Category Archives: Doc’s Movie Reviews

Conclave

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The process of electing a new Pope is full of secrecy. That means you can tell whatever story you want about it, as this new film starring Ralph Fiennes opens wide this weekend.

This movie is based on a 2016 novel by Robert Harris. It is directed by Edward Berger, who directed the Oscar nominated All Quiet on the Western Front.

According to IMDB, “Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake–secrets which could shake the foundations of the Church.“

Ralph Fiennes was sensational once again as Cardinal Lawrence. He has such an understated performance that he fits into this story beautifully. He anchors the film with his work.

There are other great performances including Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati and Sergio Castellitto.

There is a twist at the end of the movie that came after it seemed as if the film was over and I am not sure if it was necessary. No spoilers, of course, but this feels as if this was done to create division among viewers. I have no issues with the ending outside that I am just not sure it was important to the story.

I enjoyed the mystery aspect of the script and the film looked beautiful. Great performances scattered throughout the film. I assume this will have a huge presence at the Oscars. This was very solid.

4 stars

Venom: The Last Dance

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The final film in the trilogy featuring Tom Hardy as Eddie Brock, the man who would become Venom, was released this weekend. I have never been a big fan of the previous Venom movies, but I have enjoyed the character some so I was curious to see what Sony was going to present for us.

The first three minutes of this film was a huge exposition dump involving the scary villain known as Knull, who was being played by Andy Serkis. The problem, this reminded me of the opening to 2011’s Green Lantern with Parallax, which I thought completely failed to start off that movie. I was laughing at Parallax during that opening and the fact that this reminded me of that was a bad sign to start this movie.

Sadly, the film continued to be a mess after this beginning. It went back to the post credit scene from No Way Out, with Eddie in the bar, drunk and getting pulled back to his own universe.

Knull sent some monstrous symbiote hunters to earth in search of Venom, who was now some kind of McGuffin, and they were after him. The monsters had zero personality and was fairly boring.

The best part of all of these Venom movies are the relationship between the symbiote and Tom Hardy. Hardy is great as Eddie Brock and some of the best scenes of the film are when Eddie meets up with a hippie family with the father played by Rhys Ifans. I think more with this family on the road would have made this more enjoyable. However, what the family wound up doing did not make a lot of sense as the film moved on.

I did love the soundtrack to the film, with banger after banger throughout the movie.

Why did we need to introduce Knull in this movie. He was not used, and if this is the final Venom movie, why do we introduce Knull at all and not use him? I feel as if Sony wanted Knull to be their Thanos, but they brought him around too late if that is the case.

This movie is not horrendous, but it is just not very good. Tom Hardy is the strength, but the story around him is not good and the dialogue is weak. The other symbiotes have the “Michael Bay Transformers disease” as none of them have personality or any way to distinguish them.

Will there be more Venom movies? Who knows. Will Knull be involved with Kraven the Hunter? Doubt it. None of the Sony Spider-universe films seem to fit this concept. The final Venom movie is just not that good.

2.4 stars

Little Evil (2017)

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The October 12 of 13

Who would have guessed that one of the better films I saw during the October 13 this year would be a Netflix film from 2017?

Gary (Adam Scott) recently married Sam (Evangeline Lilly), who has had several failed marriages. The biggest reason? Her son Lucas (Owen Atlas) is the Anti-Christ and he has a tendency to bury them alive.

Gary does not know what to do. Does he try and connect with the six-year old or does he kill the boy?

This is a surprisingly funny film with some excellent horror elements to it. The old evil child has been done countless times in movies, but this has a different flavor to it. It is the Omen mixed with This is the End.

Adam Scott does a great job of providing the anchor to this ridiculous story. You never feel that this is over-the-top because he grounds it for us with his performance. Even when you think that there is no reasonable person who would stick this out, Scott is believable.

There is a unexpectedly deep cast here too with Evangeline Lilly as Lucas’s mother and we get appearances from Clancy Brown, Sally Field, Donald Faison, Tyler Labine, and Brad Williams.

The final act of the film does go a bit off the rails, but I had already been charmed by the film, particularly by Adam Scott and the weaker end did not hurt the film much.

This is a fun film for families during the spooky season even though some of the religious iconography may be too much at times.

The Changeling (1980)

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The October 11 of 13

So The October 13 has been a little lower of quality than I would have preferred this year. However, we came across a good one today. The Changeling, starring George C. Scott, is one of the best haunted house movies I have seen.

The film grabs your attention immediately as it sets up the tragedy for George C. Scott’s character, composer John Russell. His wife and daughter are killed in a tragic accident and this sends him spiraling out of control. Renting a house in Seattle, John goes to hopefully work on his music.

However, once in the house, strange sounds and events started happening, leading John to investigate what had happened in the house’s past.

