Category Archives: Doc’s Movie Reviews

Anyone But You (2023)

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June 15, 2023

One of the bigger rom coms from 2023 is the entry for the June Swoon 3 today. Anyone But You was a very successful film, coming seemingly from nowhere. I would not be opposed if it were sent back there.

According to IMDB, “In the aftermath of a captivating first encounter, Bea and Ben discover that their initial fiery passion has inexplicably dwindled to frosty misunderstanding. However, fate intervenes: Thrown together again at a dreamy Australian wedding, they opt for a charade of coupledom. But sparks reignite amid the sun-kissed scenery, forcing them to confront their true feelings and embrace a second chance at love.“

Okay, so this is really dumb. It is the essence of a disposable film that means nothing. The plot is a poor soap opera story that I have literally seen before.

The only thing that makes this stand out is the arrival of two of the hotter stars in Glen Powell and Sydney Sweeney.

Both of them have better films ahead of them. They are clearly charming and attractive. They have some comedic timing that would probably work much better with a better script.

The Retirement Plan (2023)

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June 14, 2024

Today’s June Swoon 3 entry is an action film featuring Nic Cage in all his Nic Cage-ness, and it is a a lot ridiculous fun.

According to IMDB, “In The Retirement Plan, when Ashley (Ashley Greene) and her young daughter Sarah (Thalia Campbell) get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help – her estranged father Matt (Nicolas Cage), currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie (Jackie Earle Haley) and his lieutenant Bobo (Ron Perlman). As Ashley, Sarah and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.”

Is this movie more convoluted than it needed to be? Absolutely. It felt pretty messy in a lot of ways. Does it require a suspension of disbelief? 100%. Perhaps more than most movies. None of that ruins this film from being a hoot. It knows the type of movie it is and Nic Cage is totally in for a ridiculous good time.

I did like the little girl Sarah, played by Thalia Campbell, and her relationship with her kidnapper Bobo, played by Ron Perlman. I really thought this was going to go in one direction, but it takes a different path, which I found refreshing.

The action is great, if not difficult to believe. There just felt as if there were too many threads getting pulled and it was unnecessary.

I am not sure I liked the way the film wrapped up either. I think I would have preferred for the end of the third act to feel less like it was nothing more than a deus ex machina.

Still, if you love Nic Cage, this will be fun. I wish Thalia Campbell’s role would have been more in the second half of the movie because she was one of the standouts in the first half.

Inside Out 2

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Inside Out is one of my favorite Pixar films of all time. If it weren’t for Toy Story 3, I think it would be the undeniable champion. Even still, it is in the argument. So, I did feel some wonder about a sequel to such a film that I found so beloved.

Rest easy. Inside Out 2 is wonderful. A beautiful film ripe with emotion and a cleverness that many films lack. It may not have the emotional wallop of “Take her to the moon for me, okay” from the original, but there are plenty of deep emotional beats that form together into a wonderful tapestry of what it is like to be a teen in the middle of puberty.

Riley is back, just turning 13 years old and life has tossed some conflict her way. And because of that, there are a group of new emotions arriving in the Control Center, immediately clashing with Joy and the others.

Inside Out 2 has such creativity and imagination with adapting feelings into these personified characters that is so very impressive. Each character has exceptional design and fit right in with the returning Joy, Anger, Disgust, Fear and Sadness.

The returning voice actors are great, including Amy Poehler, Lewis Black, and Phyllis Smith. Tony Hale, who replaced Bill Hader as Fear, and Liza Lapira, who replaced Mindy Kaling as Disgust, do wonderful work as well. Our new voices which include Maya Hawke as Anxiety, Ayo Edebiri as Envy, Adèle Exarchopoulos as Ennui and Paul Walter Hauser as Embarrassment are great additions.

Pixar animation is always top notch and this is just another example of that. The look of the film is visually stunning and gives everyone something to enjoy while watching.

The story is excellent as well as it focuses on Riley at a three day hockey camp. Something happened on the way to the camp that triggered Riley and her emotions have to work overtime in order to make things right, or as Anxiety tries to do, plan out her entire future.

The story of Riley is simple enough that anyone can relate to what she is going through. As a new teenager, this kind of news can be earth shattering and absolutely makes sense as to why Riley is affected as she was.

