High School Musical (2006)

If I am being honest, it is pretty clear that Zac Efron has come a long way to his role as Kevin Vin Erich in The Iron Claw. He is a legitimate Oscar contender for that role, while he was, let’s say, less than that for High School Musical.

However, while he may not have been too deep here, he had some energy and he did have some chemistry with his co-stars, in particular with Vanessa Anne Hudgens, which helped to elevate this ridiculous high school film.

According to Rotten Tomatoes, “Troy Bolton (Zac Efron), the star athlete at a small-town high school, falls for nerdy beauty Gabriella Montez (Vanessa Anne Hudgens) at a holiday karaoke party. When they return to campus, Troy and Gabriella audition for the upcoming school musical. Meanwhile, the jealous Sharpay Evans (Ashley Tisdale) conspires to squelch their chances. The two must struggle to make it to auditions while also meeting their existing obligations to the basketball team and the academic decathlon.

I mean… story-wise, this thing is terrible. The high school is pure fantasy, and things happen here that just never would happen in any high school in the world. And I am not just talking about the choreography. It is predictable and the characters are all weak.

However, the music is catchy and fun to listen to. I won’t be remembering it much or buying it on iTunes, but it was fun and enjoyable during the movie. The dancing was great, in particular the big lunch room number. 

It may be way too sugary and these kids would never exist anywhere, but it does have a positive message about doing what makes you happy and acceptance of it. That is an important message to the youth of the world.

I really thought that I would be rolling my eyes at this thing throughout, but it was more engaging than I thought it was going to be. I’m not saying that this was a good movie, but it was not a terrible one either. The weak parts and strong point kind of balance out here. I did not hate myself for watching it, and that is a bonus.

Brigadoon (1954)

I was a big fan of the two seasons of Schmigadoon on Apple TV +. I came on it late, but binged the two seasons quickly, really enjoying the set-up and the parody of the musical genre. I had not seen the film that Schmigadoon was originally parodying, but this morning, that changed as I watched 1954’s Brigadoon starring Gene Kelly and Van Johnson.

Two men went to Scotland to go grouse shooting, but they stumbled from out of the mist into a mysterious village called Brigadoon. 

Gene Kelly is very charismatic and his singing and dancing is, again, top notch. Van Johnson played the more grumpy of the two. 

There are few songs that I recognized from the film. The one that I had heard before was “Almost Like Being in Love.” 

The film is romantic and lovely. Good music and good choreography. The storytelling is solid. 

Oliver! (1968)

Since I have started the Genre-ary DailyView, it has given me the opportunity to see some classic musicals that I probably wouldn’t have watched several of these films. Oliver! is a good example of this. 

Oliver! from 1968 was an Oscar winning movie based on a stage musical which was based on the Charles Dickens novel Oliver Twist. Carol Reed won an Academy Award for Best Director and the picture received the Best Picture Oscar.

An orphan named Oliver (Mark Lester) wound up under the influence of a street criminal named Fagin (Ron Moody), who added Oliver to his troop of street urchin pickpockets, which included the Artful Dodger (Jack Wild). One of Fagin’s accomplices, Bill Sikes (Oliver Reed), showed a more violent and cruel nature. 

It is fun to hear songs that I recognize, but never knew where they originated from. Songs such as “Consider Yourself,” “Food, Glorious Food,” and “As Long as He Needs Me” are songs that I knew prior to watching this film. 

Our villains of the story were excellent. The character of Fagin was one of the best movie villains around, deep and developed, and Sikes was sinister and scary.

Mark Lester does a solid job as the young Oliver. He holds his own with all of the actors around him. 

Clearly this is a classic and you can understand why it won six Oscars.

Eric Idle’s What About Dick (2012)

Today’s Genre-ary DailyView has put me in a joyous mood. I had such a blast with this film on Netflix from 2012. Eric Idle of Monty Python fame brought together a crew of amazing comedic actors from the British Isles for a one of a kind comedy event.

