Tag Archives: film

Thunderbolts *

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The newest Marvel Studios film arrived in theaters tonight and took a risk. It featured a group of b-list characters from other films and TV shows and put them front and center. And it was glorious.

Yelena (Florence Pugh) was feeling alone and depressed with the state of her life. She was tired of just receiving another mission from Valentina Allegra de Fontaine (Julia Louis-Dreyfus). When Yelena accepted one final mission for Valentina, things go astray. She met up with a group of ragtag mercs including John Walker (Wyatt Russell), Ghost (Hannah John-Kamen), and Taskmaster (Olga Kurylenko) who all had missions to eliminate the others.

However, while they were there, they also met Bob (Lewis Pullman), a mysterious figure that did not remember why he was there.

Add Bucky Barnes (Sebastian Stan) and Red Guardian (David Harbour) and the Thunderbolts are together.

This was great. It felt like a different style of Marvel movie. Sure there was action, and it was great, but the writing and the story was rich and complex. We saw details behind these characters that you do not usually see in the MCU. These people were broken and they were going through the motions trying to find a purpose.

The allegory for mental health is clear as several of these characters could be considered depressed from the way their lives have gone. It really is a well balanced story, with character development, humor, action, and some of the best chemistry the MCU has seen in awhile.

This cast is just tremendous with the material they were given. Florence Pugh is a movie star. She is such an amazing actor and this is an amazing performance. I understood everything that she was feeling and Pugh was able to show the whole range of emotions for the sister of the Black Widow. Lewis Pullman is exceptional as Bob, aka Sentry. He is one of the most original characters in the MCU and I think the future is really bright for him.

David Harbour is unbelievable in this film. He provides some of the best comedic lines of the film, but there is an argument to be made that he is also the heart of the Thunderbolts. He is not just a buffoon. He is more than that.

Julia Louis-Dreyfus got some very meaty stuff to do in this film. This is easily the best she has done since entering the MCU in The Falcon and Winter Soldier on Disney +. I would also say that Wyatt Russell’s work as John Walker really built on the job he did on that TV show.

It was over a two-hour movie, but, for me, it flew by. I could not believe that we were arriving in the final scenes of the movie as it just did not feel like that much time had passes. It was wonderfully directed and paced by Jake Schreier, who directed the Netflix series Beef.

The final act of the film was considerably different than the normal MCU film and I found it to be extremely emotional. I loved how they wrapped up this story.

There are two post credit scenes that you must not skip. The first one was a fun scene but the second one elicited applause from my audience.

I love the Thunderbolts* (and the meaning of the asterisk is revealed) and this was such a great film. These characters are nowhere near the peak Marvel characters, but it goes to show you that if you have good writing and a great cast, you can accomplish anything. This is a fabulous film that I am excited to see again.

5 stars

By the way, the IMAX theater I was in had a countdown before the movie like it always did, except this one was all about the Fantastic Four, including the music from the trailer. I literally had goosebumps when the countdown finished and all it included was the numbers 10 to 1. It was special.

Light & Magic S2 E2

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Spoilers

“There Must Be A Better Way…”

The second episode of the second season of Light & Magic on Disney + featured heavily on the transition from practical effects to that of digital recording and the way in which ILM lead the way in the field of digital special effects.

It started out talking about the elephant in the room, Jar Jar Binks.

Jar Jar is one of the most hated of Star Wars characters among a certain section of the fandom, but the doc looked at the creation of the character. They spoke to Jar Jar actor, Ahmed Best, who was not taking the criticism and anger of the character well. The comments of Jar Jar being a racist character or filled of racist tropes was difficult for him to hear. It got so bad that he told a story about him going on a bridge in New York with the intent of “showing them” how much it affected him. This story of a man having suicidal thoughts over the creation of a movie character was very powerful as was the resolution of the story. It made me think about my own feelings toward Jar Jar.