The movie is so cleverly written and is very funny throughout. It never feels as if it is just repeating the same formula of the original even though several of the beats could be considered alike. Everything inside Riley’s mind has changed enough from the previous film so to make this trip back there something feeling fresh and original.

Yes, there is no Bing Bong type moment, but I think the overall story may be stronger than the previous one. I certainly found the finale to be exceptional and I had tears in my eyes watching it.

For anyone who was claiming that Pixar had lost that magic, this should take that comment away. Inside Out 2 is an exceptional movie for both kids and adults and is probably the best movie of the year so far.

5 stars

The Royal Hotel (2023)

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This morning’s June Swoon entry comes from Australia and I found it on Hulu. It was called The Royal Hotel.

According to IMDB, “Hanna (Julia Garner) and Liv (Jessica Henwick) are best friends backpacking in Australia. After they run out of money, Liv, looking for an adventure, convinces Hanna to take a temporary live-in job behind the bar of a pub called ‘The Royal Hotel’ in a remote Outback mining town. Bar owner Billy and a host of locals give the girls a riotous introduction to Down Under drinking culture, but soon Hanna and Liv find themselves trapped in an unnerving situation that rapidly leaps out of their control.“

Now, that is what the synopsis on IMDB says, but that is not what this movie is like. It is listed as a psychological thriller, but there is nothing psychological about it and very little thriller.

It takes way too long for anything to happen. We spend way too much time with the drunken reprobates in the bar without any sort of character development.

The ending sequence was just nonsensical and does not wrap anything up outside of the basic result.

This was very boring for most of the film and anything that it tried at the end did not work at all. I was very disappointed with this one.

Hit Man

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Glen Powell is hot right now. So when will there be a better time to make a dark comedy for Netflix than right now?

In Hit Man, Glen Powell played Gary Johnson, a college professor who would moonlight as a tech guy for the New Orleans Police Department. When the undercover officer wound up in trouble, Gary got thrust into the position of pretending to be a hit man for people wanting to hire him to kill someone.

Gary turned out to be very effective at getting these perspective clients to incriminate themselves, making Gary ultra valuable to the NOPD.

When Gary was meeting with a young woman named Madison (Adria Arjona) who wanted to hire him to kill her horrible husband, Gary, under his alias Roy, talked her out of it so she would not incriminate herself.

This led to Madison and “Ray” to begin a secret relationship with each other, leading to all kinds of trouble.

Directed by Richard Linklater, Hit Man is a lot of fun and has some very clever moments. Glen Power and Adria Arjona have sparkling chemistry and you find yourself rooting for them despite your better judgement.

I will say though that the ending took a darker turn than I thought and I’m not sure how I felt about it. The very ending is not how I would think this would have worked itself out and I am not sure I buy it.

The film calls itself a “somewhat” true story, as it made up a big section of the ending. Still, it is interesting to see where Linklater gets his inspiration for such a story.

This rom com makes for a decent time at home watching it on Netflix. I am not sure that it would have near the amount of success had it had a theatrical release. As a lazy afternoon watch, Hit Man is a hit.

3.5 stars

Origin (2023)

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June 11, 2024

The format of today’s June Swoon 3 is one unlike I have seen before and it takes a revolutionary director in order to make this work. Ava DuVernay is just such a director.

Origin adapts the book Caste: The Origins of Our Discontents by Isabel Wilkerson, a book that laid out the idea that racism in the United States is a part of the concept of caste system, connecting racism in America to the attempted extermination of Jewish people by the Nazis, the caste system of India as well as other atrocities across the globe.

Such an undertaking was going to be difficult to attain, but DuVernay skillfully weaves the information, at times, in a documentary style, while mixing it with the drama of Isabel Wilkerson’s life during this stretch of working on the book when she lost her husband, mother and cousin.

The combination of docudrama is a difficult one to reach, but DuVernay does a masterful job of making this fully engaging while providing ideas that challenge the thoughts of a generation.

The lead role of the film was played by Aunjanue Ellis-Taylor, showcasing an emotional arc for Isabel Wilkerson from early on in the film when she lost her husband, Brett (Jon Bernthal). The use of flashbacks and memories throughout the movie helped us see important aspects of Wilkerson’s life and relationships with her family and friends. Ellis-Taylor made these life moments extremely relatable and touching as we see her deal with loss and pain, as well as a love of life.

