harassment of Martin Luther King, Jr. Based on newly discovered and declassified files, the documentary explores the government’s history of targeting Black activists, and the contested meaning behind some of our most cherished ideals. From Emmy Award winning director Sam Pollard and featuring interviews with Andrew Young, James Comey, Clarence Jones, and more.”

This doc does a great job of telling the story of conflict between Martin Luther King Jr. and the Federal Bureau of Investigation, specifically thoughts from J. Edgar Hoover.

The way the campaign against Communists and Communism played right into the feeling against the civil rights movement was fascinating and some of the interviews with the crowds of people reminded me of some of the crowd interviews from today. It just seems as if all you need to do is replace one leader with another and, perhaps, replace the term Communist with Socialist.

The doc was very informative and raised some real questions about both sides of this debate. It helped show that MLK was a real person and more than just his image while it gave details on the FBI decisions and motives behind the scenes. It is also amazing how relevant this documentary is for our world today when looking at events that happened in the 1960s.

Amy (2015)

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January 19

Today’s Genre-ary was an Academy Award winner from 2016. Amy is the story of British singer/songwriter Amy Winehouse.

I knew only a little bit of Amy Winehouse. I am unfamiliar with her music, but I did know of her death in 2011 and I had heard of this documentary from A24 when it was making the rounds in 2015.

Constructed by home movies, archival footage and personal interviews, Amy paints a picture of a remarkably talented woman who struggled with the traps of fame and the dangers of excess that, at times, went hand and hand with it.

Watching this tragedy unfold in this documentary, I was struck with the idea that Amy Winehouse never truly knew who she was or that she was always afraid of the truth and she spent plenty of time running from it by the drug use or the alcohol. It seemed as if there were two powerful men in her life whom she adored, her father Mitch and her husband Blake Fielder, and both of them appeared to take advantage of her celebrity. The scenes of her father bringing a camera crew to an island hideaway with Amy was repulsive.

Amy never felt comfortable as a celebrity. The constant imagery of her moving through a pool of paparazzi with cameras clicking away is one of the enduring depiction of this doc.

Another is the amazing strength of Amy’s voice and her songwriting skills. The doc had all kinds of performances from recordings over her career with lyrics to the songs written on screen allowing the song to speak as much as the sadness surrounding much of her existance.

You know you’re something special when you can have legendry singer Tony Bennett end the documentary with the quote, “She was one of the truest jazz singers I ever heard. To me, she should be treated like Ella Fitzgerald, like Billie Holliday. She had the complete gift.”

Daughters (2024)

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January 18

My internet was out for awhile this afternoon so I was starting to worry about getting the Genre-ary done today. Thankfully it came back early in the evening and I was able to watch a documentary on Netflix.

Daughters was placed on my list when I saw this one mentioned on Dan Murrell’s Year end best of video.

According to IMDB, “Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C. jail.”

This doc does a fantastic job interacting with these four girls and their fathers. The emotions were raw for everyone involved. These people were all very nervous and scared over coming together for this dance.

The film did a great job of building up the feelings prior to the Daddy Daughter Dance which made the moment when these little girls were walking down the hallway toward their fathers all the more powerful. I actually thought to myself, what if one of the girls did not show up, what would that be like for the fathers? You could see how the doc had created this connection for me.

It ended with some unbelievable stat that said something like 95% of the Daddies in the Daddy Dance never returned to prison after being released. What an amazing stat if that is true.

It was an impressive documentary and it was very well constructed and designed.

65 Roses (2019)

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January 17

With time tight on a Friday, I found another documentary short film to watch this morning. This one I found on a website called Shortverse and it was from 2019. The title of the film was 65 Roses.

65 Roses is a symbol adopted by the Cystic Fibrosis Foundation for their organization. It is based on a story of a kid who could not pronounce the name of his disease and would call it 65 Roses.

This doc featured a 14-year old girl named Yllka Leti, who lived in Prishtina, Kosovo and she had cystic fibrosis. The doc looked at the things she had to do to manage her illness and her positive attitude overall about everything. She was very uch like a 14-year old girl who had to learn about and deal with this insidious illness.

The film spoke about how she would paint and sell her paintings to help fund the medicine that she needed to take. I wish there was more about this aspect of Yllka’s life in the doc. I would have liked to have seen more of the creative flow that the young girl had because selling paintings is not an easy thing to do and if she was able to do it to a significance of helping the costs of her medicine, that is an inspirational story. All of this is here, it just was not the main focus of the doc.

I have not had much experience with the illness of cystic fibrosis. The only exposure I had to it was the character of Emma on Bates Motel, who did have cystic fibrosis. Docs like this help to provide important information to help those of use who may not know as much as we should.

Shortverse had a ton of short docs available to watch, with a variety of topics for just about anything.