Tag Archives: horror

2024 Year in Review: The Top 30 Best Movies of the Year

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And here it is. The Top 30 Best Films of 2024 according to EYG. Again, as I said with the Worst Movies list, this is my opinion and if I have left off a film you love or you hate one of my choices, that is okay. You have the right to your own opinion. Make your own list.

I do think that this year has had a lot of films that have been in the middle. A bunch of movies that I was excited about turned out to be fine, just not great. I did have thirty films on this list and I did have to cut a few to get to that number.

Once again, the star ratings are not the end all in this list. I use the star ratings to get a general idea, but film opinions can change over time and this is my list as of now. For an example of how things could change, two years ago Wakanda Forever was my #1 film of the year, but now I wish I had made Matilda the Musical my #1 instead. It ended at #2, but if I were to do that list again, Matilda would be on top.

Anyway… here is the Top 30

EYG’s Top 30 Best Movies of 2024

#30. Nightbitch. I saw this movie last night. I had no idea that it was available and I spotted it on Disney +. It was legit a surprise to see it there and it kicked out Skincare from this list. I thought I was finished with 2024 movies, and here it made the Top 30.

#29. Rebel Ridge. A Netflix film featured a thinking-man’s Rambo like character played by Aaron Pierre taking on the crooked sheriff played by Don Johnson. I liked this approach to an action film.

#28. Emilia Perez. The first musical on the list and a film featuring a ton of great performances from Zoe Saldana, Selena Gomez and Karla Sofía Gascón. Another one available on Netflix.

#27. Kill. A violent, Indian Hindi-language film set on a train. It was brutal. It was vicious. It was exciting and filled with action. Worth every minute.

#26. Society of the Snow. Another version of the story of a rugby team that had crashed in the Andes and had to go to great lengths to survive the cold and brutal environment of the mountains. There is an avalanche that was astonishing.

#25. Civil War. Almost too realistic, this movie was difficult to watch at times. There was some real excitement involved here too as the cast does a solid job of showing the uncertainty of the world around them.

#24. Woman of the Hour. This is the true story of a serial killer who went on the Dating Game. Anna Kendrick excels as the woman who had to pick between the available bachelors unknowing that one of them is a real killer.

#23. We Live in Time. Emotional story told through amazing chemistry of Andrew Garfield and Florence Pugh. This is a tragedy and a love story all wrapped into one. Two powerful performances carry this through.

#22. A Quiet Place: Day One. The prequel to the successful franchise was one of those that succeeded when it should not have. Lupita Nyong’o took the place as the film’s protagonist and does a great job detailing the first arrival of the aliens.

#21. A Real Pain. Jesse Eisenberg wrote, directed and starred in this passion project seeing cousins Jesse and Kieron Culkin go on a Holocaust tour after their beloved grandmother died. A very emotional movie.

#20. Fly Me to the Moon. Channing Tatum and Scarlet Johansson star in a romantic comedy featuring the potential moon landing and how the government wanted to fake the landing to beat the Russians. I liked how this movie blended the reality and the conspiracy theory into a narrative that worked.

#19. Didi. Izaac Wang starred as Didi in this coming of age story. Zhang Li Hua, who played Didi’s grandmother stole every scene she was in. The film shows how social media can cause troubles for youth. This film is filled with angst and emotion and was a great showcase for the young actor.

#18. Strange Darling. One of the most original movies of the year. I actually loved how this movie told its narrative in an unorganized fashion, jumping around through chapters of the story. It allowed the filmmakers to create a different mind about what was going on. It shows you what you can do with story structure.

#17. Conclave. The process of choosing a new Pope is shrouded in secrecy, so why not make a mystery out of it? This has a bunch of sensational performances from Ralph Fiennes, John Lithgow, Stanley Tucci, Isabella Rossellini and Carlos Diehz.

#16. Saturday Night. Live from New York… it’s Saturday Night! I had no idea how close it came to having those iconic words never uttered on TV. This movie is all about the first ever SNL show and the series of crises that nearly kept it off the air. Great performances.

#15. Anora. Just when you think you know how this film is going to go, the movie takes a swerve and you do not see it coming. Brilliant work from Mikey Madison as Anora and Mark Eydelshteyn as Vanya.