I was impressed with how much of the negative thoughts and criticisms this doc dealt with. They could have easily brushed that under the rug, but the doc still showed the push back ILM received for its motion capture and digital film from the movie society in general.

The doc spent some time showing how they were involved in the creation of digital tornados for films such as Jumanji and Twister as well as the massive wave from A Perfect Storm.

They spent a good deal of time telling about how they transitioned from Yoda being a puppet as he was in the original trilogy to more of a digital character and then eventually to a point where Yoda could have a lightsaber fight with Count Dooku in Attack of the Clones. One of the more fascinating parts of that section of the show was seeing how Frank Oz, who was puppeteering and voice Yoda, went through so much trouble and challenges with this extremely heavy puppet that he had to hold up with his right arm.

There is one more episode of season two to go. My guess is that it will focus in on Revenge of the Sith.

The Legend of Ochi

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A24 is an active and extremely busy movie studio, releasing all kinds of different movies. One of the newest releases from the studio is a fantasy/adventure that plays like a fairy tail in The Legend of Ochi.

Shot on location in Romania, The Legend of Ochi looks beautiful and the creatures known as the ochi are amazingly constructed in one of the best uses of practical effects in years. The creatures, in particular our little lead character, are marvelous and shows that you can still create something stunning and effective without a bunch of CGI.

According to IMBD, “A young girl named Yuri is raised to fear the reclusive forest creatures known as the ochi. However, when she discovers a baby ochi left behind by its pack, she embarks on a perilous journey to reunite the creature with its family. As Yuri ventures deeper into the forest, she faces dangerous challenges and learns valuable lessons about courage, friendship, and the importance of protecting nature.”

The performance of young actor Helena Zengel is very impressive as Yuri and she effectively carries the bulk of this film on her shoulders. She does an admirable job interacting with the puppet ochi as it travels around on her back and in her company.

There are two well known faces involved in the film. Willem Dafoe played Yuri’s father Maxim and Finn Wolfhard is Petro, a boy who is taken in by her father. Dafoe is his usually wonderful self as this father whose anger about his life is transferred into his hatred for these ochi creatures. He trained these children that are in his care as a military unit to hunt the ochi.

I did like the background story of Maxim and I thought his arc of the movie was very soldi. He had some great scenes with Emily Watson, who played Dasha, Yuri’s absent mother.

There are some weird things happening here, but it had that ET feel combined with a A24 horror film. The Legend of Ochi was a fun film with a nice story.

3.8 stars

The Accountant 2

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The first Accountant movie with Ben Affleck was fine, but not one of my favorite movies. I never thought it needed a sequel so when the announcement of The Accountant 2 was made, it did not make my list of anticipated movies.

I do believe that I liked this movie more than I did the original, but there are plenty of flaws here. Honestly, there is only one thing that made this an enjoyable time at the movie theater: The relationship between Be Affleck’s Christian Wolff and his brother, Braxton, played by Jon Bernthal.

According to IMDB, “When her former boss is killed by unknown assassins, Treasury Agent Marybeth Medina (Cynthia Addai-Robinson) is forced to contact Christian Wolff (Affleck) to solve the murder. With the help of his estranged but highly lethal brother Brax (Jon Bernthal), Chris applies his brilliant mind and less-than-legal methods to piece together the unsolved puzzle. As they get closer to the truth, the trio draw the attention of some of the most ruthless killers alive — all intent on putting a stop to their search.“

I have a definite idea that had Jon Bernthal not been in this movie, I would not have liked it. I did not find the plot to be engaging, and it was fairly ham-fisted. The action was fine, but nothing that we haven’t seen before.

The key to this movie was the exceptional interaction between two actors at the top of their game. Affleck and Bernthal had remarkable chemistry and every moment they were on screen together was electric. Especially the scenes where they are not shooting things up. It almost had an action buddy cop type of feel for The Accountant 2, and I was here for that.

It did feel too long, but the scenes with the two leads really pulled this forward. I should also shout out the work of Cynthia Addai-Robinson, who made for a solid third in the story.

