Category Archives: Doc’s Movie Reviews

The Senior

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The Senior was a film that I had wanted to see in the theater when its run was happening, but I just could not get it to fit into the schedule. There were too many other films in its way. So now that it is on Fandango at Home (aka Vudu), I went ahead and rented the film to watch.

The movie is the true story of 59-year old linebacker Mike Flynt, who returned to college for his senior year several decades after being kicked out of school for fighting. He tried out for the football team as well, making the cut.

The real life story is inspiring and the film does a nice job of detailing it. Mike is played by Michael Chiklis, and he does a great job in the role. He is a very easy guy to cheer for and the film plays into that desire. I actually thought Mary Stuart Masterson, who played Mike’s wife Eileen, was an even more interesting character that I would have liked to have developed more.

Now, the movie definitely shares many of the typical sport movie tropes and it does not break a lot of new ground. There are some flaws in the storytelling and some moments of the story that does not work very well. However, the comeback Mike goes through and the on field football stuff works very well and leaves you feeling inspired and entertained. A better script could have made this an even better movie though.

The Senior is authentic and worth a watch. If you enjoy a typical sports redemption tale, The Senior is a good choice for you.

3.5 stars

Good Boy

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I was interested in seeing Good Boy for awhile now. It came available to rent on Fandango at Home so I gave it a try. You know what I discovered… this was a horror movie.

I knew the film starred the director’s dog, Indy, and that they did the dog scenes all with practical effects. I knew the film was from the point of view of the dog.

But I had no idea it was a horror film. That was why when the title card for SHUDDER came up, I paused and wondered to myself… SHUDDER?

Turned out, Good Boy was a supernatural horror film that put that poor dog into plenty of stressful and suspenseful situations.

According to IMDB, “A loyal dog moves to a rural family home with his owner, only to discover supernatural forces lurking in the shadows. As dark entities threaten his human companion, the brave pup must fight to protect the one he loves most.”

It was basically a haunted house film with the main protagonist being a dog. The dog does a remarkable job of making this movie. Indy clearly worked hard to get these shots. According to the film’s Wikipedia page, the film was shot over 400 days.

Indy made a very easy protagonist to support as he was everything good about dogs on display and the film looked great, including the creepy as heck mud creature in the house.

Good Boy is a quick 72 minute film with some really clever ideas and a loveable lead character. You can currently rent the film, but I would expect it to become available sooner rather than later on Shudder.

4 stars

The Hand That Rocks the Cradle (2025)

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Hulu has a new remake of the 1992 psychological thriller The Hand That Rocks the Cradle. I do not think that I ever saw the original although the plot is well known enough.

According to IMDB, “An upscale suburban mom brings a new nanny, Polly Murphy, into her home, only to discover she is not the person she claims to be.“

Mary Elizabeth Winstead does a good job as Caitlin Morales, the mother who has had her share of emotional troubles and who brings Polly into the lives of her family. Winstead is easily the best part of the film.

There is not too much more here that is worth the time. Even without seeing the original, I can tell that this is subpar in comparison. There is no way that this movie will be remembered some thirty plus years later.

The writing is low level. The contrivances are scattered throughout the film. The twist at the end was dumb and underdeveloped. The final scenes did not look good at all and took away from the intended power it wanted to have.

The characters were supposed to have lots of back issues, but none of them are developed enough to be anything more than just info that we are told about them. Because of that, I never felt the connection to either character as I was meant to.

I should watch the original some time, but I do think that if you are going to want to watch a film entitled “The Hand that Rocks the Cradle,” I would recommend you choose the original, sight unseen.

2.5 stars

A House of Dynamite

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Kathryn Bigelow won an Academy Award for the Hurt Locker. Her new thriller dropped on Netflix this weekend. It was a film called A House of Dynamite and it told its story through multiple POVs of different characters.

A normal day goes into chaos when a nuclear missile has been launched and is on its way to the United States. No one is sure where the missile came from or if it even is one, but the responses are tense and difficult.

We see this stretch of period from several different perspectives, each one revealing some new details.

The cast is exceptional. It included Rebecca Ferguson, Idris Elba, Jared Harris, Gabriel Basso, Jason Clarke, Anthony Ramos, Greta Lee, Tracy Letts, Jonah Hauer-King, and Kaitlyn Dever.

I really thought this was a strong film. I was engaged and enthralled with the story and the performances. Seeing the same scenes played out in another POV is completely amazing.