#14. The Fall Guy. One of the films this year that did not do well at the box office, but was extremely entertaining. Ryan Gosling was exceptional as the stunt man who gets injured and loses the girl and his confidence. Based on the early ’80s TV show, this was a lot of fun with sensational stunts (of course).

#13. The Last Stop in Yuma County. A small time film that surprised me with how fantastic it was. Brutal and violent, this movie saw some great interactions between actors and a truly shocking conclusion.

#12. Heretic. Another awesome film with an actor playing against type. I never would have seen Hugh Grant in this lead role, but he carries it off beautifully. Some of the best dialogue written in a horror/thriller this year.

#11. Dune: Part Two. I really thought this would wind up in the top ten, but it came just short. It had sensational special effects and some great performances in the continuation of the Dune story. One of two great performances of the year for Timothée Chalamet.

#10. Abigail. This was one that I thought would be higher on the list, which speaks well of the movies ahead of it. I loved this action/horror film and I just wish that they had been able to keep the secret that Abigail was a vampire secret. I understand why they thought they couldn’t but I can’t imagine what the moment would have been if I hadn’t known Alisha Weir was the antagonist. Oh well, still loved it.

#9. A Complete Unknown. The second Timothée Chalamet movie that featured a great performance. Chalamet played the icon Bob Dylan and he lost himself inside the singer/songwriter. Chalamet also did his own singing and guitar playing. This was a great movie.

#8. Late Night with the Devil. This film was on the top of this list early in the year and it stayed in the top ten. Another way to use the found footage subgenre for an original film. David Dastmalchian is great as a late night host that was having some surprising supernatural events.

#7. Alien: Romulus. I found this highly entertaining and filled with suspense and tension. The Alien franchise had not had a great movie in awhile. This is easily the best Alien movie since Aliens at least.

#6. The Wild Robot. Animation had a great year too as this original film was filled with emotion as the robot Roz finds and help raise a baby goose. The movie is beautiful and provides a sensational message.

#5. Transformers One. I never would have guessed that this movie would be number five on my Top 30 list, but it was so great. I did not think making Optimus and Megatron friends when they were younger was needed, yet it turned out to be just about perfect. This was full of action and goosebump moments. Excellent film.

#4. Inside Out 2. This is the third of the run of animated movies and I loved it. It may be a better overall story than the first one with a better use of characters. There is no villain in this movie. It is just emotions that may not take you in the right way. It was also the highest grossing film of 2024 at almost $1.7 billion.

#3. Wicked. This took a big risk and it paid off handsomely. Wicked Part One was engaging, hugely entertaining and filled with great music and amazing performances. The Some people doubted that they could adapt the Broadway musical into a successful movie, but those people had to eat their words.

#2. Nosferatu. Dark, brooding and violent. Nosferatu placed the character of Count Orlok into the basic story of Count Dracula and it created some of the best mood of the year. Robert Eggers gave us one of the best horror movies of the year.

#1. Deadpool and Wolverine. This was probably destined to be on the top of this list. Seeing Deadpool and Wolverine in an MCU movie together was awesome, as was the list of cameos that came along with them. This was a love letter to the FOX Marvel movies. One of the funniest movies of the year with amazing Deadpool action and emotional Logan moments. This reached every expectation I ever had.

So there it is. The Top 30 films of 2024. Happy New Year to everyone.

2024 Year in Review: “All Right, Mr. Deville, I am Ready for my Close Up” Award for Best Director

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“All Right, Mr. Deville, I am Ready for my Close Up” Award for Best Director

Previous Winners:  A.G. Inarritu (Birdman), Tim McCarthy (Spotlight), Damien Chazelle (La La Land), Patty Jenkins (Wonder Woman), Alfonso Cuarón (Roma), Anthony and Joe Russo (Avengers: Endgame), Spike Lee (Da 5 Bloods), Jon Watt (Spider-Man: No Way Home), Ryan Coogler (Black Panther: Wakanda Forever), Christopher Nolan (Oppenheimer)

The role of the director is a vital one in any movie. I have chosen the top ten directors of 2024 to present here. Some of these will be considered for Oscars, others on my list will have to settle for recognition from EYG as I will look at the genre films with a fairer view than Academy voters.