The crew presented a story in the manner of a radio play, on stage in front of a live audience, reading, singing and performing with a script in hand and sound effects from behind. As one would come to expect from a Python alum, the writing of the play is sharp and witty, filled with a ton of double entendres. Historically, I have not been a fan of this type of humor, but when it is as well written and clever as this, well, it works extremely well.

The cast is spectacular. It included Eric Idle, Eddie Izzard, Tim Curry, Billy Connolly, Russell Brand, Jane Leeves, Tracey Ullman, Jim Piddock and Sophie Winkleman. Seeing these amazing performers playing multiple characters and desperately trying to keep from laughing was some of the most enjoyable aspects of it. Billy Connolly was on the verge of losing it seemingly every time he started speaking.

According to IMDB, “This movie begins with the birth of a sex toy invented in Shagistan in 1898 by Deepak Obi Ben Kingsley (Eddie Izzard), and tells the story of the subsequent decline of the British Empire as seen through the eyes of a Piano (Eric Idle). The Piano narrates the tale of Dick (Russell Brand); his two cousins: Emma Schlegel (Jane Leeves), an emotionally retarded English girl; her kleptomaniac sister Helena (Sophie Winkleman) and their dipsomaniac Aunt Maggie (Tracey Ullman) who all live together in a large, rambling, Edwardian novel. When the Reverend Whoopsie (Tim Curry) discovers a piano on a beach, a plot is set afoot that can be solved only by a private Dick, the incomprehensible Scottish sleuth Inspector McGuffin (Sir Billy Connolly), who, with the aid of Sergeant Ken Russell (Jim Piddock) finally reveals the identity of the Houndsditch Mutilator.”

Tracey Ullman is brilliant in this play. Tim Curry is always a joy. Billy Connolly is amazing with his Scottish dialect. The entire cast does a sensational job voice acting, with knowing looks and glances at the camera on the stage show. 

Without the Genre-ary, I would have never watched this film, and I would have missed out on one of the most engaging and enjoyable 86 minutes I have seen in a long time. This was a wondrous piece of entertainment.

Society of the Snow

Since we am preparing for a big snowstorm in the early part of the week, I thought that it would be a good night to watch the new international film, Society of the Snow. I certainly do hope we do not have to deal with any of the struggles portrayed in this film.

According to IMDB, “In 1972, Uruguayan Air Force Flight 571, which had been chartered to fly a rugby team to Chile, crashed in the heart of the Andes. Only 29 of its 45 passengers survived the accident. Trapped in one of the most hostile and inaccessible environments on the planet, they have to resort to extreme measures to stay alive.

Director J.A. Bayona brought a visceral film that showed the determination of human nature and what people will do in order to survive. Some of the things that are shown here are difficult to view, but understandable in the situation.

The plane crash was sensationally shot. It was intense from the first shudder of the plane to the plane coming to an end in the middle of the Andes Mountains. 

As the victims began increasing, the struggles did not stop. I literally gasped at the avalanche that buried the crew. It was like… what else can these people face? 

The film does an admirable job of showing the psychological horrors that these people suffered during their time stranded in the Andes. The large cast was all given moments to shine and to show who their characters were and what made them distinct individuals. 

Society of the Snow is currently streaming on Netflix.

4.5 stars

Fiddler on the Roof (1971)

This morning for the EYG Genre-ary DailyView, I went to Prime and found yet another long, but classic musical, one with several well known songs, including one that I happen to have on my phone.

Fiddler on the Roof is a well known musical written by Joseph Stein. It was turned into a movie in 1971. It tells the story of a family of Jewish people living in a pre-revolutionary Russian village. Tevye (Topol) is a poor milkman who lives with his family in a Ukrainian village of Anatevka. He went about his life, following traditions and hoping to find matches for his five daughters. 

Tevye struggled with the changing world and his daughters’ choices that went against his long standing beliefs. 

Tevye spoke to the camera, being his own narrator through much of the movie. 

There are plenty of classic songs in the film including “If I Were a Rich Man,” “Matchmaker, Matchmaker,” and “Sunrise, Sunset.” 