I do not want to spoil the ending, but it was a shocking thing and I am not sure how I feel about it. I understand it though.

This was a really strong film that I am glad that I watched. It is on Netflix.

4.3 stars

Terrifier 2 (2022)

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13 of The October 13

With this film, the October 13 comes to a close for 2025. For the final movie of the list, I decided to give Terrifier 2 a chance.

I had watched the original Terrifier last week as a part of the October 13, but I did not like it much. Outside of a neat new killer, Art the Clown, there wasn’t much to the film.

Terrifier 2 however takes a much different route. I did enjoy this one much more.

It started off with some brutality that made me look away from the screen a couple of times. I am not a huge fan of the graphic blood and gore in the franchise, but that is something that I have never been much of a fan of.

What was different with this movie compared to the first one was the protagonists. Sienna (Lauren LaVera) and her younger brother Jonathan (Elliott Fullam) were two characters that I really enjoyed. I thought both of them had much more development than any character in the original and I wanted to see them survive the movie. It was nice to have some characters to root for.

Now, the third act was weird and magically bizarre and I am not sure if I loved how things happened, although the conclusion to the movie was oddly satisfying.

I did like this film better than the first one. It was still too long, but I was cheering for Sienna and Jonathan the whole time. Maybe I can watch Terrifier 3 for next year’s October 13.

Shelby Oaks

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I was excited to see the horror film Shelby Oaks because the director/writer of the movie was YouTube movie reviewer Chris Stuckmann, who I have liked for many years. I know this was a passion project that he raised funds for with Kickstarter and I like seeing someone accomplish a goal.

According to IMDB, “A woman’s desperate search for her long-lost sister falls into obsession upon realizing that the imaginary demon from their childhood may have been real.”

The movie started off like it was a documentary, talking about Riley (Sarah Durn) and her crew at the YouTube channel, Paranoid Paranormal, had disappeared after arriving in the town of Shelby Oaks. Riley’s sister Mia (Camille Sullivan) investigated the disappearance, which was eventually tied to something from the sister’s past.

The chunk of the movie was engaging. There music cues were very successful in creating some tension where necessary. I really enjoyed the documentary style that started the film off. It was quite a chunk of time in this format before the title card came along. I thought that the documentary format was mor compelling than the middle section of the movie, though I did enjoy most of it.

I will say that I was fairly disappointed with the ending of the film. I did not feel a satisfaction with how things were resolved and it weakened a solid effort prior to it.

I was impressed with Stuckmann’s directorial debut as there were several good scenes and shots through the film. The film looked really good too.

Overall, I think it was a good debut from Stuckmann and it is something that he can always be proud of completing. I do think there are better movies in his future, but Shelby Oaks was wacthable.

3.5 stars

Springsteen: Deliver Me From Nowhere

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The latest big time musician biopic was released this weekend, with The Bear’s Jeremy Allen White taking the stage as Bruce Springsteen.

The film takes a certain part of Springsteen’s life, specifically the time he was working on recording his album Nebraska, and tells the story of that period. There are flashbacks to Bruce as a child with his alcoholic/abusive father, but the main emphasis of the film is getting Nebraska written, recorded and released.

Jeremy Allen White is spectacular as Springsteen. He gives a sensational performance as The Boss, going as far as doing his own singing for the role. He really does sound like a young version of Springsteen. I would also like to shout out the performance of Jeremy Strong, who played Jon Landau, Bruce’s friend and manager. Strong is always great and he puts in a very subtle and workmanlike performance here.

The music is great. It was odd at first as the music did not seem to include any Springsteen songs as had Lucille by Chuck Berry and Urgent by Foreigner. The first scene we see is Bruce playing Born to Run, so there was that. The Springsteen music does come over the course of the movie.

The film’s script deals heavily with the depression that Springsteen was dealing with, something that he has dealt with over his life. Springsteen made Nebraska as a very personal record and the songs all meant something to him, which was why he could not compromise with them.

I do think the film felt a little long, as some of the scenes became repetitive. There was a storyline with Springsteen and a girlfriend at the time, Faye Romano (Odessa Young). This was an interesting storyline and did not show Bruce in the best light. I liked Faye and I have to say that I was rooting for her.

I think Springsteen fans will love the movie while those who are just there for the film itself may find it a touch dull. I would not say that I am a Springsteen fan, but I do like him so I was entertained enough. I definitely think that the performance of Jeremy Allen White was better than the movie itself.

3.6 stars

The Uninspired (2009)

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12 of The October 13

I had high hopes for this film.