The film may be a little long, but there are so many great moments throughout that help us see the central point being made by the film. There are stories that are told such as the tale of Al Bright, a young boy whose baseball team just wanted to swim together as a celebration for a big win, but who was denied because he was black. Another story told the tale of a German Nazi and a Jewish woman’s relationship that broke all the rules of Nazi Germany and led her her eventual encampment at a concentration camp. These stories are important to the overall narrative of the piece and help highlight the concept of the book being written.

You wouldn’t think that a film could be made about a journalist writing a book about the caste system, but Ava DuVernay accomplished just that and it was compelling and amazing, even if it could be tough to watch at times.

You can watch Origin currently on Disney +/Hulu.

The Book of Clarence (2023)

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June 10, 2024

It was Netflix again for this June Swoon as I pulled up The Book of Clarence, a retelling f the story of the crucifixion through the eyes of a down-on-his-luck loser named Clarence.

According to IMDB, “Struggling to find a better life, Clarence (LaKeith Stanfield) is captivated by the power of the rising Messiah and soon risks everything to carve a path to a divine existence.“

This movie was very up and down for me. The biggest issue I had with it was that it lacked a consistent tone. There were deadly serious scenes that were well done, particularly with the strength of LaKeith Stanfield’s performance, but other scenes that felt like it was pulled right out of a Monty Python skit. I was not sure if this was meant to be a serious movie or a satire. Or was it meant to be some kind of amalgam between the two? This uncertainty hurt this film in my eyes.

As I mentioned, the performance of LaKeith Stanfield was excellent, as he went from a disbeliever to one who exceeded belief. Stanfield was believable in every moment he was on screen and he gave the film a credibility that I do not think it would have had if it were another actor in this potentially divisive role.

There is an excellent cast in this movie including Benedict Cumberbatch (whole role felt as if it were one of the most satirical of them all), Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Alfre Woodard, Caleb McLaughlin, James McAvoy, Nicholas Pinnock, Marianne-Jean Baptiste, Teyana Taylor and Michael Ward.

I can see this film stirring up the audience, depending on who was watching. For me, there are some good ideas in here, but the film can’t decide what exactly it wants to be, and that demeans the positives that are here.

Run Rabbit Run (2023)

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June 9, 2024

Another horror movie highlights today’s June Swoon as I watched the Australian film Run Rabbit Run on Netflix.

Run Rabbit Run is more of a psychological thriller than it is a horror film as there are not many scares and it really does focus on the mental state of the characters involved. It was effective in this manner as I felt a connection with the two lead characters as they went through their memories of tragic events from the past.

However, it does take a while to get rolling. The film seemed a bit long and the pacing was not the best. Some of the beats felt as if they were repeated during the story and it seemed that this could have been a tighter film with some of this narrowed down.

The lead performances are the reason to watch Run Rabbit Run. Sarah Snook played Sarah, the mother whose past was coming back to cause trouble with her daughter. The daughter, Mia, was played well by young actor Lily LaTorre. She provided many of the film’s creepiest moments as she was seemingly being possessed by the spirit of Alice, Sarah’s missing sister.

These performances overcame the weaknesses in the plot, which included a predictable outcome, and made this a film I would say that I enjoyed watching. It is not a perfect horror movie, but it does enough things well that make it interesting.

The Watchers

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I did not see Uatu the Watcher anywhere in this movie.

Seriously though, the question I had was What If … I had liked this crappy movie?.

According to IMDB, “This forest isn’t charted on any map. Every car breaks down at its treeline. Mina’s (Dakota Fanning) is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the Watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn’t reach the bunker in time.“

The premise sounded interesting, but the film was anything but. Directed by Ishana Shyamalan, the feature directorial debut for the daughter of M. Night Shyamalan, The Watchers had lots of familiar elements to it, but nothing that feels as though it was necessary to make a movie out of.

The characters were all fairly simplistic. Even Mina’s backstory did not make me connect to Mina at all. In fact, I did not like her much at all. I was more connected to the bird, Darwin, and I continuously wondered if they ever fed or watered that poor bird.

Those were the things I thought about instead of the purported plot that the film tossed us into.

The ending, which there were two… just be aware, was very anticlimactic and did little to salvage what had been a boring time inside these scary, supernatural woods.