“All Right, Mr. Deville, I am Ready for my Close Up” Award for Best Director Top Ten

#10. Francis Galluppi, The Last Stop in Yuma County. This was an outstanding independent film that I found on Vudu and was completely enthralled by. This was Galluppi’s first feature film.

#9. Coraline Fargeat, The Substance. What a tremendous job done by Fargeat on The Substance, the shocking, body-horror film that brought Demi Moore back into conversation for Oscar.

#8. Jess Eisenberg, A Real Pain. Eisenberg wrote and directed this film about two cousins on a Holocaust tour. Jesse is the only director on this list who also starred in the film which has to make this even more challenging.

#7. Fede Alvarez, Alien: Romulus. Alvarez brought the Alien franchise back to its roots with this outstanding film. It was tense and frightening and beautifully shot.

#6. Sean Baker, Anora. The way this film was shot really highlighted the strengths of each of the characters and switched paths about half way through. Baker is exceptional.

#5. Denis Villeneuve, Dune: Part Two. A gigantic sci-fi epic is not going to be easy to direct and Villeneuve does it spotlessly. His work with the CGI is some of the best you will ever see.

#4. James Mangold, A Complete Unknown. This Bob Dylan biopic was such a great film, with the use of music being front and center, Mangold has had a career of cranking out some excellent movies and this was one more.

#3. Shawn Levy, Deadpool and Wolverine. Shawn Levy has a real bond with Ryan Reynolds and you have to be able to manage that to give us one of the biggest hits of the year. He deserves more credit than he receives for this movie.

#2. Jon M. Chu, Wicked. Another epic film, this time an adaptation of the iconic stage musical. It was a rousing success and Chu’s handiwork is one of the main reasons why.

And the #1 Director and winner of the “All Right, Mr. Deville, I am Ready for my Close Up” Award…

Robert Eggers, Nosferatu

One of the great young directors in the horror genre released his most recent film Nosferatu at Christmas this year and it is completely stylish and gorgeously shot. He is able to get amazing performances from his cast and his visual storytelling is on par with the bests around. Nosferatu is a stunning movie and he deserves this award.

2024 Year in Review: Best and Worst Horror Movies of 2024

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Unlike sci-fi, there has been a ton of horror movies. There are plenty to choose from for the best and worst this year.

Best Horror Movie

Previous Winners:  A Quiet Place, It, Don’t Breathe, It Follows, The Conjuring, As Above So Below, Cabin in the Woods, Doctor Sleep, Black Box, Fear Street trilogy, The Menu, A Haunting in Venice

Best Horror Movie of 2024

Runners-Up: There are some great horror movies and several of these are going to wind up in the top 10 of the Best Movies list coming soon. I was hoping to give this award to a couple of these along the way. Such as Abigail, which when I first saw it, I figured this was the winner of this award. Heck, for awhile, this had a shot to be at #1 overall on the year (Spoiler alert: It will not be). I had loved Late Night with the Devil with David Dastmalchian. I found that to be completely original and reengaged the old found footage subgenre. I placed Alien: Romulus in this category instead of Sci-Fi and it was one of my favorites of the year. Another surprise film was Heretic with Hugh Grant. That movie was another huge hit and one that I loved.

However, I just recently saw the film that needed to win this award. It will be somewhere in the top 5 of the year on the final list.

Nosferatu

This vampire movie was such an amazing feat. It was basically the story of Count Dracula, but with Count Orlok in his place. And it was beautifully shot, acted and presented. It was creepy and scary as could be. A master class of visual storytelling as well as creation of a mood.

Worst Horror Movie of 2024

Runners-Up: There were an excess of poor horror films this year. The year kicked off with one of the worst with Night Swim. Imaginary I saw plenty of trailers for, but it was terrible. Dumb bear. Tarot is in contention for one of the worst films of the year, not just horror-wise. The Strangers Ch. 1 was a unnecessary reboot that ruined the franchise immediately. The Watchers… honestly I do not remember anything about that one. The Exorcism was one more bad movie starring Russell Crowe. Not his best year ever. Immaculate was another flopper among these horror flicks.

The worst horror movie of 2024 is from the same franchise that had the worst horror movie of 2023… a sequel!