Honestly, the seance scene was one of the scariest seance scenes I have ever seen. The way that the psychic approached the actual execution of the seance was great. I had never seen a seance handled in this manner before and it really set the stage for the rest of the mystery that would be at the heart of the film.

There is also a horrifying scene with a young boy and a bathtub that I will not go into further description of because it is unsettling.

George C. Scott is a tremendous actor and his very presence in the film give it a credibility that a lot of these haunted house movies lack.

I am happy that this film made the October 13 list this year and I am happy that it has helped put the list back on track.

Kill List

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The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.

Smile 2

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The original movie Smile was a surprising hit a couple of years ago. With it making a lot of money, you knew that there would be a sequel. This weekend brought us Smile 2.

Skye Riley (Naomi Scott) is a hugely loved pop star who was preparing to make a return tour after being involved in a tragic accident the year before. When she was trying to get pain killers from her drug dealer friend, he brutally killed himself in front of her, transferring the parasitic demon to her. This demon goes into the victim’s head and slowly drives them crazy.

Naomi Scott does a fantastic job in this lead role. She carries so much of the movie on her shoulders, with so much fear and confusion and anger. She is easily the strength of the film.

The film keeps the audience on the edge of their seats, filled with anxiety as you want Skye to get through the problem. There may be too many jump scares in the film, but a lot of them are effective.

The film does feel too long at 2 hours and seven minutes. I think it could easily have shaved off 15-20 minutes of playtime and it would have helped the movie. However, the finish of the film was just horrifying. I really thought the final shot of the film worked very well.

Smile 2 was a worthy sequel to the huge hit. Is it better than the original, I’m going to say no, but this is very solid. Naomi Scott does tremendous work and the effects are great. The film will keep you thinking.

3.75 stars

We Live in Time

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I do love Florence Pugh and Andrew Garfield so I had planned on seeing this movie after seeing a trailer for it. However, the title was not recognizable so as I was looking at the Cinemark movie list this week, I almost missed it. I saw the title and thought, “What is that?”

After seeing the movie poster, I realized that this was the Pugh-Garfield film, and I knew I wanted to go to it.

According to IMDB, “Almut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. Through snapshots of their life together — falling for each other, building a home, becoming a family — a difficult truth is revealed that rocks its foundation. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley’s decade-spanning, deeply moving romance.”

Starting off, the film’s narrative structure is told in a non-linear manner. It was as if time is not a line, but a flat plane. The film leapt around from all parts of this relationship, from where they meet to where they are giving birth. It did make following the story a little challenging for awhile until Florence Pugh cut her hair (thanks, Florence!)

The chemistry between Andrew Garfield and Florence Pugh was absolutely off the chart and this is the main reason this movie worked as well as it did. Both showed their acting chops in these roles and I loved them together. Every scene with them in it was wonderful.

The story was very emotional at several times and it worked well. The melodrama of the film was over-the-top at times, but it worked because of Garfield and Pugh. Perhaps the time jump storytelling technique kept the emotion in check.

This was a solid film with great performances.

4 stars

I Was a Teenage Zombie (1987)

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The October 9 of 13

I found this on HBO Max and, because of that, I mistakenly believed, this movie would be a good one to include for The October 13, or at least was a real movie. It was five minutes into it when I discovered that this was the most amateurish, ridiculously bad film I have seen in a long time.

When the sound quality of a film does not reach the quality level of Birdemic: Shock and Terror, you know there is something wrong.

According to IMDB, “Six high school buddies accidentally kill a drug pusher and dump his body in toxic waters. When the pusher returns as a zombie and goes on a killing spree, their only recourse is to dump the body of one of their own recently dead, and have him return as a “good” zombie to face off with the “bad” one.“

I have seen this referred to as a cult classic, but if this is a classic in any form, I have to question the choices of the viewer. I know film is subjective, but I don’t think anything should be that subjective.

The budget of this movie must have been $25 dollars and a box of donuts.

I take that back, they did have some real music involved in the film, with a soundtrack involving real bands and musicians. At times the music was played so you could not hear what was being said. Best part of the film.

I seen better acting on SNL, you know when the host clearly has not learned any lines and is just reading off the cue cards off screen.

How bad was the dialogue? I don’t know, you could barely hear it.

This was not fun. There was a time or two where I laughed at the movie. Not because it was funny, but because it was so embarrassing that the only thing you could do was laugh.

The zombie make-up was more like blackface. Or eventually green face.

Then there was a zombie rape scene. I’m not kidding. Offensive as it could be.

The quality of the movies in this year’s October 13 has been really down. With Piranha, Sorry About the Demon, and this film, I really need to find a good film for #10.