Overall, I thought this was a solid action movie with a great lead pairing between two exceptional actors. These actors elevated the material around them to a level where I found myself engaged instead of checked out.

3.7 stars

Sinners

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Ryan Coogler has been hugely successful as a director. From his debut with Fruitville Station to his forays into the MCU with Black Panther to his entries in the Rocky franchise with Creed, Coogler has been a winner. Coogler decided to tackle the vampire genre with his new film Sinners, but there is so much more than just a vampire flick.

Conceivably, you could call this a Vampire musical. I was not expecting that.

According to IMDB, “Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.”

I can see some people feeling that this movie is slow, and there is no doubt that the film takes the first hour or so of the run time to do lots of background. It absolutely takes its time to get to the vampire, and, while I was sitting in the theater, it did feel its length at times, what came after was worth it, and that first hour or so did make a difference with the deaths that followed.

Michael B. Jordon was wonderful in this dual role, as Smoke and Stack. You felt the connection between the twin brothers and Jordon does such a good job that there were a couple of times I questioned that it was him doing both parts.

What I did not expect was how much this was tied in with music, particularly with the Blues. Some of the musical numbers were amazingly complex and choreographed and a couple of them were downright surreal. I watched the one dance routine with spirits from the past, present and future with a shocked disbelief.

One of the best performances came from the debut of Miles Caton, who played Sammie. His character really made me think about Robert Johnson and the legend surrounding his life and career. Sammie was a phenom on the guitar, but his music seemingly brought forth the vampires. Caton was an impressive actor in this film.

The story was brutal and emotional, pulling on heartstrings of the different characters, providing pain and anguish as well as some joy of the music and being together.

Sinners is a challenging watch, but it is a worthwhile one, marking yet another win for Ryan Coogler.

4.3 stars

A Minecraft Movie

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My teacher buddy Ambarlee stopped by my classroom Monday morning and she told me that she went to A Minecraft Movie over the weekend and she loved it. When I said I was going Wednesday morning and not looking forward to it, she said that she was watching her middle child and there was so much joy on his face that it made it so much better for her. Sadly, I had no child’s face to stare at when I watched this thing. I am sure I would rather be watching a child’s face than this movie.

According to IMDB, “Four misfits are suddenly pulled through a mysterious portal into a bizarre cubic wonderland that thrives on imagination. To get back home they’ll have to master this world while embarking on a quest with an unexpected expert crafter.”

I do like Jack Black and Jason Momoa. They are reasonably likable characters here… well, at least, they are likable representation of themselves. I always enjoyed when Jack Black would break into song in A Minecraft movie. Black is a full-fledged entertainer.

After that, there is little in this movie that I enjoyed. I found the story repetitive and dull. The comedy missed way more than it hit. There were a few moments were I found myself laughing, but they were few and far between.

I was not a fan of the manner in which the story was told nor did I think the film looked that great. It absolutely had a feel like a video game where the background was cartoonish. I am not sure what the whole Jennifer Coolidge sections were about, though Coolidge is another actor that I like, but her entire story arc was unnecessary.

This was a dumb movie that especially young audiences might enjoy, especially those that have spent hours playing the game this movie was based on. This was not for me. I went in with a low level of expectations and the film struggled to reach them. A Minecraft Movie made a massive amount at the box office this weekend (though my Wednesday morning showing at Phoenix Theaters was empty except for me) and this will undoubtedly be a major success. I wish it was a better movie.

1.75 stars

O’Dessa

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Haven’t had a rock opera in awhile.

Well, there is one on Hulu right now starring Stranger Things star Sadie Sink. It is called O’Dessa and it is something. I feel as if I should sit with this one awhile.

Sadie Sink played the titular character O’Dessa Galloway, a young farm girl who takes her father’s guitar and set off to become a rambler, a traveling musician, like her father. Along the way, she met Euri Dervish (Kelvin Harrison Jr) and she fell in love with him. O’Dessa must overcome series of obstacles in the way of their love to play one song for the world.