Winner: Winnie the Pooh: Blood and Honey 2

This one fooled me. I went in thinking this would be better. I had seen a couple of positive reviews and I thought it would be good campy fun. Nope. Just the same horrendous acting, violence for no reason and just lackluster storytelling. The worst horror film back to back years… has to be a record!

2024 Year in Review: The Logan/”Hurt” Trailer of the Year and other things

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Trailers are so important to spread the word about movies to the public, specifically the people who may not be as tied in to movie news as some may be. So this year we are instituting a new award for the best and worst in trailers from 2024.

Best Trailer: Superman. This was a tough choice, but this teaser trailer made me excited to see Superman next year, and that is the job of a trailer.

Worst Trailer: Transformers One. I’ve said this before, but I hated this trailer and it nearly caused me to not want to go see the movie. It highlighted all of the humor that simply did not work in isolation. In context, it was much funnier, but in this way, it was horrible. For such a great movie, this trailer was an epic fail.

Best TV trailer: X-Men ’97. Yeah, baby. The mutants were back and this trailer gave us a glimpse into the brilliance that we would get in X-Men’97. How did this become such an amazing show?

Why show that Award: Deadpool & Wolverine reveal of Laura. It was in the final trailer, like a week before the movie released and the trailer spoiled the appearance of Daphne Keen as X-23, aka Laura from Logan. Why? There is no way that her appearance was going to encourage someone else to go see the film at this point. It was just a waste of a spoiler and a poor choice.

Creepiest Trailer: 28 Years Later. This is legit scary. I was totally creeped out when I first saw this trailer and every time I have seen it since, I have had an uneasy feel. Great use of atmosphere and tension to promote the movie.

Most Unexpected Trailer: Karate Kid Legends. Jackie Chan and Ralph Macchio? Weird. The trailer does give us an idea of what the film will be like. How does Cobra Kai play into this, if at all?

Nosferatu

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I have been looking forward to this movie for quite awhile. I have enjoyed every time Nosferatu has found his way onto the screen and so I expected to enjoy this too.

This is basically the Bram Stoker Dracula story with Count Orlok (Bill Skarsgård) in the lead vampire role. Orlok has become obsessed with a young recently married woman named Ellen (Lily-Rose Depp) and he stalks her while tormenting the people of her town.

There are so many things that are great about Nosferatu. The acting was sensational from everyone. Nicholas Hoult played Ellen’s husband Thomas brilliantly. Willem Dafoe was Prof. Albin Eberhart von Franz, the bizarre professor with the idea on what needs to happen. Aaron Taylor-Johnson played Thomas’s friend whose wife, Anna (Emma Corrin) was friends with Ellen.

The cinematography and images on the screen were absolutely stunning. The shots of the sea with the Demeter was artistic as could be. The imagery of every shot on the screen was beautiful and compelling. There was a shot of Orlok’s shadow with Ellen at the very beginning of the film which was amazing. There were images everywhere in the movie that stood out, showing what an amazing job director Robert Eggers has done on this movie.

I loved the coloring of the film too. It made it feel special and even the most frightening moments of the film looked lovely. The craftsmanship of the film is stunning and this film will be earning several tech Academy Award nominations when it comes time.

The movie was violent and brutal. There are moments where the images were difficult to watch.

The only drawback I can say is that it is basically the Dracula story retread and it might be a touch long. Other than that, this is a masterful reboot of the iconic film. I had went into the film with high expectations because I had heard so many positives about it, so that is always a danger. All of my expectations were reached and exceeded. This is a fantastic movie.

5 stars

I Saw the TV Glow

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The other film I rented off Fandango at Home/Vudu was entitled I Saw the TV Glow, and Zi had heard plenty of buzz about this, in both positive and negative ways. I thought this would be a good film to give a try.

I have to say that this was very surreal, dream-like and metaphoric. It was a difficult movie to follow and so much of it was shot intentionally to create that feeling of confusion or interpretive.

According to IMDB, “Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.”

One of the film’s main themes deal with reality and identity… who they were on the inside. I do believe that this was a metaphor showing the way some people can deny whom they are, pretending that they are something else. I have a feeling that this movie will reverberate with some people considerably more because of that theme.

I also believe that there are several ways that this movie could be interpreted and that no one way is exact. Since this narrative is not one with straight-forward situations and answers, the audience member brings a lot of what they infer with them centered around their own personal knowledge and background. That makes this material quite rich.