The cast included Paul Michael Glaser (from Starsky & Hutch), Leonard Frey (who received an Academy Award nomination), Norma Crane, Rosalind Harris, Michele Marsh, Neva Small, Paul Mann, and Molly Picon.

There is not a clear throughline of a plot, focusing basically on Tevye’s family. There are a lot of Jewish culture and traditions shown in the film and it was fascinating to see how a different group of people live their lives.

My Fair Lady (1964)

A lot of these musicals on my list are actually very long. Tonight’s Genre-ary DailyView entry is My Fair Lady, which was almost three hours. It is also a iconic classic of musicals. A multiple Oscar winner, My Fair Lady was so much fun.

Phonetics professor Henry Higgins (Rex Harrison) found a flower girl name Eliza Doolittle (Audrey Hepburn) and made a bet that he could turn her into a cultured woman of class. 

Honestly, Henry Higgins was a horrible person. He was a jerk. I am not sure that he understood why he was such a jerk. His attitude toward Eliza was shameful at a point. 

I loved the music. ”I Could Have Danced All Night” is an iconic song and is so much fun. There were some songs that I thought could have been edited out, but they were all fun anyway.

Audrey Hepburn was absolutely brilliant as Eliza. She basically played two characters, with the way she was as the flower girl at the beginning and then the refined woman at the end. Every once in a while the flower girl showed up in the refined woman, and it was great.

This is one of those films that everybody should see at some point of their lives. It was really entertaining and fun.

Night Swim

Well, it is January. That usually means that we are up for some terrible movies that the studios want to dump. Those January horror movies are typically some of the worst of the year. However, last year, January brought us some actually really great movies including M3GAN, Plane and Missing. Perhaps the month will be turning over a new leaf.

Nice thought, but nope, not with this movie.

Night Swim is a bad horror movie that had too many laughs, unintentional of course, and suffered from some of the worst writing that you’ll see.

A family moves into a new house. Ray Waller (Wyatt Russell) was a baseball player who was diagnosed with MS so he and his wife Eve (Kerry Condon) and their two kids Izzy (Amélie Hoeferle) and Elliot (Gavin Warren) look to start over. One of the house’s biggest selling points was the swimming pool. Unfortunately, they did not know the tragedies surrounding the pool and the fact that it was haunted.

Yes, the pool was haunted. We don’t really know why or how. It was just there. And the actors had to do so many stupid things to keep the drama going. I don’t know how many times I just said, “Get out of the pool” during the film. It would have been over.

I will give credit to the four main actors. I think they did the best they could with this stinker. Wyatt Russell and Kerry Condon are both talented actors, and both kids were good. Amélie Hoeferle especially had a quality about her. It was just that the script was so dumb it did not give these actors much chance to make the material better.

The problem is that this movie was based on a live short from 2014 and it did not seem as if there was enough of a concept here to stretch it out to a 90-minute movie. 

Sadly, 2024 does not start off with a splash. More of a drip.

1.3 stars

Dicks: The Musical (2023)

I chose not to save this on for the June Swoon and include it in the Genre-ary.

I’m not sure how I feel about that decision.

Dicks: The Musical is raucous, dirty, profane, obscene, potentially blasphemous, and offensive, but there were some scenes that were surprisingly full of heart and that may have won me over from completely crushing this movie in this review and, instead, hemming and hawing about the picture.

Two identical (that term being used in a non-identical way) twins, separated at birth, find each other and make lots of dick and sex jokes and innuendo. Then they try to reunite their parents who had each taken one of the boys to raise.

Yeah, there is not much of a plot here. 

If you like musicals and movies that are crude and profane, this is the film for you. I do like musicals, but, honestly, I have never been much of a fan of the real raucous and abrasive type of movies and this is one of the most brazen films of that type I have ever seen.

Honestly, I disliked the two main characters, Trevor (Aaron Jackson) and Craig (Josh Sharp). These characters are designed to be unlikeable, though. In that manner, they did a great job.