There are things that this movie does extremely well and things that it does poorly. It is definitely a mixed bag for me. Starting with the positives, Sadie Sink is absolutely the star of this movie and she showed that she has a bright career after her days in Hawkins, Indiana come to a close. She has amazing charisma and displays a lot of talent, elevating the movie above what the script gives her.

That script is one of the weaknesses of the film as there is not much there below the surface area of plot and character development.

As I mentioned in my recent review of Disney’s Snow White remake, the music in O’Dessa is entertaining and, in the moment, I enjoyed it, but I am not sure that I will remember any of the songs and it did not inspire me to go buy it on Apple Music. So that is a push. I enjoyed listening to the music during the film, but it does not occupy a place in my head as great musicals would.

The post-apocalyptic world is an interesting mishmash of styles and imagery. Some areas felt like the world of “Fallout” while others feature technology and neon energy such as Blade Runner. It felt as if there should have been one or the other.

Regina Hall and Murray Bartlett appear as a couple of villainous characters that do not have much more than the villainy that they commit. Both are outstanding actors that bring more to their roles than what was on the page. The ending segment with Sadie Sink and Murray Bartlett was engaging and thrilling even if there was not a ton of depth to the characters. I truly believe that this is because of the skill of these actors.

Overall, I would give O’Dessa a slight positive as the best parts outweighed the weaknesses and the music is passable enough for an under two hour film. I do not think this will be a cult favorite though which is what it should have strived for.

3.1 stars

Locked

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I had not heard about this movie until I saw a mention of it on TikTok. Starring Bill Skarsgård and Anthony Hopkins, this reminded me quite a bit of Phone Booth, with Colin Farrell, but with a car.

Eddie Barrish (Bill Skarsgård) was a man struggling to get his life on track. His van was in the shop and he did not have the money to pay to get it fixed and he could not keep his promises to pick up his daughter, Sarah (Ashley Cartwright) after school.

In an attempt to get the money he needed, Eddie was in search of a car that might be open where he could steal the money he needed. He was not stealing cars, just looking for stuff he could steal inside.

When he comes across a wealthy looking car unlocked in a parking lot, Eddie thinks he has struck it rich. That is until he realizes that he can not get back out of the car. He is locked inside. And a phone line from the car is ringing, demanding that he answer it.

When Eddie can’t take the ring any longer, he answers the phone to discover that the car’s owner, William (Anthony Hopkins) is on the other end and this car was a trap to punish anyone trying to rob it. William then tortures Eddie for several days in several hard to buy scenarios in an attempt for justice. Eddie does not know how deep the anger goes inside William.

I am of two minds with this one. While I like the idea and the execution, some of the things going down are hard to accept as possible. The electrified seats, the bullet proof glass, and the cameras everywhere were all accepted as part of the trap. I kept thinking that there had to be a way out of this car and that made it tough for me to accept the premise.

Bill Skarsgård, however, does a fantastic job as Eddie. Eddie goes through the ringer here, both physically and emotionally. This is one of the rare films that Bill Skarsgård has done where we can see his face, and he does not disappoint. His character is filled with all kinds of emotion and guilt over the life that he has chosen and his own failures as a man and a father. He clearly loves his daughter, even while letting her down consistently.

There just felt like there was something that did not work in this movie for me, and, I can’t believe I’m going to say this, but I think it was Anthony Hopkins. He is a master at acting, but I just did not feel like he was cast properly in this role. I found his dialogue to be clunky and all over the place, lacking that taut delivery of some of his other classic villains. The film want this to be a morality tale, but it takes too long to get to the reasoning behind the trap and I found Hopkins to be more annoying than sinister.

The drama is well done and the scenes with the car in motion are both ridiculous and suspenseful at the same time. There is a scene with a slow motion deflecting bullet that is kind of laughable, but most of the action is good.