The film was trippy and psychedelic in the best ways. Some people are going to look upon this movie with disdain for any number of reasons, but I was fascinated with it and I was intrigued with what was happening with these characters. I’m not sure how many times I would watch this movie on rewatches, but the first time experience was worthwhile of my time.

3.6 stars

2024 Year in Review: The Gomers for the Biggest Surprise

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2024 had plenty of films that fell into the middle of the range between good and bad. Honestly, however, it had a bunch of films that were surprises too. Thus, we have this year’s Gomer Award being quite a challenge to present. There are so many potential choices.

The Gomer for the Biggest Surprise

Previous Gomer Award Winners:  The Gift, Ferdinand, Edge of Tomorrow, We’re the Millers, The Campaign, Ouija: Origin of Evil, Bumblebee, Crawl, Greenland, Free Guy, Deadstream, Totally Killer

Here are the runners-up:

First off, Late Night with the Devil from David Dastmalchian was a huge surprise because it just was something that I had not heard much from. I did hear Kevin Smith mention it on an episode of Fatman Beyond, but still. for it to be one of the best of the year, who saw that coming? Then, since I disliked the original film, who would have guessed that a new version of Roadhouse starring Jake Gyllenhaal that went immediately to streaming would be any good. It was and I couldn’t believe it. Another one that was a reboot of sort from a movie that I did not like was Twisters. No way that was a film I was going to enjoy and yet I did. Abigail was a surprise until I realized that Alishia Weir was the star. I knew it was going great after that. Hit Man was another I saw on streaming that had no right to be as good as it was. It’s the second film on the list from Glen Powell. Sharks in Paris? No way that was anything other than a member of the worst movies of the year list, right? Wrong. Under Paris was a lot of fun and way better than it should have been. Longlegs provided one of those shocking moments in the theater when you discover that Nicolas Cage was going to go over the top and still be awesome. I spoke about how much I was surprised that I enjoyed The Best Christmas Pageant Ever as I was trying to find an award for Best X-Mas Movie. Skincare? Another one that had no appeal to me that turned out to be fully entertaining. Strange Darling was weird, but really wonderfully constructed and engaging.

Yet after all of this, one film was the biggest surprise of the year. Spoiler for an upcoming Batman and Robin Award for Rottenness winner, this film one of the worst trailers of all time and nearly caused me to skip the film. Little did I know that this is probably a top 10 film of the year (certainly in consideration, at least).

Transformers One

This was an amazing movie and was one of the best animated films of the year. I never thought making Optimus and Megatron friends when they were younger would work. They weren’t Charles Xavier and Magneto, and yet this was done so well that everything made perfect sense. After so many years of utterly hating Transformers films, loving this one, especially after that horrendous trailer, was totally unexpected… and thus a Gomer winner.

PS: Interestingly enough, this is the second Transformers movie to win this award, with Bumblebee being the other. The original Transformers movies brought the bar so far down that I have trouble seeing them as a positive thing.

2024 Year in Review: I See Kid Actors

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Once again, we have the award for the best child actor award from movie or TV. This award goes to the actor who must be 17 years old or under. If they turn 18, they are no longer eligible for this award.

I See Kid Actor Award 

Previous Winners:  Emjay Anthony (Chef), Jacob Trembley (Room), Millie Bobby Brown (Stranger Things), Dafne Keen (Logan), Elsie Fisher (Eighth Grade), Noah Jupe (Honey Boy), McKenna Grace (Troop Zero), Jeremy T. Thomas (Antlers), Alisha Weir (Matilda the Musical), Madeleine Yuna Voyles (The Creator),

These are the runners-up:

In the coming of age movie Didi, Izaac Wang played the lead role and he carried the film. He had to do a lot of emotional work and he was certainly in the running for this award. Elliott Heffernan was the main protagonist in Blitz, and his trials on returning to his mother through war torn London were thrilling. William Fitzgerald debuted as Ezra alongside Robert DeNiro and Bobby Cannavale, and he held his own. The Best Christmas Pageant Ever brought a couple of strong contenders for this award in Beatrice Schneider, who played the lead troublemaker Imogene Herdman, and Molly Belle Wright, who played Beth, the eyes of the audience and perhaps the heart of the film. Cailey Fleming matched up wonderfully with Ryan Reynolds in IF. Dan Hough had to perform without any words in Speak No Evil and he delivered a sensational performance.