The Uninspired was based on Kim Jee-Woo’s 2003 Korean horror film, A Tale of Two Sisters. I have never seen that film so I did not have to worry about a comparison.

According to IMDB, “Anna returns home after a stint in a mental hospital, but her recovery is jeopardized by her father’s new girlfriend and ghastly visions of her dead mother.“

I started with this movie and I was intrigued with what it was laying out. There was kept its story close to the vest at the beginning, and I liked the very beginning of the film. Then, it seemed to take a shift into a situation with a manipulative girlfriend that we’d seen many times before.

Sadly, that middle part of the movie was so dumb that the film skidded to a halt. It became nonsensical several times. Then, in the third act, the film went completely off the rails as the film tried to pull a poor man’s Sixth Sense twist that really did not work… at all. I found it to be totally ridiculous and it did not make any sense, nor did they care that it did not.

I was really disappointed with the film.

Vampyr (1932)

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11 of the October 13

In all honesty, I am not sure I have any idea of what happened in this movie.

The October 13 headed back to 1932, thanks to HBO Max, for a black and white gothic horror movie entitled Vampyr.

It is bizarre, wild, disorienting and nightmarish. And I am not sure I know what happened.

According to IMDB, “A drifter obsessed with the supernatural stumbles upon an inn where a severely ill adolescent girl is slowly becoming a vampire.”

The info drop they present us with included a lot of details that we have not seen in vampire stories before, which is fine, but it was a little difficult to follow.

The visuals of this movie, especially the odd out-of-body experience that our main protagonist, Allan Gray went through happened without any explanation at all. The death of the doctor at the end of the film, smothered in flour, was also as weird of an ending as you could expect. Then, Gray and Giséle, who had been kidnapped by the doctor, were on a boat.

It all feels more like a fever dream than anything else.

Isle of the Dead (1945)

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10 of the October 13

With this year’s October 13, most of the films have been from the last 10-15 years. I wanted to find something older to add to the list, so I went to HBO Max and found a film from 1945 featuring EYG Hall of Famer Boris Karloff called Isle of the Dead.

According to IMDB, “On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn’t enough worry, one of the people, a superstitious old peasant woman, suspects one young girl of being a vampiric kind of demon called a vorvolaka“

The film was a slow burn for much of the runtime, as the characters stuck on the island began to fall from the plague. However, once the identity of the “vorvolaka” was revealed and she went on her spree in the end of the film, the story picked up rapidly.

Boris Karloff gives a great performance as General Nikolas Pherides. The General was very much suspicious of Thea (Ellen Drew) and the combination of the sickness and his own paranoia led to a madness gripping him. Karloff was definitely the stand out of the actors involved.

The music of the score worked extremely well, creating a sufficient feel for each scene.

The story was simple and the horror did elevate near the third act. With a strong performance from an iconic horror actor, Isle of the Dead ended on a strong note.

Hell House LLC II: The Abaddon Hotel (2018)

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9 of the October 13

This is the third Hell House film that I have seen. I have not gone in any specific order. I started with the original Hell House film and then, for the October 13 for 2024, I watched the Hell House LLC: Origins film.

This, the first sequel to the original, has been on my queue on Amazon Prime for quite awhile now.

The film had some moments to it, but it was a step down from the other Hell House films that I have seen. The found footage/documentary format does work well for this series. This film added the “Morning Mysteries” talk show idea to help build the suspense of what was going on.

However, the twist at the end was laughable. There were good moments leading into this, but none of them would be as remembered as this horrific ending twist. It is perhaps one of the worst ending sequences I have seen in a long time.

Even if I had been engaged with the film up until the ending, that would have truly wrecked it. As it is, I was mildly interested in the film prior to this, but it took a major nose dive after that.

Terrifier (2016)

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8 of the October 13

I have avoided the Terrifier franchise up until this point. I figured that I could include this in the October 13 this year since I found them available on Peacock. I have always enjoyed a good killer clown.

Of course, I much prefer Pennywise to Art the Clown.

I did like the design of the character of Art the Clown. He looked good. After that though, I was not much of a fan of this movie.

The biggest problem was that none of these characters, including Art, meant anything to me. There was really no story to the film. Sure, most slasher films have a limited amount of story, but there usually is something. This was lacking completely.

The killings were gruesome and had a bit of humor to them. I had to roll my eyes at the hacksaw killing because of how impossible it would be. If you know, you know. It felt as if the gore was the only thing that Terrifier had going for it.