I do think the performance of Bill Skarsgård is worth the price of admission alone. Locked felt too long, even at just over 90 minutes, but what worked in the film worked well.

3 stars

The Electric State

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What do you expect for a budget of $320 million? A good movie?

The Electric State, based on a 2018 graphic novel, is one of the most expensive Netflix movies ever made, and to be fair, you can see the money on the screen with some tremendous special effects. However, there is not much of anything else in the film and it just lacked any kind of heart, any type of spark.

Joe and Anthony Russo directed the film, reteaming with writers Christopher Markus and Stephen McFeely from their MCU days. They worked together on Captain America: Winter Soldier, Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame. Those are classic Marvel films. This one is not those.

According to IMDB, “With humans isolated in their VR helmets and a continuing battle against a strange breed of monstruous drones in the wake of a technological meltdown, a teenage girl named Michelle and a robot travel the West Coast of the U.S in search of the girl’s missing brother.“

One thing for sure, this movie has an astounding cast. Starring Millie Bobby Brown and Chris Pratt, the film also featured either live action or voice over performances from Stanley Tucci, Woody Norman, Woody Harrelson, Alan Tudyk, Jason Alexander, Holly Hunter, Tuc Watkins, Giancarlo Esposito, Ke Huy Quan, Colman Domingo, Anthony Mackie, Hank Azaria, Rob Gronkowski, Brian Cox, Jenny Slate, Greg Cromer, and Kurt Loder.

Despite the loaded cast, this movie was a slog, taking pieces that we have seen from other films and mashing them together into a lesser contraption.

I immediately was pulled out when one of the characters was Mister Peanut. Yes, Mister Peanut from Planters. The character design of the robots, almost all of the robots, was so childish and cartoonish that I had no connection to them at all.

The biggest problem with that is that the robots did not fit with the tone being set up in this movie. Had this been a satire or a straight up action/comedy, maybe these robots would have worked, but this movie tried to be a serious film with sprinkling of humor throughout, and it did not work. Had this movie really embraced the ridiculousness of the film, it might have been a much better movie.

While there is a great cast, there is not any characters with any depth to them at all. They are all, with the possible exception of Millie Bobby Brown, one-dimensional characters that lack any real development through the film. Chris Pratt played the same character that he has played in many different movies. How are you supposed to give character development to Mister Peanut?

Electric State missed the mark badly. It had a chance to do something new and different, but slipped back into the most cliched story you could expect and just could not nail the tone. It tried to be too many different things and failed at all of them. A real disappointment. Hope the Russos do a better job with Avengers: Doomsday and Avengers: Secret Wars over the next few years.

1.2 stars

The Day the Earth Blew Up: A Looney Tunes Movie

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I do love the Looney Tunes. However, to be fair, Bugs Bunny is my favorite character. I was wearing my Bugs Bunny shirt when I went to see the new WB Animation movie The Day the Earth Blew Up: A Looney Tunes Movie. I knew that Daffy Duck and Porky Pig were the leads of the flick, but I was still hoping for a Bugs Bunny cameo. Unfortunately that did not happen.

Despite the disappointment over the lack of the rascally rabbit, I had fun with the feature-length animated film. There were some moments that I did not love, but, for the most part, this was a good time and the Looney Tunes remain a classic cartoon.

According to IMDB, “Porky and Daffy, the classic animated odd couple, turn into unlikely heroes when their antics at the local bubble gum factory uncover a secret alien mind control plot. Against all odds, the two are determined to save their town (and the world!)…that is if they don’t drive each other crazy in the process.”

The early years with Daffy and Porky being raised by Farmer Jim were wonderful. The way the movie presented Farmer Jim was something special. I found every minute of Farmer Jim to be hilarious, and the different animation style on the character was perfect.

The film really is of two parts. The first part is dealing with the dangerous chewing gum, and the second part switches things up and has to deal with a planet wide emergency, both situations featured Daffy and Porky smack dab in the middle.