However, when I saw this movie, I knew this was the winner of this award. She is the first ever 2-time winner of the I See Kid Actors Award….

Alisha Weir (Abigail)

Alisha Weir won this award a couple of years ago for her performance as Matilda in Matilda the Musical, and you couldn’t get further away from that role with her role as the titular child vampire. Alisha Weir’s dedication and commitment to this performance dominated the movie and she picked the whole film onto her demure frame. She was the key element to why this horror/comedy worked. I wish they had not spoiled the reveal of Abigail as a vampire in the trailers because I can’t imagine how effective it would be if I hadn’t have known the twist.

The X-Files S7 E12

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Spoilers

“X-Cops”

Bad boys, bad boys… whatcha gonna do?

This X-Files episode was an extremely clever and creative one as it was a blend of X-Files and another of the big hits on FOX at the time, Cops.

Cops was a TV program that had cameras follow different law enforcement agents around and recorded their interactions with their cases. This X-Files episode crossed over with its fictional story of what we thought might be a werewolf, but turned into much more. It was a creature of some sort that was feeding on fear.

Some of the best and most classic episodes of the X-Files blended the bizarre, paranormal world with comedy. “Bad Blood,” “Jose Chung’s From Outer Space,” and “Clyde Bruckman’s Final Repose” being top examples the show’s comedy. “X-Cops” expertly mixed its comedy in with this ultra serious and realistic situation.

I loved how Scully was reacting to the camera crew. Every time she made some comment or turned a different way, Gillian Anderson showed off her remarkable comedic timing. For example, Scully, doing an autopsy, turned directly to the camera and said “The FBI has nothing to hide,” a statement Skinner had told Scully on the phone when she called him to let him know about the cameras involved in this case.

The episode started with a disclaimer about a special episode of the X-Files and followed that with the Cops TV show theme song. The title included some shots of Mulder and Scully, which was done to prevent any audience members from being confused and thinking that Cops was on instead of the X-Files.

This is one of the best episodes of season 7 and should be included on any list of the best X-Files episodes ever.

The X-Files S7 E10 E11

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Spoilers

“Sein Und Zeit”

“Closure”

The X-Files investigates the JonBenét Ramsey case.

Ok, not exactly, but they may as well have.

Only, they tied it into Mulder’s missing sister and his own family tragedy.

I was surprised when this turned out to be a two part episode as some horrible images were shown, including a mass graveyard of children. This was a shocking moment that I did not expect in this series.

You see, at first, I felt very dismissive of this episode, in particular “Sein Und Zeit” because it felt as if the fictional case of this episode was such a take off of the Ramsey case that it seemed exploitive. Then when they tried to connect it to Mulder’s sister, it really took another step away from what I wanted.

Then, Mulder’s mother, who had tried to contact him, committed suicide.

And the emotional power of the episode really took over.

David Duchovny brought some of the best work I have seen from him in a long time. The scene where Scully tells Mulder that his mother had a terrible disease and that she had committed suicide and not killed by some mysterious conspiracy was extremely powerful.

This was all building to answering the question about what happened to Samantha Mulder. As I am watching it, I did not believe that the show would give us a final truth. I saw on Wikipedia that Chris Carter believed that season 7 might have been the final season of the X-Files so I thought that maybe that elusive mystery would finally be revealed. The title “Closure” leads to the idea as well.

Cigarette Smoking Man showed up to see Scully, and I kept yelling at her to shoot him in the head. She didn’t.

As I continued to watch the episode, I started believing that the show might actually give an answer to the mystery. I did not grasp the idea of what in actuality happened. Samantha was apparently taken by “walk-ins” which was a concept told to Mulder by a psychic named Harold Pillar (Anthony Heald) who was also in search of his own missing son. A walk-in was a being made of starlight that would take children who suffered horrible fates.

That whole concept was strange, but the scene where the spirit of Samantha Mulder came to Fox Mulder and hugged him was quite beautiful and provided the character with some serious closure. He could accept that Samantha was gone and, as he said at the end of the episode, he said, “I’m fine. I’m free.”