It constantly make little sense and there was a ton of exposition that you are never sure is accurate. I found myself wishing this was over early on in the film. I did not find this engaging at all.

1.5 stars

Rustin (2023)

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June 8, 2024

I have yet another Oscar nominated film for the June Swoon 3 today. This nomination went to Colman Domingo for Best Actor in Motion Picture. He did not win the Oscar, but he gave an electric performance that carried an average film to new heights.

There have been a lot of examples of an amazing lead performance elevating a movie before. Rustin is just the latest example in a long line. Many of these tend to be biopics. This is yet another.

Bayard Rustin was a leader in the Civil Rights movement and a driving force behind the 1963 March on Washington. He was also an openly gay man. His leadership and charisma shone through the struggles his life presented to him.

Colman Domingo is absolutely amazing in this film and he overshadows the rest of the movie. Without him, this movie would be considerably lesser. The way the film is present is fairly pedestrian outside of the main performance.

There is a solid cast supporting Domingo including Chris Rock, Gus Halper, Jeffrey Wright, Ami Ameen, Glynn Turman, Johnny Ramey, CCH Pounder, Michael Potts, Jordan-Amanda Hall, and Lilli Kay.

But Domingo leads the way, bringing to life this man who had such a hand in creating this seminal point in history. He is a name that is not as well known as Dr. King or John Lewis, but he should be.

Hell House LLC Origins: The Carmichael Manor (2023)

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June 7, 2023

As I was searching for movies to put on the possible list for this June Swoon, I came across this horror film on Shudder. It sounded interesting and so I placed it on the list. I had no idea that this was the fourth film of the series, with the first Hell House LLC being released in 2015. I guess I have some films to watch during The October 13 this year.

Hell House LLC Origins: The Carmichael Manor looks to have built on the previous installments (though I can’t say that for sure) and provided a found footage horror film that was extremely creepy and had its share of effective scares.

According to IMDB, “A group of cold case investigators stay at the Carmichael Manor. After four nights, the group was never heard from again. What is discovered on their footage is even more disturbing than anything found on the Hell House tapes.”

The three main characters that went to stay at the Carmichael Manor did a great job of selling the mysterious feel and the fright that this situation would entail inside a person. The story of the events really work well here, as Margot (Bridget Rose Perrotta) ties the story into her background. The film does this in a very strong manner, not bashing the audience over the head with it. In fact, it is possible that some may miss the connection to Margot if they are not paying attention.

Then, I enjoyed the way the film kind of makes this found footage/haunted house film into a sort of documentary, with a couple of people commenting about the footage that was found of these missing people.

The film goes to great lengths to build a mythology, which I can only assume included a bunch of Easter eggs from the previous three movies.

I found this extremely creepy and a little unnerving as I watched it this morning in the dark. That means this horror film did its job. I was entertained and I look forward to going back and seeing some more of this franchise.

Bad Boys: Ride or Die

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I was not a fan of the first two Bad Boys movies. However, the last film, Bad Boys for Life was a lot of fun. I have heard some positive word of mouth for this new film, so I went into Bad Boys: Ride or Die with a positive feel.

Then, I did not like this one much at all.

Mike (Will Smith) and Marcus (Martin Lawrence) are back once again. This time, their friend and former boss Captain Howard (Joe Pantoliano), who was killed in the previous film, looked to be crooked. Mike and Marcus are on the case in order to attempt to clear the name of their captain.

I did not like the interaction between Smith and Lawrence. It felt so silly, bordering on stupid. I know that is kind of the vibe of their typical relationship, but I have not liked three of the four so obviously their chemistry, which sells this movie, does not work for me.

I did not like what happened to Marcus at the beginning of the film and I do not like how it affected his character. It also had no lasting effect on the character and was like it never happened. I don’t want to go into spoilers, but I found this to be a huge weakness of the film.

The action was hard to watch for me too. I thought it was so shaky and wobbled during the action that I hated watching it.

And there was a killer alligator and my friend know how much I hate killer alligators.

Something happens with Mike about halfway through the film that I do not think has ever happened before and had no reason why it now suddenly happened. Perhaps I missed the reason for this thing to have happened outside of they needed a reason to create more conflict. Again, I do not want to spoil the situation, but I found this to be totally shoved in for no reason.