The voice acting was solid from a group of voice over actors that may not be known names, but who had plenty of experience to bring great work. They include Eric Bauza (both Porky and Daffy), Candi Milo, Peter MacNicol, Fred Tatasciore, Laraine Newman, Wayne Knight, Ruth Clampett, Kimberly Brooks, Keith Ferguson, and Peter Browngardt.

The Looney Tunes certainly have a place in today’s animated films and this should show that. I want Bugs Bunny next time, though.

3.75 stars

Mickey 17

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Academy Award winning director/writer Bong Joon Ho (Parasite, Snowpiercer, Okja) is back with his new film released this weekend after several delays, Mickey 17, based on a novel named Mickey 7 by Edward Ashton. Mickey 17 is a mix of sci-fi/dark comedy/drama/satire/fantasy-adventure. Unfortunately, these genres are not combined well and are at odds with the others more times than not.

Mickey 17 tells the story of a man named Mickey Barnes (Robert Pattinson), who, in order to escape earth and a loan shark who is after him, volunteers to be an expendable, a person they give the bad jobs to and, if something tragic happens, they clone the expendable and replace his memories.

Which is where the 17 comes from in the title. The seventeenth version of Mickey is the one we are with during the brunt of the beginning of the film. Then something unexpected happened and they wind up creating Mickey 18, even though Mickey 17 was not yet dead.

While I feel that there were several problems with the movie, I did not hate this. In fact, I am kind of on the fence about it. Some of the stronger parts of the film is certainly the performance of Robert Pattinson. His work as both Mickeys was extremely strong, as he was able to create two distinct characters, even though they were meant to be the same person. I am not sure why Mickey 18 turned out to be as different from Mickey 17 as he did, which was something the film did not go into.

The first part of the film was very intriguing. I liked the sci-fi elements to the story, especially the ones between 17 and 18 in the early part of the film.

The film looked great. The CGI was spectacular and you could see the wonderful eye of director Bong Joon Ho.

However, the film was not that funny, with most of the humor falling flat. I did not enjoy the performance of Mark Ruffalo, who was clearly doing a satirical take on Donald Trump. I am not a Trump fan, and I believe there is plenty of area available for parody, but this was just so over-the-top and blatant that it lacked any subtlety at all. Plus the character played by Ruffalo is such a one-note villain that it felt too cartoonish for the rest of the film. Toni Collette, who played the wife of Ruffalo’s character, was better, but she was similarly one dimensional. Her whole obsession with “sauce” made little sense in the overall film.

Several characters and moments were introduced only to never really have a payoff. I love Steven Yeun (Walking Dead), but his character was inconsistent for me and his storyline felt like it was added to get Steven Yeun into the movie. It felt like it could have been removed completely without any massive change to the story.

It was also 2 hours and 17 minutes long, which is not a bad thing necessarily, but it did feel its length during the film. The last part of the movie was chaotic and strange and I am not sure how well it worked. I do like the big swings with the oddity of a film that this is, but it just did not feel to be a cohesive narrative with a consistent tone.

I think some of the ideas in Mickey 17 are extremely great and could have made a better movie than what this turned out to be. For me, I came out of the theater with a meh feel after having some high hopes heading in. As I said, it is not a bad movie. It does not come anywhere near Parasite or Snowpiercer.

2.9 stars

Dog Man

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With a day off school for weather, I had a chance to watch Dog Man on Fandango at Home (Vudu). Dog Man was a movie that I was avoiding at the theaters because it just did not look like something that would intrigue me. The trailers did nothing for the film in my opinion and, even after some positive reviews, I did not care to watch it.

So when I rented Dog Man, I was not especially anxious to see it.

I have to say, this was a movie that I found much more enjoyable than I ever expected it to be.

The film kicked off with the origin of Dog Man, and set up his rivalry with the evil cat, Petey (Pete Davidson). With pressure from Chief (Lil Rel Howery) and the Mayor (Cheri Oteri), Dog Man was chasing Petey, and every time Dog Man would catch him, Petey would escape from the Cat Prison. Everything changed when Petey decided to clone himself.