I am still not sure how his mother played into this. What was her message? Did she know this was Samantha’s fate or what was going on. We saw Mulder’s mother’s spirit come to him and whisper something. I am just not sure that fit with what the show was telling us.

We also got the image of the little girl whose disappearance started this whole thing indicating that she too had become starlight and was, in fact, dead.

I am not sure I love the resolution of this seminal mystery, but I am happy that it is done. I am not sure that all of the different times when we learned bits about Samantha fit into this theory and it works best when you forget about some of those. The whole Samantha mystery was used multiple times over the seasons for episodes and I wonder how much they knew about what actually happened to Samantha.

No matter what, even if the resolution was not totally satisfactory, I am glad that it was addressed and that Mulder was given closure. It is good that this Samantha story ended here.

The X-Files S7 E7

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Spoilers

“Orison”

One of the most fascinating aspects of the X-Files has been the inclusion of religion and faith into the story. Fox Mulder, who believes in just about anything and everything, has a blind spot where it comes to God. To a point where he has been dismissive of spiritual belief over the years. Meanwhile, Dana Scully, the skeptic, the agent placed on the X-Files to debunk the craziness of Mulder’s work, believes in God and Heaven. This strange dichotomy continued in this episode “Orison.”

This episode was basically a sequel to the second season episode “Irresistible” where the character of Donnie Pfaster originally debuted.

The episode really brought it home as Pfaster kidnapped Scully with the intention of killing her, as the one who got away. Scully fought hard, and I was absolutely rooting for her as she showed some solid attack moves. Of course, stopping to try and use the phone was an error in judgment. She should have just found something to pummel Pfaster into oblivion.

I loved how Scully was able to get herself free and did not require Mulder to save her, even though he arrived and held a gun on Pfaster, she was already loose. Then, the dramatic scene where Scully shot Pfaster multiple times was surreal.

Was this out of character for Scully? Maybe, but it is absolutely understandable. This character of Scully has had plenty of close calls and this one felt even more personal. When Scully worried that it was not God that had spoke to her to kill Pfaster, that was chilling.

I would have liked more with the priest who had helped free Pfaster. The titular character, Orison, was a bit of a toss aside character in a story where his presence was vital.

I am never a huge fan of the religious based episodes of the X-Files because it feels as if Mulder’s total denial of God does not fit his character, but this focus on Scully made this a worthwhile episode.

The X-Files S7 E6

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Spoilers

“The Goldberg Variation”

“Luck isn’t a superpower…” said Deadpool to Domino in Deadpool 2. Well, we saw in that flick that it absolutely was. Longshot would also disagree with that assumption.

It seems that Fox Mulder would be in that camp too as Mulder and Scully come across a man who was thrown out of a window of a 300+ story building, falling to his apparent doom, only to walk away practically unscathed (he did have a bruise on his elbow).

“The Goldberg Variation” introduced us to the character of Henry Weems, who appeared to have the most amazing luck in the world, while people around him had to suffer to keep the balance. Cause-and-effect, as Mulder said.

This is a “monster-of-the week” episode where a sad sack individual has something weird or paranormal about them and have to spend time with Mulder and Scully. We see the same idea in Clyde Bruckman’s Final Repose from season three, only that turned out more tragic than this one did.

Henry Weems got himself in trouble with the mob by getting involved in a poker game and winning big. The whole gangster part of the episode was a bit far, but I did like the overall end for the plot. It was nice having Henry connected to the boy in the building who needed a transplant. I thought from the beginning that Henry would wind up being the person who would be compatible as an organ donor and that he would die at the end to save the kid.

However, making it one of the gangsters was a nice twist, subverting the expectation of the trope. It also worked nicely with the theme of the episode.

Bates Motel S5 E9, E10

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“Visiting Hours”

“The Cord”

The rewatch of Bates Motel came to an end tonight as I watched episode nine and ten of season five. I did not remember any details of this finale so I had no idea of what was going to happen.

I was afraid that I would not feel that the end of this show would have a satisfying end. I was wrong.

It has been fairly clear the last season that this is not a prequel to the movie Psycho. It just had the character of Norman Bates and the setting in place, but they did not feel the need to keep things so they would line up with the movie.

I mean, Norman died at the end. That would make it difficult to have the movie come after this.