Their parents, Harris (Nathan Lane) and Evelyn (Megan Mullally), are definitely the best parts of the movie. Nathan Lane, in particular, really rises above the material and gives that standout performance that you expect from him. There is a joke with Megan Mullally’s character’s vagina that is borderline hilarious, yet amazingly offensive.

I did find the songs to be fun and catchy, albeit also obscene. 

I really did hate this for awhile, but by the end, I would be lying if I said that I did not have sort of a smile on my face. 

Tommy (1975)

Tommy, can you hear me?”

That is a repeated line throughout the rock band The Who’s film version of their rock opera Tommy. 

Tommy is a psychadelic trip of a film based on The Who’s album from 1969. 

Apparently. the film is very different than the album, with songs in different orders and others performing some of them.

The film was filled with stars including Eric Clapton, Tina Turner, Elton John, Jack Nicholson, Roger Daltrey, Keith Moon, and Pete Townshend. The music played throughout the entire film with the only dialogue being sung as well. 

It was a real bizarre film that was engaging. You had to watch this thing closely if you wanted to keep up with what was happening. ”Pinball Wizard” was easily my favorite song from the movie.

Ann-Margret played Tommy’s mother and wound up winning a Golden Globe for the role. She was also nominated for an Academy Award as Best Actress, though she did not win the award.

I did enjoy this movie, but it was not one that I would consider watching again.

Top Hat (1935)

Today’s Genre-ary DailyView musical goes back to 1935 with the iconic pairing of Fred Astaire and Ginger Rogers.

This was a classic comedy with the old mistaken identity trope was very cute and charming. Both Astaire and Rogers were very fun to watch. Their dancing was on point every time. 

There were some iconic songs that I did not know came from this. ”Cheek to Cheek,” “Top Hat, White Tie and Tail,” and “Isn’t This a Lovely Day (To Be Caught in the Rain).”

Though Astaire and Rogers were wonderful, I do think the best comedic performance of the movie was provided by Eric Blore, who played Edward Horton’s ‘man-servant’ Bates. He was just silly enough running around the film and I laughed every time.

I also enjoyed the comedic performance of Helen Broderick, who played Madge Hardwick, too. 

This was light and fun, charming as could be. I can see why Top Hat received four Academy Award nominations, including Best Picture.

Kinky Boots: the Musical (2019)

What a treat.

Today’s entry for the Genre-ary was a filmed version of the musical stage play, Kinky Boots. I found this on Vudu and I was curious about it. I only had a slight knowledge of this play and it surprised me how much I loved this.

Charlie Price (Killian Donnelly) took over his late father’s show factory and, in an attempt to save it, adjusted the plan of products into a niche market for kinky boots directed toward transvestites and drag queens. Charlie had been inspired by Lola (Matt Henry), a feisty drag queen that he met in London.

Based on a book by Harvey Fierstein, the music of Kinky Boots was written and scored by Cyndi Lauper. I did not know any of the songs from Kinky Boots, but they were catchy, energetic and thoroughly entertaining. 

The stage show was amazing. I especially enjoyed the “Everybody Say Yeah” routine with the choreography and the treadmills. It was spectacular.

I found myself feeling vey emotional at the end of the film too. I did not expect that and it was a welcome situation.

I would love to see more Broadway plays filmed in this format and available for those of us who are not near these productions. Kinky Boots: The Musical was a joy this morning.

The Best Little Whorehouse in Texas (1982)

Happy New Year to everyone. We start the new year off around EYG with our second annual Genre-ary DailyView. This year, the genre we are watching will be musicals, and we are starting off the month with The Best Little Whorehouse in Texas, starring Burt Reynolds and Dolly Parton. The movie was an adaptation of the stage play that came before it.

The Chicken Ranch was a legendary place in the county of Lanville, in Texas. It had been open for decades with nary a problem. When its iconic madam passed away, Miss Mona Stangley (Dolly Parton) took over. She had been in a side relationship with Sheriff Ed Earl Dodd (Burt Reynolds) for years. He would protect the Chicken Ranch and make sure things went well for Miss Mona.