The ending in the morgue made no sense as there had been zero hints prior that Art was anything more than just a kook in a clown mask.

While Terrifier was just 1 hour and 25 minutes long, the sequel expanded to a whopping 2 hours and 25 minutes, which will probably prevent me from watching it any time soon. The first film did not inspire me to want to invest that long into a second taste of Art the Clown.

Strange Frequencies: Taiwan Killer Hospital (2024)

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7 of The October 13

For the next film in the October 13 this year, I went to Netflix for a 2024 Philippine found footage film based on a Korean film from 2018 called Gonijam: Haunted Asylum.

According to IMDB, “Reality TV stars face mounting supernatural horrors while filming at haunted Xinglin Hospital in Taiwan. As paranormal activity intensifies, group dynamics crumble and a dark force manipulates their survival choices.“

The idea of a group of online celebrities doing a livestream inside a horrendous haunted asylum and streaming their eventual deaths across the internet does not sound like a situation that is improbable. In fact, I could see something like this taking place in the world of YouTube today.

It seemed as if most of these actors were playing some form of themselves during the film. They all did an exceptional job of creating tension and anxiety through their outright terror and panic to escape the horrors that they were facing.

A few of the deaths were terrible, including the ones that were more quiet, like Zarck, who appears to have caught some kind of deadly virus and he was breaking our in scabs and growths.

While a lot of the dialogue was members of the team just calling out each other’s names (aka “ALEXA!”, “QUEN!” etc.), it built that feeling of confusion and hysteria.

This was a good use of the found footage subgenre and the movie had some interesting comments to make on the online community. The responses to the live stream on the side of the screen were very realistic.

The Devil’s Candy (2015)

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6 of The October 13

I had never heard of this movie before, but after seeing Dangerous Animals, directed by Sean Byrne, I saw on his IMDB page that he had done another horror film called The Devil’s Candy. I was impressed enough with the Dangerous Animals movie, that I looked into this movie. It had a 93% on Rotten Tomatoes and was available on Shudder.

With the positives, I added it to the possible films for the October 13 this year. I just watched it and it was a frightening thriller with some solid performances.

According to IMDB, “Metal music, paint, and family are the passions of struggling painter, Jesse, who lives a happy life with his wife, and daughter. Things look brighter when Jesse finds a huge old house, in rural Texas, selling at a very low price, due to its mysterious past. They move in and Jesse converts the barn into a studio. But soon, his work starts taking on a new, darker flavour – and things get even more ominous when the hulking, unbalanced son of the former owners appears on the doorstep. Jesse’s family won’t be safe until they find a way to quiet the Devil himself.“

Pruitt Taylor Vince played Ray Smilie, who lived in the house before. His presence in the film was disturbing every second he was on screen. You felt for him at first, but that does not last long as he begins to do some horrendous things.

The tone of this movie was so uneasy, filled with tension that you were never really sure where the film was heading next and whether or not this was going to turn out to be a positive ending. I like that kind of film and the mood was truly ramped up.

Byrne does a great job directing this and you can see where his storytelling highlights the important details in the film. He is one of our new voices in horror with a couple huge successes under his belt.

Good Fortune

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I was not excited about this movie. I was not a fan of the trailers that I had seen and I found the performance of Keanu Reeves to be weird.

However, after watching the full movie, and seeing Keanu Reeves’ performance in context, I understand what he was doing much more.

Accordsing to IMDB, “In Good Fortune, Ansari plays a down-on-his-luck guy who is working myriad jobs. He’s called by his friend (played by Seth Rogen), who lives in the Hollywood Hills, to do various jobs for him – put in a disco floor, fix the pool heater. Keanu Reeves “valley” angel makes it so Rogen’s rich guy situation is swapped with Ansari, so the latter has the former’s life.”

I had wondered why Keanu was playing this character in such a one note feel. After seeing the film, I understand that he is playing an angel who was never a human being, so he did not have the emotions that one might expect. Because of that, I do think I readjusted my opinions.

The film had a simple story, and was well written. It avoided some of the typical tropes of this type of film, especially the arc taken by Keanu’s Gabriel. There was some good humor here. I really liked Seth Rogen’s work in this movie. Aziz Ansari’s performance was not as great for me, but he was fine.

It is amazing that the performance of Keanu Reeves, which made me iffy about the film from the trailers, turned out to be the best part of this movie. I think Good Fortune is a good time and a fun watch.

3.75 stars