The script of this movie was pretty good, as it told the story of what was going on, but also reveled in a ton of meta filmmaking. There were tons of jokes about the movie, the style, the animation, and about the tropes that were actually quite funny. They were jokes that worked much better in context than they did during the trailers, which always seemed to be painfully unfunny.

The look of the animation was original and creative. I thought this looked really good and kept my focus on the screen.

I am sure that the target audience for this movie, of which I am not one, would find this incredibly entertaining. I would go as far as to say that I was entertained as well. This had some jokes for me as an adult mixed in with the jokes for the youth. They worked well together.

It is very sweet, maybe even too sweet at times.

I am happy that I was able to watch Dog Man. It was much better than I thought it would be. I would highly recommend it to any families out there looking for some funny family fare that everyone will enjoy.

3.6 stars

Oscar Winners

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Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

2025 Oscar Live-action and Animated Shorts

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I was able to see the five Academy Award nominated Live-action shorts and the five animated shorts today at Cinemark. I look forward to this every year, getting the chance to see these well deserving films. I was under a time constraint today thanks to the WWE Elimination Chamber, but it was able to fit nicely in.

Live-Action Shorts.

I am going to list these in order of my favorite. I will also give you which one I think will win the Oscar. Spoiler, my favorite animation short is not the one that I am predicting will win the Academy Award.

#5. The Man Who Could Not Remain Silent. From Croatia. Honestly, this was my least favorite of the films I saw today. It felt like it was doing something special, but it just seemed to end and I did not like the conclusion of the film.

#4. Anuja. India. I liked this short. The actress playing Anuja does a great job with the talented young girl, but the ending of this one was left fairly uncertain and I wanted more closure.

#3. I’m Not a Robot. Netherlands/Belgium. This sci-fi short was very clever. Started off with some good humor, but developed into an obsession. I did not know that the CAPTCHA could identify robots in other ways. This was an enjoyable short.

#2. The Last Ranger. South Africa. A remarkably powerful short film detailing poachers targeting rhino horns. There are some really emotional moments in this short and the performance by Liyabona Mroqoza is riveting. I just about put this at number one, but…

#1. A Lien. USA. Man this was a tough short to watch. A young couple and their daughter heads down to have the husband’s green card meeting and ICE is there. The emotion, the fear, the anger and frustration jumps off the screen in this short.

A Lien gets my pick as the winner for the Academy Award for Best Live-Action Short.

Animated Shorts

I did enjoy the Live-Action shorts overall more than the Animated ones, but these were all pretty decent too.

#5. Wander to Wonder. Netherlands/Belgium/France. This was such a bizarre short. Wander to Wonder was a kiddie show at one point but things have become really dark. It was truly disturbing and weird.

#4. Beautiful Men. Netherlands/Belgium/France. Three brothers who were hoping to get a hair transplant surgery, have to face their problems and their insecurities. I thought this was a good short with some solid characteristic development.

#3. Magic Candies. Japan. This one felt like it was just too long. There was a scene in this film, where the young boy had some magic candy and it led to a nice moment with his father. That should have been the end, but then the short continued on. It just went too long for me. The first fifteen minutes or so were really great.

#2. Yuck!. France. This is the sweetest of the animated films as the whole thing was based around a first kiss. This was a nice animated short.

#1. In the Shadow of the Cypress. Iran. This was my favorite animated short. I loved the animation and I thought this story was the deepest. There was a lot of emotion. The father, daughter and a whale. I loved this whole thing.

However, my pick to win the Oscar is Magic Candies. I just have a feeling this is what the Academy will do. I hope In the Shadow of the Cypress wins, but I do not think it will.

Oscar Picks from EYG

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Here are my official Academy Award picks for the Sunday night awards. I am not seeing the short films until tomorrow so I will be skipping that pick as of now.

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

I’ll pick the other two tomorrow after I see the live action and animated shorts.