When consumer advocate and television personality Melvin P. Thorpe (Dom DeLuise) started to investigate the Chicken Ranch, things got more troublesome for the ladies of the night. 

There is an overall silliness to this movie that, I think at times, overwhelms the film as a whole. Dolly Parton and Burt Reynolds are no doubt charismatic figures and carry a heavy load of the film. When they are on screen, everything is working. 

Dom DeLuise added an antagonist that you can really root against without being a true villain. He seemed to be doing what he believed was right, even if some of the things he did would not be considered right. Charles Durning had a memorable turn as the Texas Governor and provides one of the best, most ingenious songs of the film.

I did enjoy the duet between Dolly and Burt, “Sneakin’ Around” even if Reynolds’ voice could not necessarily match that of Parton. 

Jim Nabors was the narrator, Deputy Fred Wilkins, speaking directly to the camera as the film would go on. Nabors played the basic character he did in his other TV appearances.

While there is nothing amazing about the film, The Best Little Whorehouse in Texas does have some fun scenes and some decent music and dance routines. It may not be a standout of teh Genre-ary, but it was a fun way to start the month off.

The Color Purple (2023)

I wasn’t sure how I was going to feel about The Color Purple. I do like musicals, but I had never seen the original Color Purple (I intended to watch the 1985 film, but did not get around to it) so it was a crapshoot.

I loved this.

The performances of the actors in this movie was utterly amazing across the board. Fantasia Barrino is heartbreaking and powerful as Celie. Colman Domingo as Mister, the cruel husband of Celie, made me hate him. Taraji P. Henson as Shug Avery, the singer who got away and returned. 

But the standout of all was Danielle Brooks as Sofia. Every minute she was on screen, you could not take your eyes off of her. Her character saw every level of emotion and you could see the moments that weighed on her. Some of the things that happened to Sofia in this movie were devastating to me, as I gasped a few times. I see no way that Danielle Brooks does not receive an Academy Award nomination for this performance.

The music was very engaging and entertaining. Admittedly, I do not think there are many of the songs that are hits to listen to, but as a group of songs in a musical, they are outstanding. I was nodding my head and tapping my feet throughout the film. There may be a couple of times when the song felt like it was out of place from the emotional beat that was happening on the screen, but there were not enough of those moments to cause a problem for me.

I will admit that there were some times when I was not sure what was happening or who certain people were. For me, the transitions were not handled the best in this movie. I wondered about the passage of time because we got years listed on the screen, but the characters did not seem to have the years showing on their faces. 

However, there were so many emotional beats to the story that it had me in tears a couple of times. I was engaged with the characters and what was happening to them and I was rooting so hard for them to get what they deserved after so much tumult.

Director Blitz Bazawule brought a great eye to the shots across the runtime of the movie. Between both the dramatic sections and the musical routines, everything flowed beautifully. There was one moment of editing that the film went from black and white into color so seamlessly that it was an epic edit.

I did enjoy this musical version of The Color Purple, and I am actually pleased that I did not watch the 1985 movie prior to this because I was unsure what was coming and it made the experience all the more thrilling.

4.75 stars

Maestro

Maestro was one of the films that I have not had a chance to see in theaters, but I knew it was coming to Netflix. It has a lot of Oscar buzz about it.

I have to say that I found the two lead performances, Bradley Cooper as Leonard Bernstein and Carey Mulligan as Felicia Montealegre, electric and amazing. Both should be contenders for an Oscar, if not some of the leading choices.

However, I found the movie itself to be fairly boring.

The film looked great. I particularly enjoyed looking at the black and white section of the film when they were in the past. Bradley Cooper did a spectacular job directing this, but I just found the film lacking in a story that engaged me for most of the movie. Late in the film with Felicia dealing with cancer, the film started to pick up for me in the story department. 

Unfortunately, even with the positives that were here, I just did not enjoy this movie much. I found it dull. There are two brilliant acting performance though and if that is enough for you, then you will enjoy Maestro. I wanted more.

2.75 stars