There were some okay moments, but I just found this to be ridiculous, annoying and hard to watch. Will Smith was decent and many of his reactions to Martin Lawrence were mine as well. I was very disappointed with the next installment of the Bad Boys franchise.

2.4 stars

Babes

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I was watching one of Kristian Harloff’s shows that had Winston Marshall was on and he had made a comment about not planning on going to Babes until someone had told him it was pretty good. Winston went and said it was hilarious, but that he would not have gone without the word of mouth.

I was in the same boat. I had no plans on going to Babes because I was unfamiliar with it and it did not seem to fit into my schedule. When Winston said it was hilarious, and since it was summer and I had some time, I decided to give it a chance.

It was hilarious.

According to IMDB, “Follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau), having grown up together in NYC, now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their friendship faces its greatest challenge. BABES delves into the complexities of female friendship with a blend of laughter, tears, and labor pains.“

The film works because of Ilana Glazer and Michelle Buteau. They had a very easy chemistry and were both extremely funny. For some reason, their hectic delivery, which some times bother me with some other actors, worked for me here. Perhaps they looked very unique as performers and that helped me react to them. Either way, they are definitely the strongest part of the story.

The film looks at motherhood as well as the relationship between two female friends and does it with a lot of humor. It was raunchy, over-the-top and dirty. It all worked because it is laugh out loud funny.

I enjoyed this one a bunch.

4 stars

The Boys in the Boat (2023)

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June 6, 2024

Today’s June Swoon 3 movie was one that I actually had tickets for this past year, but I left the theater after seeing another movie first because I was not feeling well. After being unable to see this (Along with Ferrari too), I decided that I would wait for the June Swoon to watch this movie directed by George Clooney.

The Boys in the Boat is the true story of the Washington Huskies rowing team’s unlikely ascension to the 1936 Olympics with a junior team that lacked experience. Led by their coach Al Ulbrickson (Joel Edgerton), the group of eight young men exceeded all expectations in quest for an Olympic medal.

I enjoyed the actual rowing competitions filmed during this movie as they brought some real dramatics to a sport that might not have as much as some others. The races were well filmed and created suspense in scenes that were fairly predictable.

The film lacked a lot of characterization for the cast, focusing on Coach Ulbrickson and Joe Turner (Callum Turner), one of the crew. The rest of the crew of the row team were fairly simplistic, one-note characters, with a few minor traits tossed their way. Ironic how a sport that is so much about the team does not spend much time with the parts of that team.

The story itself was basic, taking most of the sport movie cliches into play. This was a basic, by-the-numbers sports flick that did not stray from the pattern much.

Having said that, I would be lying if I said that I wasn’t inspired by the finale of the film, especially the final Olympic race. There was one final conflict that was tossed in at the end that felt rushed and did not pay off in the end.

If you come into The Boys in the Boat with the idea that this is a basic formulaic sports movie and that it does not go above that, there are things to enjoy here. I think this story could have been more than what was here, but there is something to say for formula.

The Last Repair Shop (2023)

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June 5, 2024

It is a busy day today so I had to get the June Swoon 3 going early this morning and I had another Oscar winner on the list. This was the Oscar winner for Best Documentary Short and it was entitled The Last Repair Shop. I watched it on YouTube, but I see that it is available as well on Disney +. This is just over thirty five minutes long and is a joyous expression of love for music and for those for whom music has changed their lives.

The focus was on a instrument repair shop from Los Angeles that provided a service to the schools of the area to repair damaged or broken musical instruments for free. The film profiles four members of the shop: Dana Atkinson, Paty Moreno, Duane Michaels and Steve bagmanyan.

The film also had words from students who gave quick stories about how they wound up playing the instrument they played. The passion and the joy came through each child’s words as it helped us understand how important these musical instruments would be in their lives.

The stories were very emotional and compelling. The stories of the workers at the repair shop ranged from a man who an Armenian refugee from Azerbaijan to a woman who tried to give her children a better life in America only to struggle to a man who played on the same stage as Elvis Presley.

The film ended with a performance of a song called “The Alumni” which featured many of the voices that we heard during the film.

If you love music, or if you ever played an instrument, you will be inspired by this documentary short film. It is a love letter to music and those people who make it or allow other people to make it.