Piranha (1978)

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The October 8 of 13

Piranha, a movie directed by Joe Dante, was a film that I never had any interest in seeing. Those type of B-movies were never in my taste. However, for the October 13, I decided to watch the original Piranha on Prime to see if it was more enjoyable than I thought.

It was pretty much what I expected.

According to IMDB, “An insurance investigator and her local guide search the Lost River Lake area to find too missing teenagers. When stumbling on an abandoned military facility, they release by accident in the river some flesh-eating piranhas that were bred to use in the Vietnam war. The piranhas are heading straight to a nearby summer resort’s lake and its guests.“

A Jaws rip-off, Piranha is a low-budget film that had some terrible special effects and the story about as simple as you could get. The acting was not very good either, especially with the secondary characters. The dialogue was atrocious for most of the film.

I have seen reviews of Piranha saying that it is a parody of Jaws or that the film was tongue-in-cheek humor. I didn’t think much of any of this film was funny, and the time when the film tried to add humor, it fell flat.

I can see why this may have become a cult classic, because there is so much awful about this that you can look at it an laugh… not with it but at it.

This would be a perfect film for Rifftrax Live as there is so much comedy to mine around what is on this screen. It was actually worse than I had thought and proved that I was right for avoiding it all these years.

Psycho II (1983)

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The October 7 of 13

One of my favorite Alfred Hitchcock films of all time was 1960’s Psycho. Twenty three years later, there was a sequel to the film featuring the return of Anthony Perkins as Norman Bates.

Of course, I have been watching Bates Motel for the last several months, which is not necessarily canon in the Psycho universe. It gave me the opportunity to start to love the character of Norma Bates. So with this October 13, I thought it would be a good thing to watch the sequel to Psycho.

While this is nowhere near the level of the iconic original, Psycho II was not bad. Anthony Perkins was wonderful in his return to the role of Norman Bates. You could never be sure whether or not Norman had actually regained his sanity. I wasn’t sure until the very end, which was nice.

The story had an impressive twist to start off that I did not see coming. I am not sure it worked all the way through, but when we found out the surprise, it worked for most of the middle of the story.

It did feel like it went a little too long and I am not sure I loved the resolution of the film… at least part of it. No spoilers from me, but I did like the very end of the film… just not what led to it.

This was better than I expected it to be, but if you were to only watch one Psycho movie, make it the original Hitchcock classic.

Messiah of Evil (1974)

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The October 6 of 13

This supernatural horror film from 1973 is the next film in the October 13. Messiah of Evil is a wild film, nightmarish-like with zombies and a “Dark Stranger.”

According to IMDB, “After losing contact with her artist father, Arletty (Marianna Hill) travels to the west coast. Though she doesn’t find him, she meets Thom (Michael Greer), an odd wealthy man who’s travelling with 2 lovers, Toni (Joy Bang) and Laura (Anitra Ford), to meet her father. She reads his diary and realizes there’s something strange with the residents of this California town.“

I will say that the story of the film is convoluted and fairly messy, but that seems to work with the tone that the film is setting. The dreamlike state of the film adds to the overall confusion of the situation and it helps keep the audience off-balance.

The “Dark Stranger” is an intriguing concept that the film does not go into much specifics about. This feels like it could have been an opening chapter of a film franchise. The whole Dark Stranger idea feels very Stephen King-esce. I would have liked more about that character.

The film took definite inspiration from the other zombie films of the time, specifically those by George Romero.

Sorry About the Demon (2022)

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The October 5 of 13

So, this one was a horror comedy. I found it on Shudder, as most of the list for this The October 13 is this year. I found it to be really silly.

After dealing with a bad break-up, Will (Jon Michael Simpson) rented a house from a family. What Will did not know was the family, the Sellers, had rented him the house because they had made a deal with the demon that was in the house, Deomonous (voiced by Tony Vespe), to possess him and take his soul to Hell instead of their daughter Grace (Presley Allard).

This movie was funny at times. At least I chuckled here and there. Otherwise it was fairly messy with the plot and just silly as it can be. It was absolutely corny and silly. I am not sure if this was intended to be a parody or if it is just meant to be a horror/comedy. Either way, the film was not the worst thing I ever saw. I did not like the way it started, as it seemed fairly stupid to me. However, Jon Michael Simpson had a charm about him that made me want to keep watching, even though I wanted to stop watching at first.

Overall, it was not the worst film I have seen. It is not great, but if you are in the right mood, this could be a fun family horror/comedy for Halloween.

Saturday Night

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Live from New York, it’s Saturday night!!!!

Jason Reitman directed this biopic of the 90-minutes before the debut of Saturday Night Live (called NBC’s Saturday Night) and the chaos that was ensuing.

Of course, as with most biopics, not everything is exactly as it happened as many details are switched or moved around for dramatic purposes.