The scene between brothers with Dylan killing Norman in self defense, because Norman wanted him to. Dylan was shocked by the corpse of Norma at the dinner table. Freddie Highmore and Max Thieriot brought some amazing emotion and energy to this final confrontation.

What did feel like a letdown was the end of Alex Romero. The ending was always going to be about the Bates brothers and not Romero, but I loved Romero and Norma as a couple as I have mentioned several times so I wanted Alex to have some kind of retribution. Of course that was not going to happen. Alex’s emotions over the Norma body is what cost him his life. He should have killed Norman first, but he was not thinking, he was still in total grief.

I was very happy that Dylan and Emma wound up together. I was a little worried that they would no longer be together because Emma was mad about her mother being murdered by Norman. However, the end of the episode showed Emma, her daughter and Dylan meeting up and they shared a kiss. This was a wonderful moment that made me very happy. At least one of the great couples from Bates Motel made it through the series.

I am glad that I have made it through this series. It was a quality show that flew under the radar while it was on TV.

Bates Motel S5 E7, E8

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“Inseparable”

“The Body”

So much for Chick being the author of the novel Psycho was based on. One bullet to the head from Alex Romero took care of that.

I really do not remember how this is resolved, so I cannot begin to know where this is heading. I just have two more episodes left for the season and it is thrilling. I’m sure I watched this when it was released on A & E, but I legit do not remember much of this.

These two episodes had so many massive moments that it took my breath away.

The whole scene where Norman, as Norma, attacked Dylan and Norman prevented his other side from stabbing him was insane. I was telling Dylan to get out of there, I was so worried about him. Dylan is the conscience of the story, the heart of this family. His loyalty to his brother, despite all, is amazing. I do not remember Dylan’s fate, but I really do not want him to die. I want him to go back to Seattle with Emma and raise their baby girl, Katie. I feel a foreboding that those thoughts are pipe dreams.

Alex Romero is another character that I do not want to see come to an end. I think he is going to end up dying, but his will to come back for vengeance against Norman is downright Shakespearian. Alex is so damaged that you could see the pain constantly. The look on his face as Chick was telling him about what Norman had done (digging up Norma’s body and building a ‘mausoleum’ for her int he basement freezer) was very telling. There was one shot where his face looked to be like death itself, pale and conflicted.

I kind of loved watching Norma take over control of the body of Norman only to be thwarted by the new sheriff. ‘Norma’ thought she had everything handled, but surprises kept coming.

The police discovered the body of Emma’s mother in the lake alongside the guy Romero sent to try and kill Norman.

Just two more to go…

Bates Motel S5 E2, E3, E4, E5, E6

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“The Convergence of Twain”

“Bad Blood”

“Hidden”

“Dreams Die First”

“Marion”

Got on a bit of a run during the final season of Bates Motel. A couple of things turned out clearer than I remembered when I first watched the series on A & E.

First, I always had an issue with the Marion Crane storyline, which began to happen this season because I had believed that this was a prequel series to the Psycho movie from Hitchcock. However, I realized that this was not the case… or at least, I think that is the case.

When Norman chained Caleb in the cellar, Chick discovered all of the secrets of Norman and his “Mother.” He saw the frozen corpse of Norma in the basement. Chick, being the opportunist he is, decided he would write this story. He got a typewriter and was taking notes on a tape recorder. He told Norman that he was writing a suspense/thriller novel that he thinks could be a good movie someday. So the show is now an inspiration for the novel/movie instead of a prequel. I like that switch, and I wonder why I did not see it last time.

Understand, it might all be for naught considering I do not remember if Chick met an end during the series. If that turns out to be the case, then perhaps I will have to adjust my thoughts.

Second was the way Dylan and Emma finally found out that Norma was dead. It was a small scene, but it was really well acted. Dylan not knowing about what was happening with Norma was one of the more frustrating parts of the season. I know why they did it, but it was tough. Of course, Dylan lost both his mother and father. The scene with Dylan and Norman on the phone was powerful considering they were just on the phone together.

Third, I was not expecting Romero to get shot, but I do now remember it happening. Buckshot from a kid’s gun. He shows how tough he continues to be. I’m not sure if the show intends for us to hope that Romero fails, but I find myself rooting for him way more than I ever root for Norman.

Five more episodes remain in the series.