The film follows Lorne Michaels (Gabriel LaBelle), the producer of SNL, as he moved around the studio putting out fires (both figuratively and literally), managing talent, and desperately trying to get the show ready to go at 11:30.

This is a fun film with a frantic pace leading up to the debut. It was very possible that the show was never going to happen as there was a reel of a Johnny Carson repeat waiting to roll if the show was unable to overcome the myriad of troubles.

The cast is the strongest part of the show. Gabriel LaBelle does a great job as the eyes of the audience. Corey Michael Smith is fantastic as Chevy Chase. Dylan O’Brien loses himself in the role of Dan Aykroyd. Matt Wood was very entertaining as John Belushi. Lamorne Morris was great as Garrett Morris. Rachel Sennott had a strong performance as Lorne’s wife, Rosie. Several of the cast did not have the amount of screen time as it seemed as if they deserved, in particularly the women SNL cast members.

While we see a lot of Lorne, there is an issue with the rest of the cast. If you are not aware of who these people are, there is not a lot of time spent with them. The film seems to depend on the audience knowing who Chevy Chase, John Belushi, George Carlin, Jane Curtin, Gilda Radner are coming into the film. If the viewer does not know much about SNL, they do not go into detail about these people. It does work at one level, but I did have knowledge going in.

The film depends on its energy and the nostalgia of the audience to craft together a hectic ninety minutes prior to the debut of Saturday Night. There are some very funny moments and some amazing character bits for these people whom we know as celebrities. Roles for Willem Dafoe and J.K. Simmons are exceptional and the whole cast’s performance was well done. This is a film that fans of SNL will truly appreciate.

4 stars

Super/Man: The Christopher Reeve Story

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EYG Hall of Famer Christopher Reeve, who sprang to fame playing Superman in several movies int he late 70s and early 80s, gets the biographical documentary treatment going into depth about his life, his family and the horrific tragedy that changed his perspective for the remainder of his life.

The doc interviews Reeve’s children and his ex-wife, revealing the deep relationship that Reeve had and how his time as Superman affected his career and how people’s POV changed him.

There are some amazingly personal scenes and imagery of Christopher Reeve struggling post-accident that was difficult to watch at times. The emotions were in full example and heartstrings were pulled as the story moved from pre-accident to post-accident. There were plenty of times that I teared up watching the powerfully poignant moments.

Some of the toughest scenes for me was the parts including Robin Williams. Williams and Reeve were roommates during their time at Julliard, forming a lifetime friendship. The relationship had several vital moments and it nearly broke me when it was said that had Christopher hadn’t died, Robin would be alive today. Heart-breaking.

Directors Peter Ettedgui and Ian Bonhôte painted a moving portrait of the actor and how he was able to overcome his adversity to help many individuals with their own handicaps.

4.6 stars

The Pool (2018)

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The October 4 of 13

The October 13 continued today as I pulled a film from Amazon Prime to watch. It was the Thai thriller called The Pool.

According to IMDB, “Day, an insecure art director of a commercial production company is left alone to clear up a 6-meter deep deserted pool after the shooting. He falls asleep on an inflatable raft due to an unbearable fatigue. When he wakes up again the water level has sunk so low that he cannot climb out of the pool on his own. He screams for help but the only thing that hears him is some creature from a nearby crocodile farm.“

Starting off, I have an illogical fear of alligators and crocodiles. It makes no sense, but they give me a lot of stress and anxiety. I always joke that I am never going to Florida because of the killer alligators like I saw in Crawl. It is a joke, but that movie absolutely scared me. So seeing this man vs. crocodile survival tale, I was ready to be unsettled.

I will say that there were some good moments of anxiety in the film. Day, played by Theeradej Wongpuapan, and his girlfriend Koi, played by Ratnamon Ratchiratham, made an attractive couple stalked by this angry and hungry crocodile.

However, at the end of the day, it was hard to get past one simple fact. These two are dumb as shit.

I understand some things need to be exaggerated for tension, but when characters continually do the stupidest things during a film, it just pushes the level of believability. I found myself yelling at the computer screen over and over, wanting Day to do something smart once. There were so many opportunities to do something else and he constantly chose the wrong one. It was frustrating.

Then the CGI on the crocodile was at times wonky. That can be forgiven because of budgets, but when it is combined with the dumb characters, that makes a tough combination.

And for the dog lovers out there, there is a scene with a dog that is perhaps the single most horrific scene I have ever watched anywhere. The imagery of the scene will disturbing even if you are not a big dog fan, like me, and for the dog lovers out there, you will not be prepared for the shocking moment.

I had seen this receive 97% on Rotten Tomatoes so I was hopeful this would be a hidden gem. However, looking closer, the audience score is at 53%, and I can see why that is. This had some positives, but the stupid decisions, the CGI, the crocodile, and the horrific scene near the end dropped this one down for me.